Bilde-prompter for Ink Chinese Style

A dynamic, high-contrast poster illustration featuring a male performer of the traditional Chaoshan Yingge Dance. The character is captured in mid-air with his right knee raised high and left leg extended downward. He wears a white short-sleeved tunic with black embroidered patterns on the collar, dark blue baggy trousers, and a large red sash tied at the waist that flows dramatically to the left. On his feet are traditional black-and-white cloth shoes with white socks. His face features theatrical opera-style makeup with pink accents around the eyes and cheeks, and he has an intense, shouting expression. He wears a decorative teal headpiece with a red pom-pom on top. In each hand, he holds a small red wooden stick (clapper) used for the dance. The background is a textured off-white paper style. Large, expressive brush-stroke typography overlays the image: 'Rhythm of the Heroes' in black ink at the top left, 'Born to Beat.' in smaller black script on the middle right, and massive text at the bottom reading 'Chaoshan' in red and 'STYLE' in blue. Red paint splatters surround the figure, emphasizing movement.

豐子愷水墨漫畫 × {argument name="主題" default="[your theme here]"} × 題詩落款 × 宣紙肌理 × 左下深藍色篆刻方印：「深藍」上、「DeepBlue」下

A high-resolution digital illustration in a realistic Chinese fantasy (Xianxia) style featuring two elegant female cultivators standing side-by-side on ancient stone steps. The character on the left is {argument name="character one" default="Nangong Wan"}, wearing a luxurious floor-length white and gold Hanfu with intricate cloud and lotus embroidery, her long black hair adorned with an elaborate golden crown and dangling earrings; she has a cold, noble expression. The character on the right is {argument name="character two" default="Chen Qiaoqian"}, dressed in a soft pink and white translucent Hanfu with floral patterns, her hair styled in a bun with pink flower accessories, looking gentle and graceful. Vertical golden Chinese calligraphy text floats beside each character's head. The background is split into two distinct realms: the left side features a serene mountain sect with waterfalls and autumn maple trees, while the right side depicts a dark, ominous red landscape with jagged peaks and a swirling crimson vortex in the sky. Stone lanterns sit in the foreground corners.

设计中秋节海报，竖版 3:4。采用宋韵雅致风格：低饱和绛红背景、月白色文字、淡金色圆月，画面下方是一只青瓷茶盏与疏落桂花。上方主标题“月满中秋”，中部副标题“今夜有月，也有想念”。构图安静克制，不仿造古画题跋。只渲染指定中文，不添加其他文字、Logo、水印或乱码。

主题方向：东方禅意极简中秋封面海报 风格分支：中秋女性审美爆款型 主体内容：一位古风女子站在桂花树下，抬头望向巨大圆月 情绪母题：团圆、温柔、节日明净感 场景与意象：巨大圆月、桂花枝、女子、少量飘落桂花、干净夜空 构图与空间：9:16 竖版构图，巨大圆月位于上半部分作为第一视觉中心，人物位于下方偏一侧，顶部与一侧保留完整标题区 色彩控制：月白作为高明度月轮和背景主基调，桂花金用于花朵和少量点睛，极浅靛蓝用于天空过渡，人物服装建议{argument name="dress_color" default="珍珠白或浅桂花黄"}；避免整图发灰或全图泛黄 光线与质感：清亮月光，画面通透，边缘清晰，轻平面东方海报感 画幅比例：9:16 补充要求：圆月要大而干净，桂花要少而精，整体要有很强中秋识别度和封面感，画面留白处配上合适的文字

Create a vertical 2:3 cinematic artwork inspired by the two reference images. Divide the composition into two elegant sections: the top section shows a realistic dreamy Jiangnan water-town night, with a huge glowing golden full moon behind willow trees and black-tile roofs, a small warm wooden waterside teahouse with glowing lights, calm canal water reflecting the moonlight, a small wooden boat with two people, distant birds, and peaceful starry sky; the bottom section shows a beautiful hand-painted watercolor/ink illustration of a snowy mountain beside a calm lake, a golden full moon behind the mountain, a tiny boat with one person on the lake, and soft reflections in the water. Keep the composition balanced, peaceful, magical and artistic, with warm golden tones in the top scene and cool blue-white tones in the bottom scene, subtle paper texture, elegant minimal typography area, premium poster design, highly detailed, cinematic lighting, dreamy moonlight atmosphere, clean composition, realistic top scene + delicate watercolor illustration bottom scene, no logos, no watermark.

A vertical, highly detailed digital illustration in a dark, surreal Japanese aesthetic. The color palette is monochromatic sepia and charcoal with subtle hints of faded red. In the center stands a young woman with a sharp black bob haircut and pale skin, wearing an elaborate kimono patterned with circular motifs and floral designs. She holds a small lantern box featuring a carved face. Behind her head is a large, textured golden halo or moon disk. To her left stands a tall figure wearing a long black robe and a white animal skull mask, holding a ceremonial bell on a staff. To her right is a large, grotesque baby-like creature with a bald head and heavy eyelids, wearing tattered robes. Below this creature are two smaller humanoid figures wearing white Noh masks and dark kimonos. A black cat with glowing yellow eyes sits on the platform to the right of the central woman. The scene is set on a floating, checkered stone platform suspended in a void. Surrounding the platform are hanging paper lanterns (chochin) marked with the triple hollyhock crest (mitsu-aoi), banners, and traditional Japanese umbrellas (wagasa). The background features abstract geometric shapes, including circles and rectangles, overlaid with a texture resembling old parchment or weathered woodblock prints. The atmosphere is eerie, ritualistic, and dreamlike.

A vertical, highly detailed manga-style infographic page with a parchment-like background. The layout is divided into three main sections: a top illustration area, a middle diagrammatic breakdown, and a bottom text-heavy conclusion. Top Section: - A large, ethereal illustration of a woman with long white hair and fox ears (a kitsune) standing on a mountain peak at sunset. She wears flowing white robes. - Below her, an elderly man with long black hair tied back, wearing dark blue traditional Chinese robes, sits cross-legged holding a calligraphy brush, looking up thoughtfully. - To his right, a younger man in grey robes kneels, sketching the kitsune onto paper. - Surrounding this scene are blocks of Japanese text explaining the concept of 'Prompt' (プロンプト). - On the left side, there are four small square character portraits labeled with descriptions like 'Beautiful Woman', 'Dancer', etc., showing variations of female characters. - Large vertical Japanese text on the right reads 'Introduction to Prompts'. Middle Section: - A horizontal flow diagram titled 'Verbalizing features to compose a picture'. - It shows a sequence of six small square images connected by plus signs (+), leading to an equals sign (=) and a final result image. - The sequence includes: 1. Long silver hair, 2. Blue eyes, 3. White clothes, 4. Mountain sunset, 5. Looking back pose, 6. Soft backlighting. - The final result is the complete image of the kitsune from the top section. Bottom Section: - A large, bold Japanese headline in red and black ink style: "Listing hundreds of words loses one stroke" (百語を並べて一画を失う). - Surrounding the headline are torn pieces of paper with handwritten notes listing negative effects of over-prompting, such as '8K resolution', 'ultra-high quality', 'complex composition', 'unnatural lighting', 'film-like lighting', 'large scale', 'highest quality'. - At the very bottom, a concluding sentence in a box states that words are tools, but too many obscure the essence of the single stroke.

设计中秋节祝福海报，竖版 3:4。采用当代新中式风格：朱红宣纸背景，一轮暖金满月置于画面上方，细金线勾勒桂枝与流云。中央大标题“中秋月圆”，下方小字“愿人间团圆，岁岁安好”。文字区留白充足，手机端清晰易读。只渲染指定中文，不添加其他文字、Logo、水印或乱码。

《红楼梦·群芳夜宴》 × 《最后的晚餐》13人经典群像构图 × 仅借用横向群像结构 × 约1.9:1宽幅 × 画面左侧6人：妙玉、王熙凤、史湘云、探春、李纨、林黛玉 × 中央：贾宝玉 × 画面右侧6人：薛宝钗、迎春、惜春、平儿、袭人、晴雯 × 横向长桌宴席 × 清代宫廷工笔人物画 说明： “《最后的晚餐》13人经典群像构图”仅借用其中央人物＋左右各6人＋横向长桌＋左右人物分组的构图关系。画面严格保持左6人、中央1人、右6人，共13人。贾宝玉位于画面正中央，林黛玉与薛宝钗分别紧邻贾宝玉两侧，其余人物按照提示词规定的顺序向画面两侧展开。13人全部清晰可见，不增减人物，不打乱左右顺序，不将人物分散到其他区域。人物沿长桌两侧形成完整横向群像。仅借用《最后的晚餐》的构图结构，故事、人物、服饰、场景与绘画语言均采用《红楼梦》的中国古典语境，不出现西方宗教人物或宗教元素。

主题方向：东方禅意极简封面海报 风格分支：女性审美文静型 主体内容：一位古风女子站在小台边，轻轻整理垂落的书签丝带 情绪母题：安静、细腻、轻文艺感 场景与意象：极简小台、青梅绿色书签丝带、柔桃橙小灯、女子、干净背景 构图与空间：9:16 竖版构图，小台与人物位于下方偏中，上方与侧边保留完整干净留白，适合作标题封面 色彩控制：暖白作为背景基底，青梅绿用于书签丝带和局部点缀，柔桃橙用于小灯与少量暖光，人物服装建议{argument name="dress_color" default="浅白或浅杏色"}；避免全图变成绿橙滤镜 光线与质感：明亮柔光，边缘清晰，轻平面海报感，整体低灰度 画幅比例：9:16 补充要求：整体要文静精致，色彩清爽耐看，适合女性向封面，不要复杂家具，画面留白处配上合适的文字

A highly detailed digital illustration of a young female warrior in traditional East Asian attire, wielding a katana. She has long, flowing dark hair adorned with white flowers and red ribbons. Her outfit consists of an elaborate kimono-style robe featuring intricate floral patterns in shades of cream, deep crimson, and black. In her right hand, she holds the katana extended forward, while her left hand raises a small paper talisman with Chinese characters written on it. The background is a textured beige parchment style, featuring a large pale full moon in the upper left corner and stylized swirling clouds. Several other floating paper talismans are scattered around her. The overall aesthetic combines fantasy character design with traditional ink wash painting elements.

A vertical illustration in a traditional Japanese ukiyo-e style with a muted, earthy color palette of browns, ochres, and dark greens. The scene depicts a young girl with short black hair wearing a floral kimono, standing in a murky pond. She holds a dried lotus seed pod. Beside her stands a large, hunched yokai creature with a round, textured head resembling a gourd or stone, large hollow eyes, and tattered robes adorned with a bell. The background features a large red sun, stylized clouds, swimming goldfish, hanging lanterns shaped like faces, lotus flowers, and a skull resting on the water's surface.

Create a vertical travel poster for the asteroid B612 from The Little Prince. At the top, display large gold serif text 'B612' with a Chinese subtitle below it: '欢迎来到B612 · 一天可以看44次日落'. In the center, illustrate a small, rocky spherical planet floating in deep space. On the surface of the planet, depict three smoking volcanoes (two active, one dormant), a single red rose enclosed in a glass cloche, and two tiny baobab saplings. Standing at the very top of the sphere is the Little Prince, wearing a green coat and a long yellow scarf blowing in the wind, standing next to a wooden chair and watching a glowing sunset on the horizon. The background should be a rich dark blue starry sky filled with twinkling stars, distant galaxies, and a ringed planet. At the bottom, include elegant English text reading 'Visit Asteroid B612' between two horizontal lines.

Create a high-resolution, professional presentation slide (16:9 aspect ratio) with an 'Autumnal Literary' aesthetic. The background is a clean off-white paper texture. **Visual Elements:** 1. **Main Typography:** Large, expressive Chinese calligraphy in the center-left reading "把秋天装进书店" (Put Autumn into the Bookstore). The font style should be rough brush strokes in a burnt orange/terracotta color. 2. **Geometric Shapes:** A large diagonal block of solid burnt orange cutting across the right side of the canvas from top-right to bottom-center. 3. **Photography:** In the upper right corner, overlay a realistic photo of golden ginkgo leaves on a branch against a white wall, casting soft shadows. This image should blend naturally with the orange geometric shape. 4. **Stamp Element:** A red circular stamp graphic in the top right corner containing the text "五周年" (5th Anniversary). 5. **Secondary Text:** Below the main calligraphy, include smaller black sans-serif text: "山海秋集" and "独立书店五周年企划路演". Further down, add small grey text: "五周年活动命题 / 秋日阅读市集". 6. **Decorative Details:** Add scattered single autumn leaves floating around the text. Include vertical English text on the far left edge: "BOOKS PEOPLE A KINDER AUTUMN". Include vertical Chinese text on the far right edge: "书 · 人 · 秋天 · 更好的日常". Bottom right corner has page number "01 / 09".

A horizontal emaki scroll painting depicting a Heian period procession. The scene is rendered in traditional Japanese ink and mineral pigments on aged, yellowed silk with visible creases and wear. On the left, a shinden-style palace building features dark cypress bark roofs and open verandas where courtiers in layered robes sit. A long line of attendants walks across the center, pulling an ox cart (goshoguruma) with a woven bamboo roof. Several riders on horseback follow behind, led by a figure holding a red parasol. The landscape includes stylized pine trees, cherry blossoms, rolling hills, and a small wooden bridge over a stream. Vertical columns of cursive calligraphy appear on both the far left and right edges.

A traditional Japanese two-panel folding screen (byōbu) featuring a classic Rinpa school style painting on a shimmering gold leaf background. The left panel depicts a five-story pagoda in the distance, partially obscured by stylized silver clouds and dark pine trees. A vibrant vine of morning glories (asagao) with large blue flowers and green leaves climbs up from the bottom left corner toward the center. The right panel features a rustic wooden well structure with a crossbeam. A rope hangs down from the beam, holding a wooden bucket suspended over the well. A small white paper tag is tied to the rope, bearing the vertical kanji text "大吉" (Great Fortune). A dragonfly hovers near the rope. On the far right edge, a portion of an indigo fabric with a white chrysanthemum pattern is visible. The overall aesthetic is serene, elegant, and highly detailed.

Create a vertical collage of ten distinct Mid-Autumn Festival poster designs arranged in a two-column grid. The overall aesthetic is high-end, minimalist, and culturally rich, blending traditional Chinese ink wash styles with modern photography. Left Column (Top to Bottom): 1. A close-up photograph of golden osmanthus flowers against a dark background with a soft, glowing full moon bokeh. Text: "花好月圆" (Blooming Flowers & Full Moon) and small English text "MID AUTUMN FESTIVAL". 2. A deep blue night sky featuring a horizontal row of seven moon phases from crescent to gibbous. Centered white text reads: "月亮走过的路 / 也是我们回家的路" (The road the moon has traveled / is also the road home for us). 3. A cream-colored paper texture background with an abstract gold circle representing the moon reflecting on water ripples. Vertical text on the right: "一轮明月 / 照见心安" (A bright moon / illuminates peace of mind). 4. A sage green background featuring a fluffy white rabbit seen from behind, looking up at the top left corner. White text: "把思念 / 轻轻放在月亮上" (Place thoughts gently on the moon). 5. A landscape photo of a large orange harvest moon rising over silhouetted mountains and city lights at dusk. Text overlay: "山河远阔 / 人间烟火 / 皆是团圆" (Vast mountains and rivers / human warmth / all are reunions). Right Column (Top to Bottom): 6. A traditional Chinese ink wash painting style showing misty mountains, a small boat with a figure, and a red sun/moon. Vertical text: "但愿人长久 / 千里共婵娟" (May we live long and share the beauty of the moon). 7. A warm-toned photograph of a baked mooncake on a ceramic plate, illuminated by dappled sunlight shadows through leaves. Vertical text: "时光有味 / 月饼知秋" (Time has flavor / Mooncakes know autumn). 8. A moody, dark red interior shot featuring a traditional wooden lattice window casting intricate shadows. Large white text: "中秋" (Mid-Autumn) with smaller text below. 9. A soft lavender/purple gradient background with two glowing spherical lanterns hanging down. Text: "灯火映圆月 / 万家皆可期" (Lights reflect the round moon / every home has hope). 10. A macro shot of incense smoke curling upwards from a bronze burner against a black background. White text: "中秋不止一日 / 而是长久的惦念" (Mid-Autumn is not just one day / but a lasting thought). Ensure all typography is elegant, serif-style Chinese characters mixed with small sans-serif English subtitles.

Split-Frame Ink Wash Reconstruction 3:4 vertical composition · photo / ink wash split · contemporary Eastern aesthetic The image is in a 3:4 vertical composition, divided into two regions, with a strict 1:1 ratio, each taking up 50% of the image. Upper Region — Original Photo Shoot Area Preserves the subject's identity, structure, perspective, and true material, natural light, and original color atmosphere, with only slight high-end color grading and image purification, presenting it with the texture of art magazines or exhibition photography. It allows for a moderate expansion of the background to fit the screen size, but does not stretch, distort, or reshape the subject, without changing the subject's structure, posture, and core composition. Lower Region — Minimalist Ink Wash Reconstruction Area First, refine the subject with the most memorable details, such as the outline, structure, trend, perspective, rhythm, and atmosphere, and then reconstruct the same scene into a minimalist ink wash material landscape. Do not copy the photo details, do not make a realistic copy, only preserve the most recognizable structure and charm, allowing people to recognize the corresponding relationship between the upper region and the original photo at first glance. The overall base of the lower half is milky white, warm white or paper white, with delicate paper fiber and natural texture. The main body is reconstructed in ink wash blending, dry-wet interplay, flying white, seepage, ink accumulation, and white space, forming a quiet, restrained, and poetic Eastern visual. Removing secondary details, only retaining the most distinctive contours, structural turns, spatial layers, and breath, not pursuing realistic completeness, but rather summarizing, refining, and leaving a lingering impression. The use of ink in black, gray, and light ink tones, layered and progressing, with varying intensities and rhythms. The most vibrant colors can be extracted from the original image to create a few spots of dyeing or coloring, without mechanically replicating the color values. The colors can be transformed locally into clear blue-gray, distant blue, soft gold, warm yellow, vermilion red, light cyan, etc., to emphasize the main focus and emotional rhythm, but the overall composition is still dominated by ink tones and negative space. Avoiding dull, heavy, old brown, excessive decoration, and vulgar color combinations. The main core areas should be more refined and concentrated, with edges gradually loosening, breaking away, disappearing, and scattering, forming a sense of breathing with the large negative space. The lower half of the composition should account for about 30%–45%, with the rest reserved for large negative spaces. The composition can be biased, framed, suspended, or slightly cut, but must maintain an asymmetrical balance and a high-end editorial feel. Negative space is not blank, but an important component of the visual structu

主题风格： 古风贵女高饱和美妆封面 身份气质： 高门小姐，鲜艳、华贵、端庄、娇艳 妆感目标： 石榴珍珠水光妆 五官方向： 珠圆玉润贵女脸，面部轮廓柔美，眼睛清亮有神，面中丰满，鼻唇端正精致 发型与发饰方向： 乌发圆润高髻，石榴红珠簪、层叠珍珠发链、浅金叶片小冠 服装方向： 石榴红云肩搭配珍珠白交领长裙，腰间加入墨青色织锦宽腰封 场景方向： 白玉栏杆 / 绿植庭院 / 石榴花枝 / 明亮日光 镜头方向： 大半身近景，人物微微侧身，手中持白玉团扇 画幅比例： 9:16 创意自由度： 标准 补充要求： 使用石榴红、玫瑰粉和珍珠白高光完成妆面，腮红鲜活但边缘柔和，唇妆呈透明石榴果汁感；人物要华贵漂亮但不过分成熟。红、白、墨青形成鲜明层次，不允许背景继续大量使用红色。

主题方向：东方禅意极简中秋封面海报 风格分支：中秋高传播型 主体内容：一位古风女子手提一盏小灯，站在开阔平台上望月 情绪母题：节日仪式感、思念、温柔夜色 场景与意象：巨大圆月、小灯、开阔平台、女子、少量松影 构图与空间：9:16 竖版构图，圆月位于上方中央，人物位于下方偏一侧，夜空与平台之间形成大面积干净留白，适合标题排版 色彩控制：月牙白用于圆月和主要空间亮部，胭脂红只用于灯笼和少量点睛，松针绿用于极少植物，背景夜空用清透深蓝而非灰黑；避免整图过暗 光线与质感：清透月光加柔暖灯光，画面明净，轮廓明确，现代东方节日海报感 画幅比例：9:16 补充要求：灯笼要小而亮，月亮要大而干净，整体要有节日传播感，不要压成沉闷夜景，画面留白处配上合适的文字

主题风格： 古风高对比贵女美妆写真 身份气质： 高门贵女，华丽、自信、矜贵、张力强 妆感目标： 翡翠胭脂鎏彩妆 五官方向： 高级杂志感东方美人脸，修长眼型，眉眼清晰，面中立体，唇形丰润，近景极上镜 发型与发饰方向： 黑发端庄高髻，翡翠玉簪、鎏金花片、珍珠短流苏 服装方向： 翡翠绿色明制立领袄，搭配象牙白马面裙与胭脂红窄边云肩 场景方向： 白玉屏风 / 红梅枝 / 青瓷摆件 / 明亮侧窗光 镜头方向： 胸像近景，正面端坐，头部轻偏 画幅比例： 9:16 创意自由度： 开放 补充要求： 妆容以胭脂红、暖棕和浅金珠光为主，唇妆使用清透红豆沙水光唇；翡翠绿服装与红色妆容形成明显对比，但肤色保持干净明亮。人物珠圆玉润、气场鲜明，避免戏曲妆感。

A breathtaking, hyper-realistic portrait of a young Asian woman in profile, looking back over her shoulder. She is dressed in an exquisite kimono featuring a double-exposure design that blends the fabric with a serene landscape painting of a five-story pagoda, misty mountains, and autumn trees. Her hair is elegantly styled in a loose updo adorned with vibrant red maple leaves. The scene is set against a warm beige background dominated by a large, detailed full moon on the right, across which a flock of wild geese flies in formation. Swirling ink-wash effects and gold leaf accents mix with falling maple leaves to create a dynamic, ethereal atmosphere. A traditional red seal stamp is visible in the upper right corner.

流麗で草書体のように抽象化された美しさと儚さがあるような筆致の墨画にして。 ディテールは無視して、抽象的でも所作がわかる美しさがある。