Cinematic One-Shot Biography of Su Shi

Prompt

Create a 30-second cinematic biographical video. The entire process must be a completely seamless, coherent, and uninterrupted long shot. There should be no cuts, fades, dissolves, resets, or montage effects. The camera can orbit, track, dive, rise, rotate, and pass through foreground obstacles, or temporarily obscure the character, but the final result must always appear as an uninterrupted moving shot. **Core Concept** A man's entire life, from youth to old age, condensed into an uninterrupted long shot. This man is Su Shi, the greatest literatus of the Northern Song Dynasty. He remains the same person, a continuous presence throughout the film, but his age, face, physique, hairstyle, clothing, expression, and temperament must change fluidly as he progresses through life stages. Every change must occur within the frame, tied closely to his movement with physical causality. His evolution must be seamlessly connected: from a youth in Meishan to a scholar taking exams, then a talented young official entering the bureaucracy, followed by an outspoken official opposing reforms, then a prisoner in jail, a free-spirited poet in the fields of Huangzhou, an Academician returning to court, a local governor of Hangzhou, an old man exiled to Lingnan, and finally a wise man dying with a smile on his way back north. His face, body, beard, official robes or plain clothes, hats, and handheld objects must transition naturally with life stages. These changes must happen during motion and never as abrupt jumps. **Tone** Poetic, magnificent, soulful, open-minded, and filled with literary charm. The environment can be spectacular and dramatic, but the overall atmosphere always carries Su Shi's characteristic openness and warmth. Suitable for all ages, with no blood or violence. **Audio Design (Seedance 2.5 Voice Format Instructions)** This video uses Seedance 2.5 native audio generation, where visuals, voice, and sound effects are completed synchronously in one generation. The voice format rules are as follows: - **Voiceover Narration** (Classical male voice recitation): Enclosed in double quotes "...", preceded by "Narrator recites in a steady classical middle-aged male voice:" - **Environmental Sound Effects**: Marked with angle brackets <...>, e.g., <Wind rustling through bamboo forest> - **Background Music**: Marked with parentheses (...), e.g., (Distant guzheng melody, slow and deep) - **Mixing Priority**: Voiceover narration is clear and prominent, background music is lower than the voice, and environmental sound effects serve as the ambient layer. Due to the limited voice capacity within 30 seconds (about 40-50 Chinese characters), please select 6 of the most representative poems or famous lines as voiceovers, while the rest of the scenes use sound effects and music to carry emotion. **Narrative Timeline** The 6 lines not only fit the current scenes but also form a complete spiritual arc of life: 1. "Where can life be compared? It should be like a flying swan treading on snow and mud." → **Departure**: Life is like a flying swan, unknown destination. 2. "Picking all cold branches but unwilling to roost, lonely and cold on the sandbank." → **Fall**: Nowhere to stay, extreme loneliness. 3. "Bamboo cane and straw shoes are lighter than a horse. Who's afraid? A life of misty rain in a coir raincoat." → **Awakening**: Letting go of everything, no longer afraid. 4. "Comparing West Lake to Xi Shi, light makeup or heavy is always suitable." → **Settling**: Reconciling with the world, loving the present. 5. "Eating three hundred lychees a day, I wouldn't mind being a Lingnan man forever." → **Open-mindedness**: Living flavorfully no matter where. 6. "Where this heart finds peace is my hometown." → **Return**: Having traveled the world, peace of heart is home. Hearing them consecutively summarizes Su Shi's life spirit: Unknown destination → Nowhere to stay → No longer afraid → Loving the present → Living well anywhere → Peace is home. --- ## Opening: Meishan Youth (c. 1050, Su Shi aged 13-14) Opens with early morning in Meishan, Sichuan. A youth stands on a bamboo-shaded slope, overlooking the misty Minjiang Plain. Distant layered green mountains, nearby the eaves of his father's study. Morning light spills through bamboo leaves onto his face. He holds a scroll, eyes bright and curious. The youth has handsome features, wearing simple Sichuan student robes, hair tied in buns. The visual should immediately feel poetic and cinematic. He hears a distant horn sound (symbolizing the call of the imperial exams), looks up, eyes flashing. <Wind rustling bamboo forest, faint distant horn> The camera moves as he turns and starts running down the bamboo path. --- ## First Transition: Meishan Youth → Scholar Heading for Exams (1056, age 20) He runs through the bamboo forest, shadows sweeping over him. As the shadows pass, his face matures slightly, his stature grows, and the buns change into a young scholar's hairstyle. Simple student robes turn into a traveler's long robe. The scroll becomes a bundle. The bamboo forest dissolves behind him, the mountain path becomes a government road to Bianjing. City outlines appear. His pace is steady, with the high spirits of a youth leaving Sichuan for the first time. The figure of his brother Su Zhe appears beside him (blurred as a background element). Narrator recites in a steady classical middle-aged male voice: "Where can life be compared? It should be like a flying swan treading on snow and mud." <Horse hooves, wind on the government road> --- ## Second Transition: Scholar → Young Talent on the Golden List (1057, age 21) An imperial banner fluttering in the wind sweeps across the frame. As it passes his body, his traveler's robe turns into the blue official robe of a new jinshi. The bundle vanishes, replaced by a scroll of imperial decree. His gait becomes confident and high-spirited. The government road becomes the stone-paved main street of the Bianjing imperial city. Towering palace buildings, red walls, yellow tiles, and bustling crowds appear on both sides. He walks through the crowd with a triumphant smile. Sunlight hits his young face, full of spirit. <Crowd noise, distant celebratory music> --- ## Third Transition: Young Talent → Outspoken Official (1069-1071, age approx. 33) A vermilion palace pillar sweeps across the foreground, temporarily obscuring him. When he reappears from behind the pillar, his face is more mature, with a neatly trimmed short beard. The color and patterns of the official robe become deeper, and he wears a black official hat. His expression turns from triumphant to serious and grave. He is walking briskly through a court corridor, clutching a memorial. The environment becomes oppressive, the pillar's shadow elongating. Notices of Wang Anshi's reforms and arguing officials are faintly visible in the distance. His pace is urgent and steady, with the determination of one speaking truth to power. <Urgent footsteps echoing in the empty corridor> --- ## Fourth Transition: Outspoken Official → Prisoner in the Crow Terrace Poetry Affair (1079, age 42) The light in the corridor suddenly dims. The shadow of the pillar becomes the iron bars of a prison. His official robe loses color in the shadows, turning into a prisoner's coarse cloth. The black hat vanishes, hair becomes disheveled. The memorial in his hand turns into heavy chains. His face is haggard, short beard messy, eyes sunken. He stumbles through a dim cell, but his gaze still holds unyielding light. There are water stains and carvings on the walls. A weak beam of light shoots from a high window onto his face. Narrator recites in a steady classical middle-aged male voice: "Picking all cold branches but unwilling to roost, lonely and cold on the sandbank." <Heavy chains dragging on the ground, water dripping echoes> The camera rises with that beam of light. --- ## Fifth Transition: Prisoner → Open-minded Poet in Huangzhou (1080-1084, age approx. 45) That light expands and warms, becoming the moonlight at Chibi in Huangzhou. The prison walls shatter and dissolve, becoming the Chibi cliffs by the Yangtze River. The prison floor under his feet turns into riverbank rocks. The prison clothes turn into loose literary plain robes in the moonlight, a coarse belt tied at the waist. Chains vanish, a jug of wine appears in his hand. His hair is tied back again, but not in an official bun—instead a casual literati style with a Dongpo hat. His face relaxes, though thin, his eyes have a transcendent light. He stands under the Chibi cliffs, the river wind blowing his robes. A small boat is in the distance on the river. He looks up at the moon, lips moving slightly as if reciting "The Yangtze River flows east." The entire person is completely liberated from the oppression of imprisonment, exuding a transcendent air. Narrator recites in a steady classical middle-aged male voice: "Bamboo cane and straw shoes are lighter than a horse. Who's afraid? A life of misty rain in a coir raincoat." <River wind howling, waves hitting rocks> He turns and walks along the riverbank with a leisurely pace.