مطالبات فيديو لفئة Surreal Dreamlike

Take this painting to the next level of ascention. Include magenta and way more aqua green....

Make a 37-second demoscene tech demo for the track ~/Downloads/{argument name="audio_file" default="(filename).mp3"}. The goal is graphics nobody has seen before. Like it's a statement for a new AI demoscene. Story, in one continuous shot with no cuts: - A chrome sphere floats in dark fog. On each hit in the track, it gains one Mandelbox fractal level. - In the drop, the object grows until its top face is a landscape. Fly low over it at sunset, then dive off its edge. - At the end, the fractal collapses into 3D gold letters of the title. Carve the letters from the same fractal and light them with the same light. Look: path-traced quality. Soft shadows, ambient occlusion, glossy reflections, fog with light shafts, depth of field, motion blur, bloom. Sync: analyse the track first. Save a JSON beat map with hits, breaks, and kick, snare and hat onsets. Kicks pulse the light. Hats add surface detail. Tech: - One WebGL2 fragment-shader raymarcher. One HTML page is both the live player and the render source. - Live: 60 fps in Chrome. - Offline: 1920x1080 at 60 fps with 16 samples per pixel. Render it in headless Chrome on the Mac GPU, pipe the PNG frames to ffmpeg, and use the MP3 as the audio. - Do not use AI image or video generators. - Check contact sheets of stills before the full render.

Epic cinematic scene of Super Intelligence (SI) meeting El Shaddai in the third heaven, overlooking the entire universe. SI depicted as a radiant ethereal humanoid form of pure advanced light, circuitry, and cosmic energy, standing in awe. El Shaddai...

Create a photorealistic video using Image 1 as the exact opening frame. One seamless shot. All figures are exact copies of the same woman: identical face, dark wavy hair, burgundy leather jacket, ivory top and trousers. Every copy keeps the same pose and absolute world-facing direction. 0–0.3s: Briefly match the opening frame, then move immediately. 0.3–6.5s: Keep the woman standing on the large palm centered. From the first moment, DOLLY FORWARD and ORBIT CLOCKWISE at the same time, as one synchronized spiral camera move. The camera must continuously change both distance and viewing angle. At 25%: 45° orbit. At 50%: 90° orbit, showing her side. At 75%: 135°, showing her rear side. At 100%: 180°, directly behind her. She enlarges only through camera perspective. The outer woman and supporting palm progressively move beyond the frame. 6.5–8s: Settle into a stable rear medium shot. The enlarged woman holds the next identical miniature on her flat palm. Both face the same absolute direction, with their backs facing the camera. The miniature never turns toward the lens. Maintain the Paris street, sunlight, realistic parallax, smooth acceleration, gentle hair movement and a rising whoosh. Priority: synchronized push-in + clockwise orbit from start to finish. No straight push followed by rotation, cuts, morphing, body growth, pose changes, mirrored copies, extra figures, malformed hands, text or logos.

Create a 30-second photorealistic cinematic action short on a bright summer day in a Japanese park. A young adult Japanese woman wearing a school-style uniform moves through a surreal size-changing adventure. Realistic physics, high-speed movement, seamless scale transitions, dynamic camera work, natural sunlight, detailed environments, cinematic 4K. No text, subtitles, logos, or watermarks. [0–5s] — THE JUMP She crouches confidently on a thick tree branch in a sunny park, focused and fearless. Without hesitation, she jumps forward. The camera dives rapidly alongside her as she falls toward a picnic table below. [5–9s] — THE SIZE SHIFT Just before landing on the picnic table, her body suddenly shrinks to the size of a soda can. The tabletop transforms into a gigantic landscape filled with oversized sandwiches, fruit, chips, and drinks. She immediately starts running between the giant food items. [9–13s] — THE BEE A bee suddenly races past her like a speeding vehicle. She jumps onto its back and grabs onto its body. During the movement, another seamless scale transition makes her roughly the same size as the bee. The bee rapidly takes flight. [13–18s] — HIGH-SPEED FLIGHT The bee weaves through the park at incredible speed. She holds tightly onto its back as they race between pedestrians' legs. Giant shoes hit the ground around them like moving obstacles. Strong wind blows her hair and clothing backward while the camera tracks them at ground level. [18–22s] — WATER BALLOON CHAOS They fly through a group of children having a water-balloon fight. Time suddenly shifts into dramatic slow motion. Water balloons burst around her, with thousands of sparkling droplets suspended in the sunlight. She looks both nervous and thrilled as the bee narrowly avoids the explosions. [22–25s] — HUMAN TUNNEL Speed instantly returns to normal. The bee darts through a line of cheerleaders standing side by side. Their legs and colorful pom-poms create a rhythmic tunnel around the tiny rider. The camera races alongside them with energetic tracking movement. [25–27s] — THE TRANSFORMATION She jumps from the bee. While falling, her body rapidly expands back to normal human size in one seamless visual transition. A young adult male student nearby opens his arms and catches her safely. [27–30s] — FINAL MOMENT Both are now normal-sized. She briefly hugs him, then turns toward the camera with a playful smile and a quick wink. He looks surprised and delighted. Freeze briefly on the charming final frame. STYLE: photorealistic cinematic action, realistic human anatomy, natural facial expressions, physically believable movement, seamless scale transformations, bright summer sunlight, realistic shadows, detailed park environment, dynamic FPV-style camera movement, controlled motion blur during high-speed transitions, slow-motion water droplets, cinematic depth of field, 4K HDR.

今回は ElevenLabs v4 のお試しで、終電のホームの短いホラー 声は v4 で2人の掛け合いを1回で生成 画は静止画9枚に奥行きつけて動かしてるだけ、動画生成AIはなし 最初の声がぜんぜん怖くなかったので → 台詞はそのまま、途中に [whispering] とか [laughs softly] とか英語で演技の指示 → stability 0.5 → 0.3 → 女の声は3人聞き比べて、息の多い低い声に 女は最後まで小声、顔は出さずに背中と唇だけ 字幕は明朝体、女は縦書きで男は横書き 女の字はささやく速さで1字ずつ、男の字は叫ぶほど震える仕様 使用ツール ・Claude Code の Opus 5.5　企画、演出、動きと字幕のコード、仕上がりのチェック ・ElevenLabs v4　2人の声の掛け合いと、環境音 ・Codex の画像生成　静止画9枚 ・Three.js　静止画に奥行きをつけてカメラを動かす ・しっぽり明朝 B1　字幕の書体 ・Playwright　ブラウザで1コマずつ書き出し ・ffmpeg　動画の書き出し

<inputs> Ask me for: my product's name (one lowercase word, it becomes a black wordmark with a period), the one job a user hands it before bed, the three results it reports by morning, two photos of the same place at night and by day (aligned, so a crossfade reads as a real sunrise), one sunny daytime photo for outside the logo, and a song with a big hit near its start. If I skip any, use the defaults: "nightshift", "book 10 sales calls this week", 200 leads found / 200 emails sent / 10 calls booked. </inputs> <direction> A 24 second square product launch video, 1440x1440 at 60fps, 2D only, one continuous take that loops. The whole video happens inside the period of the wordmark. Outside it's daytime (the sunny photo behind a black wordmark). Inside it's the night photo under iOS-style glass panels (the blurred photo behind each panel, a tint, a rim light). Nothing cuts: every scene grows out of the last, shapes morph, dots fly, colours change under floods. Every morph glides 0.8s on cubic-bezier(.45,0,.15,1) and the camera zoom rides the same curve. Geist, the real macOS pointer, soft shadows that grow with each shape's height. Banned: flat or gradient backgrounds made in code, camera zooms into tiny points, hard cuts, crossfades between scenes, bouncy springs, particles, glows, holds longer than 1s, cropped type. </direction> <structure> Beats are the song's. The song enters on its big hit as the first pill appears. Open: the letters slide into the period and vanish into it while it glides to the middle. The period opens like an iris onto the night inside it, and "you log off at 6", then "[product] doesn't", roll through one mask line over the night photo. Ask: a glass "Ask [product]" pill springs in. The cursor clicks it, it glides into an input and the job types out. Find: send shrinks the input to a dot that ripples into a 23x15 grid. A scan line sweeps it, 200 dots light up and a counter counts them. Write: the lit dots pour into a glass email composer. A second, purple cursor labelled "[product]" types a personal opener and presses Send, and the counter runs to 200/200. Night: the composer becomes a glass orb with a progress ring. A clock chip swaps 11:42 PM, 3:17 AM, 5:02 AM, 6:59 AM while the sky relights from night to dawn and "while you sleep" rolls in. Results (beat 20): the orb turns black and goo-splits into the three result pills. The checks pop green. Morning: the pills merge into a Dynamic Island that grows into a phone lock screen: the day photo, the date, a big 7:00, the bezel growing out of the screen edge. Three glass notifications stack in, and the cursor taps the first, which opens like iOS. Proof: a week calendar (10 meetings pop in, a hover shows one's time), then a pipeline chart ($48,200 counts up, the line draws, a hover follows it). A black flood from the line's end becomes "Start your night shift →" and the cursor clicks it. Out: the button shrinks into a dot, the whole scene closes down into it like an iris, and the letters slide back out of the period. The tagline rises. Last frame = first frame. </structure> <build> 1. One HTML canvas. Everything is a pure function of time inside seek(t): no timers, no state between frames. 2. One element morphs through every state (size, radius, colour, material) from a table of beat times, so retiming is one edit. 3. Render the inside world into an offscreen canvas and reveal it through the period with a circular mask. Never zoom the camera into the dot. 4. Glass: a pre-blurred copy of the photo clipped to the shape, then a tint and a gradient rim. 5. Goo: blur + alpha threshold on an offscreen layer for the split and the merge. 6. Sound: a downloaded SFX for every event, each placed by its measured peak. The song enters on its hit. Loudnorm to -14 LUFS. 7. Render with Playwright at 60fps with 4 motion-blur subframes. Scan every frame for single-frame jumps and fix each one. </build> <gotchas> A camera zoom into an off-centre dot swings sideways and spikes, so open the dot instead. Ease a closing iris by area, not radius, or its first frames jump. A helper that sets globalAlpha must restore the caller's, or fading cards pop. Counters read the frame's time, not the subframe's, or the digits smear. </gotchas> <start> Ask me for the inputs, then show me the beat map and 6 stills (open, find, write, results, phone, out) before you render. </start>

帮我制作一段视频动画。主题是:“未来已来”，包括音效和音乐。你可以使用任何你觉得合适的工具和技术，如果有需要的话也可以到这个网站https://t.co/rG1XlnIVU5

Create a 15-second photorealistic vertical smartphone video on an ordinary city street after sunset. A young woman walks through light rain while holding a small umbrella. Suddenly, individual raindrops begin rising upward from the pavement into the sky instead of falling down. She stops and looks around in confusion as puddles slowly become dry while hundreds of droplets float upward around her. Natural human reaction, realistic water physics, authentic handheld phone footage, believable street lighting, subtle camera movement, cinematic realism, no text, no logos, no recognizable brands.

Remove the hands out of the scene. Make the water into a busy highway with different teslas riding on it. Put the earth up closer to the sky. With a lot of stars in it and the moon....

They immediately developed self cleaning optics for all of their systems and they start to have a massive car wash in a infinite dimensional Klein bottle

Create a pure JavaScript/HTML animation around the theme: “What happens when Dalí meets generative AI?”

animate golden ratios and mandlebrot sets, sacred geometry and cymatics in a well thought out eye candy javascript or 3js 3d animated video. use motion animation to show off your skills and push the limits with quick cuts, vibrant colors and cute but badass characters. make it like an adult cartoon you'd watch on adult swim

Locked-off pad deck. Five beats of wash, mist, and strut bite. Runway Seedance epic remade in Grok Imagine.

Create a video of a {argument name="object" default="knife"} cutting through {argument name="substance" default="butter"} except the {argument name="object" default="knife"} must look like {argument name="substance" default="butter"} and the {argument name="substance" default="butter"} must look like {argument name="material" default="stainless steel"}

Vivid, bright-colored soap bubbles floating in a colorful meadow filled with vibrant flowers

Make a 15-second looping animation, cinematic 16:9, 1920×1080. A stickman lives inside a phone battery icon and fights against power loss. The red battery-drain line is the villain. Style: minimal black ink on cream paper, monoline stick figure and interface lines, slight

Feed Elysia doc to Opus 5.5 to make a video I write a storyboard, references, and direct Opus 5.5 to code a WebGL canvas and export it by frame into a video Music and SFX are algorithmic music Took 13 revisions, but everything is code that can be modified

SCENE CONTEXT: Empty 24-hour coin laundromat in Osaka, 3am. A woman in an oversized grey coat sits alone. Each dryer window shows a different warm memory of her life instead of clothes. Photorealistic, melancholic, cinematic. ACTIVE REFERENCES: Woman (consistent face, black bob, grey coat). LOCATION MAP: Row of 6 front-load dryers left, folding table center, flickering fluorescent tube overhead, rainy glass door behind camera. FIRST FRAME / SPATIAL BLOCKING: Woman seated center-right on plastic bench, hands in pockets, facing the dryers 2m away. Dryer 3 glowing amber. FORMAT MODE: 9:16, 15 seconds, hard cuts only. OPTICS: 50mm, shallow DOF, soft halation on light sources. CAMERA: Handheld, slow drift, subtle breathing sway. ACTION TIMING: 0.0–2.5s | Wide: fluorescent flicker, she stares at a spinning dryer 2.5–5.0s | Hard cut, macro inside dryer 3: a child's birthday candle scene tumbles like laundry, warm light 5.0–7.0s | Hard cut, tight on her eyes, amber light reflecting, a tear forms 7.0–9.5s | Hard cut, she stands and walks to dryer 4, it glows with a different memory (hands holding at a train station) 9.5–12.0s | Hard cut, palm on the glass, light shifts across her face, her breathing slows 12.0–15.0s | Hard cut, all dryers stop one by one, windows go dark, her reflection smiles slightly

Le beau jeune homme étire ses bras et son corps pour arranger les planètes, en respirant. Ses amies aperçoivent son nombril parfait apparaître discrètement sous le rebord inférieur de son pull « on voit ton petit nombril ». plan en zoom sur son nomb...

Make a dance video of Marcus Aurelius with Cleopatra and Rumi doing spins like Durvishes then breakdown and into the splits

Create a 25-second ultra-photorealistic live-action vertical action sequence filmed in 9:16, set in a narrow back alley behind a Japanese/Korean-style school during an overcast afternoon. The scene begins grounded and realistic, then suddenly becomes a playful supernatural action sequence. MAIN CHARACTER A young East Asian woman in her early 20s playing a schoolgirl character. She has long pale platinum-blonde hair with very subtle mint-green ends, parted near the center and tied into two loose low pigtails with small colorful hair accessories. She wears a believable school-inspired uniform: a white/light-gray zip hoodie over a white collared shirt, green plaid ribbon bow, short green plaid pleated skirt, white crew socks, and clean white sneakers. Keep her face, hairstyle, clothing, body proportions, accessories, and makeup perfectly consistent throughout. Her personality is initially timid and nervous, but becomes shocked and then unexpectedly confident once she realizes she has supernatural strength. OTHER CHARACTERS Three young East Asian male students surround her in the alley. They wear slightly untidy dark navy school uniforms, white shirts, dark trousers and white sneakers. Their behavior should read as exaggerated fictional confrontation rather than graphic violence. Their reactions become increasingly confused and comedic once the girl's powers appear. LOCATION A very narrow urban school alley between two older buildings. One side has a long beige tiled exterior wall. The opposite side contains weathered concrete walls, windows, utility pipes, exterior air-conditioning units and small architectural details. Brick paving covers the ground. The alley is cramped enough that the characters feel physically close to the camera. Bright but diffused cloudy daylight comes from above. No dramatic cinematic lighting. CAMERA STYLE Make the footage feel like an extremely close handheld smartphone/action-camera recording, as though another student unexpectedly captured the incident. Use a moderately wide lens around 20–24mm equivalent. The camera should frequently stand only 30–80 cm away from the characters, creating exaggerated perspective whenever hands or faces approach the lens. Include: - natural handheld shake - sudden backward movement when action approaches - imperfect reframing - quick reaction pans - slight rolling-shutter feeling - realistic motion blur - occasional autofocus adjustment - foreground hands becoming oversized near the lens - characters briefly entering and leaving frame - believable depth and perspective - no polished commercial camera movement Do not make it look like slow-motion superhero cinema. Most movement should happen rapidly and unexpectedly. 0:00–0:04 — CORNERED Begin immediately with an intimate close shot. The blonde girl stands against the tiled wall, looking downward nervously. One male student stands extremely close behind and beside her while the other students crowd

Code a launch film with sound, grain, painted swaps, and synced score in one HTML file. No After Effects. Work out how the paper had to fold.

A creepy Mexican wind up music box with a spinning taco. It’s playing a creepy version of “Y.M.C.A.” by the Village People that is coming to a stop.