Video-prompts voor Channel Intro

Landing page hero for Tesla Optimus walking a factory floor. Deep charcoal to near-black. Oversized immersive photograph. Warm copper and amber against cool cyan and steel blue. Soft volumetric haze. Cinematic contrast. Subtle glass UI. Refined type. Asymmetric. Generous empty space. Ultra-premium. Futuristic.

You barrel-roll beneath a suspended train, execute a power loop around a massive crystal palace, then dive through an open window and speed through a hall of mirrors where rainbow light shatters around the camera. Finally, the message "本日もお仕事お疲れ様です" appears in crystalline letters that then shatter into pieces.

桜の木が立ち並ぶ日本庭園に佇む、青い着物ドレスを着た長い黒髪の若き女性。手に持っている水色に光り輝く刀を水平に振りかざすと、刀から無数の桜の花びらが飛び出し、女性の周りに舞い散り「本日も宜しくお願いします」と、桜の花びらが文字を形成した後、文字の花びらがカメラに向かい飛び散ります。

the plot of the oddesy done as a trailer for a movie of the oddessy. Make it realistic in English. Make sure the title is out at the end.

Only use my image, to have the white line above it to “close” and the video to be back to this image

An emotionally charged, avant-garde Japanese anime opening sequence with playful, surreal, graphic visual direction. A cute anime girl moves through an endlessly transforming visual world. Multiple variations of the same girl appear, disappear, overlap, split apart, and replace one another, as if different versions of her personality and identity are competing inside the same opening sequence. Full-color Japanese 2D animation, expressive hand-drawn character animation, clean cel shading, highly polished sakuga, 24fps. [Core Visual Goal] Prioritize flatness, graphic design, symbolic clarity, and emotional coherence. The sequence should feel like a moving 2D graphic-design composition rather than a cinematic world. Every visual element must relate directly to the girl, her emotions, her body, her memories, or the story's central symbolic ideas. Do not introduce random decorative motifs or unrelated objects. Do not use imagery just because it looks stylish. Every repeated shape, symbol, prop, or visual metaphor must feel meaningfully connected to the same character and emotional theme. [Overall Visual Direction] Pop, surreal, stylish, cute, strange, slightly unsettling. Very flat visual design. Strong 2D composition over three-dimensional realism. Large areas of flat color. Minimal depth. Minimal volumetric lighting. Minimal environmental realism. Graphic staging over cinematic staging. The screen behaves like a moving poster, a motion-graphics illustration, or a transforming printed design. Backgrounds are simplified into flat planes, cutout-like layers, symbolic spaces, and graphic fields. When depth appears, it should be stylized and brief, used only for emphasis. Flat images may suddenly bend, stretch, fold, rotate, or transform, but they should still feel fundamentally graphic and planar. [Motif Control] Use only motifs directly derived from the main character and her emotional world. Allowed motifs should come from: her eyes, hair, hands, mouth, silhouette, clothing, accessories, shadows, reflections, mirrors, frames, ribbons, simple body fragments, personal symbolic objects, and abstract shapes that clearly evolve from these elements. Motifs may also come from a small number of central emotional symbols, but only if they are consistently repeated and clearly connected to the girl's identity. Avoid unrelated decorative symbols such as random stars, random flowers, random animals, random cosmic imagery, random surreal props, or arbitrary visual clutter unless they are specifically established as core motifs. Limit the motif vocabulary. Reuse the same small symbolic set across the entire sequence. The world should feel unified by recurring, meaningful visual symbols. [Character Direction] A cute

Create a video using this image with the Sphinx, rotating from left to right and back

The cute random furry monster from the image happily dances and jumps in celebration against a clean white background. Floating 3D text above clearly reads "Gemini Omni 1.1". Smooth character animation, dynamic fur physics, celebratory confetti burst.

Create an 8-cut kinetic-typography spot in 16:9, 24fps, exactly 12s. Style: Bauhaus / Swiss International — flat primary colors (red, yellow, blue, black, off-white), strict grid, geometric sans-serif type.\nThis film is 90% typography and geometric shapes in motion, 10% texture accents.\nCUT 01 | 0.0-1.5s - Off-white void. The word \"FORM\" drops letter by letter onto a baseline grid, each landing with a small bounce.\nCUT 02 | 1.5-3.0s - A red circle rolls in from the left and knocks the \"M\" out of frame; \"FOR—\" holds one beat.\nCUT 03 | 3.0-4.5s - Hard cut: full yellow frame, \"FOLLOWS\" stacked vertically, letters sliding in alternating directions.\nCUT 04 | 4.5-6.0s - A blue diagonal wipes the frame; \"FUNCTION\" sits on the diagonal; the camera rotates until it reads horizontal.\nCUT 05 | 6.0-7.5s - The three words swap positions on a strict 3-column grid, snapping on beat.\nCUT 06 | 7.5-9.0s - All type shrinks into an 8pt grid texture; one black square scales up through center.\nCUT 07 | 9.0-10.5s - The square splits into a Mondrian composition; one word per color field.\nCUT 08 | 10.5-12.0s - End card: \"FORM FOLLOWS FUNCTION — 1919\" aligned bottom-left, the red circle as the full stop, hold.\nTypography is fully readable before any shape overlaps it. Letters never distort or melt; kerning stays optically even.\nEditing: hard cuts and snap moves locked to 120bpm.\nAudio: minimal electronic clicks + bass pulse on every cut.\nDO NOT: gradients, drop shadows, 3D extrusion, serif fonts, melted letters, added words.

The gothic text "JUANG Musk" slowly glows with dark red and gold light, mist swirls dramatically around the ornate blackletter lettering, subtle camera zoom and atmospheric fog drifting, dark fantasy cinematic motion, high detail

A modern version of the mgm intro with a louder roar extra bass is how I feel inside all the time

Landing page hero section design for SpaceX Starship landing on Mars at dusk, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, warm copper and amber highlights with cool cyan and steel blue accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, delicate technical annotations, asymmetric composition, generous negative space, soft bloom, tactile film grain, ultra-premium futuristic aesthetic, ultra high detail 12k quality, cinematic depth ready for smooth video motion. Slow cinematic camera push-in, subtle floating particles and soft light movement, gentle atmospheric haze drifting, smooth elegant motion, premium cinematic feel, ultra high detail, calm and refined atmosphere

“Extreme macro shot of woven cotton shirt fabric, empty at first. Colored embroidery threads rise from the surface and weave themselves into place, laying down tight satin stitches row by row, tracing out the uploaded logo. The stitched area grows steadily across the frame, thread pulling taut and rising into dimensional embroidered texture until the full logo is complete. Camera holds steady, slow satisfying timelapse pace. Soft natural side light, shallow depth of field, visible fabric fibers and realistic thread sheen. No hands, thread moves on its own. One shot, no scene change.”

Create a vibrant 3D motion graphics animation where colorful spheres, bars, and cylinders rain onto a neutral background and assemble into a stylized Tokyo skyline with Tokyo Tower, pagodas, and floating orbs. The cityscape scatters into geometric confetti, then rapidly reforms around Tokyo Skytree before dissolving again into five color groups red, dark blue, pink, teal, and yellow that settle into a clean row of flat circles. Smooth transitions, dynamic motion, polished 3D lighting, and a modern minimalist aesthetic.

Create a fast-paced 5-second 2D Chinese anime (guoman) character introduction montage using the three supplied reference images. IMPORTANT: @Image1, @Image2, @Image3 are three completely different characters. Preserve each character's exact face, hairstyle, skin tone, outfit, body type, and accessories from their corresponding reference image. Never merge, morph, blend, or exchange their identities. Show only one character at a time. Background device: each character gets a distinct ink-wash color field (indigo / vermilion / pine green) with flying brush-stroke particles, and a name-seal stamping into the corner. CUT 01 | 0.0-1.6s - @Image1 snaps in from a whip-pan blur, hero pose, face 40% of frame height, indigo ink field, seal stamps top-right. CUT 02 | 1.6-3.2s - Hard cut. @Image2 slides in on diagonal speed-lines, vermilion field, seal stamps on the left. CUT 03 | 3.2-5.0s - Hard cut. @Image3 lands from above with an impact frame and screen shake, pine-green field; all three seals align along the bottom; hold the end frame. Camera: fast push-ins only. No wide full-body distant shots; faces stay 35-50% of frame height. Audio: three taiko-style percussion hits + ink-splash SFX on each cut. DO NOT: identity morph, two characters in one frame, redesigned outfits, western comic style, any readable text other than the seals. Chinese donghua (guoman) style character sheet, chest-up hero portrait of a young swordsman, age 19, sharp confident eyes, long ink-black hair tied high with a silver hairpin, deep indigo layered robes with faint cloud-pattern embroidery, one jade pendant at the collar, subtle smirk, face occupies about 40% of the frame, cel shading with subtle ink-wash texture accents, clean bold lineart, film-quality character design, plain warm light-grey background, soft even lighting --ar 3:4 --v 7 --s 150 --no text, watermark, logo, signature, border Chinese donghua (guoman) style character sheet, chest-up hero portrait of a playful young heroine, age 17, bright amber eyes, double bun hairstyle with vermilion ribbons and loose side strands, crimson-and-white short martial jacket with gold trim, holding a half-open folding fan near her chin, mischievous grin, face occupies about 40% of the frame, cel shading with subtle ink-wash texture accents, clean bold lineart, film-quality character design, plain warm light-grey background, soft even lighting --ar 3:4 --v 7 --s 150 --no text, watermark, logo, signature, border Chinese donghua (guoman) style character sheet, chest-up hero portrait of a gentle giant warrior monk, age 35, broad shoulders, shaved head with faint stubble, thick eyebrows, warm honest smile, moss-green monk robes with one shoulder bare, wooden prayer beads around the neck, small scar on the left brow, face occupies about 40% of the frame, cel shading with subtle ink-wash texture accents, clean bold lineart, film-quality character design, plain warm light-grey background, soft even lighting --ar 3:4 --v 7 --s 150 --no text, watermark, logo, signature, border

Seamless loop, locked-off camera view of a transparent, refractive glass ribbon slowly undulating in zero gravity across an obsidian background. Subtle chromatic aberration along the edges, gentle caustics, slow and hypnotic movement, high negative space for UI.

[SUMMARY] 15 seconds, 16:9, 24fps. A Japanese emakimono picture scroll unrolls from right to left, the ukiyo-e woodblock city painted on it comes alive, and the film lands on Mount Fuji with a title on the blank paper. Animated woodblock-print style. One single slow leftward drift carries the entire film. [GLOBAL SETUP] Look and texture: 2D animated Japanese ukiyo-e woodblock print. Flat hand-printed color, visible woodgrain, washi paper fibre showing through every surface, thin sumi-ink outlines, gold-leaf cloud bands, Rinpa-school decorative flatness. Keep the ink lines slightly uneven, the way a hand-cut block prints. Palette: washi ivory, indigo ai-iro, vermilion shu-iro, gold kin-iro, golden-yellow yamabuki-iro, pine-green matsu-midori, sumi black. No other colors. The scroll as an object: the ivory washi paper of the scroll, with its dark wooden roller, stays visible at the top and bottom of the frame from 0 to 2.5s and again from 11.5 to 15.0s. Between 2.5 and 11.5s the camera is inside the painting and the paper edges are out of frame. Camera language: exactly one camera move per time slice, always small amplitude at slow speed. The overall direction of travel is leftward for the whole film. Never combine two camera moves in one slice. No handheld shake. Transitions: use zoom-in transition at 2.5s, ink-wash transition at 5.0s, matching-shape transition at 7.5s, and zoom-out transition at 12.5s. No hard cuts anywhere. Nothing appears out of empty space. Keep the camera's breathing in harmony with the length of each slice and leave enough time for each transition to complete. Forbidden throughout: no subtitles, no background music, no photorealism, no 3D rendering, no CG lighting, no video-game look, no modern buildings, no trains, no cars, no power lines, no neon, no Japanese kanji or kana characters anywhere in the frame, no watermark, no logo, no on-screen text at all before 12.5s, no mosaic, no tiling, no puzzle-piece assembly, no rapid cutting. [TIMELINE] 0-2.5s — The scroll opens Scene: A closed emakimono scroll with a dark wooden roller sits at the right edge of an ivory frame. Action: The scroll unrolls leftward and reveals a painted Nihonbashi Bridge. The painted crowd on the bridge starts to move and walks across it. A painted boat slides out from under the bridge and its flat ink outlines ripple into moving water. Camera: slow leftward drift, small amplitude, following the unrolling paper. Sound: paper rustling, a wooden roller turning, then a low market crowd fading in. Not in this slice: no text, no music, no camera shake. 2.5-5.0s — Into the painting: the food street Transition: zoom-in transition. The camera pushes into the painted surface until the paper edges leave the frame and the painting fills the whole screen. Scene: An open-air Edo food street under fluttering vermilion nobori banners. Action: A chef presses a piece of nigiri sushi between his hands and sets it down on a bare wooden board. Steam lifts from a soba pot as a cook draws noodles out of the water. A customer pulls a noren curtain aside and steps in under it. Camera: slow push in, small amplitude, stopping on the sushi board. Sound: a knife tapping wood, oil sizzling, a pot bubbling, cloth brushing. Not in this slice: no text, no music, no modern kitchen equipment. 5.0-7.5s — The river Transition: ink-wash transition. Sumi ink bleeds across the frame like ink dropped in water, and the river scene emerges out of the bleed. Scene: The Sumida River, an arched wooden bridge, rows of low wooden townhouses on the far bank under gold cloud bands. Action: A boatman pushes his pole and the boat glides forward past the bridge. Cherry blossom petals blow across the water from the right. A woman in a patterned kimono standing on the bridge turns her head and looks toward the camera. Camera: slow leftward tracking shot, small amplitude, keeping pace with the boat. Sound: an oar dipping, wood creaking, water lapping, wind through cherry branches. Not in this slice: no text, no music, no motorboats. 7.5-9.5s — Night, lanterns, kabuki Transition: matching-shape transition. A round pink cherry petal drifting in the previous slice matches into a round red paper lantern in this one. Scene: A night street of two-story wooden machiya townhouses under a deep indigo sky. Action: Red paper lanterns light up one after another down both sides of the street. A kabuki theater curtain sways open at the far end and an actor in bold red kumadori face paint strikes a still mie pose. Camera: slow tilt up, small amplitude, from the lanterns to the sky above the rooftops. Sound: wooden kabuki clappers striking twice, geta sandals on plank streets, a low crowd. Not in this slice: no text, no music, no electric light. 9.5-12.5s — Fireworks and the whole city Continuous from the previous slice, the tilt up carries straight into this one. Scene: Golden fireworks open in the indigo sky above the river. Action: Two fireworks bloom and fall in gold and vermilion. The view widens into one grand bird's-eye folding-screen painting of the whole city of Edo across the full width of the frame: dense wooden rooftops, winding canals, arched bridges, boat traffic, a vermilion torii gate, a temple complex, and the tiered white keep of Edo Castle, with gold-leaf cloud bands drifting between the districts. At 11.5s the ivory washi paper edges of the scroll slide back in at the top and bottom, revealing the whole city to be one continuous painting on one scroll. Camera: slow pull out, large amplitude, one single continuous move. Sound: fireworks booming and crackling far away, the crowd noise widening and thinning into open air. Not in this slice: no text, no music, no shattering or reassembling of the image. 12.5-15.0s — Mount Fuji and the title Transition: zoom-out transition completing into the far end of the scroll. Scene: Snow-capped Mount Fuji stands alone on the right against a gold sky. Wide empty ivory washi paper fills the left half of the frame. Action: Cherry blossom petals drift down across the empty paper. The single large word "EDO" fades in on that empty paper in clean pale sumi-black geometric sans-serif capitals. One beat later the smaller line "NOW CALLED TOKYO" fades in directly beneath it. Both lines are English Latin capitals, spelled exactly as written here, centered on the empty paper, sharp and perfectly legible, with no Japanese characters, no extra words and no misspellings. The two lines are static once they appear and are not re-rendered. Camera: the drift comes to rest and holds perfectly still for the last 1.5 seconds. Sound: a single distant temple bell ringing once, then quiet wind. Not in this slice: no music, no additional text, no camera movement after the title appears. [CLOSING CONSTRAINTS] Throughout the whole film: keep the flat ukiyo-e woodblock look, the washi paper fibre, the seven-color palette and the uneven hand-cut ink lines identical from the first frame to the last. Keep every camera move small in amplitude and slow in speed, and keep the overall direction of travel leftward. Keep all transitions soft, with no hard cuts and nothing appearing out of empty space. Throughout the whole film: no subtitles, no background music, no photorealism, no 3D rendering, no modern objects of any kind, no Japanese kanji or kana characters, no watermark and no logo. On-screen text appears only after 12.5s, only the two English lines specified above.

A 4-view character reference sheet of a stylish 20-year-old girl with long wavy black hair, trendy sunglasses pushed up on her head, wearing a yellow crop top and high-waist jeans, holding a smartphone. 3D animated cartoon style, CGI animated feature film quality, NOT photorealistic. Views: FULL BODY FRONT, FULL BODY REAR, FRONT CLOSE-UP, PROFILE CLOSE-UP. Neutral grey background, clean studio lighting, no text or watermarks. High quality, 4K, 16:9 ratio. A 4-view character reference sheet of a fluffy reddish-brown squirrel with a huge bushy tail, big expressive eyes, mischievous grin. 3D animated cartoon style, CGI animated feature film quality, NOT photorealistic. Views: FULL BODY FRONT, FULL BODY REAR, FRONT CLOSE-UP, PROFILE CLOSE-UP. Neutral grey background, clean studio lighting, no text or watermarks. High quality, 4K, 16:9 ratio. A cinematic animated short film with feature-film-quality 3D animation, expressive stylized characters, a scenic golden-hour mountain viewpoint with soft clouds and rolling hills in the background, warm sunset light, fast dynamic cinematic camera cuts with playful zoom-ins, upbeat comedic orchestral score with plucky rhythm, polished CGI animated feature film quality rendering, NOT photorealistic, exaggerated expressive facial animation, kinetic comedic timing. SET LAYOUT: Girl remains fixed center-frame holding her phone up for selfies throughout. Squirrel appears and disappears from a fixed tree branch to her left edge of frame. A stylish 20-year-old girl with long wavy black hair holds up her phone, adjusting her angle, practicing a perfect smile against the scenic mountain backdrop. Girl (to herself, confident): "Okay... perfect lighting..." She snaps the photo. A fluffy reddish-brown squirrel leaps into frame at the last second, pulling a ridiculous cross-eyed face right next to her head. Girl (checking phone, annoyed): "Ugh—again?! She resets, retries her pose with an exaggerated forced smile, clearly getting frustrated. Girl (through gritted teeth): "One good picture. That's all I need." Continue seamlessly from the previous scene. Maintain the exact same characters, clothing, facial features, lighting, mountain environment, and CGI animated feature film quality 3D animation style, NOT photorealistic. SET LAYOUT: Girl remains fixed center-frame. Squirrel's photobombs escalate in speed and silliness, still entering from the same fixed branch area, ending seated calmly on her shoulder for the final shot. She snaps again — this time the squirrel photobombs with an even more exaggerated pose, tongue out, tail puffed dramatically. Girl (exasperated shout): "SERIOUSLY?!" Rapid montage of three quick snap attempts in fast succession, each interrupted by an increasingly ridiculous squirrel face — cross-eyed, mid-jump, cheeks stuffed with an acorn. The girl finally throws her hands up, defeated, sitting down on a rock with a sigh. Girl (muttering): "Fine. You win." The squirrel calmly hops up and settles onto her shoulder, striking a proud little pose. She glances at it, surprised, then can't help but smile genuinely. She holds up the phone one last time — girl and squirrel both grinning naturally at the camera — and snaps the photo. It's clearly the best shot yet. Girl (delighted, laughing): "...Okay, THIS one's perfect." Camera quick zoom into the phone screen showing the adorable photo. Cut to black.

Throughout the entire spot: a 1990s practical suit robot, chrome and rubber, chest plate reads "OMNI 1.1", Same robot. Every single shot. Do not change this. [0-1s] Bold urgent title card: "JUST IN FROM GOOGLE!" [1-5s] The robot stands still against a clean dark background. Premium chrome title cards appear one at a time: "UP TO 4K." "EXTEND TO 10 SECONDS." "2 PHOTOS → 1 VIDEO." "3 CLIPS. STAYS CONSISTENT." Same robot. He does not move. He does not change. [5-10s] CUT TO: Matrix dojo. Same robot. No costume change. Kid stands across from him, serious. Kid: "Do you know kung fu?" Omni throws a punch. Omni pulls his hand back. Omni says "Ow." Pause. Omni says "I'm working on it kid." Final card: "GEMINI OMNI 1.1" Audio: news sting on opener. Silence under feature cards. Matrix music swell on dojo cut. Punch. Silence. "Ow."

Create a highly realistic cinematic 9:16 vertical video, 10–15 seconds, 4K/HD quality, photorealistic live-action style. Show AIWITHJAMES as a successful AI creator and entrepreneur working with major global technology companies. Start inside a luxurious modern executive office with floor-to-ceiling windows and a futuristic city skyline. AIWITHJAMES is sitting confidently at a premium office desk wearing a sharp black suit. Multiple realistic monitors show AI projects, growth charts, creative work, and successful collaborations. The office displays professional company branding inspired by major technology companies such as Google, Microsoft, Amazon, Meta and OpenAI. Camera slowly moves toward AIWITHJAMES with a smooth cinematic dolly-in. Show close-up shots of realistic hands working on a laptop, AI dashboards, business documents, awards and certificates. On a large digital screen behind him, clearly display: “AIWITHJAMES — #1 AI CREATOR IN THE WORLD” Show a powerful upward growth chart, global map, millions of users, international collaborations and prestigious awards. AIWITHJAMES stands up and walks confidently toward the window while the city lights glow behind him. End with a dramatic cinematic shot showing AIWITHJAMES at the top of the global AI industry, surrounded by technology, success and innovation. Visual style: ultra-photorealistic, real human appearance, natural skin texture, realistic facial expressions, realistic hands, authentic office lighting, cinematic depth of field, premium corporate atmosphere, subtle lens flare, smooth camera movement, realistic reflections, high detail, professional color grading. Important: Keep the character consistent throughout the entire video. Make AIWITHJAMES clearly readable wherever text appears. No cartoon, no 3D animation, no distorted face, no extra fingers, no unrealistic body movement, no blurry frames, no artificial-looking skin. Aspect ratio: 9:16 vertical. Quality: 4K cinematic photorealism. Mood: ambitious, inspirational, powerful, futuristic, successful.

Create a 12-cut motion-graphics spot in 16:9, 24fps, exactly 15s. Theme: Chinese tea ceremony, modern oriental design. This film is 80% bold graphic design in motion and 20% object action. Palette: ink black, rice-paper white, vermilion red, muted gold. Style: modern Chinese minimalism — ink-wash textures meet flat geometric shapes; red seal stamps are the transition device. CUT 01 | 0.0-1.2s - White void. A single giant Chinese character 「茶」 brush-strokes itself into existence, ink bleeding at the edges. CUT 02 | 1.2-2.4s - Hard cut: a vermilion circle expands from center; the character punches through it in white. CUT 03 | 2.4-3.6s - Top-down teacup on black; steam rises and morphs into flowing ink ribbons. CUT 04 | 3.6-5.0s - Ink ribbons snap into a horizontal row of geometric tea leaves sliding left on beat. CUT 05 | 5.0-6.2s - Giant 「静」 in muted gold on black; snap zoom onto the final brush stroke. CUT 06 | 6.2-7.6s - Teapot silhouette pours; the pour-line becomes a vermilion diagonal splitting the frame. CUT 07 | 7.6-9.0s - Split frame: ink mountains left, flat vermilion right; a white teacup slides along the divide. CUT 08 | 9.0-10.4s - A red seal stamp SLAMS down with frame shake, revealing 「回甘」 in white inside the seal. CUT 09 | 10.4-11.8s - Rapid-fire alternation: three tea leaves, three geometric shapes, on beat. CUT 10 | 11.8-13.0s - All elements collapse into one spinning ink circle. CUT 11 | 13.0-14.0s - The circle resolves into the teacup; one drop falls; slow-motion ripple. CUT 12 | 14.0-15.0s - End card: 「茶」 large, small English "TEA — est. in stillness" below, red seal bottom-right, hold. Typography rule: every character is fully readable for at least 12 frames before anything overlaps it. Use as few Chinese characters as possible, large size only. Editing: hard cuts on beat, graphic matches, snap zooms, ink-splash wipes. Audio: guzheng pluck + modern percussion; SFX locked to cuts (brush swoosh, seal slam, water drop). DO NOT: extra glyphs, misspelled or deformed hanzi, rainbow gradients, 3D bevel text, photoreal footage, added characters.

Landing page hero section design for Tesla AI, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, cool cyan and steel blue with soft amber accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, asymmetric composition, generous negative space, ultra-premium futuristic aesthetic, ultra high detail

Landing page hero section design for SpaceX Starship landing on Mars at dusk, soft warm off-white and pale stone canvas, oversized clean photographic imagery with gentle natural light, elegant muted champagne and soft gray tones with subtle cyan accents, ultra-clean composition, sophisticated high-end typography, subtle floating glass elements, generous negative space, soft diffused lighting, minimal technical details, polished luxury product aesthetic, calm and refined atmosphere, ultra-high detail 12k quality, cinematic depth ready for smooth video motion

NEUROPROSTIR — ENTRANCE → THE WEIGHING → THE CASE → ONE CHORD → THE TWENTIETH → LOGO SHOT STRUCTURE: 11 shots, 30 seconds, 4:3, exactly as listed, no added shots REFS: @[Image 1](image_1) = location reference sheet. Controls the room itself only — architecture, layout, materials, window positions, bar position, fixtures, colour of the space. Every shot is staged inside this room. @[Video 1](video_1) = video reference of Vova's face. Controls facial geometry, features, skin and expression range INSIDE the hairline only: forehead, eyes, nose, mouth, jaw, complexion. It does not control hair, hairline, head shape above the hairline, or anything below the neck. @[Image 2](image_2) = character sheet. Controls Vova's hair length, parting, volume and fall, plus his build, height, wardrobe and silhouette. @[Image 3](image_3) = prop turnaround. Controls the guitar's shape, colour, wear and the logo on the lower bout only. @[Image 4](image_4) = character sheet. Controls El Patrón's face, hair, build and wardrobe. @[Image 5](image_5) = photo reference. Controls Anya's face, hair, glasses, earrings and jacket. @[Image 6](image_6) = brand reference. Controls the logo shape, its orange-to-violet gradient, the wordmark, the subscribe button and the server-room environment, for the final shot only. ACTIVE REFERENCES: @[Image 1](image_1) 95% · @[Video 1](video_1) 90% (face only) · @[Image 2](image_2) 95% (hair, build, wardrobe) · @[Image 3](image_3) 95% · @[Image 4](image_4) 90% · @[Image 5](image_5) 90% · @[Image 6](image_6) 100% (final shot only) LOCATION MAP — fixed for the entire piece, every shot is staged against these anchors: - The room runs roughly 12 metres east to west and 9 metres north to south. Terracotta tile floor, adobe plaster walls, exposed dark timber ceiling. - NORTH WALL: the bar, 6.2 metres long, brass rail, a spotted mirror and a full wall of bottles behind it. A single 2400K bulb hangs over the bar. - SOUTH WALL: the batwing doors, 1.4 metres wide, the only entrance. - WEST WALL: three shuttered windows. This is the only daylight source in the room. - EAST WALL: a jukebox, and one table beside it. - CENTRE: a slow ceiling fan, and scattered tables between the doors and the bar. FIXED POSITIONS — each character occupies exactly one position for the whole piece and never appears in two places: - <Bartender> behind the bar, centre, facing south into the room. - <Vova> enters through the south doors, walks north-west across the floor, and stops at the WEST END of the bar. He stands there from shot 3 onward and does not move again. - <El Patrón> is seated on a stool at the bar, about 2.5 metres EAST of where Vova stops, from the first frame to the last. He never stands and never leaves the stool. - <Anya> is seated alone at the EAST TABLE beside the jukebox, whisky and tablet in front of her, from the first frame to the last. She never moves to another table. - Six men at the scattered centre and south tables, seated, none of them at the bar. BAR AXIS: Vova and El Patrón stand and sit side by side along the bar, both facing north toward the bottles. They speak to each other through the spotted mirror, not face to face. The camera stays SOUTH of the bar for the entire piece and never goes behind it. GLOBAL STYLE NOTES: - look: late afternoon sun through the three west shutters as the single daylight source, hard-edged at 3000K, throwing long slatted bars across the tile and up the north wall, dust and cigarette smoke standing visible in the shafts; the 2400K bulb over the bar adds a small warm pool exactly where Vova stops, while El Patrón's stool sits in the gap between two shutter bars and reads darker without any separate lighting; the room falls to deep amber shadow away from the windows; 35mm film still, Kodak Vision3 500T pushed one stop, heavy grain, halation on the shutter slats, warm ochre grade with the shadows lifted to brown - setting: dry air at 34°C, thick with dust; a mariachi guitar playing low from the jukebox on the east wall, the fan motor, glass on wood, boots on tile, the doors knocking twice as they settle; room tone stays present under every quiet beat, never digital silence; ambience ducks under every spoken line and returns in the gap - characters: <Vova> face from @[Video 1](video_1), hair and everything else from @[Image 2](image_2). 190 cm, dark brown wavy hair falling to the shoulders, centre-parted, thick and slightly unruly, covering the tops of the ears — the hair is taken from @[Image 2](image_2) and is never redrawn from the video reference. Black cropped jacket with silver conchos down both fronts, black shirt open at the throat, silver chain, black jeans with silver buttons down the outer seam, worn black boots. He stands about 7 cm taller than El Patrón. Keep identical in every shot. <El Patrón> corresponds to @[Image 4](image_4). 183 cm, moustache, hair slicked back, white linen shirt with the sleeves rolled, gold chain, dark trousers, brown belt, brown boots, gold watch, rings. Keep identical in every shot. <Anya> corresponds to @[Image 5](image_5). Short blonde-grey hair, round glasses, silver hoop earrings, black blazer with white stitching. Keep identical in every shot. <Bartender> a thin older man, apron, towel over the shoulder. Keep identical in every shot. - acting — Vova: scene direction: keep it ordinary, let the room do the work, never sell anything fuel: he knows exactly what is in the case and quietly enjoys that they do not goal: make them ask instead of making them listen obstacle: the pull to explain himself; one sentence of pitch and the room owns him tactic: says nothing until asked twice, then answers a half-beat late and one word shorter than expected, checking the mirror after each answer to see whether the man is waiting for more, and giving him less each time channel: walking, then setting the case flat on the bar and working the latches without hurry gaze always engaged in the task, natural blink cadence - acting — El Patrón: scene direction: same, keep it ordinary, nothing here is worth standing up for fuel: three men came through those doors this year with a case and he is still the one sitting goal: get him out through the same doors without leaving the stool obstacle: curiosity, which he refuses to show and which leaks through every repeated question tactic: asks, then lets the pause run past comfortable to see whether the man fills it; the man never does, so he has to ask again, and each repeat costs him a little ground channel: turning a glass slowly on the bar top, never lifting it gaze always engaged in the task, natural blink cadence - acting — Anya: listener_task: she is checking whether the number on her tablet is final or still moving, and the bar is not part of that until it is CONTRAST AXIS: risk. Vova courts it, El Patrón holds ground against it. Both speak sparsely, both flat, both dry — the comedy lives in how alike they sound while wanting opposite things. Neither is a villain: two quiet men at a bar trading short sentences, and the older one loses ground only by having to ask twice. EYELINE GEOMETRY, anchored to the room and to each body, never to screen sides: (A) Vova and El Patrón face north at the bar — each looks at the other's REFLECTION in the spotted mirror, and their real heads stay turned toward the bottles; (B) Anya's table sits past El Patrón's OWN RIGHT shoulder — to reach her he rotates his head toward that shoulder and looks back over it; (C) the doors sit directly behind both of them to the south — glancing