مطالبات فيديو لفئة Cityscape Street

Generate a 15–20 second, 9:16 vertical, strictly one-shot hyper-realistic cinematic video. A single continuous aerial follow shot throughout, no edits, transitions, jump cuts, teleportation, or lens resets. [Reference Image Roles] Image 1: Action and close-up composition reference when landing on a car roof. Image 2: Action reference for the character parkouring and leaping between moving car roofs. Image 3: Reference for the sunset sky, New York red brick neighborhood, web swinging, and final wide-angle atmosphere. Image 4: Reference for the first frame, character identity, face, hairstyle, clothing, and bedroom environment. [Character Consistency] Always the same young Asian woman from Image 4: same features, black medium-length straight hair with bangs, same off-white short-sleeved knit top, off-white high-waisted shorts, and white sneakers. No face-swapping, no outfit changes, no Spider-Man suit, no mask; body proportions remain natural and stable. [Continuous Shot & Action Timeline] 0–3s: The shot begins inside a cluttered, warm New York bedroom. The girl sits cross-legged on a wide windowsill like in Image 4, surrounded by bedding, books, photos, and daily items. Golden sunset light streams in. She looks calmly at the camera, makes brief eye contact, then naturally turns to look at the city outside. The camera slowly approaches her, then flows past her side out the window, maintaining continuity. 3–5s: She quickly uncrosses her legs, plants her feet firmly on the sill, and stands up with a clear center of gravity. She raises her right hand and shoots a thin but visible white spider web from her wrist toward the upper exterior. The web adheres to a fixed point on the opposite red brick building and tightens instantly. She pushes off the sill and leaps out. The camera follows her through the window without cutting. 5–8s: She swings down toward the street in an arc. Gravity, inertia, and speed changes are realistic: accelerating downward, then swinging forward as the web tightens; hair and clothes flutter in the wind. The camera follows from a side-rear angle, descending with a slight Dutch angle. She releases the web and lands on the roof of a slowly moving black car. Solid contact between soles and metal; the roof dips slightly; she absorbs the impact by bending her knees and swinging her arms—no floating. 8–12s: She immediately sprints across car roofs on the residential street. The camera follows low-altitude side-rear. She completes three clear parkour moves: running on the first car; pushing off the edge to leap a realistic distance to the second; landing with knee cushioning; then leaping to the third. Each step has clear takeoff, push-off, airtime, landing, and impact feedback. Cars move steadily; perspective is stable; no slipping or ragdoll physics. The camera tilts with a controlled Dutch angle. 12–15s: Near the end of the street, she leaps from the last car, shooting another web upward. The web adheres to a high point on a red brick apartment. The line starts slightly slack, then stretches and rebounds naturally under her weight. She swings in a pendulum arc from one building with black fire escapes to another. 15–20s: The camera seamlessly follows the second low-altitude swing, staying between the street and rooftops. The shot smoothly pulls back into an ultra-wide angle, revealing the full New York red brick townhouses, fire escapes, street traffic, and layered roofs. She swings toward the sunset, becoming small in the center of the massive city frame. Ends with a stable Dutch angle. [Physics & Cinematography] Realistic gravity, inertia, centrifugal force, landing impact, and parkour mechanics. Webs connect wrists to fixed anchors; length is stable; natural tension and rebound. No straight-line flying. Camera moves like a high-mobility FPV drone: continuous window passage, diving, street chasing, rising, and retreating. Smooth motion blur, no jitter. [Environment & Style] Low-rise NYC residential area, red brick townhouses, fire escapes, narrow streets, real traffic. Golden hour, warm orange/pink sky, dramatic clouds, volumetric light, rim lighting, glass reflections. Hyper-realistic cinematic texture, real skin/hair/fabric, wide dynamic range, cinematic grading, fine film grain, 8K look. [Strictly Avoid] Edits, transitions, jump cuts, time jumps, scene changes, teleportation; character changes, masks, or superhero suits; extra people; distorted limbs; ragdoll physics, floating, sliding; feet missing car roofs; webs appearing from palms or without anchors; skyscraper flying; cartoon/CG look, flickering.

Create a 30-second ultra-photorealistic early-1980s French countryside documentary, shot on vintage Kodak 16mm. It must look like genuinely forgotten archival footage discovered decades later—not modern footage with a vintage filter. STYLE: Faded warm Kodak colors, organic 16mm grain, subtle light leaks, soft highlight bloom, slight gate weave, exposure fluctuations, natural motion blur, imperfect focus, realistic skin texture and period-authentic optical imperfections. Warm golden afternoon sunlight. No digital sharpness, AI smoothness, glossy cinematic grading or commercial polish. CAMERA: Shoulder-mounted handheld 16mm documentary camera operated by a real human. Subtle shake, imperfect framing, focus hunting, natural camera lag, occasional reframing and slight exposure breathing. Observational and spontaneous. Nobody acknowledges the camera. 0–5s: A slim, naturally beautiful blonde European woman in her early 20s walks through a quiet cobblestone street in a small French village. She wears a simple beige linen midi dress and brown leather sandals, carrying a woven basket filled with flowers and bread. Her hair is loosely tied with flyaway strands. No makeup, no posing. She trails her fingers along old stone walls while glancing at flower-filled windows. Close handheld tracking shot. 5–10s: The camera falls slightly behind as she enters a cozy village square. A baker carries fresh baguettes, an elderly couple chats on a bench, colorful bicycles lean against ivy-covered buildings, and a small golden retriever crosses the camera path. The camera instinctively shifts to avoid the dog, creating an authentic human reaction. She continues walking naturally. 10–15s: Outside a tiny flower shop, a little girl accidentally drops a bouquet of wildflowers. The woman gently kneels, gathers the flowers and returns them with a soft spontaneous smile. The child smiles shyly and runs toward her mother. Completely unstaged; nobody looks at the camera. 15–20s: She continues through rustic stone streets with wooden shutters, laundry, flower boxes and small market stalls. A breeze moves her dress and hair. She pauses briefly at a bakery window, looking at fresh bread. The handheld camera drifts and corrects naturally. 20–25s: She leaves the village and walks toward a quiet overlook. The camera follows from behind as the scene opens into rolling green vineyards and distant hills beneath golden afternoon light. Birds cross the sky. 25–30s: At an old iron railing, she rests both hands and watches birds over the valley. Wind moves loose hair across her face; she tucks it behind her ear and smiles subtly. She walks away. The camera pauses, lets her become smaller in frame, then gently follows. CONTINUITY: Same woman, blonde hair, beige linen dress, basket and natural appearance throughout. Authentic early-1980s environment with no modern objects, clothing, cars or architecture. FINAL LOOK: True archival 16mm documentary realism, Kodak film grain, faded colors, realistic skin pores, organic exposure, subtle flicker, light leaks, gate weave, imperfect focus and authentic handheld motion. No AI beauty smoothing, plastic skin, excessive depth of field, slow motion or modern cinematic polish. ASPECT RATIO: 16:9

Create a 10 second cinematic live action video in 16:9, one continuous unbroken shot at night. A quiet roadside parking lot sits beneath a deep navy star filled sky. In the lower left background is a small retro service station or convenience store with cool fluorescent interior light and a thin warm orange roof glow. Dark parked cars, utility poles, overhead wires and tree silhouettes remain stable in the distance. The asphalt is washed with dim amber and reddish streetlight, with natural shadow falloff and faint haze. Two young adults wear simple white oversized T shirts, loose gray trousers and white sneakers. One stands on the asphalt near the lower center of frame. The second person is suspended high above, connected only by one hand, creating a surreal low gravity moment. Keep both identities, clothing, body proportions and hand contact perfectly consistent for the entire shot. Camera is around waist height with a 28 mm full frame lens, slightly tilted upward so the sky dominates. Use restrained handheld micro movement, no obvious pan, no zoom, no artificial stabilization. Preserve realistic perspective, parallax and lens behavior. Exposure favors the night sky while warm light gently models skin, fabric folds and shoes. Use subtle highlight bloom, mild sensor grain, natural motion blur and realistic contrast. Avoid glossy commercial perfection. From 0 to 1.5 seconds, begin with the standing person planted beneath the floating person, arm stretched upward. The floating body is slightly curled, knees bent, torso angled diagonally, hair and shirt moving lightly in the night air. Their joined hands form the visual anchor. From 1.5 to 3 seconds, the floating person glides slowly upward and toward screen right as if carried by a gentle invisible current. The body lengthens from curled to almost horizontal. The standing person raises the shoulder, shifts weight through the hips and pivots one foot to maintain balance. From 3 to 5 seconds, continue the smooth lateral drift. The airborne person becomes nearly horizontal, legs extended behind, toes relaxed, free arm reaching outward. The standing person stays grounded and rotates slightly toward screen right. Their connected arms create a long diagonal line across the frame. From 5 to 7 seconds, let the floating body pass farther into the upper right. Show believable shoulder tension, wrist angle, finger grip, fabric drag and hair movement. The grounded person widens the stance and makes one small natural step, with a faint shoe scrape on asphalt. From 7 to 9 seconds, the airborne person approaches the far upper right edge while staying fully visible. The grounded person leans and follows with another subtle weight shift. Background geometry, stars, poles, wires and parked vehicles remain stable with no warping or flicker. From 9 to 10 seconds, ease the motion into a suspended final pose rather than stopping abruptly. Add tiny breathing movement, cloth flutter and natural body sway. End on the stretched hand connection against the large starry sky. Physics should feel strange but visually credible. Maintain correct anatomy, five fingers, stable faces, natural joints, realistic cloth simulation and coherent lighting. No morphing, no duplicated limbs, no sudden speed changes, no camera jumps, no text, no subtitles, no visible logos. Music should be a dreamy nostalgic instrumental around 116 BPM with soft analog synth pads, a gentle low bass pulse, delicate bell like tones and restrained percussion. No vocals. Let the music lift with the floating motion, swell subtly around 6 seconds, then resolve softly in the final pose. Blend in faint night ambience, distant electrical hum and light wind.

Use <<<image_1>>> as the SOLE appearance reference for the FEMALE LEAD and <<<image_2>>>as the SOLE appearance reference for the MALE LEAD. Preserve their exact facial identity, facial structure, hairstyle, hair color, body proportions, outfits, shoes, accessories, and clothing colors in every frame. Do NOT redesign, recolor, replace, modify, simplify, or add anything to their clothing or accessories. The two leads must remain unmistakably the same people throughout the entire video. No face morphing, identity drift, hairstyle changes, body changes, wardrobe changes, or age changes. EXTRAS: Exactly 10–14 ensemble dancers. They must have completely different faces from both leads. Do not make any extra resemble either lead. Diverse ages and ethnicities. Wardrobe: colorful pastel summer clothing — sunflower yellow, sky blue, coral, mint, soft pink, cream — including flowing summer dresses, light shirts, trousers, and tailored suits. Their styling should feel like a vibrant modern interpretation of a classic Hollywood musical. Natural fabric movement, realistic hair movement, and varied individual body language. Extras must never look duplicated or cloned. === FORMAT === Premium 30-second cinematic romantic musical film. 16:9 landscape. Fully photorealistic. ONE continuous flowing cinematic take with NO visible cuts. The entire video must feel alive, energetic, romantic, spontaneous, and human. There must be NO dull moments, no empty stretches, no static compositions, no performer standing motionless, and no long shots where nothing meaningful happens. Something should always be evolving through character movement, camera movement, background action, facial expression, choreography, environment, or music. Native 16:9 composition. No letterboxing. No black bars. No artificial AI-video aesthetic. The final result should feel like a real premium musical scene filmed on location with professional actors, dancers, cinematographers, and musicians. === LOCATION / ENVIRONMENT === Set the entire scene on a beautiful Mediterranean-style seaside promenade during a pleasant summer morning. A wide elegant pedestrian promenade runs alongside a sparkling blue sea. Warm cream-colored stone buildings line one side of the promenade. Small stylish cafés with outdoor tables and umbrellas open onto the walkway. Palm trees and Mediterranean plants move gently in the sea breeze. A low stone sea wall runs along the waterfront. Small sailboats and distant boats are visible on the horizon. A few colorful awnings, flower planters, bicycles, and café chairs create natural environmental detail. The location should feel upscale, cinematic, lived-in, and authentic rather than touristy or artificial. The sea provides bright atmospheric depth behind the performers. The promenade should have enough space for the leads and dancers to move naturally without feeling crowded. The environment itself should constantly provide subtle visual movement: palm leaves moving in the breeze, distant boats drifting, pedestrians walking, café activity, fabric moving, dancers crossing the promenade, and sunlight reflecting softly from the water. Do not make the background chaotic. The leads remain the visual focus. === MUSIC — 30-SECOND ROMANTIC ENERGY ARC === Create an ORIGINAL romantic cinematic pop song at approximately 108 BPM. Major key. Warm, joyful, playful, flirtatious, uplifting, and emotionally sincere. The song should feel romantic without becoming slow, sad, overly sentimental, or theatrical. It should have the infectious energy of a joyful cinematic musical number while remaining modern and natural. Instrumentation: 0–7s: Rhythmic acoustic guitar, warm piano, grooving bass, light live drums, subtle hand percussion. 7–14s: Drums become more energetic, warm strings enter, bass becomes more rhythmic, subtle melodic accents increase momentum. 14–21s: Full romantic chorus — energetic live drums, acoustic guitar, piano, warm bass, bright strings, tasteful brass or melodic accents. 21–25s: Briefly pull the arrangement back but KEEP the rhythmic pulse alive with piano, bass, acoustic guitar, and soft percussion. 25–30s: Full instrumental emotional lift returns with strings, piano, guitar, bass and drums, ending on a warm satisfying major chord. The music must continuously evolve. Never allow the soundtrack to feel empty or repetitive. VOCALS: Original English lyrics only. Female lead sings the opening verse. Male lead naturally answers. Both join for the chorus. Their voices should sound like real human singers: expressive, warm, slightly imperfect, conversational, emotional, and natural. Avoid robotic vocals, excessive vocal processing, perfect artificial phrasing, theatrical belting, or exaggerated musical-theater delivery. The lyrics should communicate a simple romantic idea: two people notice each other, gradually become drawn toward each other, enjoy being together, and choose to stay in the moment. Keep lyrics concise enough to fit naturally within the first 25 seconds. VOCALS END EXACTLY at 25 seconds. The final 5 seconds are instrumental only. === PERFORMANCE ENERGY === THE VIDEO MUST NEVER FEEL DULL. The leads should feel genuinely alive, playful, spontaneous, and emotionally connected. They are professional musical performers, but they should NOT look like robots following a choreography spreadsheet. Movement should have natural variation. Allow slightly different step lengths, natural timing variations, spontaneous smiles, small reactions, changing eye contact, subtle improvisation, natural breathing, realistic weight shifts, and imperfect human gestures. Do NOT force perfect symmetry. Do NOT make every movement mechanically synchronized. The leads should naturally react to each other's presence. Their chemistry should feel effortless and playful rather than staged. Energy progression: 0–7s: Charming, confident, immediately engaging. 7–14s: More playful and energetic as the male lead joins. 14–21s: Biggest burst of joyful musical energy. 21–25s: Romantic and intimate but still physically active. 25–30s: Beautiful emotional payoff with a strong visual finale. Even during quieter musical moments, the camera and performers continue moving. === SOUND DESIGN === Natural seaside diegetic sound underneath the music: Soft footsteps on stone. Subtle shoe contact. Light ocean breeze. Gentle waves against the seawall. Distant seabirds. Very subtle café ambience. Fabric movement. Natural outdoor reverb on vocals. Do not add random conversations, distracting chatter, unrelated music, or artificial sound effects. Music and vocals remain clearly dominant. === LIP-SYNC — CRITICAL === Frame-accurate lip synchronization whenever either lead sings. Every English syllable must correspond naturally with the mouth movement. Natural consonant closures. Natural vowel shapes. Realistic jaw movement. Natural tongue movement where visible. Natural breath intake before phrases. Subtle throat and chest movement during sustained notes. Facial expressions must correspond naturally to the lyrics. Singing should never look pasted onto the face. No dubbing mismatch. No delayed mouth movement. No mumbling. No frozen lips. No exaggerated mouth shapes. No dead-eyed singing. When either lead is singing, keep their face clearly visible whenever practical. During singing, avoid fast spins or movements that hide the singer's face. === CHOREOGRAPHY === Elegant romantic musical choreography with genuine energy. Never acrobatic. Never stiff. Never robotic. Never perfectly repetitive. The performers should keep moving naturally throughout the entire scene. Lead movement vocabulary can include: - Rhythmic walking along the waterfront - Playful step-touch movements - Traveling side steps - Gentle heel pivots - Natural turns - One slow underarm turn - One shared clasped-hand spin - Hand-over-heart gesture - Playful shoulder movement - Brief synchronized walking - Holding hands - Promenade movement - Natural eye contact - One final slow half-turn into a shallow elegant dip Do not force every move to happen at an unnaturally precise beat. Let transitions flow organically between movements. The choreography should look like humans dancing with the music rather than a computer executing commands. BACKGROUND DANCERS: The extras continuously create visual life along the seaside promenade. They should: - Cross the promenade in different directions - Walk naturally beside cafés - Perform small partner steps - Move around outdoor tables - Create moving layers of depth - Perform occasional synchronized arm movements - Create loose formations along the waterfront - Form a graceful circular formation around the leads during the finale Not every dancer should perform identical movements at exactly the same time. Allow natural individual variation. Some dancers can briefly interact with the environment while continuing their choreography. Background movement must NEVER completely stop. However, extras must never steal focus from the leads. === CINEMATOGRAPHY === ONE continuous flowing Steadicam take. No cuts. No hidden cuts. No teleportation. No sudden camera jumps. The camera should feel like a real operator is physically moving along the promenade with the performers. Camera movement must constantly evolve. 0–7s: Approximately 50mm lens. Camera retreats smoothly ahead of the female lead as she walks along the waterfront. The sea remains visible behind her. Begin immediately with movement and visual interest. Do not start with a static establishing shot. 7–14s: Camera smoothly arcs laterally toward the male lead as he emerges from a café-lined section of the promenade. The camera movement should feel motivated by his arrival. 14–21s: Camera widens toward approximately 35mm and moves backward with both leads during the energetic chorus. Reveal the sea, cafés, palm trees, and moving dancers. 21–25s: Camera moves closer toward approximately 65mm for an intimate two-shot while continuing to retreat with the leads. The ocean remains softly visible behind them. 25–30s: Camera gradually rises into a graceful crane movement, revealing the waterfront promenade and ensemble surrounding the leads. Never let the camera remain completely static. Use subtle parallax between foreground dancers, performers, cafés, palm trees, sea wall, and ocean. Keep the camera physically believable. No impossible camera movement. No excessive motion blur. No extreme wide-angle distortion. No fisheye effect. === LIGHTING === SOFT, DIFFUSED NATURAL MORNING LIGHT. Pleasant coastal morning atmosphere. The sun is present but softened by thin atmospheric haze and subtle natural cloud diffusion. Avoid harsh direct sunlight. Avoid blown highlights. Avoid deep black shadows. Avoid extreme contrast. Avoid orange or overly golden lighting. Faces must remain naturally and evenly exposed even when the performers turn. Use soft bounced light from cream-colored buildings and pavement. The ocean should reflect soft natural daylight rather than appearing excessively bright. Natural skin texture. Natural skin tones. Gentle cinematic contrast. Soft highlight rolloff. Realistic shadow softness. The scene should feel bright, fresh, airy, and beautiful without looking overlit. The sunlight should feel pleasant on the skin rather than harsh. The environment should look like a real location captured with a high-end cinema camera. The sun remains physically consistent throughout the scene. Shadows remain consistent with the sun position. ONE extremely subtle lens flare may occur naturally when the camera briefly crosses the sun. No repeated lens flares. No artificial glowing skin. No excessive bloom. No glowing outlines around people. === TIMELINE === 0–7 SECONDS — FEMALE LEAD / OPENING: Start immediately with the female lead already walking toward the camera along the seaside promenade. The camera is already moving backward. The ocean glitters softly behind her. Palm leaves move gently in the breeze. Café umbrellas and awnings move subtly. She sings the opening line with a confident natural smile. Her steps have a gentle musical bounce. She passes an outdoor café and briefly gestures naturally toward the sea. Several colorful dancers cross behind her. Another pair performs small synchronized steps near the seawall. A cyclist or pedestrian can naturally pass in the distant background. The environment feels alive from the first second. The female lead performs a playful step-touch movement during a musical phrase. She looks toward camera, then naturally glances toward the direction from which the male lead will appear. Her expression subtly changes as if she has noticed someone. Keep the moment romantic but energetic. NO DEAD FRAME. 7–14 SECONDS — MALE LEAD ARRIVES: On a musical downbeat, the male lead naturally enters from a café-lined section of the promenade. He catches her attention. The camera smoothly shifts toward him without cutting. He begins singing his response while walking toward her. He performs a relaxed heel pivot and playful gesture. The female lead reacts naturally with a smile. They move toward each other while maintaining visible faces. They perform a loose mirrored traveling pattern along the waterfront. He gives a subtle hand-over-heart gesture. She responds with a playful shoulder movement. Their expressions communicate genuine chemistry. Behind them, dancers continue moving in different directions. Palm trees move gently. The sea remains visible. The camera never stops moving. By the end of this section, they naturally fall into synchronized walking toward the center of the promenade. 14–21 SECONDS — BIG ROMANTIC CHORUS: The music opens into its most energetic section. Camera widens to approximately 35mm. Both leads sing together. They travel along the waterfront with lively side steps and natural rhythmic movement. The background becomes more visually active. Several dancers cross behind them. Other dancers form loose pairs. A small group performs synchronized arm movements. One pair turns near the café tables. Another pair moves closer to the seawall. The leads remain the visual focus. During a short instrumental fill, the male lead reaches for her hand. She takes it naturally. He guides her through ONE slow underarm turn. Her clothing and hair respond naturally to the coastal breeze and movement. They immediately reconnect. They perform ONE shared clasped-hand spin during another instrumental accent. The camera moves slightly around them while maintaining the continuous take. The ocean, palm trees, dancers, and architecture create constantly changing layers behind them. The moment should feel joyful, romantic, spontaneous, and cinematic. NO STATIC HOLD. 21–25 SECONDS — ROMANTIC BRIDGE: The arrangement becomes slightly more intimate but does NOT become dull. The leads continue walking together beside the sea. They move shoulder-to-shoulder. They exchange a brief natural glance and smile. Both sing a softer harmonized phrase. The camera moves closer to an approximately 65mm two-shot. They hold hands. They begin a slow promenade toward a brighter section of the waterfront. The background remains alive with softly moving dancers. Some dancers cross through foreground and background at different distances, creating natural depth. Palm leaves continue moving. The sea remains gently active. The leads remain clearly visible. Their movement remains continuous. At exactly 25 seconds, vocals stop. 25–30 SECONDS — BIG VISUAL FINALE: The instrumental arrangement immediately builds again. The leads continue moving rather than freezing. The male lead gently guides the female lead through ONE slow half-turn. She transitions naturally into a shallow elegant dip. The movement should feel romantic and graceful, NOT theatrical. They rise together. She keeps her hand in his. They exchange one final natural smile. The camera begins a smooth crane upward. The full ensemble moves into a wide circular formation along the promenade. The dancers perform ONE synchronized sweeping arm movement. They then settle naturally. The camera rises higher. Reveal the full seaside promenade. Reveal the colorful dancers. Reveal the ocean and boats. Reveal the cafés, palm trees, and architecture. Reveal the two leads at the center. The final image should feel like the payoff to the entire musical sequence. Hold only briefly. The final chord decays naturally. Fade gently to white. === CONTINUITY & PHYSICAL REALISM === Both leads remain identical to <<<image_1>>> and <<<image_2>>> throughout. Exact facial identity. Exact hairstyle. Exact body proportions. Exact wardrobe. Exact shoes. Exact accessories. Exact colors. No wardrobe transformation. No face changes. No identity drift. No body deformation. No age changes. Natural skin texture. Natural hair physics. Natural cloth physics. Natural walking mechanics. Natural foot contact. Natural hand interaction. Natural eye movement. Natural breathing. Physically believable shadows. Physically believable reflections. Consistent environment. Consistent lighting. Consistent camera movement. No duplicated dancers. No cloned faces. No floating objects. No floating feet. No sliding feet. No hands passing through bodies. No impossible joint movement. No rubbery limbs. No unnatural facial expressions. No frozen performers. No static background. No repeated choreography loops. No sudden scene changes. No random props. No invented wardrobe. No text. No subtitles. No logos. No watermarks. No black bars. No letterboxing. No cartoon appearance. No CGI appearance. No plastic skin. No artificial beauty filter. No excessive sharpening. No excessive motion blur. No harsh sunlight. No blown highlights. No crushed shadows. No excessive lens flare. No artificial glow. No camera cuts. No jump cuts. No teleportation. No identity morphing. No lip-sync mismatch. No vocals after 25 seconds. === FINAL CREATIVE DIRECTION === The finished video should feel like a REAL romantic musical scene captured during one beautiful coastal morning. It should be colorful, energetic, playful, romantic, cinematic, emotionally engaging, and visually alive from beginning to end. There must be NO dull moment. Keep the energy alive through continuous camera movement, evolving choreography, expressive performances, moving background dancers, ocean movement, palm trees, café activity, environmental depth, changing compositions, and musical progression. Do NOT make it look like an AI-generated showcase. Do NOT make it overly perfect. Do NOT make it sterile. Do NOT make it slow. Do NOT make it empty. Do NOT make the sunlight harsh. Make it feel human, spontaneous, joyful, romantic, and alive.

Create a 10 second photorealistic nighttime fashion and automotive film in 16:9 at 24 fps, set outside a small independently owned convenience store in a suburban parking lot after midnight. Use an extreme wide angle lens around 14mm with subtle fisheye barrel distortion and a handheld camera held near chest and eye level. The visual language should feel like genuine spontaneous footage captured by a talented friend at an underground car meet, never polished like a commercial studio shoot. Two young adult women are the central subjects. The first has long platinum silver hair and wears an oversized charcoal black hooded jacket with the hood covering part of her forehead. She has a calm confident expression and repeatedly looks directly into the camera while casually holding and adjusting her hood. The second woman has thick natural dark curls and wears a warm brown oversized top. She is energetic and playful, moving close to the lens, touching her lips briefly, turning toward her friend, and running both hands through her curls so individual strands bounce naturally. Behind them are two realistically modified street coupes, one metallic silver and one dark graphite gray, both sitting low with tasteful wheels and authentic reflections. Keep vehicle geometry, wheel placement, glass, reflections, doors, headlights and body panels completely consistent. Several casually dressed people linger naturally near the store entrance in the deep background. Begin with the silver haired woman extremely close to camera while the curly haired woman stands behind her. Cut on the musical rhythm to a wider view showing both women and the silver coupe. Jump into an extreme close portrait of the curly haired woman as she approaches the lens. Briefly cut to a dark clothed figure casually standing beside the graphite car. Return to the silver haired woman adjusting her hood, then show both women moving freely around the front of the silver car. Cut close as the curly haired woman throws both hands into her hair, creating authentic hair movement and natural motion blur. Continue alternating intimate portraits, loose medium shots and wide automotive compositions every few beats. Near 7.5 seconds use a single intense electric blue flash frame, then cut to pure black for the remaining ending, leaving clean empty central space suitable for adding event typography later in editing. Do not generate readable text, logos or fake lettering. Lighting comes only from believable practical sources. Bright fluorescent convenience store windows create warm cream and yellow highlights on faces and cars, mixed with cooler parking lot lamps. Allow slightly clipped storefront highlights, deep imperfect shadows, realistic skin pores, subtle facial shine, fabric texture, asphalt grain and reflections. Preserve natural exposure fluctuations as subjects approach the camera. Avoid beauty lighting, artificial rim lights and perfect cinematic symmetry. Camera motion must contain tiny human hand tremors, subtle lateral sway, occasional imperfect reframing, realistic focus breathing and slight rolling shutter during fast movement. Faces, hands, fingers, hair and clothing must remain anatomically stable between cuts. No morphing, floating objects, warped cars, duplicated people, plastic skin or impossible reflections. Use a gritty photographic digital look with restrained grain, slight low light noise, mild compression texture, rich blacks and warm highlights. Keep the performers relaxed rather than choreographed. Music should be an original approximately 96 BPM underground hip hop instrumental with deep controlled bass, dry punchy drums, sparse atmospheric synth texture and a nocturnal street fashion mood. Synchronize the major visual cuts and blue flash to the beat. No vocals. Let the instrumental continue across the black ending for a confident finish.

30-Second Cinematic Korean Mystery | "The Forgotten Letter" Style: Ultra-photorealistic live-action Korean drama, Netflix-quality cinematography, ARRI Alexa look, realistic lighting, authentic Seoul locations, smooth Steadicam and dolly shots, consistent protagonist, natural acting, realistic physics, HDR, 4K, no AI artifacts, no flickering, no identity drift. 0:00–0:05 Rainy evening in Seoul. A beautiful young Korean woman in a beige trench coat walks along a quiet street with a transparent umbrella. Warm café lights reflect on wet pavement. She notices a cozy independent bookstore, closes her umbrella, enters naturally, and a small bell rings. 0:05–0:10 Inside the warm bookstore, she slowly browses shelves. She picks up a hardcover book from a display. As she opens it, an elegant orange envelope slips onto the wooden floor. She picks it up and opens it. 0:10–0:16 Inside is a photograph of herself standing in this exact bookstore, wearing the same outfit and holding the same book, dated 10 years in the future. The camera slowly pushes toward her face as she quietly processes what she's seeing. 0:16–0:23 She looks up. Across the bookstore, an older version of herself sits reading by the window. Same face, subtle aging, elegant cream coat. Their eyes meet. The older woman smiles gently while customers continue browsing naturally around them. 0:23–0:30 The older woman closes her book, places another identical orange envelope on a nearby table, and calmly leaves the bookstore. The younger woman follows outside immediately, but the rainy street is completely normal and the older woman has vanished. She looks down at the second envelope as the camera slowly cranes upward over the rain-soaked Seoul street before fading to black. Direction: Maintain perfect facial consistency, realistic background extras, natural transitions, authentic bookstore interior, subtle orange accents only in the envelope and warm lighting. The atmosphere should feel emotional, mysterious, grounded, and completely believable, like the opening scene of a premium Korean mystery film.

A cinematic 30-second ultra-realistic eurpeon lifestyle influencer vlog following a young creator from leaving her apartment to enjoying a relaxing morning at a cozy specialty café. She walks through a charming neighborhood, orders an iced vanilla latte and a fresh butter croissant, captures the coffee-making process, shares an honest first-taste review, and ends the vlog strolling back through the lively streets. Documentary-style storytelling, natural smartphone camera movement, cinematic B-roll, fluent English lip-sync, realistic food textures, authentic café atmosphere, warm morning light, premium color grading, seamless scene continuity, Seedance 2.5-quality realism, no text, no logos.

Generate a [Total Duration] second, [Aspect Ratio] [Location/Theme] travel Vlog, with a total of [Number of Shots] shots, featuring the same [Character] throughout. Character Locking: [Face, Hairstyle, Body Type, Skin Tone, Makeup] consistent throughout. Fixed Styling: [Clothing, Shoes, Bags, Accessories]. Conditional Props: [Props] only appear in [Specified Scenes]. Unified Texture: [Lighting, Color, Phone/Camera Texture, Realism]. Editing Rhythm: Fast cuts, each shot completes one main action and one natural reaction. [Shot 01 | Start Time – End Time | Shot Purpose] Scene: [Location and Necessary Environment] Action: [One Main Action → One Natural Reaction] Camera: [Shot Size, Camera Position, Single Camera Movement] End State: [Character Position, Orientation, Props in Hand, and Emotion] [Continue subsequent shots in the same format] Sound: [Ambient Sound, Action Sound, and Music for each scene] Prohibited: [Face-swapping, outfit changes, extra characters, props disappearing without reason, excessive skin smoothing, studio feel, CGI feel] Final Frame: [Character action, expression, props, and background of the last frame]

Create a 30-second photorealistic vintage 16mm documentary set in rural Umbria, Italy, summer 1982. Make it feel like a beautiful forgotten family film shot on Kodak 16mm: warm sun-faded colors, fine analog grain, subtle film flicker, dust, tiny scratches, gentle light leaks, soft halation, slight gate weave, organic focus breathing and imperfect handheld camera movement. 4:3 aspect ratio, no modern cinematic polish. Main character: A naturally beautiful Italian woman, early 20s, slender, warm olive-fair skin, hazel-brown eyes and long dark honey-brown hair loosely tied with a cream ribbon, soft flyaway strands. She wears an elegant ivory linen midi dress with tiny muted terracotta and dusty-blue floral prints, fitted waist, soft puff sleeves, square neckline and fabric-covered buttons, a thin vintage leather belt, tan ankle-strap sandals, tiny pearl earrings and a delicate gold necklace. Natural makeup, no modern accessories. She carries a woven wicker basket with bread, peaches, figs, basil and white wildflowers. 0–6s: She walks through a picturesque medieval Umbrian village lane, touching ivy-covered stone walls. Terracotta roofs, green shutters, red geraniums, ceramic pots and an old Fiat 126 surround her. Her floral dress and hair move gently in the afternoon breeze. 6–12s: She enters a small village piazza. An elderly baker carries fresh bread, women sit outside a bakery, a boy rides an old bicycle and a cream Vespa rests beside a stone wall. The baker smiles and gives her a small loaf. She laughs softly. The handheld camera briefly loses focus before finding her again. 12–17s: A little girl drops wildflowers. The woman kneels gracefully, gathers them and returns the bouquet with a warm smile. The child smiles shyly. Nobody acknowledges the camera. 17–23s: She leaves the village along a path bordered by olive trees, golden grass, poppies and ancient stone walls. The camera moves beside her as her ivory floral dress flows naturally. Birds suddenly rise from a nearby field. 23–28s: She reaches an overlook above beautiful Umbrian hills: vineyards, olive groves, golden fields, stone farmhouses and distant medieval hill towns in warm summer haze. She rests against an old wooden railing, watches the valley and gently tucks windblown hair behind her ear. 28–30s: She picks up her basket and walks away through the olive trees. The camera stops naturally and holds on the empty golden landscape. A subtle film flicker ends the footage. Overall aesthetic: romantic Italian summer, elegant vintage fashion, authentic 1982 village life, beautiful natural woman, warm golden sunlight, realistic skin and fabric texture, documentary realism, imperfect human camera movement, genuine Kodak 16mm archival texture. No modern objects, no digital look, no AI-smooth skin, no posing.

SHOT 1: ECU, 85mm push-in / on the phone screen as it shakes on rumpled sheets / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a sleep tee and lounge shorts / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm lens focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth; hand relaxed and upright, mint foam and mirror eye / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue light framing a hurried grab for breakfast ingredients / SFX: fridge hum, bottle clink, shelf scrape. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into egg and toast hitting the pan under warm practical light / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird’s-eye, 35mm overhead / Match cut on action as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 9: MS, 35mm pan / Camera slips into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallel / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment corridor into bright light without breaking stride / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide, 85mm push-in / Sound bridge into the metro interior as she grips the pole and slips through just before the closing doors, reflected chrome streaking around her and the city blurring outside / SFX: train rattle, carriage screech, door warning chime, light breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through before dropping into her chair and opening her laptop / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into her fingers racing across the keyboard with blue monitor light illuminating her face / SFX: keyboard clicks, notification sounds, mouse click. SHOT 15: WS, 24mm pull-out / Match cut back to the bedroom composition from the opening shot as she collapses onto the bed after a long day / SFX: body drop, fabric rustle, heavy exhale.

30-Second Cinematic Fantasy Transformation Ultra-photorealistic, blockbuster-quality CGI, IMAX-style cinematic composition, realistic physics, premium VFX, HDR, volumetric lighting, detailed environments, smooth animation, 4K. One cohesive continuous fantasy film sequence with perfect character consistency. No text, subtitles, logos, watermarks, copyrighted characters, cuts during transformation, teleportation, anatomy errors, duplicated limbs, or abrupt camera movements. 0:00–0:03 — Seoul Before the Mystery Aerial golden-hour shot gliding over modern Seoul. Warm sunlight reflects across skyscrapers, traffic and pedestrians move naturally, cafés and streets glow softly. Amber-orange architectural lights blend with sunset. Glowing clouds gradually form above the skyline, signaling something extraordinary. 0:03–0:06 — Celestial Colossus Camera tilts upward to reveal an enormous original celestial creature emerging peacefully from luminous clouds. Flowing light, shimmering particles, and energy waves surround it. Its immense scale fills the sky. People stop and gaze upward in wonder as warm amber holographic lights, distant drones, and city beacons glow naturally below. 0:06–0:08 — The Guardian Camera moves through the crowd toward an elegant young Korean woman standing completely calm. Long dark hair moves naturally in the breeze. She wears a modern outfit with subtle amber accents and a crystal pendant around her neck. The pendant begins glowing warmly as she smiles softly. Camera slowly circles her. 0:08–0:16 — Seamless Transformation The pendant bursts into brilliant amber-orange light. Without a cut, the camera performs one smooth 360° orbit as glowing energy ribbons spiral around her. Her outfit transforms gradually into an elegant futuristic guardian suit of white, silver, and black with refined amber highlights. Armor forms naturally from boots upward across her legs, waist, torso, shoulders, and arms. Metallic gauntlets materialize piece by piece and a luminous energy cape unfolds behind her. Her hair becomes more dynamic, her eyes gain a subtle golden glow, and her expression becomes confident and graceful. Crystals, sparks, leaves, particles, and light fragments orbit naturally. Maintain perfect facial identity, realistic anatomy, natural motion, and uninterrupted transformation. 0:16–0:21 — Ascension Energy gathers around her and expands into a glowing circular wave. She lifts smoothly from the ground and flies upward, leaving an elegant amber-orange trail through Seoul. Camera follows behind, then transitions into sweeping aerial shots as she glides between skyscrapers and illuminated clouds. The celestial giant watches calmly from above. 0:21–0:27 — Dance of Light High above Seoul, guardian and celestial giant interact through graceful energy rather than physical combat. Amber-orange, blue, and white light streams weave through the sky. She forms radiant shields, flowing energy ribbons, and luminous geometric patterns while gliding effortlessly. Alternate epic wide shots with cinematic close-ups of her consistent face. Clouds, particles, and city reflections intensify as the energy display reaches its peak. 0:27–0:30 — Guardian of Seoul She raises one hand toward the sky. A brilliant amber beam surrounds the celestial giant, which peacefully dissolves into countless shimmering particles that become part of the sky. She lands gracefully on a modern rooftop overlooking Seoul. Her luminous cape moves in the evening breeze as glowing embers drift around her. Camera slowly cranes backward into an epic wide shot of the guardian overlooking the glowing city and sunset horizon. STYLE & CONTINUITY Premium blockbuster fantasy, ultra-photorealistic Korean heroine, seamless character identity, elegant camera choreography, realistic lighting and physics, cinematic depth, volumetric clouds, detailed reflections, natural environmental movement, warm amber-orange visual motif, emotionally uplifting tone.

Base Setting: Based on the information in this storyboard, generate a professional commercial for pink canned sparkling water with Japanese cinematic aesthetics and narrative. Only generate 0-30 seconds of footage. Style Setting: Visual Tone: Modern Japanese youth cinema aesthetic, simulating 120 medium format film transparency or digital camera with Black Pro-Mist filter. Clean image, very weak grain. Lighting/Tone: High-key backlight and diffuse ambient light. Slight bloom/halation, soft cherry blossom pink and sunny white; shadows retain transparent cyan-blue. Low contrast, low saturation Japanese healing color grading. Do not generate background music, only sound effects. Content: Generate a 30-second, 16:9 vertical, real friend handheld Yunnan travel Vlog. Use the woman in the reference image as the protagonist, maintaining her facial features, hairstyle, features, skin tone, body proportions, and natural expressions throughout the video. Do not change identity, do not swap faces, do not become someone else. The protagonist wears fresh daily outfits suitable for Yunnan travel, such as light-colored short sleeves or thin shirts, casual long skirts or denim shorts, comfortable sneakers, and a small backpack. The overall vibe is natural and relaxed, like a real tourist, not a model pose. Video texture is a real travel Vlog shot by a friend with a phone all day. The footage has natural handheld camera movement, casual composition, slight shaking, occasional imperfect focus, and a real snapshot feel. No commercial quality, no cinematic blockbuster feel, no exaggerated transitions, no artificial special effects. The protagonist behaves naturally, interacting with friends like in a real trip, occasionally looking at the camera, smiling, tidying hair, taking photos with a phone, walking, and stopping to observe the scenery. 0–5 seconds: Departing from a guesthouse in Dali, Yunnan in the early morning. The protagonist carries a small backpack and walks out of a cozy guesthouse with wooden doors, white walls, greenery, and a courtyard feel. She looks down at her phone for the route, then looks up and smiles naturally at the friend's camera, tidies her hair, and walks out of the alley. The camera follows from the back and side-back, with slight shaking from the friend's handheld shooting. The scene includes soft morning sunlight, quiet stone roads, Bai-style architecture, roadside greenery, and small shops just opening. Ambient sounds include birds chirping, distant voices, footsteps, and morning street sounds. 5–11 seconds: Exploring Dali Ancient City streets. The camera follows her slowly through the ancient city streets. Both sides have white walls and gray tiles, wooden signs, flowers, small cafes, Yunnan snack shops, and tourists. She walks into a small cafe or roadside drink shop, buys a drink, and smiles naturally when receiving it. She says a simple sentence in Chinese to the camera: "Going to Erhai first today." Then she continues walking past street shops, stops to take a photo, looks down at the camera preview, and can't help but smile. The camera stays close, capturing casual real moments, no posing. 11–18 seconds: Heading to Erhai. The environment naturally transitions from ancient city streets to the road by Erhai Lake and open lake views. The protagonist sits on the back of an electric scooter or walks to the lakeside, the sea breeze blowing her hair. She becomes visibly excited when she sees Erhai for the first time, looks back at the camera and smiles, then walks quickly toward the lake. The camera follows her on the Erhai ecological corridor, with blue lake water, distant Cangshan mountains, white railings, tree shadows, and people cycling nearby. She stops to look at the lake, takes photos with her phone, leans on the railing, with a natural and relaxed expression. Ambient sounds include wind, lake water, bicycles passing, and distant tourists talking. 18–24 seconds: Xizhou rice fields and Bai village afternoon. The camera cuts to a path in the rice fields under the sun, the protagonist walking along the field with a friend. The background has green rice fields, Bai residences, distant mountains, blue sky, and slowly moving clouds. She squats down to look at roadside flowers, looks back at the camera and smiles when she stands up. She and her friend buy local snacks at a village entrance stall and eat while walking, with a real and relaxed expression. The camera moves naturally among people and alleys, with occasional slight shaking, like a friend casually recording travel clips. No deliberately designed actions, no exaggerated performances. 24–30 seconds: Erhai sunset ending moment. Golden evening, the protagonist sits by Erhai or on a lakeside bench, holding a drink, quietly watching the sunset. The lake surface has fine shimmering light, with the silhouette of Cangshan and sunset clouds in the distance. The friend's camera slowly retreats from her side-back, first capturing her profile and hair blowing in the wind, then bringing in Erhai, the sky, and the peaceful evening scenery. Finally, she looks back at the camera, smiles gently, and says a sentence in Chinese: "Yunnan is really comfortable." The screen stays on the feeling of real travel memories, warm, relaxed, and natural. Visual Style: Real personal travel Vlog material, like shot with a smartphone or small mirrorless camera. Natural daylight, real exposure, slight handheld shake, casual composition, real human reactions, documentary-style realistic style. No cinematic commercial quality, no exquisite advertising blockbuster feel, no deliberate posing, no artificial transition effects, no text overlays, no Logo, no watermark. Maintain the facial identity, hairstyle, features, skin tone, body proportions, and natural expressions of the woman in the reference image throughout. No face swapping, do not become another woman, no excessive beautification, no anime style, no influencer filter feel. No subtitles, no background music throughout, only retain real ambient sounds, footsteps, wind, voices, market sounds, lake water sounds, bird calls, and natural sounds during the friend's filming.

Create a 30 second vertical 9:16 photorealistic lifestyle vlog, filmed entirely as if a young woman is recording her own afternoon using an iPhone Ultra. The video must feel like a genuine social media vlog, not a commercial or traditional cinematic film. CHARACTER CONTINUITY One stylish young woman in her early 20s. Natural expressive face, warm personality, subtle makeup, realistic skin texture, slightly wavy dark-brown hair worn loose. She wears the same outfit throughout the entire video: oversized cream linen shirt over a fitted white top, relaxed blue jeans, small gold hoop earrings, thin necklace, simple shoulder bag. Maintain exactly the same face, hairstyle, outfit, accessories, body proportions and voice throughout every shot. She is confident but casual, speaking naturally to her phone like she is talking directly to her followers. VISUAL STYLE Authentic premium iPhone vlog photography. Natural HDR smartphone exposure, realistic skin tones, subtle computational photography, crisp foreground detail, realistic highlight roll-off, natural depth of field. Slight handheld micro-shake, tiny framing imperfections, natural autofocus shifts and exposure adaptation. Do NOT make the footage look like it was filmed on a cinema camera or stabilized gimbal. Natural late-afternoon golden-hour color palette throughout. Fast but smooth social-media editing. Every cut should happen naturally on a movement, gesture, camera turn or change of location. SHOT 1 — 0:00–0:04 BEDROOM — MIRROR VLOG She stands in front of a full-length bedroom mirror holding the iPhone Ultra in one hand. Medium mirror selfie framing. She quickly fixes one strand of hair, grabs her shoulder bag and smiles at herself through the phone. Slight handheld movement. Warm sunlight enters through the bedroom window. She speaks directly while moving toward the door: GIRL: "Okay, I have thirty minutes to rescue this boring afternoon." Natural playful delivery. CUT as she swings the phone away from the mirror. SHOT 2 — 0:04–0:09 ELEVATOR / HALLWAY — WALKING SELFIE Front-camera handheld selfie. She walks toward the elevator while holding the phone slightly below eye level. The frame gently bounces with her footsteps. Elevator doors open behind her. She looks into the lens and says: GIRL: "First mission: coffee. Because apparently water isn't enough for my personality." She gives a tiny amused smile after saying "personality." Real hallway ambience, footsteps and elevator ding. CUT as she steps inside the elevator. SHOT 3 — 0:09–0:14 CITY STREET — GOLDEN HOUR Jump cut to outdoors. She walks along a stylish city sidewalk. Front-facing wide smartphone camera. Pedestrians and traffic move naturally behind her. Warm golden sunlight hits the side of her face. She briefly turns the phone toward the glowing street, then immediately brings it back toward herself. While walking she says: GIRL: "Look at this light. Why does everything suddenly look expensive at golden hour?" She laughs softly at her own comment. Natural traffic, footsteps and distant city ambience. CUT during the camera turn. SHOT 4 — 0:14–0:19 COFFEE SHOP — ORDER ARRIVES Close handheld rear-camera shot of a beautiful oversized iced coffee being placed on the counter. Camera quickly tilts from the drink back toward her face. She raises her eyebrows when she sees how large the cup is. She says: GIRL: "I said small. They heard emotional-support size." She laughs naturally and takes the cup. Realistic coffee-shop ambience: espresso machine hiss, cups touching, quiet conversations. CUT while she lifts the drink toward the camera. SHOT 5 — 0:19–0:25 CAFÉ WINDOW — PERSONAL MOMENT She sits beside a large café window. The iPhone is now positioned naturally against something on the table, creating a casual static vlog frame. Medium close-up. Warm sunlight falls across her face. She takes a sip, looks outside for half a second, then looks directly back toward the phone. Her energy becomes slightly softer and more sincere. She says: GIRL: "You know what? This might actually be the best part of my day." Small genuine smile. She reaches forward and picks up the phone. CUT naturally as her hand covers part of the lens. SHOT 6 — 0:25–0:30 OUTSIDE CAFÉ — WALKING ENDING Immediate handheld selfie shot outside the café. She walks down the sidewalk holding her coffee. Golden-hour city background. Natural movement and slight lens flare. She looks directly into the camera while walking and says: GIRL: "Tiny plan, good coffee, better mood. I'll take it. See you tomorrow." She smiles, moves the phone slightly closer to her face and casually covers the lens with her hand. END. AUDIO DIRECTION Generate native synchronized dialogue audio. Same female voice throughout all six shots. Voice should sound close to an actual iPhone microphone: clean but not studio-recorded. Perfect natural lip synchronization. Conversational English delivery with small pauses, breaths, tiny laughs and realistic vocal imperfections. Dialogue must never sound like narration or advertising. Every spoken line comes directly from the woman visible in that shot. Maintain realistic spatial ambience for each location: bedroom room tone, footsteps and elevator ding, city traffic, coffee-shop ambience, cups and espresso-machine sounds. No voice-over. No narrator. No background music. Dialogue and environmental sound only. IMPORTANT CONTINUITY RULES Maintain one identical woman throughout the entire 30 seconds. No facial changes between cuts. No hairstyle changes. No outfit changes. No unexplained objects appearing or disappearing. Keep the same late-afternoon time of day and warm visual palette. Preserve spatially realistic body motion and hand anatomy. Keep smartphone-style framing throughout. Use genuine vlog editing rather than cinematic montage editing. All six scenes belong to one continuous afternoon. DO NOT GENERATE No subtitles. No captions. No floating text. No logos or watermarks. No beauty-filter skin. No exaggerated cinematic bokeh. No impossible camera movement. No drone shots. No third-person cinematic shots. No random music. No additional speakers. No duplicated character. No dialogue assigned to the wrong shot. No dialogue continuing across a cut unless naturally motivated. Final result should feel like a real 30-second iPhone Ultra vlog casually filmed and edited by the woman herself, with believable dialogue, imperfect handheld framing, natural reactions, strong character continuity and seamless multi-shot storytelling.

30s | 16:9 | 9 cuts Style: Authentic 16mm DV camcorder, handheld POV by CHASE. Real documentary/home-video realism: natural shake, imperfect framing, autofocus hunting, subtle tape grain, soft highlights, mild exposure flicker, muted colors and realistic motion blur. Natural lighting and location sound. Normal human pacing — not slow, not rushed. Physically believable actions and equipment. No flashy transitions or impossible camera movements. Character: CHASE, Korean woman in her 20s, long black hair, glass skin, natural makeup. Same face, hair and body throughout. Outfit: morning loungewear → modest director outfit with simple jacket and trousers → evening loungewear. Locations: Apartment → small film set → outdoor location → apartment. VOICEOVER: Natural conversational female voice, medium speed, relaxed pauses. Never rushed or unnaturally slow. Match each line to the action. 1. MORNING — 0:00–0:03 CHASE wakes up, checks the time, gets dressed, ties her hair, grabs her phone and production notebook, then leaves. VO: "Filming days usually start a little earlier than I want." 2. BREAKFAST — 0:03–0:06 In the kitchen, she grabs coffee and a quick breakfast while checking her shot list on her phone. She picks up her notebook and leaves. VO: "I check the plan, grab some coffee, and get moving." 3. ARRIVE ON SET — 0:06–0:09 CHASE arrives at a realistic small film set. A camera operator sets up a camera and tripod while another crew member adjusts a light. She checks the setup and talks briefly with the crew. VO: "Once I get to set, everything starts moving pretty fast." 4. FINAL SETUP — 0:09–0:12 CHASE checks the camera monitor, looks at the scene, adjusts a small prop and discusses framing with the camera operator. Crew makes practical adjustments. VO: "We make a few last-minute changes before rolling." 5. ACTION — 0:12–0:16 CHASE stands behind the camera and says, "Action." The actor performs the scene while the camera operator films. No voiceover. Natural set ambience only. 6. REVIEW — 0:16–0:19 The take ends. CHASE watches it on the camera monitor with the operator, points out one small issue and asks for another take. VO: "Sometimes the shot looks right... until you see it back." 7. SECOND TAKE — 0:19–0:23 The crew resets and films the scene again. CHASE watches the monitor and gives a subtle satisfied nod afterward. VO: "One more take usually makes the difference." 8. WRAP — 0:23–0:27 Evening. CHASE leaves the location carrying her notebook and phone while the crew packs cameras, tripods and lights into cases behind her. VO: "And then suddenly, the whole day is gone." 9. NIGHT — 0:27–0:30 Back home, CHASE watches a short clip from the day's footage on her laptop. She leans back tired but satisfied, closes the laptop and turns off the desk lamp. VO: "Long day... but we got the shot." CONTINUITY: One logical day: apartment → set → filming → wrap → home. Same woman and consistent clothing, props and equipment. Realistic film set with believable camera, tripod, lights and monitor. Natural human movement and expressions. No teleportation, floating equipment, duplicated people, distorted hands, random props, futuristic technology or unrealistic Hollywood production.

Cinematic 8K stylized 3D continuous shot. A young man in a blue bandana uses a holographic smartwatch to deploy mechanical arms that wash his muddy Mazda RX-7. The car upgrades, surging with blue electricity and turning from white to glossy black with glowing purple energy. The black car speeds through a rain-slicked neon cyberpunk city at night. A windshield HUD activates, and the car leaps, transforming mid-air into a giant bipedal mech with the driver visible in the glowing chest cockpit. The mech lands heavily on the street, then uses blue jet thrusters to fly up and stand heroically on a skyscraper roof.

A continuous 15-second cinematic action shot. An extraordinarily beautiful ancient Chinese female swordswoman with a high ponytail and long legs, wearing a stylish white and ice-blue flowing silk Hanfu with dynamic side slits, sprints with athletic agility across dark gray tiled roofs in ancient Chang'an at sunset. Three black-masked assassins closely chase her, roof tiles shattering underfoot. Suddenly, she leaps into mid-air, drawing her glowing silver sword in slow motion as white silk dress flutters softly. One assassin jumps to strike her; their weapons collide violently in mid-air with bright orange sparks and shockwaves. She smoothly parries the strike, executes a mid-air backflip, and lands lightly on a lower roof in a graceful low crouch, eyes focused on enemies.

SHOT 1: ECU, 85mm push-in / on the phone screen as it shakes on rumpled sheets / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a sleep tee and lounge shorts / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm lens focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth; hand relaxed and upright, mint foam and mirror eye / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue light framing a hurried grab for breakfast ingredients / SFX: fridge hum, bottle clink, shelf scrape. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into egg and toast hitting the pan under warm practical light / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird’s-eye, 35mm overhead / Match cut on action as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 9: MS, 35mm pan / Camera slips into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket; then her keys, transit card, and bag get scooped up in one messy grab / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallel / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment corridor into bright light without breaking stride / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide, 85mm push-in / Sound bridge into the metro interior as she grips the pole and slips through just before the closing doors, reflected chrome streaking around her and the city blurring outside / SFX: train rattle, carriage screech, door warning chime, light breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through before dropping into her chair and opening her laptop / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into her fingers racing across the keyboard with blue monitor light illuminating her face / SFX: keyboard clicks, notification sounds, mouse click. SHOT 15: WS, 24mm pull-out / Match cut back to the bedroom composition from the opening shot as she collapses onto the bed after a long day / SFX: body drop, fabric rustle, heavy exhale.

Keep the exact identity from @image1 locked throughout the entire video. Preserve the same face, hairstyle, skin tone, body proportions, clothing style, and natural expressions in every shot. Generate a 15-second ultra-photorealistic smartphone lifestyle vlog that feels like it was casually recorded on a real phone. Use authentic handheld movement, slight natural hand shake, realistic autofocus hunting, minor exposure adjustments, true smartphone stabilization, and natural lighting. No cinematic camera moves, no CGI look, no beauty filters, no slow motion, no text, no subtitles, no logos, and no watermarks. Scene 1 (0:00–0:02) Early morning outside a neighborhood bakery. She walks toward the entrance while holding a paper coffee cup, flips the camera to selfie mode, smiles naturally, and says, "Good morning!" Scene 2 (0:02–0:04) Inside the bakery, she records a display of fresh pastries before picking one, laughing softly as the camera briefly struggles to refocus. Scene 3 (0:04–0:06) She exits the shop and walks through a quiet tree-lined street, taking a sip of coffee while filming the peaceful surroundings. Scene 4 (0:06–0:08) She sits on a park bench, turns the camera toward birds, flowers, and people walking nearby, then smiles back at the lens. Scene 5 (0:08–0:10) At a small weekend street market, she casually browses handmade items, briefly holding one up to the camera before putting it back. Scene 6 (0:10–0:12) She walks beside a calm riverside path, filming the water, passing cyclists, and green scenery while enjoying the fresh air. Scene 7 (0:12–0:15) She stops near a scenic viewpoint, switches to selfie mode, gives a cheerful wave, smiles brightly, says, "See you next time!", then reaches toward the phone to naturally end the recording. Audio: Only authentic environmental sounds: birds, footsteps, light conversations, coffee shop ambience, distant traffic, bicycles passing, breeze through trees, water flowing, and natural city ambience. No background music, voice-over, captions, logos, or watermarks. The final result should look exactly like an authentic smartphone vlog recorded by a real person during a relaxing morning outing.

FIFTEEN SHOTS IN A ROW AND NOT ONE OF THEM IS A PLAIN CUT An alarm goes off, a woman rushes through her whole morning, and the day ends where it started, collapsing back onto the same bed. What makes it hold together isn’t the shots. It’s that every single transition is named. Most people write a sequence as a list of things that happen. This one specifies how each shot connects to the last: cut on action, match cut, whip pan, smash cut, sound bridge, object pass. That’s the difference between fifteen clips and one continuous morning. Here’s the prompt. Every shot carries a lens, a camera move, a transition type, and its own SFX: SHOT 1: ECU, 85mm push-in / on the phone screen as it shakes on rumpled sheets / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, planting her feet in one rushed motion / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light / SFX: faucet rush, water slap. SHOT 4: Insert, 85mm lens focus / Match cut into the toothbrush, mint foam and mirror eye / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open, blue light framing a hurried grab / SFX: fridge hum, bottle clink, shelf scrape. SHOT 6: Insert, 50mm handheld / Rhythmic cut into egg and toast hitting the pan under warm practical light / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a clock glance, an immediate rise / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird’s-eye, 35mm overhead / Match cut on action as the sleep tee disappears under a fitted top and jacket; keys, transit card, and bag scooped in one grab / SFX: fabric whip, key jingle, zipper pull. SHOT 9: MS, 35mm pan / Camera slips into the rushed outfit change / SFX: fabric whip, key jingle, bag rustle. SHOT 10: Insert, 50mm overhead / Match cut into lace-up shoes slamming on, laces yanked tight in one impatient pull / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallel / Whip pan transition into her rushing through the corridor into bright light without breaking stride / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide into 85mm push-in / Sound bridge into the metro as she grips the pole and slips through the closing doors, chrome streaking, city blurring / SFX: train rattle, door chime, light breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance, access card on the reader, glass door unlocking, dropping into her chair / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into fingers racing across the keyboard, blue monitor light on her face / SFX: keyboard clicks, notifications, mouse click. SHOT 15: WS, 24mm pull-out / Match cut back to the bedroom composition from the opening shot as she collapses onto the bed / SFX: body drop, fabric rustle, heavy exhale. A few things worth noticing about why it’s built this way: Every shot names its transition in. Not “then this happens” but cut on action, match cut, object pass, sound bridge. The connection is specified, so the sequence has rhythm instead of just order. Shot 15 deliberately matches Shot 2’s composition. Same bedroom, same framing, opposite energy. That bookend is what turns a montage into a day. The SFX line is separate on every shot and never repeats. Bristle scrape, shelf scrape, lace tug. Audio detail at that resolution is what makes fifteen fast cuts feel like one continuous space. And the lens changes carry meaning, not variety. 85mm for the intimate inserts, 24mm for the wides, a snap zoom for the smash cut. Focal length is doing narrative work.

Prompt: [00:00~00:05S] Seamless parkour action shot. Female warrior runs horizontally across a high dark brick wall in ancient Chang'an. She forcefully kicks off the wall surface, transitioning into a graceful high mid-air backflip above the rooftop. Camera tilts up smoothly, floating red lanterns in the background blur with motion, fluttering silk clothes, wire-fu kung fu aesthetics. [00:06~00:10S] Explosive power transition. Female warrior gathers glowing golden energy while in a low crouching stance. She suddenly thrusts her sword forward, releasing a powerful golden energy blast that violently blows back the black-masked assassin, smashing him through wooden pagoda railings. Flying wooden debris, smoke, camera shake, cinematic impact. [00:11~00:15S] Cinematic closing shot. Female warrior slowly sheathes her glowing blade into the scabbard until it clicks shut. Golden sunset breeze gently blows her long ponytail and white dress. The camera smoothly zooms out into a grand panoramic wide shot, revealing the majestic ancient Chang'an city skyline under glowing orange sunset sky, high atmospheric depth.

Create a 15 second cinematic street culture montage in 16:9, filmed at 30 fps with the imperfect immediacy of real handheld nightlife footage. The mood is an early 2000s underground car meet shot on a compact digital camera. Use natural motion blur, slight focus breathing, modest sensor grain, mixed white balance, clipped brake light highlights, realistic skin texture, accurate reflections, and occasional direct flash. Keep faces, clothing, hands, wheels, and vehicle geometry consistent. 0 to 1 second. At blue hour outside a plain commercial building, frame an adult woman with long black hair, a white cropped tank, loose black overshirt, dark trousers, metal chain belt and narrow sunglasses. Start medium close, then snap cut to her leaning against the rear of a dark sports coupe. Red circular taillights glow strongly. Handheld camera with tiny human corrections. 1 to 2 seconds. Rapid details of the glossy trunk, an abstract graphic decal, a polished alloy wheel, then three adult men in loose dark streetwear near the building. Cut to the coupe pulling away at night, filmed from a following car. Let the taillights bloom and streak naturally. 2 to 3 seconds. Return to the woman beside the car and concrete wall. Chest height medium shot, then closer as she lifts one hand into her hair. Dim dusk light mixes with red brake light spill. Calm, detached expression. 3 to 4 seconds. Tight candid shot beside the car. A second adult woman in a white top sits nearby while the first raises a cigarette toward her lips. Direct flash creates hard shadows and flattened highlights. Cut to a high angle over the glowing twin taillights as she looks upward. 4 to 6 seconds. Rear tracking view of the coupe accelerating along a dark multi lane road. Camera shakes slightly inside a moving vehicle. Alternate with the woman leaning beside the taillight, cigarette held loosely, red light washing across black clothing. Add one fast whip pan with smeared lights, ending in a sudden overexposed flash. 6 to 7 seconds. Show a brief inverted photographic flash for only a few frames, then an adult man in oversized black streetwear standing in front of a vivid blue sports car under harsh direct flash. Snap back to the woman beside the dark coupe, framed waist up. 7 to 8 seconds. Push into a profile closeup. Preserve fine hair, eyeliner, skin pores and reflected road lights. A shoulder level camera pass creates real foreground blur, then cut to the coupe driving ahead on the highway. 8 to 9 seconds. Follow the car from behind at night with surrounding traffic and distant lamps. Hard cut to the woman lowering narrow black sunglasses and looking directly into lens. Flash lit face, dark background, silver jewelry, cool restrained attitude. 9 to 10 seconds. Cut to an adult man sitting near the car, face and jacket saturated by red taillight glow, then a close view of the circular taillamp lens with believable LED structure and reflections. Transition into daylight at a curb. 10 to 13 seconds. In soft overcast daylight, three adult men in charcoal and black streetwear walk past the parked coupe along a simple stucco building. One wears dark sunglasses. Track them loosely from the side with imperfect framing, occasional obstruction from the car roof, natural walking weight, fabric movement and realistic shadows. Finish with a brief analog video glitch and hard cut to black. Audio. Original dark bass driven urban instrumental around 92 BPM, deep kick, muted snare, low sub bass, sparse atmospheric synth, subtle tape texture and distant city ambience. Sync major cuts, flash frames and taillight shots to the beat. No vocals, dialogue, captions, readable brand names or logos. Keep everything raw, fashionable, cinematic and convincingly human filmed.

Create a 15 second cinematic underground fashion film in 16:9 inside a real concrete multilevel parking garage at night. Two stylish adult women are the central subjects. One has long straight black hair with blunt bangs, narrow dark futuristic sunglasses, a distressed silver and black sleeveless graphic top, layered metallic necklaces, stacked bracelets, fingerless black gloves, loose dark trousers, chunky black footwear and a large worn black shoulder bag. The second has long pale blonde hair under a fitted black beanie, oversized rectangular black sunglasses, a fitted white top, oversized black jacket slipping casually from her shoulders, a short dark skirt, black thigh high socks, chunky shoes, silver jewelry and a large textured handbag. Use an extremely wide vintage fisheye lens with visible barrel distortion and strong perspective stretching. The camera should feel like a real person holding a small early digital camcorder at arm length. Preserve tiny framing mistakes, slight horizon drift, natural hand vibration, physical footsteps, unpredictable body proximity, realistic autofocus breathing and occasional motion blur. Never make movement perfectly stabilized or mechanically smooth. Open extremely close to both women crouching beside a black motorcycle, staring calmly into the lens while a fluorescent fixture blooms above them. Rapidly orbit and tilt around them as they adjust sunglasses, move their hair and casually interact with the camera. Cut to a dramatic floor level detail of the motorcycle engine, rear wheel, frame, dark metal and chrome reflecting harsh ceiling light. Show both women crouching over an open bag with believable personal objects scattered on the concrete. Insert a brief near black rhythmic cut. Return with an intimate overhead fisheye angle while they search through the bag. The blonde woman raises a tiny silver compact camera toward the lens. One woman stands and crosses the painted white pedestrian stripes while the other collects her bag. Follow them through the garage with loose handheld backward movement. Include concrete pillars, curved driving lanes, yellow curb paint, white directional markings, a black parked car and a white van deep in the background. Around the middle create one very brief three image editorial collage of the dark haired woman from different close perspectives, then immediately return to natural live action. Show her walking away carrying the heavy black bag before both women turn and confidently walk back toward the camera. As they approach, allow the fisheye perspective to enlarge their faces, hands and clothing naturally. Finish by returning to the motorcycle where they crouch close to the camera again, creating a seamless visual loop to the opening shot. Lighting must come almost entirely from practical cold fluorescent garage fixtures with slightly green white color, blown highlights around lamps, deep soft shadows under eyes and clothing, subdued concrete colors and imperfect exposure changes as the camera turns. Image texture should resemble compressed early digital video with mild grain, restrained sharpness, slight chromatic fringing, subtle sensor noise and realistic skin texture. Preserve individual fingers, jewelry, fabric folds, hair strands and physically correct contact with bags, clothing and motorcycle surfaces. Avoid glossy commercial perfection, beauty retouching, floating objects, warped hands, changing clothing, duplicated accessories or impossible architecture. Edit with fast confident cuts synchronized to an original approximately 150 BPM underground electro beat combining distorted kick drum, dry snare, gritty bass, metallic percussion, dark synth pulses and subtle parking garage ambience. Add faint footsteps, clothing movement, bag hardware rattles and motorcycle metal sounds beneath the music. No dialogue. No voiceover. No readable logos or titles.

Scene 1 (0–3 sec) A beautiful young Japanese woman begins a morning adventure in a quiet coastal town. She walks beside the ocean with her smartphone in selfie mode, smiling naturally as gentle waves move behind her. Scene 2 (3–6 sec) She explores a small seaside fishing harbor, watches local fishermen preparing their boats, and casually records the colorful boats and peaceful morning atmosphere. Scene 3 (6–9 sec) She discovers a small local seafood market. She looks around curiously, interacts naturally with a friendly vendor, and receives a freshly prepared local snack. Scene 4 (9–12 sec) She walks through a narrow traditional Japanese street lined with small wooden houses and shops. She stops at a tiny souvenir store and picks up a handmade ceramic item. Scene 5 (12–15 sec) She continues toward a rocky coastline and carefully walks along a scenic ocean path. The camera captures waves crashing against the rocks while she films the view. Scene 6 (15–18 sec) She reaches a quiet hidden beach. She removes her shoes, walks along the wet sand, and lets the ocean water touch her feet while laughing naturally toward the camera. Scene 7 (18–21 sec) She sits at a small outdoor seaside café, enjoys an iced matcha drink and a light dessert, and casually talks to the smartphone camera. Scene 8 (21–24 sec) Golden-hour sunlight begins to cover the coastline. She walks toward a small lighthouse on a hill, filming the glowing ocean and surrounding scenery. Scene 9 (24–27 sec) At sunset, she stands near the lighthouse overlooking the ocean. Her hair moves gently in the sea breeze as she watches the sun disappear below the horizon. Scene 10 (27–30 sec) Final selfie shot. She turns toward the camera, smiles brightly, waves goodbye and says: “What a beautiful day. See you on my next adventure. Bye!” Overall style: Ultra-realistic Japanese smartphone travel vlog, same beautiful Japanese woman and consistent appearance throughout, natural handheld phone footage, realistic human movement, authentic facial expressions, real ocean ambience, waves, wind and distant harbor sounds, cinematic natural lighting, realistic colors, documentary-style travel footage, no artificial movements, no text, no subtitles, no watermark.

A breathtaking 35-second, single continuous cinematic shot of an elite hypercar racing at maximum speed around a massive international Formula-style race circuit during a violent nighttime thunderstorm. No cuts, no scene transitions, no camera breaks, no teleporting, and no frame skips. The entire video must feel like one perfectly stabilized, uninterrupted real-world take captured by an advanced FPV drone combined with a Hollywood cinema camera. The race track is soaked from relentless heavy rain, with standing water, reflective asphalt, flooded curbs, illuminated pit buildings, giant grandstands, glowing LED advertisements, safety barriers, catch fencing, and distant city lights shimmering through dense rain and mist. Every surface should display physically accurate reflections, puddle ripples, water displacement, and realistic wet materials. A futuristic matte-black carbon fiber hypercar with aggressive aerodynamics, active rear wing, glowing red LED taillights, razor-sharp headlights, exposed carbon details, and rain tires launches down the main straight. Water sprays violently behind the tires, creating long rooster tails. Raindrops continuously strike the camera lens with realistic droplets that naturally slide away due to airflow without blocking the action. The camera begins inches above the wet asphalt, rapidly accelerating behind the car before smoothly orbiting around it while maintaining constant motion. It performs seamless FPV-style movements: low tracking shots, dramatic side passes, overhead dives, close wheel tracking, and elegant banking turns without ever losing sight of the vehicle. As the car approaches Turn 1 at extreme speed, it performs a perfectly controlled high-speed drift across standing water. Massive sprays explode outward while the rear steps sideways. Counter-steering is precise, tires maintain believable grip, suspension compresses naturally over curbs, and the chassis reacts with authentic body movement. The camera flies through the drifting water cloud, emerges beside the driver's window, then rotates toward the front bumper as lightning flashes across the stormy sky. Thunder briefly illuminates every raindrop with dramatic volumetric lighting. The vehicle exits the corner at full throttle, rapidly accelerating onto a fast section of the circuit. Water vapor trails behind it while reflections of floodlights streak across the glossy wet bodywork. The camera dives underneath an overhead bridge, skims only centimeters above the flooded racing line, then rises smoothly as the hypercar approaches a sweeping high-speed corner. The driver initiates another breathtaking drift, clipping the apex perfectly before transitioning into an aggressive Scandinavian flick through an S-curve. Tire spray forms enormous cinematic arcs while the camera rotates 360 degrees around the moving car without shaking or losing focus. Halfway through the sequence, another exotic race car briefly appears. The main car executes an incredibly close overtake through heavy rain with only centimeters of clearance. No collision occurs. Sparks briefly fly as the diffuser lightly kisses the wet track over a crest. The camera swings ahead of the car and flies backward while maintaining perfect framing. Rain intensifies. Lightning flashes repeatedly. Thick fog hugs the circuit edges while illuminated grandstands blur beautifully through motion. Entering the final section, the hypercar launches over a subtle elevation change. The suspension unloads realistically before compressing smoothly on landing. Water erupts beneath all four tires without losing traction. The entire 35 seconds must feel like one uninterrupted, adrenaline-filled cinematic masterpiece with flawless realism.