Video-prompter for Character

Global Parameters: Character: Young woman, dark hair with white headband, white acrobatic bodysuit with a trailing sheer skirt/cape. Camera Style: Continuous, fast-paced 3rd-person tracking shots (mostly trailing from behind). Seamless match-cut transitions between environments. Color Palette: High-contrast fantasy hues, leaning heavily into pastel pinks, purples, and warm sunset golds. Audio: Fast-paced, whimsical orchestral score (Alice in Wonderland style). Heavy use of wind swooshes, light magical chimes, and rapid footsteps. Timestamped Sequence Breakdown 00:00 - 00:04 | The Palace & Spires Action: Close-up of character's face with elaborate makeup and jeweled nails. She turns and sprints through a gilded, chandelier-lit palace room. She leaps through stained-glass doors. Transition: Match cut mid-leap to her jumping between two massive gothic cathedral spires adorned with giant pink bows. Lighting: Warm, hazy sunset. 00:04 - 00:08 | Cathedral Descent Action: Trailing tracking shot. Character sprints rapidly down the steep, dark slate roof of the cathedral and leaps into the abyss. Audio: Loud wind rushing sound. 00:08 - 00:13 | The Victorian Carnival Action: Character lands seamlessly in a pastel, 18th-century street fair. She parkours over a moving horse-drawn carriage and weaves through a crowd of people in period dress and animal-headed characters (white rabbits). Camera: Low-angle tracking shot, highly kinetic. 00:13 - 00:16 | The Watch Garden Action: Character leaps through an archway framed by giant pocket watches draped in pink ribbons. She sprints through a dense, vibrant field of pink and yellow tulips. Camera: Camera pushes aggressively through the flower petals, staying close behind her. 00:16 - 00:20 | The Water Dungeon Action: Seamless transition into a dark, stone aquatic dungeon. She runs along a massive metal pipe and leaps onto a swinging, boat-like chandelier structure. Lighting: Dark, cool teal shadows with warm lantern highlights. 00:20 - 00:24 | The Cloud Walkway Action: She vaults out of a dark window, landing on a stone bridge high in the clouds. She sprints past giant, surreal rabbit/clockwork guards and leaps toward a massive clock tower decorated with a pink bow. Camera: Tracking forward, floating above the clouds. 00:24 - 00:30 | The Fantasy Kingdom Action: She parkours up the edge of the clock tower's blue roof. Camera: Dramatic, rapid pull-back to a sweeping wide aerial shot. Environment: A magical kingdom at sunset with a winding river, pastel-colored Victorian buildings, hot air balloons, airships, and a central glowing castle.

30s One-Shot · Bamboo Forest Mechanical Temple Adventure [Reference Roles Locked] Character R1@6d127e1b-e58e-4a0b-8054-ab04cf09dd27: Follow the adult female character from the previous round, strictly maintaining the same face, deep brown long curly hair, red lipstick, bronze disc earrings, and mature temperament. Clothing R2@be683d06-0c2b-4fe0-b7ac-708c4b3b28d9: Add purple pointed high heels. This round @96b54c2a-268d-4f86-90e8-4733e5487589 serves only as scene reference: lock bamboo forest, shallow pool, traditional wooden temple, mossy stones, huge yellow industrial machinery, satellite antennas, exposed pipelines, cables, mechanical platforms, and natural morning mist. Prohibit extracting characters, text content, or fixed wide-angle compositions from @1. Character R1, Clothing R2, and Scene @1 must be integrated into the same real space, without appearing as character cutouts, green screen composites, or studio shoot effects. [Global Settings] **Film Goal:** 30-second, real-time speed, no-cut one-shot adventure film. A female explorer in white accidentally enters an ancient temple symbiotic with giant yellow machinery deep in a bamboo forest. She awakens a sleeping white mechanical guardian beast, and under its guidance, traverses the automatically activated ruins, eventually being actively chosen by the guardian beast to receive a golden mechanical seed. **Environment:** Fully reference the ecological mechanical ancient temple of @1. Giant yellow industrial facilities span over the traditional wooden temple; mottled mechanical shells are covered by vines, moss, and bamboo leaves; satellite antennas, thick cables, hydraulic joints, and old wooden eaves are cross-connected. The foreground features a shallow pool reflecting the sky, wet stones, stone lanterns, and a row of white animal guardian statues. Morning mist passes through the bamboo forest, and sunlight forms pale gold-green volumetric light. All machinery has realistic weight, rust, oil stains, and slow-running inertia. **Cinematography Style:** Realistic cinematic live-action texture, fusion of ecological sci-fi and ancient temple adventure. Soft morning light, shallow depth of field, restrained film grain, natural highlight bloom, humid air, and realistic motion blur. The yellow machinery, cyan-green bamboo forest, and the female protagonist's white clothing form a clear color relationship. **Camera Rules:** A complete, continuous, real-time Steadicam long take. The character always moves from the left side of the screen to the right, positioned at the left/right third, with guiding space reserved in front. The camera must transition through real movement between 3/4 rear, water-level side shot, mechanical corridor side shot, low-angle chase, and final 3/4 front medium-close-up. Hidden cuts are prohibited. **Characters and Props:** Character R1 wears full clothing R2, slinging the same small worn brown leather adventure bag. No torches, as the scene is illuminated by natural morning light. The veil, waist knot, earrings, long hair, adventure bag, and high heels must produce realistic inertia. Water stains, moss marks, and dust on the clothing accumulate progressively and cannot automatically restore. **Mechanical Guardian Beast:** A white ceramic mechanical fox about the size of a house cat, derived from the white guardian statues around the pool in @1. The body consists of worn white porcelain armor plates, brass joints, and tiny gears, with eyes emitting a very faint warm golden light. Size, material, and structure are consistent throughout, and it must not turn into a real fox, cartoon pet, or giant monster. [Timestamp Storyboard] 0—5s | Sleeping Guardian Awakens The shot starts from the 3/4 rear of Character R1. Wearing full clothing R2, she enters the bamboo forest mechanical temple in @1 along a stone walkway in the shallow pool, positioned at the right third of the frame. The translucent veil lightly sweeps the wet stone surface, and white high heels cautiously avoid moss. On her second step, she steps on a circular brass pressure plate embedded in the stone path. A clear "click" sounds as the heel presses down, and a row of white animal guardian statues by the pool vibrate slightly. She immediately stops, lowers her center of gravity, holds the adventure bag with her right hand, and turns her head alertly to observe. The white mechanical fox closest to her slowly turns its head, porcelain eyelids open, and eyes light up with faint golden light. It doesn't attack but leaps lightly from the stone base, its four brass claws making small metallic sounds upon landing. The mechanical fox looks back at her once, then runs right along the pool. **End State:** The female protagonist stands at the right third of the frame, surprised but alert; the mechanical fox stops on the stone steps ahead, looking back at her, clearly signaling her to follow. 5—11s | Water Surface Mechanical Stepping Disks Continuing from the mechanical fox looking back. It turns and leaps into the shallow water area, and six moss-covered circular mechanical stepping disks immediately rise in sequence from underwater. The camera lowers from behind the protagonist along a continuous arc to water level, becoming a parallel side tracking shot. She is at the left third of the frame, with space reserved in front for the stepping disks and the mechanical fox's movement. The mechanical fox steps on the first disk, and the internal gears of the disk make a short rotating sound; as it jumps to the next, the previous one slowly sinks back into the water. The protagonist quickly understands the pattern, first locking her gaze on the next disk before moving her body. She uses low-height, short-distance jumps: the forefoot of the white pointed shoe first lands on the dry center of the disk, knees bending to absorb impact, and only after confirming stability does she push off to the next. Each time a disk receives force, the water pushes out realistic ripples, and the end of the veil sweeps across the water, leaving a gradually expanding wet mark. The mechanical fox always stays one disk ahead, occasionally looking back to confirm her position. **End State:** She lands both feet on a mixed wood-stone platform on the opposite bank, her left hand gripping a rusty railing to regain balance; the last stepping disk sinks into the water behind her, and the mechanical fox has already entered the narrow mechanical corridor ahead. 11—17s | Rotating Cable Corridor The camera continues to slide right along the railing, rounding a yellow mechanical pillar and moving close to the side wall of the corridor. The giant facility is awakened by the pressure plate, and the satellite antenna above begins to turn slowly, with the long-dormant motor emitting layers of low-frequency humming. As the mechanical fox passes through the corridor, three sets of hanging cable loops are driven in sequence by the linkage shaft, sweeping across the narrow passage like giant rope rings. It ducks under the first set of cables. The protagonist pauses for half a beat to observe the cycle of the three sets of cables, then follows in a "stop-dash-stop" manner. As the first set of cables rises, she lowers her shoulders and dashes through; the second set sweeps from the foreground, and she immediately presses against a yellow mechanical pillar, her veil and long hair blown to one side by the airflow; the third set of cables suddenly swings back at waist height, she brakes with her back forefoot, bends her knees, and quickly leans her upper body back, letting the thick cable graze past her chest. The wind pressure from the cable flutters the lace collar, earrings, and veil, but does not touch her body. **End State:** She stands upright again and rushes out of the corridor, where the mechanical fox is waiting on an elevated wooden hanging gallery ahead; the three sets of cables behind continue to swing back and forth in a fixed cycle. 17—24s | Folding Gallery Chase The mechanical fox's front paw steps on a circular mechanical seal in the center of the hanging gallery. The seal lights up with a faint golden ring, and the entire wooden hanging gallery immediately begins to fold back into the yellow mechanical main body from the rear end, with wooden boards, metal supports, and railings emitting continuous "clack, boom" mechanical closing sounds. The camera seamlessly circles to a low-angle 3/4 rear view of the protagonist. She is at the right third of the frame, with the left side filled by folding and falling wooden boards and mechanical supports. The mechanical fox runs fast ahead, and she immediately follows in a sprint. High heels land on the center of the wooden boards with short forefoot steps, avoiding the heels getting stuck in gaps. Once, a mechanical support suddenly folds inward, and her sole slips slightly, her body tilting left; she immediately grabs the right railing, using arm pull and core strength to pull her body back onto the path. The adventure bag hits her waist, the wet veil rises behind her, and the folding line closely pursues her heels. At the end of the gallery, only a closing circular mechanical door remains. The mechanical fox first slips through the door gap. The protagonist pushes off the last wooden board with her right forefoot, leaps at a low height into the door, and performs a side shoulder roll upon landing to dissipate force. The circular door closes heavily behind her. **End State:** She stops on one knee in the core courtyard of the mechanical ancient temple, the original path completely sealed; the mechanical fox sits quietly on a central stone platform ahead. 24—30s | Choice of the Guardian Beast The camera rises steadily as the protagonist stands up and moves from behind her shoulder along a short arc to the 3/4 front side. The core courtyard has no modern lighting, only gold-green light beams falling from the damaged roof and bamboo leaves. Yellow mechanical pipes wrap around an ancient stone platform like tree roots. The mechanical fox does not flee. It looks down at its chest, and the white porcelain armor unfolds along precise seams to both sides; inside is not flesh and blood, but a set of slowly rotating brass gears. In the center of the gears sits an almond-sized golden mechanical seed, its surface covered with extremely fine leaf-vein-like engravings. The protagonist does not directly snatch it. She first relaxes her shoulders, slowly unbuckles the adventure bag, then steadily extends her left hand wearing a white long glove toward the mechanical fox. The mechanical fox gazes at her for a moment, actively lowers its head, and uses its front paw to push the golden mechanical seed into her palm. The moment the seed touches the glove, it emits a slight mechanical heartbeat. The entire ruin awakens accordingly: the giant satellite antenna overhead slowly turns toward the sky, warm amber lights light up in sequence inside the yellow mechanical structure, vines entangling the building quiver slightly, and the sound of interlocking gears starting up comes from deep in the bamboo forest. Other white guardian statues in the pool simultaneously turn their heads to look at her, but do not approach. The camera stops at a 3/4 side medium-close-up of the protagonist, positioned at the left third of the frame. She looks down at the mechanical seed in her palm, first holding her breath, then looking up at the mechanical fox with a restrained smile of mixed surprise, alertness, and gentle joy. The mechanical fox remains sitting on the stone platform, its porcelain armor slowly closing. **End State:** The golden mechanical seed is uniquely located in the protagonist's left palm; the mechanical fox sits on the stone platform to her right rear; the entire bamboo forest mechanical temple is awakening layer by layer. [Consistency Maintenance] Maintain the same female protagonist, same face, same hairstyle, makeup, earrings, and body proportions throughout. Full clothing R2 must not be changed, simplified, or turned into an adventure uniform; the lower edge of the veil starts to have water stains after 5s, and dust is added after 17s, with states accumulating continuously. The brown adventure bag is always slung on the same side of the body and must not disappear without reason. The mechanical fox remains house-cat-sized, with white porcelain armor, brass joints, and faint golden eyes throughout. The golden mechanical seed can only be inside the mechanical fox's chest before 24s, then uniquely transfers to the protagonist's left palm; copying or premature appearance is prohibited. The environment always follows the logic of @1's bamboo forest, wooden temple structure, yellow machinery, satellite antennas, moss, pool, and morning mist. The protagonist always moves from left to right, finally stopping at the left third of the frame. All mechanical activations must occur along the causal chain of pressure plate—guardian beast—stepping disks—cables—hanging gallery—core seed. [Audio] Use only live environmental sounds and mechanical sound effects: bamboo leaves rustling, flowing water, birds chirping, soles contacting wet stone, fabric and veil friction, mechanical fox claw sounds, old gears turning, motor humming, cables cutting the wind, wooden boards folding, rapid breathing, and the low heartbeat of the mechanical seed. No BGM, no narration, no character dialogue. [Strictly Prohibited] Prohibit any cuts, montages, hidden transitions, time jumps, slow motion, camera teleportation, wall-clipping, or axis-jumping; prohibit using bamboo, mechanical pillars, closing circular doors, veil sweeping the lens, darkness, or fast whip pans to hide cuts. Prohibit this round @1 from changing the protagonist's appearance or clothing; prohibit copying architectural styles, text, animal statues, or colors from the scene onto the character's body; prohibit white studio backgrounds and marble clothing reference backgrounds from mixing into the scene. Prohibit character centering drift, face-swapping, outfit-swapping, automatic clothing cleaning, veil disappearance, high heels turning into boots, jewelry disappearance, or adventure bag switching sides. Prohibit the mechanical fox from turning into a real animal, plush toy, cartoon character, humanoid robot, or giant monster; prohibit the mechanical seed from turning into jewelry, perfume, magic crystal, flame, or floating light ball. Prohibit weightless jumping, joint distortion, body clipping, cables passing through the body, heels merging with the stone surface, veil passing through railings, or mechanical structures exploding without cause. Prohibit subtitles, readable text, logos, watermarks, UI, neon, studio lighting, advertising product shots, audiences, hosts, other humans, combat armies, blood, and gore.

Create a single continuous 15 second live action shot in full 16:9 with no cuts. A young adult woman with platinum blonde hair, wispy straight bangs and two loose low side buns performs directly into an extreme fisheye camera inside a dim intimate bedroom. She wears dramatic black eyeliner, subtle pale makeup, a fitted black sleeveless crop top and several thin layered black necklaces with small pendants. Give her a confident alternative punk aesthetic without making the styling look like a costume. Place the camera completely still at approximately face height using an extremely wide fisheye lens. Preserve strong optical barrel distortion so the room bends naturally around the edges and her facial proportions change realistically whenever she approaches the glass. Fill the entire widescreen frame with real environmental detail rather than black side bars. Behind her are rough aged walls, small grid like architectural openings, muted blue bedding and miscellaneous lived in bedroom details disappearing into darkness. Lighting is very low and imperfect, dominated by cold cyan and green illumination from near the camera with faint ambient light in the room. Her pale face occasionally approaches mild highlight clipping while the background has deep crushed shadows. Maintain authentic high ISO sensor noise, subtle chromatic contamination, soft low resolution texture, slight motion smear, imperfect white balance and gentle exposure breathing. Avoid cinematic beauty lighting and avoid an artificially polished image. At the beginning her face is extremely close to the lens while she mouths a song with relaxed half closed eyes. During the first three seconds she gradually leans backward until her upper torso becomes visible, shoulders subtly moving to the rhythm. Around four seconds she lowers her chin and then leans toward the camera again. Between five and seven seconds she looks upward while continuing to mouth the vocal, slowly lifting her chin and exposing her neck. From seven to nine seconds she rolls her head sideways in one fluid natural movement, allowing her loose hair strands and necklaces to react independently. From nine to twelve seconds she returns toward center, dips her chin, gives a soft pout and briefly lowers her eyes. Keep tiny breathing motion in her chest and shoulders. From twelve to fourteen seconds she straightens and slowly approaches the camera again. During the final second she becomes noticeably more playful, moves extremely close to the fisheye glass and finishes with a wide spontaneous smile and teasing expression directly into the lens. All body motion must obey realistic inertia. Hair, necklaces, clothing and facial muscles move independently and consistently. Maintain stable identity, correct hands, natural teeth, realistic eyes, skin pores and believable blinking. No morphing, floating jewelry, duplicated features, frozen hair, beauty filter skin, artificial depth of field, camera cuts, text, logos or visual effects. Add a moody underground alternative pop soundtrack around 100 BPM with deep restrained bass, dry punchy drums, hazy electronic texture and an intimate female vocal hook. Synchronize her mouth movements and small shoulder pulses naturally to the vocal rhythm while keeping the audio slightly raw and bedroom recorded rather than studio perfect.

30-Second Cinematic Korean Mystery | "The Forgotten Letter" Style: Ultra-photorealistic live-action Korean drama, Netflix-quality cinematography, ARRI Alexa look, realistic lighting, authentic Seoul locations, smooth Steadicam and dolly shots, consistent protagonist, natural acting, realistic physics, HDR, 4K, no AI artifacts, no flickering, no identity drift. 0:00–0:05 Rainy evening in Seoul. A beautiful young Korean woman in a beige trench coat walks along a quiet street with a transparent umbrella. Warm café lights reflect on wet pavement. She notices a cozy independent bookstore, closes her umbrella, enters naturally, and a small bell rings. 0:05–0:10 Inside the warm bookstore, she slowly browses shelves. She picks up a hardcover book from a display. As she opens it, an elegant orange envelope slips onto the wooden floor. She picks it up and opens it. 0:10–0:16 Inside is a photograph of herself standing in this exact bookstore, wearing the same outfit and holding the same book, dated 10 years in the future. The camera slowly pushes toward her face as she quietly processes what she's seeing. 0:16–0:23 She looks up. Across the bookstore, an older version of herself sits reading by the window. Same face, subtle aging, elegant cream coat. Their eyes meet. The older woman smiles gently while customers continue browsing naturally around them. 0:23–0:30 The older woman closes her book, places another identical orange envelope on a nearby table, and calmly leaves the bookstore. The younger woman follows outside immediately, but the rainy street is completely normal and the older woman has vanished. She looks down at the second envelope as the camera slowly cranes upward over the rain-soaked Seoul street before fading to black. Direction: Maintain perfect facial consistency, realistic background extras, natural transitions, authentic bookstore interior, subtle orange accents only in the envelope and warm lighting. The atmosphere should feel emotional, mysterious, grounded, and completely believable, like the opening scene of a premium Korean mystery film.

15 seconds, 16:9 landscape video. Blend live-action footage of a dim interior with rough, glowing hand-drawn frame animation. The overall vibe is cute, absurd, lighthearted, and healing, depicting a computer cursor suddenly deciding to leave work early and completing an exaggerated 'commute' in a real room. The scene is a slightly messy, lived-in bedroom/workspace. On the desk are a real laptop, mouse, charging cable, ceramic mug, sticky notes, and pens; in the background, a door, wall, and bed are visible. The room is lit only by a warm desk lamp, computer screen, and small decorative lights. The entire video uses a first-person POV, showing only real hands and forearms. The footage looks like it was shot spontaneously with a smartphone, retaining handheld shake, slight focus hesitation, low-light noise, auto-exposure fluctuations, and natural motion blur from fast tracking. It shouldn't look like a designed ad, but like a worker accidentally capturing an absurd event. 0–3s: POV close-up of the laptop and mouse. The white arrow cursor stops responding, stretches, and crawls onto the user's finger, turning into a hand-drawn office worker with a yellow bag. It jumps onto the keyboard, turning into a suitcase with legs. 3–6s: The suitcase runs across keys, turns into a mini subway on a charging cable, then a paper plane flying off a mug handle. 6–10s: The plane hits a wall, turns into a bird, then a bicycle with the cursor riding it. 10–13s: The bike wheel turns into a clock on the door, then a sun, then a chubby orange cat. 13–15s: The cat jumps on the bed, grows into a giant glowing outline of a sleeping cat covering the room, which closes the laptop. The cursor curls up to sleep. Hand-drawn animation must be rough frame-by-frame style with crayon/chalk textures. No smooth CG; use line-breaking transformations. Colors: white, yellow, light blue, pink, and orange. Hand-drawn characters must interact accurately with real objects. Camera follows with a slight delay. No horror or smooth gimbal shots. Sound: ambient room noise, mouse clicks, and whimsical hand-drawn sound effects.

Use the uploaded reference image as the exact character reference. Preserve her facial identity, eye color, skin tone, hairstyle, makeup, body proportions, and overall appearance throughout the video. She has long black hair in a sleek high ponytail with soft face-framing strands and wears a vibrant hot-pink cropped bomber jacket over a fitted black crop top, a black pleated mini skirt layered over biker shorts, white crew socks, chunky sneakers, silver hoop earrings, layered chain necklaces, and rings. Maintain perfect character consistency in every scene. Create an ultra-realistic premium American hip-hop music video inside a modern industrial studio with glossy black floors, neon pink and blue lighting, graffiti walls, chrome speakers, LED light bars, a professional drum kit, vintage leather furniture, subtle haze, and cinematic contrast. The video opens with an extreme close-up as she confidently adjusts the collar of her pink jacket, stares directly into the camera, smirks, and snaps her fingers to the beat. She turns sharply and walks toward the camera with effortless swagger while her jacket flows naturally. She performs energetic hip-hop choreography with shoulder pops, smooth footwork, body rolls, confident poses, and expressive hand gestures as the camera circles around her with dynamic handheld movement. She jumps onto the drum platform, twirls a drumstick between her fingers, then performs an energetic drum solo with realistic stick movement, powerful cymbal crashes, snare hits, and fast tom fills. The camera alternates between overhead, side-profile, macro close-ups, and dramatic low-angle shots synchronized with the rhythm. The performance continues beside a graffiti-covered roller shutter where she confidently squats, leans against stacked speakers, points toward the lens, and continues lip-syncing with playful attitude. She walks across the studio beneath moving spotlights, lounges briefly on a vintage leather sofa while nodding to the beat, then stands again as industrial fans create natural movement in her ponytail and jacket. The final performance takes place center stage beneath vibrant magenta and blue lights surrounded by drums, LED light bars, chrome speakers, and graffiti walls. She delivers the final lyrics with bold confidence, spins one drumstick in her hand, throws it toward the camera, crosses her arms with a confident smile, and holds a powerful hero pose as the camera slowly pulls back while the lights fade. Style: Premium rap music video, luxury editorial fashion aesthetic, cinematic handheld camera, wide-angle hero shots, smooth gimbal movement, realistic lip-sync, expressive performance, physically accurate lighting, natural fabric simulation, realistic skin texture, shallow depth of field, immersive concert atmosphere, photorealistic, ultra-detailed, 4K HDR, 24fps, 16:9 widescreen. Negative Prompt: No subtitles, no captions, no logos, no watermarks, no duplicate people, no distorted anatomy, no extra fingers, no AI artifacts, no flickering, no low-resolution textures, no cartoon style, no oversaturated colors, no inconsistent outfit or facial features.

【Style】Eastern Fantasy Wuxia Epic, Hollywood Live-Action Blockbuster, IMAX quality, 8K Ultra HD, Photorealistic, High Frame Rate, DaVinci Resolve color grading, Unreal Engine 5 level realistic VFX rendering, no anime feel, no cartoon lines. 【Duration】30 seconds 【Aspect Ratio】16:9 Widescreen Cinematic 【Core Visual Contrast】Dragon Slaying Saber = Golden physical dragon (scales, volume, weight, warm gold, roaring charge); Heaven Sword = Cyan-blue water dragon (composed of high-pressure water flow, transparent, surging, splashing, cold blue, winding movement). Warm Gold vs. Cold Blue, Solid Scales vs. Liquid Water. 【Scene】Open cliff platform at the peak of a snow mountain: black bare rocks covered by thick snow, broken stone steps and fallen wooden stakes half-buried in snow, blizzard sweeping across, sea of clouds surging below the cliff, pale sky light. 【Characters】(Only 2 people) Female Knight: Around 30 years old, cold and sharp noble swordsman temperament—long hair tied high in a ponytail flying in the blizzard, cold face, tight jawline, plain white martial arts attire covered with a dark blue cloak, tall and light figure, sword strikes are fast, accurate, and ruthless. The long sword in hand is thin and straight, glowing with cold cyan-blue light. Male Hero: Around 40 years old, wild and violent bandit temperament—messy beard with ice crystals, half-loose hair, damaged and scorched black leather armor, broad shoulders and back, bulging muscles, fierce and untamed eyes, wide and heavy movements. The heavy saber in hand is thick and heavy, dark blade with faint golden patterns. [00:00-00:04] Shot 1: Opening Climax · Rapid Combat (Shaky Handheld / Rapid Cuts) Camera: Close-up handheld shaky tracking, the camera vibrates violently with each weapon clash. Action: Fast editing, non-stop moves. The female knight stabs at the throat, the sword tip so fast it's a blur; the male hero blocks with his heavy saber, friction sparks a long string of orange-red fire. She instantly withdraws, rotates her wrist and stabs seven times, all hitting the same spot on the saber; he roars and swings the saber, she slides under the blade, counter-slashing his calf; he steps back, slams the saber down, the blade smashing into the snow and exploding a deep pit; she leaps off the saber's back, stabbing in mid-air; he leans back and holds the saber up, both are blown back by the impact. VFX: Sparks and cold blue qi blade fragments explode at the collision point, snow is sliced into two fan-shaped walls. [00:04-00:08] Shot 2: Cliffside Struggle (Rapid Cuts / Impact FX) Camera: Low-angle tracking around the bodies, following them to the edge of the cliff, the camera peeks over the edge into the surging clouds. Action: The female knight's sword is light and agile, blocking with ten-plus stabs and slashes, pushing the male hero to the edge; he doesn't dodge, relying on the saber's weight to smash down, one missed strike hits the cliff wall, collapsing large rocks into the clouds. He swings back, she blocks and is nearly thrown off the cliff, hanging only by her sword tip in a rock crack, then swings back and kicks him in the chest, both rolling and fighting in the snow, weapons never leaving their hands. VFX: Saber impact creates circular snow waves; sword edge leaves fine water mist. [00:08-00:11] Shot 3: Slow-mo Pass · Instant Counter (Super Slow-mo → Speed Recovery) Camera: Side-view horizontal tracking, speed drops to extreme slow motion as they pass each other, then snaps back to normal. Action: Slow-mo—both rush at each other, shoulders brushing. Her sword grazes his ear, cutting a few frozen beard hairs that float in the air; his saber grazes her cloak, tearing the blue fabric, her ponytail lifted by the wind. Their pupils contract, eyes meeting for one frame. Speed snaps back—both stop and turn, he moves first, slamming his shoulder into her chest, she flies back into the snow, landing and stabilizing with her sword, looking up with colder eyes. VFX: The blizzard between them is compressed into a straight vortex channel during the pass. [00:11-00:14] Shot 4: Pulling Distance (Rapid Pullback) Camera: Extreme rapid pullback to ultra-wide angle, from close-up to full view of the cliff and clouds. Action: Another heavy clash, shockwave explodes, both slide back dozens of meters, plowing deep trenches in the thick snow. They stand at opposite ends of the platform. [00:14-00:18] Shot 5: Charging · Dual Close-up Cuts (Rapid Cuts / Macro) Macro A: Male hero raises saber overhead, veins bulging, golden patterns light up from hilt to tip, air distorts from heat, faint dragon roar, snow cracks underfoot. [Dialogue] Male hero roars: "Dragon Slaying!" (Mandarin, clear lip-sync, heavy voice) Macro B: Female knight holds sword vertically, cold blue light rises, blizzard melts into water drops around the blade, water vapor gathers, eyes fixed forward. [Dialogue] Female knight coldly shouts: "Heavenly Cleansing!" (Mandarin, clear lip-sync) [00:18-00:24] Shot 6: Gold Dragon vs. Water Dragon · Ultimate Clash (Epic Wide Shot) Camera: Epic ultra-wide panorama, side view, characters at far left and right. All VFX happen in the middle. Camera stays distant. Action (Simultaneous): Male hero slashes—with a heaven-shaking roar, a bright golden physical dragon roars out from the blade, scales and whiskers detailed, body burning with gold flames, sweeping from left to right, plowing the snow. Female knight swings—a massive cyan-blue water dragon shoots from the sword tip, body made of high-pressure surging water, transparent with internal vortices, splashing water, winding from right to left. VFX Collision: The dragons crash in the center, gold fire and blue water kill each other, steam creates a white wall, a 100-meter shock ring sweeps the mountain, clearing the clouds below. [00:24-00:26] Shot 7: Dragon Head Combat (Orbit Shot / Macro FX) Camera: Orbiting close-up around the collision core. Visual: Gold dragon's mouth bites the water dragon, steam rising; water dragon wraps around the gold dragon's neck, high-pressure water stripping gold scales. Neither retreats. [00:26-00:28] Shot 8: Mutual Defeat (Impact Shot / Super Slow-mo) Camera: Side medium shot, camera shakes from shockwave. Visual: The core explodes, gold dragon turns to light points, water dragon turns to a downpour. Super slow-mo: both are pushed back into the air by the shockwave, cloaks fluttering, weapons still held tight. Freeze before they hit the ground. [00:28-00:30] Shot 9: Final Still (Hard Cut / Freeze Frame) Camera: Hard cut to a still shot, extremely slow zoom in, no cuts. Visual: Female knight kneels in snow, sword propping her up, white clothes torn and wet, hair messy, looking forward; male hero stands tall, saber buried in rock, breathing steam, eyes fierce. The snow between them is gone, revealing scorched rock. Gold light and water drops fall slowly. 【Audio Design】High-frequency metal friction, heavy saber wind, crisp weapon impact, low-frequency dragon roar, rushing water sound, hissing steam, infrasound shockwave, ending with sudden silence except for blizzard and dripping water. 【Prohibitions】16:9 aspect ratio. No anime feel, no manga effect lines, no cartoon lightning, no glowing eyes, no blade reflections, no text subtitles, no slow-mo throughout (only shots 3 and 8), no full fall-to-ground process, no detailed finger grip movements, dragons must be much larger than humans, camera stays distant for the clash, VFX should not obscure characters, dialogue only in shot 5.

[REF] @Image 1 defines only the rain-soaked ancient bronze arena: giant suspended bell, flooded stone lane, furnaces, cranes, timber-and-bronze architecture, orange firelight, storm light, and deep scale. No background people. @Image 2 defines only the hooded fighter's face, black bob haircut, eye covering, rust-brown layered clothing, wraps, pendant, belt gear, proportions, and footwear. Exclude the white background and static pose. @Image 3 defines only the teal-haired fighter's face, black-and-teal bob haircut, distressed teal-and-black clothing, belt gear, gloves, boots, and single hip blade. Exclude the white background and static pose. [LOCK] Exactly two fighters and one blade. Do not swap faces, hair, clothes, dialogue, weapons, or effects. The hooded fighter begins by the furnace tower and uses rust-red spatial seals plus an original hand-seal teleportation jutsu. The teal-haired fighter begins beneath the bell and uses cyan blade energy. Preserve the axis between those landmarks. Every teleport shows departure, briefly empty space, then one arrival; the previous position fully disappears. No clones or persistent afterimages. [STYLE] High-end stylized anime action-RPG duel. Fast, tactical, forceful combat with rapid hard cuts, explosive acceleration, readable silhouettes, sharp impact endpoints, and immediate environmental damage. Both fighters attack, evade, intercept, and counter. No slow motion or prolonged power-up. [SEQUENCE] Shot 1: Extreme wide down the flooded lane; rain lashes sideways, furnaces flare, and the bell sways over both fighters. Push quickly into paired medium shots. In English, cool and challenging, the teal-haired fighter says, {Take off the blindfold.} The hooded fighter listens with mouth closed, then replies in English, calm and amused, {Make me stay long enough.} The teal-haired fighter keeps their mouth closed. Shot 2: Low lateral tracking. Before the reply fades, the teal-haired fighter explodes forward, the first step blasting w

IMG_1 = BLONDE FEMALE HERO CHARACTER SHEET** Use as the exact hero identity and costume reference. The hero is a **blonde-haired female Image1 superhero**. Preserve her face, blonde hairstyle, body proportions, clothing layers, colors, gloves, wrist web-launcher details, cargo pants, and shoes exactly. She is the **central protagonist and primary visual focus of the entire sequence**. She has **NO MASK and NO HOOD covering her head**. The blonde female hero must always be clearly distinguishable from the nine enemy ninjas. --- **@IMG_2 Image2 = NINE FEMALE NINJA ENEMY SHEET** Use as the exact enemy squad reference. There are exactly **NINE female ninja assassins**. Preserve their red-and-black costumes, body proportions, masks, hairstyles, armor, weapons, and the white fox-mask leader. Do not duplicate or remove any ninja. The nine ninjas must remain visually separate and readable throughout the fight. --- ### CORE FIGHTING RULE The entire sequence is: **ONE BLONDE FEMALE HERO VS. NINE FEMALE NINJAS.** The blonde female hero begins and remains at the **center of the action**. At 00:02–00:04, the camera pulls back to clearly reveal: **ONE BLONDE FEMALE HERO Image1 SURROUNDED BY NINE FEMALE NINJAS. Image2 The white fox-mask leader stands slightly forward among the nine. At 00:04–00:11, the nine ninjas attack using coordinated tag-team choreography. Do NOT make all nine attack randomly at once. Each ninja enters, attacks, exits, and creates an opening for the next attacker. At 00:14–00:16, all **NINE female ninjas** launch into the air toward the blonde heroine from different trajectories. At 00:16–00:19, the blonde heroine performs the 360-degree dual-wrist web attack. The resulting large suspended web must capture **ALL NINE FEMALE NINJAS**. The final composition must clearly show: **BLONDE FEMALE HERO IN THE FOREGROUND + NINE FEMALE NINJAS TRAPPED IN THE WEB BEHIND HER.** ### IMPORTANT NEGATIVE PROMPT ADDITIONS No male hero. No male protagonist. No seven-ninja formation. No eight-ninja formation. No ten-ninja formation. No duplicated ninja. No missing ninja. Exactly **NINE female ninja enemies**. The blonde-haired female hero must always remain the central protagonist.

Duration: 30 seconds Aspect Ratio: 16:9 Language: Natural American English Audio: Original actor voices, precise lip-sync; no narration, no subtitles, no background music Visuals: High-end Western realistic romance film quality, restrained, cold, shallow depth of field, realistic skin texture, minimal camera movement Characters are original fictional characters, no reference to any actors, celebrities, or film works. [Character Settings] NOAH: 28, handsome, tall, dark brown short hair, white shirt with rolled-up sleeves. He suspects his girlfriend is in love with a wealthier man. Outwardly angry, inwardly afraid of being unlovable. CLAIRE: 26, beautiful, calm temperament, golden-brown long hair, simple black dress. She was indeed attracted to another man, but what truly shook her was long-term neglect, not money. Maintain consistency in faces, hair, clothing, voices, and spatial positions throughout. [Core Emotional Curve] Suppressed suspicion → Sarcastic defense → Direct questioning → Brief confession → Man hurt → Woman reveals the truth that the relationship ended long ago. The peak occurs when she says: "No. But I wanted to." and the final blow: "We just kept calling it love." ━━━━━━━━━━━━━━━━━━ [Scene 1 | 0.0—7.0s] Medium-close shot of both. NOAH stands in the foreground, CLAIRE a few steps away. Camera slowly moves closer. 0.0—2.4s: NOAH's goal: Force her to admit it. He stares in silence for half a second, lips pressed, jaw tight. Brows down, eyelids tight, but volume restrained. He says slowly: "Tell me the truth. Is it him?" Stress "truth"; look up at her on "him". 2.4—4.4s: CLAIRE's goal: Block shame with sarcasm. Short exhale, bitter smile for less than a second, looks at his shirt then back to eyes. She asks softly: "You mean the man with the car?" No boasting, just hitting his insecurity. Smile vanishes immediately. 4.4—7.0s: NOAH hit, brow pressure increases, half step forward. Voice raises: "Don’t make this a joke. I saw you leave with him." Stress "saw"; lower voice on "him". CLAIRE listens without eye-rolling or interrupting. ━━━━━━━━━━━━━━━━━━ [Scene 2 | 7.0—20.0s] Over-the-shoulder shot of NOAH, transitioning to alternating close-ups. 7.0—9.3s: CLAIRE's goal: Explain leaving isn't betrayal. She says calmly: "And I came home." Slow pace, low volume. "home" is soft. 9.3—12.0s: NOAH's anger fails. Lips part, no sound for half a second. Eyes move from her eyes to lips and back. Controlled deep breath. He asks: "Did you kiss him?" No shouting, voice unstable. 12.0—16.0s: CLAIRE maintains eye contact for a second. She answers: "No." Pause 0.8s. Eyes drop, jaw tightens; looks up, aggression gone. Then: "But I wanted to." Soft voice, slight breath break at the end. NOAH reacts: eyelids lift, jaw drops, half step back. 16.0—20.0s: NOAH tries to use money to protect pride. Sharp inhale, brows tight, voice raises: "Because he can give you everything?" Highest volume here, then drops. Waiting for a saving denial. ━━━━━━━━━━━━━━━━━━ [Scene 3 | 20.0—30.0s] CLAIRE close-up, then slight focus shift to NOAH. Restrained camera. 20.0—23.2s: CLAIRE reveals the reason. Inner brows lift, eyes moisten (no tears falling). Tight jaw. She says: "Because he listened when I spoke." Stress "listened"; "spoke" is a whisper. 23.2—25.0s: NOAH's aggression gone. Shoulders drop, looks away. Low voice: "So that’s it?" 25.0—30.0s: CLAIRE shakes head once. "No." Pause 0.6s. Then: "It ended months ago. We just kept calling it love." Calm on "ended"; voice breaks on "love". She stares for 1s after. Tears stay on lower lid. She looks away. NOAH stands out of focus. End with 1s of stillness. [Performance Constraints] - No shouting or crying from the start. - CLAIRE's eyes shouldn't be wet before 20s; no continuous tears. - NOAH's core is insecurity/fear, not just rage. - All pauses must have psychological action. - Restrained gestures; no physical conflict. - Keep accurate English dialogue and lip-sync. NEGATIVE: subtitles, captions, logos, watermarks, background music, theatrical overacting, constant shouting, premature tears, instant emotional switch, random gestures, physical violence, frozen listener, robotic delivery, lip-sync drift, double mouth, warped face, extra fingers, identity drift, wardrobe drift, abrupt camera movement

Create a 15-second animated educational video that teaches young children one letter: A is for Apple Target audience: children ages 3 to 6. Core learning sequence: LETTER → LETTER SOUND → WORD → WORD TRANSFORMS INTO OBJECT → PLAYFUL ACTION → RECAP The most important visual moment is the transition from the written word “APPLE” into a recognizable apple. Make this transformation slow, clear, elegant, and easy for a young child to understand. Visual style: Use adorable rounded 3D animation, soft pastel colors, gentle facial expressions, and simple recognizable shapes. Combine a playful preschool aesthetic with a premium minimalist design style: • Clean off-white background • Soft red and peach glow behind the letter • Rounded geometry • Crisp, highly readable typography • Soft studio lighting • Subtle shadows and reflections • Smooth gradients • Calm, uncluttered composition • Polished cinematic transitions Keep the camera mostly still so the child can focus on the letter, word, and object. 0:00–0:02 | Friendly introduction A small smiling star mascot gently bounces into the center of the screen. Display the text: “Let’s learn one letter!” The mascot taps the screen, creating a soft circular ripple. The ripple reveals a large uppercase “A” with a smaller lowercase “a” beside it. Use thick, rounded, highly readable letterforms. 0:02–0:05 | Letter and sound Keep the uppercase “A” and lowercase “a” completely visible and stable. Do not transform them yet. The narrator says slowly and clearly: “A. A says ah.” The uppercase A gently pulses once when “A” is spoken. A soft glow appears inside the letter when the “ah” sound is spoken. Add a subtle musical pop synchronized with the pulse. 0:05–0:08 | Introduce the word The letter A smoothly slides to the left side of the screen. The complete word appears beside it: “APPLE” Highlight the first letter A in bright red. Keep the remaining letters in a soft dark-gray color. The narrator says: “A is for Apple.” Briefly hold the full word on screen so every letter is clearly readable. The mascot points first to the highlighted A and then moves its hand slowly across the complete word. Do not remove, distort, or rearrange any letters during this reading moment. 0:08–0:12 | Emphasized word-to-object transformation Make this the main visual transformation of the video. The full word “APPLE” gently enlarges and moves to the center of the screen. Hold it clearly for a short moment. Then transform the written word into a shiny red apple through a smooth, understandable sequence: 1. The highlighted first letter “A” expands and becomes the main rounded body of the apple. 2. The remaining letters “PPLE” turn into soft glowing shapes that flow into the apple body, adding volume, color, and shine. 3. The top point of the letter A curves inward and becomes the apple’s small brown stem. 4. A green leaf unfolds gently from the side of the stem. 5. The final apple shape becomes fully solid, clean, and instantly recognizable. Keep traces of the word visible during the early part of the transformation so children can clearly see that the written word is becoming the object. Do not use a sudden cut, flash, or instant replacement. Use a slow, continuous shape morph lasting approximately two seconds. The transformation must clearly communicate: “This written word means this object.” As the transformation finishes, the narrator repeats: “Apple.” Add a soft magical whoosh followed by a gentle pop. 0:12–0:14 | Playful object action The apple gains a cute smiling face with small friendly eyes. It performs one soft bounce using gentle squash-and-stretch animation. A tiny green sparkle appears near the leaf. Add a quiet, playful crunchy sound. Display the word “APPLE” beneath the object again. Highlight the first letter A in red. Keep both the object and its written name visible together. 0:14–0:15 | Recap The uppercase “A,” lowercase “a,” word “APPLE,” and smiling apple appear together in a clean final composition. Arrange them visually as: A a APPLE [Smiling apple object] The star mascot points toward them. The narrator says: “A says ah. A is for Apple. Great job!” Finish with a small sparkle animation and a warm musical chime. Animation requirements: Keep the uppercase and lowercase letters fully visible before any transition begins. Make the letterforms stable, correctly shaped, and easy to read. Keep the complete word “APPLE” visible long enough to be recognized. Give the word-to-object transformation the most screen time and visual emphasis. Make the apple instantly recognizable before adding facial features. Use smooth, continuous shape morphing rather than cuts or object replacement. Maintain accurate spelling throughout the entire video. Ensure the highlighted first letter remains visually connected to both the standalone letter and the object name. Use gentle motion, soft motion blur, subtle shadows, polished lighting, and precisely synchronized narration and sound effects. Keep all important elements large and centered within the safe viewing area. Avoid: • Fast camera movement • Sudden cuts • Cluttered backgrounds • Tiny typography • Warped or misspelled words • Letters disappearing too quickly • Random symbols • Harsh colors • Overly complex transformations • Unrecognizable intermediate shapes • Duplicate objects • Scary expressions • Loud or distracting sound effects • Transforming the letter directly into the object without first showing the complete word The final video should feel cute, educational, memorable, calming, visually clear, and exceptionally polished.

Use the uploaded reference image as the exact character reference. Lock her facial identity, eye color, skin tone, hairstyle, makeup, body proportions, and overall appearance throughout the entire video. She has long black hair tied in a low ponytail, soft natural makeup, expressive grey-green eyes, and wears the same fitted white graphic baby tee, oversized denim shorts, white crew socks, chunky sneakers, silver hoop earrings, layered necklaces, rings, and an oversized black bomber jacket hanging loosely off her shoulders. Maintain perfect character consistency in every shot. Create a high-end American hip-hop/rap music video inside a premium photography studio transformed into a modern urban performance space. The set features a blue cyclorama backdrop, minimalist graffiti walls, a professional drum kit, vintage brown leather sofa, polished concrete floor, blue neon tube lights, industrial spotlights, subtle atmospheric haze, and cinematic contrast. The aesthetic should feel like a mainstream Western rap music video with luxury production value. The video opens with an ultra-wide close-up as she looks directly into the camera with a confident expression and folded arms. The camera quickly cuts to a dramatic side silhouette where she lowers her head, then raises it while making relaxed hip-hop hand gestures. A full-body wide-angle shot reveals her casually grooving to the beat, shoulders bouncing naturally as her oversized jacket shifts with realistic fabric movement. The camera circles around her in a handheld shoulder-mounted tracking shot while she confidently lip-syncs to the music with expressive facial performance. She points toward the lens, smiles slightly, then steps forward with effortless swagger. A dramatic low-angle hero shot emphasizes her presence as she spreads her arms confidently beneath glowing blue lights. She walks toward a professional drum kit, sits down naturally, and begins striking the drums energetically in perfect rhythm with the music. Fast cuts alternate between overhead, side, and close-up angles showing realistic stick movement, expressive reactions, and synchronized performance. The scene transitions to a blue roller shutter covered in minimalist graffiti where she squats casually with elbows resting on her knees, maintaining eye contact with the camera while continuing to rap confidently. The camera slowly pushes in from the side before cutting to her lounging effortlessly on a vintage brown leather sofa. She leans back comfortably, one arm stretched along the backrest, nodding naturally with the rhythm while continuing her performance. A dramatic side silhouette sequence follows with atmospheric haze and strong blue backlighting as she performs smooth body movements, expressive hand gestures, and confident lip-sync. Her hair moves naturally with subtle airflow while the camera glides around her using wide-angle lenses that enhance depth and energy. The final sequence returns to a full-stage performance. She stands center stage beneath powerful spotlights surrounded by drums, graffiti, neon tubes, and blue studio lighting. The camera slowly pulls backward while she delivers the final lyrics with bold attitude, ending in a confident pose as the lights fade behind her. Professional rap music video cinematography, cinematic handheld movement, wide-angle lens distortion, premium studio lighting, realistic skin texture, natural eye reflections, detailed hair strands, physically accurate lighting and shadows, authentic lip-sync performance, expressive body language, smooth choreography, realistic fabric simulation, high-end fashion editorial styling, luxury commercial quality, immersive urban atmosphere, 16:9 widescreen, no subtitles, no logos, no watermarks, no on-screen text.

Generate a 15–20 second, 9:16 vertical, strictly one-shot hyper-realistic cinematic video. A single continuous aerial follow shot throughout, no edits, transitions, jump cuts, teleportation, or lens resets. [Reference Image Roles] Image 1: Action and close-up composition reference when landing on a car roof. Image 2: Action reference for the character parkouring and leaping between moving car roofs. Image 3: Reference for the sunset sky, New York red brick neighborhood, web swinging, and final wide-angle atmosphere. Image 4: Reference for the first frame, character identity, face, hairstyle, clothing, and bedroom environment. [Character Consistency] Always the same young Asian woman from Image 4: same features, black medium-length straight hair with bangs, same off-white short-sleeved knit top, off-white high-waisted shorts, and white sneakers. No face-swapping, no outfit changes, no Spider-Man suit, no mask; body proportions remain natural and stable. [Continuous Shot & Action Timeline] 0–3s: The shot begins inside a cluttered, warm New York bedroom. The girl sits cross-legged on a wide windowsill like in Image 4, surrounded by bedding, books, photos, and daily items. Golden sunset light streams in. She looks calmly at the camera, makes brief eye contact, then naturally turns to look at the city outside. The camera slowly approaches her, then flows past her side out the window, maintaining continuity. 3–5s: She quickly uncrosses her legs, plants her feet firmly on the sill, and stands up with a clear center of gravity. She raises her right hand and shoots a thin but visible white spider web from her wrist toward the upper exterior. The web adheres to a fixed point on the opposite red brick building and tightens instantly. She pushes off the sill and leaps out. The camera follows her through the window without cutting. 5–8s: She swings down toward the street in an arc. Gravity, inertia, and speed changes are realistic: accelerating downward, then swinging forward as the web tightens; hair and clothes flutter in the wind. The camera follows from a side-rear angle, descending with a slight Dutch angle. She releases the web and lands on the roof of a slowly moving black car. Solid contact between soles and metal; the roof dips slightly; she absorbs the impact by bending her knees and swinging her arms—no floating. 8–12s: She immediately sprints across car roofs on the residential street. The camera follows low-altitude side-rear. She completes three clear parkour moves: running on the first car; pushing off the edge to leap a realistic distance to the second; landing with knee cushioning; then leaping to the third. Each step has clear takeoff, push-off, airtime, landing, and impact feedback. Cars move steadily; perspective is stable; no slipping or ragdoll physics. The camera tilts with a controlled Dutch angle. 12–15s: Near the end of the street, she leaps from the last car, shooting another web upward. The web adheres to a high point on a red brick apartment. The line starts slightly slack, then stretches and rebounds naturally under her weight. She swings in a pendulum arc from one building with black fire escapes to another. 15–20s: The camera seamlessly follows the second low-altitude swing, staying between the street and rooftops. The shot smoothly pulls back into an ultra-wide angle, revealing the full New York red brick townhouses, fire escapes, street traffic, and layered roofs. She swings toward the sunset, becoming small in the center of the massive city frame. Ends with a stable Dutch angle. [Physics & Cinematography] Realistic gravity, inertia, centrifugal force, landing impact, and parkour mechanics. Webs connect wrists to fixed anchors; length is stable; natural tension and rebound. No straight-line flying. Camera moves like a high-mobility FPV drone: continuous window passage, diving, street chasing, rising, and retreating. Smooth motion blur, no jitter. [Environment & Style] Low-rise NYC residential area, red brick townhouses, fire escapes, narrow streets, real traffic. Golden hour, warm orange/pink sky, dramatic clouds, volumetric light, rim lighting, glass reflections. Hyper-realistic cinematic texture, real skin/hair/fabric, wide dynamic range, cinematic grading, fine film grain, 8K look. [Strictly Avoid] Edits, transitions, jump cuts, time jumps, scene changes, teleportation; character changes, masks, or superhero suits; extra people; distorted limbs; ragdoll physics, floating, sliding; feet missing car roofs; webs appearing from palms or without anchors; skyscraper flying; cartoon/CG look, flickering.

30s | 16:9 | 9 cuts Style: Authentic 16mm DV camcorder, handheld POV by CHASE. Real documentary/home-video realism: natural shake, imperfect framing, autofocus hunting, subtle tape grain, soft highlights, mild exposure flicker, muted colors and realistic motion blur. Natural lighting and location sound. Normal human pacing — not slow, not rushed. Physically believable actions and equipment. No flashy transitions or impossible camera movements. Character: CHASE, Korean woman in her 20s, long black hair, glass skin, natural makeup. Same face, hair and body throughout. Outfit: morning loungewear → modest director outfit with simple jacket and trousers → evening loungewear. Locations: Apartment → small film set → outdoor location → apartment. VOICEOVER: Natural conversational female voice, medium speed, relaxed pauses. Never rushed or unnaturally slow. Match each line to the action. 1. MORNING — 0:00–0:03 CHASE wakes up, checks the time, gets dressed, ties her hair, grabs her phone and production notebook, then leaves. VO: "Filming days usually start a little earlier than I want." 2. BREAKFAST — 0:03–0:06 In the kitchen, she grabs coffee and a quick breakfast while checking her shot list on her phone. She picks up her notebook and leaves. VO: "I check the plan, grab some coffee, and get moving." 3. ARRIVE ON SET — 0:06–0:09 CHASE arrives at a realistic small film set. A camera operator sets up a camera and tripod while another crew member adjusts a light. She checks the setup and talks briefly with the crew. VO: "Once I get to set, everything starts moving pretty fast." 4. FINAL SETUP — 0:09–0:12 CHASE checks the camera monitor, looks at the scene, adjusts a small prop and discusses framing with the camera operator. Crew makes practical adjustments. VO: "We make a few last-minute changes before rolling." 5. ACTION — 0:12–0:16 CHASE stands behind the camera and says, "Action." The actor performs the scene while the camera operator films. No voiceover. Natural set ambience only. 6. REVIEW — 0:16–0:19 The take ends. CHASE watches it on the camera monitor with the operator, points out one small issue and asks for another take. VO: "Sometimes the shot looks right... until you see it back." 7. SECOND TAKE — 0:19–0:23 The crew resets and films the scene again. CHASE watches the monitor and gives a subtle satisfied nod afterward. VO: "One more take usually makes the difference." 8. WRAP — 0:23–0:27 Evening. CHASE leaves the location carrying her notebook and phone while the crew packs cameras, tripods and lights into cases behind her. VO: "And then suddenly, the whole day is gone." 9. NIGHT — 0:27–0:30 Back home, CHASE watches a short clip from the day's footage on her laptop. She leans back tired but satisfied, closes the laptop and turns off the desk lamp. VO: "Long day... but we got the shot." CONTINUITY: One logical day: apartment → set → filming → wrap → home. Same woman and consistent clothing, props and equipment. Realistic film set with believable camera, tripod, lights and monitor. Natural human movement and expressions. No teleportation, floating equipment, duplicated people, distorted hands, random props, futuristic technology or unrealistic Hollywood production.

Photorealistic live-action blockbuster, continuous single-take steadicam orbit, Arri Alexa 35mm anamorphic, cinematic haze, volumetric fog, overcast grey battlefield light, high production value, FHD, realistic physics. Use the provided reference image [ref_image] for the man’s exact facial features, skin tone and full dark beard. Bone helmet covers the upper half of his face so only the mouth and thick beard remain visible. Dark bone-and-iron necromancer armor with glowing green runes, heavy black cape. [TIMELINE] 0-1.5s: Steadicam already orbiting. He snaps both hands open with hypnotic fluid force — green necrotic sparks explode around his fingers as he lets out a low, guttural roar. 1.5-3s: Thrusts one palm down in a sharp, almost dance-like motion. Three armored skeletons explode upward from the mud while he screams a short, intense command. 3-4.5s: Enemy crossbow bolts fly toward him. He raises a glowing bone-shield with a slow, hypnotic circular gesture that shatters them mid-air, eyes locked and breathing hard. 4.5-6s: Points sharply right with theatrical precision. A massive rotting knight erupts from the ground and smashes an enemy as he growls through gritted teeth. 6-7.5s: Enemy cavalry charges. He spins with fluid, almost serpentine movement and launches a whip of pure necrotic energy, roaring as the lead horse collapses. 7.5-9s: Two ghostly wraiths rise beside him. He guides them with hypnotic, wave-like arm motions while shouting a deep, commanding cry. 9-10.5s: He clenches both fists and spreads them wide in a powerful, rhythmic motion — bone spikes shoot from the earth, impaling three spearmen as he lets out a fierce yell. 10.5-12s: More corpses claw free. He directs them with precise, almost trance-like hand gestures, voice rising in intensity. 12-15s: BULLET-TIME: Six attackers surround him. Time freezes into extreme slow-motion as the steadicam continues its orbit. At the peak he throws both arms outward with hypnotic, explosive force and detonates a spherical green force-shield, screaming a raw, guttural battle cry that launches every attacker backward through the air. 15-16.5s: Real-time snaps back. He immediately points at the ground with a sharp, fluid motion — a new wave of undead soldiers bursts upward while he growls another command. 16.5-18s: Enemy mage hurls a fireball. He catches it mid-air with one hand in a slow, hypnotic grasp, converts it into green necrotic energy and blasts the mage while roaring. 18-19.5s: Raises both arms high in a dramatic, almost ritualistic sweep. A circle of skeletal warriors rises in perfect sync as he lets out a deep, echoing shout. 19.5-21s: He walks forward through the chaos, cape billowing, directing different undead units with sharp yet fluid, hypnotic gestures and short intense shouts. 21-22.5s: Casts a rapid succession of bone projectiles with rhythmic, almost dance-like arm movements, voice rising with every throw. 22.5-24s: A giant undead troll erupts behind him. He guides it forward with a powerful, sweeping motion and a fierce roar. 24-25.5s: Lifts one hand skyward in a slow, commanding arc — dark energy rains down, raising dozens more corpses as he screams into the grey sky. 25.5-27s: Steadicam pushes closer. Green runes on his armor flare while he continues fluid, hypnotic casting motions, breathing heavy and intense. 27-28.5s: Final gesture: he points forward with absolute control and lets out one last powerful battle cry as the entire undead horde surges past camera. 28.5-30s: Camera completes the continuous orbit into a powerful medium close-up of his bone-helmed face and exposed beard, mouth still open from the final roar, as the battlefield fills with marching undead. Photorealistic, Arri Alexa look, cinematic haze, volumetric light, perfect motion blur, coherent physics, stable character, ultra-detailed bone armor and textures, blockbuster production value.

Base Setting: Based on the information in this storyboard, generate a professional commercial for pink canned sparkling water with Japanese cinematic aesthetics and narrative. Only generate 0-30 seconds of footage. Style Setting: Visual Tone: Modern Japanese youth cinema aesthetic, simulating 120 medium format film transparency or digital camera with Black Pro-Mist filter. Clean image, very weak grain. Lighting/Tone: High-key backlight and diffuse ambient light. Slight bloom/halation, soft cherry blossom pink and sunny white; shadows retain transparent cyan-blue. Low contrast, low saturation Japanese healing color grading. Do not generate background music, only sound effects. Content: Generate a 30-second, 16:9 vertical, real friend handheld Yunnan travel Vlog. Use the woman in the reference image as the protagonist, maintaining her facial features, hairstyle, features, skin tone, body proportions, and natural expressions throughout the video. Do not change identity, do not swap faces, do not become someone else. The protagonist wears fresh daily outfits suitable for Yunnan travel, such as light-colored short sleeves or thin shirts, casual long skirts or denim shorts, comfortable sneakers, and a small backpack. The overall vibe is natural and relaxed, like a real tourist, not a model pose. Video texture is a real travel Vlog shot by a friend with a phone all day. The footage has natural handheld camera movement, casual composition, slight shaking, occasional imperfect focus, and a real snapshot feel. No commercial quality, no cinematic blockbuster feel, no exaggerated transitions, no artificial special effects. The protagonist behaves naturally, interacting with friends like in a real trip, occasionally looking at the camera, smiling, tidying hair, taking photos with a phone, walking, and stopping to observe the scenery. 0–5 seconds: Departing from a guesthouse in Dali, Yunnan in the early morning. The protagonist carries a small backpack and walks out of a cozy guesthouse with wooden doors, white walls, greenery, and a courtyard feel. She looks down at her phone for the route, then looks up and smiles naturally at the friend's camera, tidies her hair, and walks out of the alley. The camera follows from the back and side-back, with slight shaking from the friend's handheld shooting. The scene includes soft morning sunlight, quiet stone roads, Bai-style architecture, roadside greenery, and small shops just opening. Ambient sounds include birds chirping, distant voices, footsteps, and morning street sounds. 5–11 seconds: Exploring Dali Ancient City streets. The camera follows her slowly through the ancient city streets. Both sides have white walls and gray tiles, wooden signs, flowers, small cafes, Yunnan snack shops, and tourists. She walks into a small cafe or roadside drink shop, buys a drink, and smiles naturally when receiving it. She says a simple sentence in Chinese to the camera: "Going to Erhai first today." Then she continues walking past street shops, stops to take a photo, looks down at the camera preview, and can't help but smile. The camera stays close, capturing casual real moments, no posing. 11–18 seconds: Heading to Erhai. The environment naturally transitions from ancient city streets to the road by Erhai Lake and open lake views. The protagonist sits on the back of an electric scooter or walks to the lakeside, the sea breeze blowing her hair. She becomes visibly excited when she sees Erhai for the first time, looks back at the camera and smiles, then walks quickly toward the lake. The camera follows her on the Erhai ecological corridor, with blue lake water, distant Cangshan mountains, white railings, tree shadows, and people cycling nearby. She stops to look at the lake, takes photos with her phone, leans on the railing, with a natural and relaxed expression. Ambient sounds include wind, lake water, bicycles passing, and distant tourists talking. 18–24 seconds: Xizhou rice fields and Bai village afternoon. The camera cuts to a path in the rice fields under the sun, the protagonist walking along the field with a friend. The background has green rice fields, Bai residences, distant mountains, blue sky, and slowly moving clouds. She squats down to look at roadside flowers, looks back at the camera and smiles when she stands up. She and her friend buy local snacks at a village entrance stall and eat while walking, with a real and relaxed expression. The camera moves naturally among people and alleys, with occasional slight shaking, like a friend casually recording travel clips. No deliberately designed actions, no exaggerated performances. 24–30 seconds: Erhai sunset ending moment. Golden evening, the protagonist sits by Erhai or on a lakeside bench, holding a drink, quietly watching the sunset. The lake surface has fine shimmering light, with the silhouette of Cangshan and sunset clouds in the distance. The friend's camera slowly retreats from her side-back, first capturing her profile and hair blowing in the wind, then bringing in Erhai, the sky, and the peaceful evening scenery. Finally, she looks back at the camera, smiles gently, and says a sentence in Chinese: "Yunnan is really comfortable." The screen stays on the feeling of real travel memories, warm, relaxed, and natural. Visual Style: Real personal travel Vlog material, like shot with a smartphone or small mirrorless camera. Natural daylight, real exposure, slight handheld shake, casual composition, real human reactions, documentary-style realistic style. No cinematic commercial quality, no exquisite advertising blockbuster feel, no deliberate posing, no artificial transition effects, no text overlays, no Logo, no watermark. Maintain the facial identity, hairstyle, features, skin tone, body proportions, and natural expressions of the woman in the reference image throughout. No face swapping, do not become another woman, no excessive beautification, no anime style, no influencer filter feel. No subtitles, no background music throughout, only retain real ambient sounds, footsteps, wind, voices, market sounds, lake water sounds, bird calls, and natural sounds during the friend's filming.

Realistic fantasy short film. The female lead's face strictly refers to the close-up, while her body, hairstyle, and clothing strictly refer to the full body of {{Mixed 1}}. Throughout the film, she only wears the gray-blue trench coat, white crew-neck top, dark blue jeans, and black ankle boots from the reference image, with silver circular stud earrings always present in her right ear. The transparent umbrella strictly refers to {{Mixed 2}} when opened, with eight silver ribs, a 5mm black border, a silver center pole, and a black J-shaped handle that must not change. The intersection building positions, crosswalk direction, red traffic light, pink-purple window light, and wet ground reflections strictly refer to {{Mixed 3}}. The female lead holds the umbrella in her left hand throughout the film, always gripping the black J-shaped handle; her right hand is only responsible for snapping fingers and touching the balloon. The camera is always located on the west side of the road and shoots toward the east, not crossing the central axis of the crosswalk and avoiding axis jumping. Add about 20 ordinary pedestrians and 6 cars to the scene; pedestrian clothing should be low-saturation gray, blue, and brown, and must not include the same gray-blue trench coat as the lead. There is only one red balloon, about 35 cm in diameter, tied with an 80 cm long white string. 0 to 6 seconds: Camera height 1.6 meters, 35mm lens, stabilizer follow shot. The female lead enters from the bottom center of the frame, walking 4 meters east along the crosswalk at a speed of about 0.7 m/s. She holds the umbrella in her left hand, and her right arm swings naturally. Background pedestrians and vehicles pass normally, no new raindrops on the ground, and the ambient sound includes tires over wet pavement, footsteps, and distant traffic. 6 to 10 seconds: The lead stops in the center of the crosswalk, still facing east. The camera moves to about 2 meters in front of her right side, switching to a 50mm medium shot. She raises her right hand and snaps her fingers once with her thumb and middle finger. At the same frame the sound occurs, all background pedestrians, vehicle tires, clothing edges, and water ripples stop moving. A red balloon stops at a position about 1 meter in front of her right side and 1.6 meters off the ground. The lead, her hair, and the hem of her trench coat can still move normally. 10 to 13 seconds: The camera pans right at a speed of 0.5 m/s, maintaining a medium shot of the lead from the waist up. The lead takes three steps toward the balloon, continuing to hold the umbrella in her left hand. At the end of 13 seconds, she stands to the left of the balloon, her right index finger extended, the tip about 5 cm from the balloon's surface. 13 to 16 seconds: The camera continues to pan right without cutting. The lead's right index finger moves forward 5 cm and touches the balloon once. A transparent area about 3 cm in diameter first appears at the contact point, then the transparent area expands uniformly to the entire balloon within 1.5 seconds. The balloon's shape, diameter, and position remain unchanged, only the red rubber material turns into colorless transparent glass. After the transformation, a small golden fish about 8 cm long appears inside the balloon, facing the right side of the frame and flicking its tail once. The white balloon string remains as it was. 16 to 21 seconds: The lead retracts her right hand, takes half a step back, and looks up to observe the transparent balloon. The camera stops panning, maintaining the 50mm medium shot. The positions of the transparent balloon, golden fish, lead, and umbrella are continuous; the background remains completely still. 21 to 25 seconds: The lead snaps her fingers again with her right hand. At the same frame the sound occurs, background pedestrians and vehicles resume their original direction and speed. The transparent balloon rises vertically about 1.5 meters, and the golden fish inside turns into a golden light spot 2 cm in diameter, exiting from the right side of the balloon. 25 to 30 seconds: The camera rises in a continuous motion to 6 meters above the ground, tilting down about 35 degrees, still keeping the crosswalk axis and the lead in the center of the frame. The lead stands in place looking up; the transparent umbrella appears as a complete circle from above. The golden light spot flies out toward the upper right of the frame and extinguishes at 29 seconds. 30 seconds ends on a high-angle wide shot of the lead and the crosswalk, no fade to black. Maintain continuity of the lead's face, earrings, hairstyle, clothing, height, umbrella structure, and hand roles throughout the film. Prohibit face-swapping, outfit changes, switching hands for the umbrella, changing the number of umbrella ribs, duplicating the red balloon, changing the size of the transparent balloon, the goldfish appearing outside the balloon, character clipping, cars passing through characters, axis jumping, sudden cuts, subtitles, text, logos, or watermarks.

{ "title": "Moon's Night Off", "style": "3D Pixar family animation. Night sky and ocean, cosmic and aquatic mix, bioluminescent colors, fast-paced visual chaos, surreal comedy.", "shots": [ {"time":"00:00-00:03","type":"WIDE","action":"The Moon, a glowing crescent with arms, hangs a 'GONE FISHING' sign on the night sky. He grabs a shooting star like a surfboard and leaves.","camera":"Wide cosmic shot.","dialogue":"Moon: 'Finally. Some me time.'"}, {"time":"00:03-00:06","type":"WIDE","action":"A temp worker anglerfish inflates into the sky, wobbling into position. His lure is blindingly bright.","camera":"Low angle from ocean looking up.","dialogue":"Anglerfish: 'Don't worry, boss! I got this!'"}, {"time":"00:06-00:09","type":"MEDIUM","action":"An owl puts on tiny sunglasses, annoyed. Worms pop out of ground thinking it's daytime. A rooster crows confusedly.","camera":"Rapid cuts.","dialogue":"Owl: 'Turn it down, Gary!'"}, {"time":"00:09-00:12","type":"WIDE","action":"Tides go sideways. Fish swim through the air. A lighthouse sees the anglerfish's bright lure and gets jealous.","camera":"Chaotic wide, tilting horizon.","dialogue":"Lighthouse: 'Am I a joke to you?'"}, {"time":"00:12-00:15","type":"CLOSE-UP","action":"The lighthouse starts spinning like a disco ball, casting colored beams across the ocean. Party music starts.","camera":"Close-up of lighthouse face.","dialogue":"Lighthouse: 'If you can't beat 'em, join 'em!'"}, {"time":"00:15-00:18","type":"TRACKING","action":"Moon surfs back on his shooting star, furious, leaving a streak across the sky.","camera":"Following shot, fast.","dialogue":"Moon: 'NOBODY. COVERS. MY. SHIFT.'"}, {"time":"00:18-00:22","type":"WIDE","action":"Moon grabs the anglerfish by the lure and yeets him back into the ocean. The anglerfish splashes, deflated.","camera":"Wide action shot.","dialogue":"Anglerfish: 'Worth it!'"}, {"time":"00:22-00:25","type":"WIDE","action":"Moon fixes the sky. Tides return to normal. Fish fall back into water. Lighthouse stops spinning, embarrassed.","camera":"Sweeping wide.","dialogue":"Moon: 'Amateurs.'"}, {"time":"00:25-00:28","type":"CLOSE-UP","action":"Moon settles back into position, pulls out a tiny fishing rod, and actually fishes from the sky. Catches a cloud.","camera":"Push-in.","dialogue":"Moon: 'Now THIS is a break.'"}, {"time":"00:28-00:30","type":"TITLE CARD","action":"Black screen. Title 'MOON'S NIGHT OFF' in glowing letters with a tiny fishing hook.","camera":"Static.","dialogue":"(soft splash)"} ] }

[Style] Japanese TV Game Show, Live-Action Broadcast, dual-character comedy competition, multi-camera real-time broadcast, 4K Photorealistic, high-saturation summer colors, no slow motion throughout. [Duration] 30 seconds [Aspect Ratio] 16:9. [Scene] Sunny outdoor large leisure pool, the entire course strictly advances from the left side of the screen to the right. Two starting platforms of the same height are set side by side at the far left: the foreground red track belongs to Character A, and the background blue track belongs to Character B. The two parallel tracks have the same structure: the first section is a high-altitude pulley track sliding from left to right, with a hand-held bar and a circular soft foot pedal suspended below the pulley; the second section is a small circular disk with a diameter of 2.2 meters that rotates at a constant speed; the third section is three soft hexagonal floating blocks that rise and fall and tilt left and right; the fourth section is a short and slippery curved slide. The two slides connect side-by-side at the far right to a huge red and yellow disk with a diameter of 6 meters, with a low soft divider between the entrances to prevent collisions. The final large disk is mounted on an underwater motor shaft, rotating steadily clockwise throughout, with a yellow sumo circle, a red outer ring, and a thin water film on the surface, no railings at the edges, surrounded by a clear swimming pool. Background includes palm trees, large water slides, light stands, commentary booths, and temporary stands full of spectators. [Characters] Character A @Image 1, Character B @Image 2; maintain the face, hairstyle, body type, and sports variety show competition clothing from their respective reference images throughout the film. Character A has a red soft sumo pad fixed at the waist, and Character B has a blue soft sumo pad fixed at the waist; the pads exist from the opening until falling into the water. [Fixed Items] Character A and Character B always advance from the left side of the screen to the right at the same time. Character A is fixed on the foreground red track, and Character B is fixed on the background blue track; lane changes, crossing, head-on sliding, or collisions are prohibited before reaching the final large disk. The head orientation, sliding direction, jumping direction, and camera advancement direction of the two characters are all kept from left to right. The position, number, color, size, and connection relationship of the two tracks remain unchanged throughout the film. The two small disks and the final large disk rotate clockwise continuously in all shots, and cannot suddenly stop or reverse. At the start, both people's hair and clothes are dry; Character B only gets naturally soaked after being pushed out of the large disk by Character A; Character A remains on the disk at the end, only allowed to be splashed with a small amount of water droplets. The final result is fixed as Character A winning and Character B falling into the water. [00:00-00:03] Shot 1: Side-by-side start (Front Side Master Wide, ENG Camera). The camera is located at the front side of the pool, capturing the two side-by-side starting platforms on the left, the two parallel tracks, and the large rotating disk on the far right in a side-front wide shot. Character A stands on the foreground red platform, Character B stands on the background blue platform, both facing the right side of the screen. Character A grabs the red pulley bar and leans forward shouting: "Zettai katsu!" (I will definitely win!). Character B grabs the blue pulley bar, turns her head to look at A and responds: "Makenai yo!" (I won't lose!). The two-way buzzer sounds simultaneously, and the two push off the platform to the right in sync. Commentary: "Futari douji sutaato! Heisou koosu no saki wa kaiten dohyou desu!" (Both start at the same time! At the end of the parallel tracks is the rotating arena!). Sound effects: Start buzzer, audience countdown, and crowd cheering. [00:03-00:07] Shot 2: Parallel sliding (Side Dolly Track L→R). The dolly camera moves to the right at the same speed as the two from the side; the two pulley tracks remain parallel; Character A is in the foreground, Character B is in the background, both holding the bars with both hands and stepping on the soft foot pedals. Character A starts slightly faster, her body pulled into a backward-leaning straight line by the speed; Character B's foot pedal shakes left and right, she tightens her legs with bent knees, pointing at A ahead while sliding. Character B shouts: "Matte!" (Wait for me!). Character A looks back and laughs: "Hayaku!" (Hurry up!). Approaching the landing area, Character B catches up by half a body length by swinging her body back and forth; the two arrive almost side-by-side, but always maintain two independent tracks without crossing or colliding. Sound effects: High-speed pulley sliding, wind, character shouts, and audience laughter. [00:07-00:11] Shot 3: Parallel rotating small disks (Fixed Side Two-shot). A fixed side medium-long shot captures both the red and blue small disks, clearly showing them rotating clockwise, with the final large disk rotating in the distance on the right. Character A lets go first and lands on the foreground red small disk, her soles being pulled backward by the disk surface; she spreads her arms and takes continuous small steps in the opposite direction, standing firm after turning a quarter circle. Character B slips when landing on the background blue small disk, sitting directly on the wet disk surface, and is carried halfway around in a sitting position; she supports herself with her hands and pushes off with her feet, springing back up to a standing position following the rotation speed. Character B laughs and shouts: "Suichatta!" (I sat down!). Commentary: "A wa antei! B wa suwatta mama isshuu shisou da!" (A is stable! B looks like she'll go a full circle sitting down!). Sound effects: Low-frequency motor hum, sole friction, soft disk thuds, and audience laughter. [00:11-00:15] Shot 4: Parallel floating block jumps and slide entry (Side Tracking L→R). The side dolly camera continues to follow from left to right, the foreground red blocks and background blue blocks remain parallel, and the two characters always advance in the same direction. Character A continuously crosses three red and yellow floating blocks: the first with one foot, the second with both feet, and the third tilting to the right; her upper body leans sideways, using her right hand to tap the water surface for leverage, then immediately steps onto the red slide. When Character B crosses the three blue and yellow blocks, the second one suddenly sinks, her left foot steps into shallow water, and her arms circle wildly; she doesn't fall in, instead kneeling onto the third block, then pushing herself up with both hands to lunge onto the blue slide. Character A lies on the foreground slide sliding to the right with arms extended; Character B sits on the background slide sliding to the right with feet first and hands waving. The two slide onto the final large disk from two side-by-side entrances simultaneously, with the soft divider ensuring they don't collide. Character A lands in the front half of the disk, Character B in the back half; both are carried sideways by the clockwise rotating disk, then step back to the yellow sumo circle. Dialogue: Character A: "Saki ni tsuita!" (I arrived first!). Character B: "Hobo douji!" (It was almost simultaneous!). Sound effects: Blocks entering water, splashes, slide friction, and continuous audience gasps. [00:15-00:18] Shot 5: Rotating disk sumo start (High Front 3/4 Wide). A front-diagonal high-angle wide shot captures the final large disk, yellow sumo circle, red outer ring, and surrounding pool; the disk rotates clockwise continuously, the thin water film reflecting in the sun. Character A and Character B each get up during the rotation, being carried two steps sideways to the right by the disk, then taking small steps in the opposite direction back to the yellow circle. The two face each other with low centers of gravity, feet apart, hands holding each other's shoulder and waist soft pads. Character A shouts: "Shoubu!" (The showdown!). Character B responds: "Kakatte koi!" (Bring it on!). Commentary: "Saigo wa kaiten dohyou de suijou zumou!" (Finally, it's water sumo on the rotating arena!). Sound effects: Match gong, disk motor sound, and rhythmic audience clapping. [00:18-00:23] Shot 6: Three rounds of hilarious pushing (Broadcast Rapid Cuts, Real-time). Round 1 uses a fixed camera at the side of the disk: Character A pushes forward first, Character B sidesteps following the disk's rotation; Character A overshoots, taking three steps on the red outer ring to stop, arms windmilling. Hard cut to a central front medium shot: Character B takes the opportunity to push Character A with her blue waist pad, Character A is pushed into a sitting position on the wet disk but uses her feet to slide back to the yellow circle without falling in. Hard cut to a top-down view of the disk: the two grab each other's shoulder pads again, rotating half a circle together with the disk; Character B's right foot suddenly slips, and Character A is dragged into a rotation with her, the two spinning in place like they are connected, then letting go simultaneously and staggering a few steps in opposite directions. Character A laughs while panting: "Me ga mawaru!" (My head is spinning!). Character B replies: "Mada mada!" (Not yet!). Commentary: "Oshite iru no ka, mawasarete iru no ka wakarimasen!" (I can't tell if they're pushing or being spun by the disk!). Sound effects: Wet shoe friction, thuds of soft pads colliding, and audience laughter; real-time throughout, no slow motion, no replays. [00:23-00:27] Shot 7: Character A's feint pushes Character B into the water (Front Side Master Shot). A fixed side-front wide shot captures both people, the disk edge, and the water surface below, with the large disk rotating clockwise. Character B lowers her body and charges straight at Character A; Character A pretends to slip and retreats, letting Character B continue to accelerate. Approaching the red outer ring, Character A suddenly takes a step to the side following the disk's direction, Character B misses, her body turning sideways to the disk edge. Character A immediately pushes Character B's blue waist pad with both hands, shoulder pressed against the pad, taking two steps forward; only contacting the soft pad and shoulders, no touching the head or neck, no hitting. Character B's feet retreat quickly on the wet disk, the first step hitting the red outer ring, the second heel sliding off the disk; her hands grab at the air, and her body falls backward into the pool following gravity, creating a large splash. Character B shouts as she falls: "Uwaaaa—!" (Waaaah—!). Commentary: "A no feinto seikou! B ga ochita—!" (A's feint succeeded! B fell in!). Sound effects: Rapid sole friction, soft pad thud, water entry sound, and a burst of cheering from the crowd. [00:27-00:30] Shot 8: Water reaction and winning wrap-up (Water-level Two-shot → Wide Pull-back). A water-level two-shot: Character B emerges from the water, hair and clothes naturally soaked, wiping water off her face, looking up at Character A still on the disk. Character A stands in the center of the disk raising her arms in celebration: "Yattaa!" (I won!). The disk is still rotating, she slips while celebrating; she immediately kneels and supports herself with one hand, narrowly staying on the disk without falling in. Character B laughs and splashes water upward, the water only hitting Character A's arms and face, shouting: "Tsugi wa makenai!" (I won't lose next time!). The camera slowly pulls back to a wide shot: Character A is kneeling and laughing on the continuously rotating large disk, Character B is splashing in the water, and the audience stands up to clap. Commentary: "Shousha wa A! Saigo made yudan dekimasen!" (The winner is A! You can't let your guard down until the very end!). Sound effects: Loud cheering, applause, laughter, and a closing gong. [Audio] Fast-paced game show style BGM typical of large Japanese variety specials is layered throughout. Audience cheering, laughter, applause, buzzers, pulley sounds, disk motors, sole friction, blocks entering water, slide friction, pad collisions, and water entry sounds are strictly synchronized. Character A, Character B, and the commentary use natural and clear Japanese, with dialogue synced to lip movements; BGM and audience sounds are automatically lowered during dialogue, no other character dialogue is added, no subtitles are generated. [Camera & Editing] Natural multi-camera TV broadcast style, using only hard cuts, real-time throughout with no slow motion, no replays, no freeze frames. A 180-degree axis from left to right is maintained throughout: Character A is fixed in the foreground red track, Character B is fixed in the background blue track; sliding, jumping, block, and slide shots all follow to the right from the side, reverse shots that make characters look like they are going back are prohibited. After reaching the final disk, the relative positions of the disk edge, water surface, and the two people are kept consistent across cuts. All disk shots must clearly show clockwise rotation. [Prohibitions] Starting in opposite directions, head-on sliding, crossing left and right tracks, lane changes, character swaps, a third challenger, multi-person duplication, teleportation, moving backward in position, static in mid-air, body deformation, adding or subtracting limbs, penetrating props, grabbing the head or neck, hitting, and dangerous collisions. The two tracks and the final large disk must not change position, number, color, or size; the small disks and the final large disk must not stop, reverse, or change speed abruptly. Character B cannot be fully soaked before falling into the water; Character A cannot fall into the water, and can only be splashed with a small amount of water at the end. The final result must be Character A pushing Character B off the disk edge into the water. Clothing does not fall off, break, become transparent, or shift excessively. No real program names, TV station names, company names, sponsors, trademarks, subtitles, program logos, station logos, watermarks, meaningless text, or garbled code.

Cinematic 8K stylized 3D continuous shot. A young man in a blue bandana uses a holographic smartwatch to deploy mechanical arms that wash his muddy Mazda RX-7. The car upgrades, surging with blue electricity and turning from white to glossy black with glowing purple energy. The black car speeds through a rain-slicked neon cyberpunk city at night. A windshield HUD activates, and the car leaps, transforming mid-air into a giant bipedal mech with the driver visible in the glowing chest cockpit. The mech lands heavily on the street, then uses blue jet thrusters to fly up and stand heroically on a skyscraper roof.

Create a 30-second short film in the same handcrafted miniature papercraft style as the reference image: folded-paper characters, visible fibers, tiny imperfections, soft natural light, shallow depth of field, gentle stop-motion movement, and cozy miniature environments. Keep the pace calm, curious, and magical. Use dialogue sparingly. Let natural ambience carry most scenes, with a soft piano and glockenspiel theme appearing only during discoveries and emotional moments. 15 shots: Morning. The boy ties his shoes beside the front door while rain taps the window. His mother hands him a tiny paper umbrella. "Looks like rain." Outside, he notices a little red balloon caught in a tree. A handwritten tag hangs from it: "Please bring me home." Curious piano notes begin as he frees the balloon. He walks through a misty vegetable market, balloon floating behind him. An old fruit seller points uphill. "I saw one like that yesterday." The boy cycles toward a quiet hill, followin

Young East Asian woman in modern casual streetwear with headphones, white gloves, and teal ballet pointe shoes, photorealistic. SHOT 1 Feet on a balcony overlooking New York City. Smiling warmly, she says, "Hello! Follow me!" before putting on her headphones and intentionally falling backward off the balcony. She fires a web from her wrist in a Spider-Man style swing, soaring across the city before landing smoothly on the roof of a moving car. SHOT 2 Using Spider-Man style web swinging, she launches into the air, releases the web, and lands on the side of a building. She runs confidently across the vertical wall before firing another web and swinging back down toward the street. SHOT 3 She lands on the street, laughs excitedly, then jumps onto a car roof and shoots another web into the sky. Swinging upward, she shouts, "WHOOO!" before floating high above New York City in a relaxed pose, with the skyline stretching beneath her.

{ "title": "Operation: Snickerdoodle", "style": "3D Pixar family animation. Cozy kitchen at midnight, heist-movie lighting with warm amber and cool moonlight, action-comedy, tactical-knitted aesthetic.", "shots": [ {"time":"00:00-00:03","type":"WIDE","action":"Grandma in tactical knitted sweater and toilet-paper-roll night vision lowers herself from cabinet on yarn rope. Cat Biscuit wears a black bandana.","camera":"Low angle, mission-impossible style.","dialogue":"Grandma: 'Alpha Team, we are go.' Biscuit: 'Meow.' (subtitled: 'Roger that.')"}, {"time":"00:03-00:06","type":"CLOSE-UP","action":"Grandma points a laser pointer at the floor. Red grid lines appear. Biscuit immediately chases the dot, crashing through a colander.","camera":"Rapid cuts.","dialogue":"Grandma: 'Biscuit! The grid is for AVOIDANCE!' Biscuit: (subtitled: 'CANNOT RESIST.')"}, {"time":"00:06-00:09","type":"TRACKING","action":"Grandma army-crawls across tiles. Grandpa snores in recliner in background. She tosses a flour pouch; it pops into a white cloud.","camera":"Ground-level tracking.","dialogue":"Grandma: 'Smoke out!'"}, {"time":"00:09-00:12","type":"WIDE","action":"Flour cloud engulfs the room. Biscuit leaps through it like an action hero. Grandma rappels up the fridge.","camera":"Chaotic wide, flour particles everywhere.","dialogue":"Grandpa: (snoring loudly) '...touchdown...'"}, {"time":"00:12-00:15","type":"CLOSE-UP","action":"Grandma reaches the cookie jar. Her hand grips the lid. Dramatic music swells.","camera":"Extreme close-up, trembling hand.","dialogue":"Grandma: 'The eagle has landed.'"}, {"time":"00:15-00:18","type":"WIDE","action":"She opens it. Pulls out a cookie. Takes a bite. Her face drops in horror.","camera":"Push-in on her face.","dialogue":"Grandma: 'Oatmeal raisin. ABORT! ABORT!'"}, {"time":"00:18-00:23","type":"ACTION SEQUENCE","action":"Grandma and Biscuit frantically search the jar, tossing cookies everywhere. Biscuit bats one into Grandpa's open mouth. Grandpa chews in his sleep.","camera":"Rapid-fire cuts.","dialogue":"Biscuit: (subtitled: 'WHERE IS IT?!') Grandma: 'The snickerdoodle! Find the snickerdoodle!'"}, {"time":"00:23-00:26","type":"CLOSE-UP","action":"Biscuit holds up the single snickerdoodle between his paws, backlit by moonlight. Grandma gasps, hands to cheeks.","camera":"Dramatic hero shot.","dialogue":"Grandma: 'There she is. My golden girl.'"}, {"time":"00:26-00:28","type":"WIDE","action":"They share the cookie, back to back, chewing triumphantly as sun rises through the window.","camera":"Wide, warm sunrise.","dialogue":"Grandma: 'Same time tomorrow?' Biscuit: 'Meow.'"}, {"time":"00:28-00:30","type":"TITLE CARD","action":"Black screen. Title 'OPERATION: SNICKERDOODLE' stamped like a classified file with cookie crumbs.","camera":"Static.","dialogue":"(typewriter clack)"} ] }

Use the uploaded reference image as the exact character reference. Preserve her facial identity, eye color, skin tone, hairstyle, makeup, body proportions, and overall appearance throughout the video. She has long black hair in a sleek high ponytail with soft face-framing strands and wears a vibrant hot-pink cropped bomber jacket over a fitted black crop top, a black pleated mini skirt layered over biker shorts, white crew socks, chunky sneakers, silver hoop earrings, layered chain necklaces, and rings. Maintain perfect character consistency in every scene. Create an ultra-realistic premium American hip-hop music video inside a modern industrial studio with glossy black floors, neon pink and blue lighting, graffiti walls, chrome speakers, LED light bars, a professional drum kit, vintage leather furniture, subtle haze, and cinematic contrast. The video opens with an extreme close-up as she confidently adjusts the collar of her pink jacket, stares directly into the camera, smirks, and snaps her fingers to the beat. She turns sharply and walks toward the camera with effortless swagger while her jacket flows naturally. She performs energetic hip-hop choreography with shoulder pops, smooth footwork, body rolls, confident poses, and expressive hand gestures as the camera circles around her with dynamic handheld movement. She jumps onto the drum platform, twirls a drumstick between her fingers, then performs an energetic drum solo with realistic stick movement, powerful cymbal crashes, snare hits, and fast tom fills. The camera alternates between overhead, side-profile, macro close-ups, and dramatic low-angle shots synchronized with the rhythm. The performance continues beside a graffiti-covered roller shutter where she confidently squats, leans against stacked speakers, points toward the lens, and continues lip-syncing with playful attitude. She walks across the studio beneath moving spotlights, lounges briefly on a vintage leather sofa while nodding to the beat, then stands again as industrial fans create natural movement in her ponytail and jacket. The final performance takes place center stage beneath vibrant magenta and blue lights surrounded by drums, LED light bars, chrome speakers, and graffiti walls. She delivers the final lyrics with bold confidence, spins one drumstick in her hand, throws it toward the camera, crosses her arms with a confident smile, and holds a powerful hero pose as the camera slowly pulls back while the lights fade. Style: Premium rap music video, luxury editorial fashion aesthetic, cinematic handheld camera, wide-angle hero shots, smooth gimbal movement, realistic lip-sync, expressive performance, physically accurate lighting, natural fabric simulation, realistic skin texture, shallow depth of field, immersive concert atmosphere, photorealistic, ultra-detailed, 4K HDR, 24fps, 16:9 widescreen. Negative Prompt: No subtitles, no captions, no logos, no watermarks, no duplicate people, no distorted anatomy, no extra fingers, no AI artifacts, no flickering, no low-resolution textures, no cartoon style, no oversaturated colors, no inconsistent outfit or facial features.