How to Write a Short Film
Film & Animation
Introduction
Writing a short film can feel daunting, especially with the many myths surrounding it. Unlike feature films, short films have unique structural and narrative demands that require a solid understanding of storytelling fundamentals. In this article, we will explore how to write a strong dramatic narrative for a short film, using the existing short film "Stutterer" as a case study.
Debunking Myths Surrounding Short Films
Myth 1: Short Films Are Too Short to be Deeply Meaningful
Contrary to popular belief, short films can pack a powerful emotional punch. A meaningful story can be told succinctly by focusing on core story elements.
Myth 2: There Isn’t Enough Time to Set Up the Story
Setup is critical, even in short films. Writers often skip or rush this phase, but the audience needs context to engage with the narrative.
Myth 3: Strong Cinematography Can Replace Good Story
Even if a short film looks stunning, lack of storytelling will lose the audience's interest. A strong narrative remains the heart of any film.
Building a Strong Narrative Structure
To illustrate a productive approach to writing a short film, we can examine "Stutterer," directed by Benjamin Cleary. While this isn't presented as a formula, the steps outlined here provide a useful framework to craft your narrative.
Finding the Idea
Begin with an idea or character. For this example, we focus on a man who stutters—this serves as our foundational concept.
Developing the Main Character
Our central character, Greenwood, believes his stutter prevents him from forming intimate relationships. Understanding his desires and beliefs allows us to dig into the story's conflict.
What Does Greenwood Want?
Greenwood desires a deep and meaningful relationship. However, his beliefs lead him to feel disconnected from the world due to his stutter.
Adding Supporting Characters
A love interest, Ellie, is introduced. Unlike Greenwood, she possesses self-acceptance, opening philosophical conflicts that challenge Greenwood's beliefs. A father figure character can further emphasize acceptance and support.
Structuring the Narrative
Using Dan Harmon's story circle can provide a structured framework for our film:
- Zone of Comfort: Introduce Greenwood and his familiarity with his stutter.
- Desire: Establish Greenwood’s wish for love.
- Unfamiliar Situation: Greenwood is presented with a chance to meet Ellie in person.
- Adaptation: Explore Greenwood's emotional struggle and indecision about the date.
- Obtaining Desire: Greenwood decides to meet Ellie, despite his fears.
- Paying the Price: Tension builds as he confronts his stutter during their date.
- Return: The climax occurs when they meet, testing Greenwood's beliefs.
- Change: Ultimately, Greenwood learns to accept himself, marking his transformation.
Crafting the Core Elements
While developing the narrative, enrich dialogue and stylistic choices based on the foundational structure and character development.
Analyzing "Stutterer"
In "Stutterer," we see Greenwood's stutter as his major external problem, shaping his identity and interactions. The film effectively communicates the internal conflict through concise dialogue and scenes that highlight both character growth and vulnerability.
The film features moments of self-judgment that reinforce Greenwood's philosophical struggles. His decision to meet Ellie is a critical point of action that challenges both his external obstacle and internal beliefs.
Conclusion
By focusing on these essential story elements and using narrative structures, creators can formulate a short film that resonates deeply with its audience. With practice and perseverance, anyone can give voice to their unique story through the medium of a short film.
Keyword
- Short Film
- Narrative Structure
- Character Development
- Philosophical Conflict
- Dan Harmon's Story Circle
- Greenwood
- Ellie
- Transformation
- Self-Acceptance
FAQ
Q: What are the main components of a short film?
A: The main components include a strong narrative structure, character development, a philosophical conflict, and meaningful dialogue.
Q: Can short films be dramatic?
A: Yes, short films can be deeply meaningful and dramatic by focusing on fundamental story elements.
Q: How do I set up a short film?
A: Establish context quickly to engage your audience and introduce your character’s motivations and conflicts early in the story.
Q: What is Dan Harmon’s story circle?
A: It's a narrative structure tool that consists of eight essential steps for storytelling, adaptable to various formats, including short films.
Q: How should I develop my characters?
A: Build out your characters by understanding their wants, beliefs, and the conflicts they face, both internally and externally.