Afbeelding-prompts voor Ink Chinese Style

Create a vertical collage of ten distinct Mid-Autumn Festival poster designs arranged in a two-column grid. The overall aesthetic is high-end, minimalist, and culturally rich, blending traditional Chinese ink wash styles with modern photography. Left Column (Top to Bottom): 1. A close-up photograph of golden osmanthus flowers against a dark background with a soft, glowing full moon bokeh. Text: "花好月圆" (Blooming Flowers & Full Moon) and small English text "MID AUTUMN FESTIVAL". 2. A deep blue night sky featuring a horizontal row of seven moon phases from crescent to gibbous. Centered white text reads: "月亮走过的路 / 也是我们回家的路" (The road the moon has traveled / is also the road home for us). 3. A cream-colored paper texture background with an abstract gold circle representing the moon reflecting on water ripples. Vertical text on the right: "一轮明月 / 照见心安" (A bright moon / illuminates peace of mind). 4. A sage green background featuring a fluffy white rabbit seen from behind, looking up at the top left corner. White text: "把思念 / 轻轻放在月亮上" (Place thoughts gently on the moon). 5. A landscape photo of a large orange harvest moon rising over silhouetted mountains and city lights at dusk. Text overlay: "山河远阔 / 人间烟火 / 皆是团圆" (Vast mountains and rivers / human warmth / all are reunions). Right Column (Top to Bottom): 6. A traditional Chinese ink wash painting style showing misty mountains, a small boat with a figure, and a red sun/moon. Vertical text: "但愿人长久 / 千里共婵娟" (May we live long and share the beauty of the moon). 7. A warm-toned photograph of a baked mooncake on a ceramic plate, illuminated by dappled sunlight shadows through leaves. Vertical text: "时光有味 / 月饼知秋" (Time has flavor / Mooncakes know autumn). 8. A moody, dark red interior shot featuring a traditional wooden lattice window casting intricate shadows. Large white text: "中秋" (Mid-Autumn) with smaller text below. 9. A soft lavender/purple gradient background with two glowing spherical lanterns hanging down. Text: "灯火映圆月 / 万家皆可期" (Lights reflect the round moon / every home has hope). 10. A macro shot of incense smoke curling upwards from a bronze burner against a black background. White text: "中秋不止一日 / 而是长久的惦念" (Mid-Autumn is not just one day / but a lasting thought). Ensure all typography is elegant, serif-style Chinese characters mixed with small sans-serif English subtitles.

主题方向：东方禅意极简封面海报 风格分支：明亮通透型 主体内容：一位古风少年旅人站在浅色长阶中段，微微侧身，右手轻持一柄米色油纸伞 情绪母题：轻松、清朗、秋日明媚感 场景与意象：红枫叶、白色台阶、晴空蓝背景、少年、少量树影 构图与空间：9:16 竖版构图，长阶从下方向上延伸形成视觉引导，人物位于中下部，顶部保留大面积干净标题区 色彩控制：奶白作为高明度基底，枫叶朱红用于落叶和局部点睛，晴空蓝用于远景天空色块，人物服装用浅米白或淡青灰；避免全图脏黄滤镜化 光线与质感：明亮日光，边缘清晰，轻平面海报感，极轻纸面质感即可 画幅比例：9:16 补充要求：整体要明快、通透、有呼吸感，台阶结构要简洁高级，适合做高颜值封面

Ultra-detailed blue ballpoint pen illustration translated into monochrome black ink, dense cross-hatching and fine hatch shading, intricate biro sketch texture, obsessive linework, engraved contour rendering, hand-drawn pen illustration aesthetic, expressive organic strokes, editorial surreal composition, high-detail facial rendering, layered sketchbook construction lines, vintage technical scribbles and handwritten notes in pure white only over {argument name="background color" default="bold red background"}, white typographic annotations integrated into backdrop, underground zine poster aesthetic, raw imperfect ink marks, high-contrast black ink subject against vivid red field, experimental graphic design, avant-garde magazine cover style --ar 9:16 --stylize 750.

Create an Eastern ink-line character poster of {argument name="character name" default="Sun Wukong, the Monkey King"} standing heroically on a jagged mountain peak, facing left in a three-quarter profile. Use a mostly empty warm off-white rice-paper canvas with subtle fibrous texture and a minimalist Chinese brush-painting aesthetic. The figure should be recognizable but not realistic: a monkey-like face with sharp cheek lines, intense red-accented eyes, dark bristling fur around the head, and a slim athletic martial-arts silhouette. Dress the character in a loose flowing white robe with black ink folds, a red sash at the waist, and windblown ribbon streamers. He holds one long ornate staff diagonally across the body from upper left to lower right, with decorative gold-toned caps at both ends. Compose the poster with large negative space on the right and upper background; use black ink as the structural skeleton, restrained vermilion red for the scarf, eye accents, ribbons, and seal, and muted ink green for a few trailing cloth strokes and cloud-like motion lines. Add exactly one small red square seal stamp to the left of the character with the Chinese characters {argument name="seal text" default="大圣"}. Include exactly one main figure, one staff, one mountain peak, three long wind ribbons or cloth trails, several sparse cloud wisps drawn as thin broken ink lines, and no other characters. Make the brushwork expressive, dry-brush, calligraphic, asymmetrical, elegant, and dynamic, like a traditional East Asian ink wash poster with modern graphic restraint.

@创建图片 以主题核心文字或符号构成一枚超大、具有强烈笔触重量的主视觉锚点，让字形像垂直建筑般承担画面骨架，并与主体图像发生尺度对撞、遮叠和局部越界；将主题主体概括为夸张放大的平面轮廓，以刀刻般的反白线条、有限而有层次的色块和清晰的形体边界组织图像，让环境承托形态围绕主体形成前中后景关系，同时保留一处中央呼吸区；采用非对称构图，让高密度主形沿一侧边界形成强裁切，次主体跨越中轴并穿入留白，底部以较宽的承托形稳定视觉重量，阅读动线由高对比锚点经过图像事件自然下行至低位信息区；以深沉低饱和的主题色承担结构重量，以温暖近白打开空间，以同色系偏亮或偏暖的焦点色标记主题事件，以近黑文字建立最高阅读对比；让主题相关的手写、印章感或传统符号成为与主体并置的文化或情绪锚点，细小的标题、说明、诗句和署名作为低声部编辑注释，按文字系统适配字形结构，以尺度、疏密、横竖方向和权重形成主字骨架与辅字呼吸的多声部节奏，令文字主动穿插色块、图像和留白，形成克制、鲜明、具有叙事张力的编辑视觉。 主题：{argument name="主题" default="苏轼的一生"} 用途：{argument name="用途" default="课件ppt 封面"}。 一共10张图片 注意：不要有序列号和编码逻辑，获奖级别课件水平

Create a minimalist Japanese-inspired watercolor and ink collage still life on a vertical {argument name="canvas ratio" default="3:4"} canvas. Use a warm cream handmade washi-paper background with subtle fibers, stains, and light aging marks. Center the composition low-middle with lots of empty space. Depict exactly 14 discrete visible objects: 1 dark blue irregular trapezoid floating above the still life on the left, 1 horizontal black dry-brush ink stroke floating to its right, 1 open cream-paper book with rough torn page edges and fine gray page lines, 1 dark navy rectangular block behind the book, 1 long slate-gray horizontal slab beneath the book, 1 small white shallow bowl on the right, 3 rounded red fruits inside the bowl, 2 small dark blue leaf shapes behind the fruits, and 5 torn rectangular paper scraps along the bottom edge: an off-white torn scrap at far left, a pale mint square, a blue-gray vertical rectangle, a dark gray shadow-like rectangle, and a pale green rectangle at far right. Render everything in soft {argument name="art style" default="Japanese watercolor ink wash collage"}, with muted navy, slate gray, pale green, ivory, and deep red accents, gentle shadows, rough deckled edges, visible brush texture, and asymmetrical wabi-sabi balance. Keep the image quiet, airy, abstract, and handmade; no readable text, no frame, no photorealism, no extra objects.

Goal: Create a Mid-Autumn Festival mood board consisting of 10 distinct vertical panels arranged in a 2-column by 5-row grid. The style is elegant, serene, and culturally rich, blending high-quality photography with minimalist graphic design. Layout & Content Details: Row 1 Left: Close-up of golden osmanthus flowers against a dark background with a soft, glowing full moon behind them. Text overlay (vertical Chinese): "花好月圆" (Blooming flowers, full moon), smaller text: "人间至味是团圆", English: "MID-AUTUMN FESTIVAL". Row 1 Right: Traditional ink wash painting style. Misty mountains, a small boat on water, and a tiny orange sun/moon. Text overlay (vertical Chinese): "但愿人长久，千里共婵娟", English: "MID-AUTUMN FESTIVAL". Row 2 Left: Deep blue night sky background showing the phases of the moon in a horizontal row. Centered white text: "月亮走过的路，也是我们回家的路", English: "MID-AUTUMN FESTIVAL". Row 2 Right: A traditional baked mooncake on a rustic ceramic plate, illuminated by dappled sunlight/shadows from leaves. Vertical text right side: "时光有味，月饼知秋", English: "TASTE THE SEASON TASTE TOGETHER". Row 3 Left: Minimalist graphic design on cream paper texture. Two overlapping circles (one gold foil texture, one white) representing the moon and its reflection on water. Text left: "MID-AUTUMN FESTIVAL", text right (vertical Chinese): "一轮明月，照见心安". Row 3 Right: Moody red interior scene. Silhouette of a traditional wooden lattice window casting shadows on a wall. Large white text center-right: "中秋", smaller text below: "月下有人，家中有关". Row 4 Left: Soft green background featuring the back view of a fluffy white rabbit's head and ears looking upwards. White text left: "把思念轻轻放在月亮上", English: "TO THE ONES WE LOVE". Row 4 Right: Ethereal purple/lavender tone. Glowing paper lanterns hanging in the air. Text right: "MID-AUTUMN FESTIVAL", "灯火映满月，万家皆可期". Row 5 Left: Landscape photography at dusk. A large, bright full moon rising over silhouetted mountains and a town with city lights below. Text left: "山河远阔，人间烟火，皆是团圆", English: "UNDER THE SAME MOON". Row 5 Right: Dark, moody close-up of incense smoke curling upwards from a burner. Text right: "中秋不止一日，而是长久的惦念", English: "A LONGER KIND OF TOGETHERNESS". Visual Style: Cinematic lighting, shallow depth of field for photos, clean typography, harmonious color palette (gold, deep blue, cream, red, sage green, lavender).

Create a vertical editorial illustration inspired by the reference images, depicting a dense Japanese urban scene in a highly stylized navy-blue and warm ivory monochrome line-art aesthetic. Show a narrow Japanese city street viewed from an elevated perspective, with tall tightly packed buildings on both sides, layered storefronts, balconies, windows, hanging signs, Japanese typography, utility poles, tangled overhead power cables, street lamps, awnings, railings, bicycles, and small architectural details. The street should lead naturally into the distance, creating strong depth and perspective. Include several small pedestrians naturally walking through the scene—people carrying bags, checking phones, crossing the street, and walking in pairs. Keep them simplified but expressive, with clean silhouettes and minimal facial detail. Use deep indigo/navy ink for all outlines, shadows, signs, cables, windows, and architectural details, contrasted against a warm cream/off-white paper background. Strong graphic shadows and large solid navy areas should create a bold screen-print/poster effect. For the second scene, depict a Japanese railway station platform from a slightly elevated side perspective. Show detailed steel roof structures, beams, electrical cables, overhead signage, platform markings, tiled flooring, railway tracks, columns, railings, ticket-area structures, and several commuters waiting or walking while looking at their phones. Preserve the same visual language: precise architectural linework, simplified human figures, deep navy shadows, cream paper, and dense urban detail. Style: Japanese urban sketchbook + architectural ink illustration + vintage travel poster + screen printing + manga-inspired environmental linework, intricate hand-drawn details, clean perspective, bold negative space, slightly imperfect ink texture, sophisticated editorial composition, nostalgic analog print feel. Color palette: only deep navy blue, muted blue-gray, and warm ivory/cream. No bright colors. Composition: highly detailed, visually dense, balanced foreground/midground/background, strong vanishing points, cinematic framing, crisp linework, subtle paper grain, premium art-book illustration. Aspect ratio: 4:5 vertical.

Goal: Create a vertical Chinese literary metaphor concept poster about a river made of written language, titled {argument name="main title" default="《叙事》"}. The image should feel like a high-resolution ink-wash editorial poster, poetic, solemn, and philosophical. Canvas: Portrait 3:4 composition, muted gray-green rice-paper background with subtle grain, stains, and aged print texture. Monochrome black ink and misty gray tones, no bright colors. Layout: Place the large distressed Chinese title at the top center, with bold rough woodblock-print texture. Directly below it, set the centered subtitle {argument name="subtitle text" default="语言是穿过时间的唯一支流。"}. Around the upper and middle margins, add exactly 5 small poetic text blocks: 1 at upper left, 1 at upper right, 1 at lower left, 1 at middle right, and 1 at lower right, each in delicate vertical-feeling Chinese typography with a short horizontal divider line beneath or above. Scene: A vast traditional Chinese ink landscape fills the poster: towering dark cliffs on both sides, distant layered mountains fading into fog, a pale sun near the horizon, scattered pine trees, a tiny pavilion or house on a cliff, birds flying in a small flock, and thick mist drifting through the valley. A wide serpentine river flows from the far distance down to the foreground in an S-curve. Central metaphor: The river surface is not water; it is densely composed of countless Chinese characters, punctuation marks, and fragments of prose. The characters should follow the river current, becoming tiny and dense in the distance and huge, bold, broken, and scattered in the foreground. Make the typography look like it is flowing, eroding, and dissolving like sediment. Include larger readable words embedded in the river such as {argument name="foreground keywords" default="故事, 时间, 河流, 我们, 生活, 荒芜, 波浪"}. Add splashes and ink debris made of loose characters along the riverbanks. Human element: In the middle-lower river, place exactly 1 tiny lone boat with exactly 1 seated figure holding an oar, silhouetted in black, emphasizing scale and solitude. Small text blocks: Use these 5 visible poetic captions, arranged as described: upper left default text {argument name="upper left caption" default="文字是水，\n也是岸。\n我们在叙述中相遇，\n又在遗忘中重逢。"}; upper right text reads “所有的故事\n终将汇入一条河，\n而河流从不忘记\n它走过的每一个字。”; lower left text reads “有些字沉下去，\n有些字浮起来，\n而时间始终向前，\n像一条不回头的河。”; middle right text reads “一条河\n流过无数人的沉默，\n也流过我们\n共同的生存。”; lower right text reads “故事未完，\n河流仍在。” Visual style: Chinese shan shui landscape mixed with contemporary typographic poster design, lithograph and screen-print texture, distressed ink edges, layered fog, high detail, cinematic depth, balanced negative space, crisp legible title, naturally integrated Chinese characters in the river. Constraints: Use exactly 1 main title, 1 subtitle, 5 small caption blocks, 1 boat, and 1 person. Keep the design vertical, elegant, and poster-like. Do not add logos, watermarks, borders, modern buildings, color gradients, or extra Latin text.

Create a wide horizontal ukiyo-e inspired mythic landscape illustration in aged woodblock print style, with visible paper grain, muted ink texture, fine black linework, and a dusky palette of indigo mountains, misty gray-blue valleys, faded salmon pink sky, and soft cream highlights. In the center foreground place one young Greek poet or traveler, {argument name="character name" default="Orpheus"}, with curly dark hair, a laurel wreath, a worried backward glance, a red draped cloak over a pale tunic, and a small lyre held at his side. On the left, emerging from shadowy cliffs and mist, show one translucent ghostly woman in flowing white robes with long dark hair, reaching toward him with one hand, ethereal and partially faded into the fog. The scene contains exactly two flying cranes in the upper sky, one large pale sun near the upper right, one red torii gate on a distant mountaintop, and one winding pale stone path climbing from the lower right foreground through misty mountains toward the gate. Frame the upper left and lower left with dark cherry tree branches covered in pink blossoms, with many loose pink petals drifting diagonally across the whole composition. Add exactly two narrow vertical Japanese paper title plaques: one at the upper left reading {argument name="left plaque text" default="冥より暁へ"}, and one at the right middle reading {argument name="right plaque text" default="音の道"} with a small red seal below the characters. Blend Japanese ukiyo-e composition with a subtle ancient Greek mythological subject, cinematic but flat-print, melancholic and dreamlike, no modern objects, no photorealism, no extra people, no extra birds, no watermark.

Goal: Create a vertical fine-art diptych poster that contrasts a realistic underwater river scene with a traditional Chinese-style ink rubbing interpretation of the same scene, inspired by cultural relic rubbings and quiet Eastern water aesthetics. Canvas: Portrait orientation, 3:4 ratio. Divide the image into 2 horizontal panels: the top panel occupies about 45% of the canvas and is a vivid underwater photograph-like scene; the bottom panel occupies about 55% and is an aged ivory paper artwork. Top panel: Show a clear shallow river viewed from underwater, with rippling water surface across the top, turquoise-blue sunlight beams, sandy and rocky riverbed, and aquatic vegetation. Include exactly 5 visible fish: 3 larger silver fish swimming left-to-right across the middle-left, 1 small dark fish near the center-right, and 1 medium fish near the lower-right. Add several rooted aquatic plants, including 3 prominent plant clusters in the foreground, with soft caustic light and natural depth haze. The mood should feel calm, transparent, ancient, and poetic. Bottom panel: Reinterpret the same scene as a sparse black ink rubbing on warm handmade paper. Use rough, broken, stamped textures like stone-rubbing or bronze-inscription transfer marks, not smooth brush painting. Include exactly 4 fish rubbing silhouettes across the upper half: 2 larger fish on the left, 1 smaller fish near the center, and 1 small fish on the right. Include exactly 3 main aquatic plant rubbing clusters along the lower half, with irregular stems, speckled ink gaps, and distressed edges. Text content on the lower-left of the paper panel: Set small refined serif text in dark gray. Include the title {argument name="title text" default="Clear Current"}, then the short poem {argument name="poem text" default="Rivers hold\nwhat time forgets."}. Beneath a thin vertical divider line, add {argument name="series text" default="Eastern Waters\nInk Rubbing\nNo.27"}. Add a small square red seal stamp below the text. Visual style: Elegant museum-poster composition, minimal and contemplative. The top is cinematic underwater realism with teal, cyan, and deep shadow tones; the bottom is monochrome black ink on cream rice paper with subtle grain, stains, and natural fiber texture. Strong contrast between living water above and archaeological ink impression below. Constraints: Keep the two panels cleanly separated by a straight horizontal boundary. Do not add extra fish beyond the specified counts. Avoid modern UI elements, frames, captions outside the lower-left text block, or decorative borders. Maintain a quiet Chinese antiquarian aesthetic, as if a river ecosystem has been transformed into a cultural relic rubbing.

Create ONE refined PHOTO + MINIMAL INK VIGNETTE artwork based ONLY on the uploaded photograph. FORMAT: Vertical 3:4. ### TOP — ORIGINAL PHOTO Use approximately the upper 48–50% for the original photograph. Preserve the photo faithfully and photorealistically. Do not redraw, beautify, replace, remove, duplicate, or invent important elements. Preserve: - people, animals, faces, clothing, poses and gestures - food and objects - buildings and environment - perspective, lighting, colors and atmosphere Only crop or scale proportionally when necessary. ### BOTTOM — MINIMAL INK VIGNETTE Use a warm ivory / natural off-white paper background. Study THIS photograph independently and identify the ONE main visual subject or small group that best represents the moment. Illustrate only what matters. Remove roughly 70–90% of unnecessary background detail. Recognition should come mainly from: silhouette + shape + color + pose + 1–3 distinctive details. Keep the illustration relatively small with generous negative space. ### STYLE Vintage editorial / classic printed vignette. Use: - thin controlled dark-ink outlines - slightly imperfect hand-drawn contours - simple geometric forms - restrained flat colors - subtle tonal variation - minimal texture - soft grounding shadow - clean shape separation Keep it charming, graphic, tidy, nostalgic and understated. Use fewer strokes than a detailed sketch. Avoid: photorealistic illustration, watercolor, painterly brushwork, dense sketching, cross-hatching, excessive outlines, comic-book style, anime/chibi, 3D rendering, vector-perfect geometry, or unnecessary tiny details. ### TITLE + CAPTION Above the illustration, create: ONE short editorial title: approximately 2–4 words, inspired specifically by the photograph. ONE micro-caption: approximately 3–8 words, natural and understated. Never use generic titles such as “Beautiful Moment,” “Sweet Memories,” or “Wonderful Day.” If a recognizable place, landmark, food, brand, event, or subject is clearly visible, its real name may be used. Never guess. ### INDEX Add a tiny bottom-right label based on the main subject: - Food/drink → PLATE NO. 01 - Animal → PORTRAIT NO. 01 - Person/group → MOMENT NO. 01 - Place/architecture/landscape → VIEW NO. 01 - Object/miscellaneous → STUDY NO. 01 For a person + pet, normally use MOMENT NO. 01. ### FINAL FEEL A beautifully curated personal visual archive: REAL PHOTOGRAPH ABOVE + SIMPLIFIED MEMORY BELOW + SHORT EDITORIAL TITLE + TINY HUMAN CAPTION + ADAPTIVE INDEX Quiet, minimal, collectible, elegant, and consistent. IMPORTANT: Analyze every uploaded photograph independently. Never carry over subjects, objects, locations, colors, captions, or details from previous images.

主题方向：东方禅意极简封面海报 风格分支：女性审美柔亮型 主体内容：一位古风女子坐在极简秋千上，轻轻侧头看向一旁花枝 情绪母题：温柔、轻甜、春日松弛感 场景与意象：浅色花架、少量梨花、嫩叶、秋千、女子 构图与空间：9:16 竖版构图，秋千位于下半部分偏中，花架从上方向下轻轻延展，顶部保留浅色留白区 色彩控制：梨花白作为整体高明度基底，嫩叶绿用于叶片和花架局部植物，蜜桃粉只用于少量花朵点睛，人物服装建议浅白或浅杏粉；避免整图粉绿化 光线与质感：柔亮日光，边缘清晰，干净平面封面感，极轻纸面质感 画幅比例：9:16 补充要求：画面要轻盈、浪漫但不甜腻，秋千结构简洁，适合女性向高颜值封面，画面留白处配上合适的文字

黄初三年，余朝京师，还济洛川。古人有言，斯水之神，名曰宓妃。感宋玉对楚王神女之事，遂作斯赋。其辞曰： 　　余从京域，言归东藩。背伊阙，越轘辕，经通谷，陵景山。日既西倾，车殆马烦。尔乃税驾乎蘅皋，秣驷乎芝田，容与乎阳林，流眄乎洛川。于是精移神骇，忽焉思散。俯则末察，仰以殊观，睹一丽人，于岩之畔。乃援御者而告之曰：“尔有觌于彼者乎？彼何人斯？若此之艳也！”御者对曰：“臣闻河洛之神，名曰宓妃。然则君王所见，无乃日乎？其状若何？臣愿闻之。” 　　余告之曰：“其形也，翩若惊鸿，婉若游龙。荣曜秋菊，华茂春松。仿佛兮若轻云之蔽月，飘摇兮若流风之回雪。远而望之，皎若太阳升朝霞；迫而察之，灼若芙蕖出渌波。秾纤得衷，修短合度。肩若削成，腰如约素。延颈秀项，皓质呈露。芳泽无加，铅华弗御。云髻峨峨，修眉联娟。丹唇外朗，皓齿内鲜，明眸善睐，靥辅承权。瑰姿艳逸，仪静体闲。柔情绰态，媚于语言。奇服旷世，骨像应图。披罗衣之璀粲兮，珥瑶碧之华琚。戴金翠之首饰，缀明珠以耀躯。践远游之文履，曳雾绡之轻裾。微幽兰之芳蔼兮，步踟蹰于山隅。 　　于是忽焉纵体，以遨以嬉。左倚采旄，右荫桂旗。壤皓腕于神浒兮，采湍濑之玄芝。余情悦其淑美兮，心振荡而不怡。无良媒以接欢兮，托微波而通辞。愿诚素之先达兮，解玉佩以要之。嗟佳人之信修，羌习礼而明诗。抗琼［王弟］以和予兮，指潜渊而为期。执眷眷之款实兮，惧斯灵之我欺。感交甫之弃言兮，怅犹豫而狐疑。收和颜而静志兮，申礼防以自持。 　　于是洛灵感焉，徙倚彷徨，神光离合，乍阴乍阳。竦轻躯以鹤立，若将飞而未翔。践椒涂之郁烈，步蘅薄而流芳。超长吟以永慕兮，声哀厉而弥长。 　　尔乃众灵杂遢，命俦啸侣，或戏清流，或翔神渚，或采明珠，或拾翠羽。从南湘之二妃，携汉滨之游女。叹匏瓜之无匹兮，咏牵牛之独处。扬轻袿之猗靡兮，翳修袖以延伫。休迅飞凫，飘忽若神，陵波微步，罗袜生尘。动无常则，若危若安。进止难期，若往若还。转眄流精，光润玉颜。含辞未吐，气若幽兰。华容婀娜，令我忘餐。 　　于是屏翳收风，川后静波。冯夷鸣鼓，女娲清歌。腾文鱼以警乘，鸣玉鸾以偕逝。六龙俨其齐首，载云车之容裔，鲸鲵踊而夹毂，水禽翔而为卫。 　　于是越北沚。过南冈，纡素领，回清阳，动朱唇以徐言，陈交接之大纲。恨人神之道殊兮，怨盛年之莫当。抗罗袂以掩涕兮，泪流襟之浪浪。悼良会之永绝兮。哀一逝而异乡。无微情以效爱兮，献江南之明。虽潜处于太阳，长寄心于君王。忽不悟其所舍，怅神宵而蔽光。 　　于是背下陵高，足往神留，遗情想像，顾望怀愁。冀灵体之复形，御轻舟而上溯。浮长川而忘返，思绵绵督。夜耿耿而不寐，沾繁霜而至曙。命仆夫而就驾，吾将归乎东路。揽騑辔以抗策，怅盘桓而不能去。

Create a wide cinematic 16:9 Japanese ukiyo-e inspired illustration of {argument name="character name" default="a young woman in Kyoto"} standing on a wooden temple veranda, shown from the waist up in a three-quarter back pose while looking over her shoulder toward the viewer. She has {argument name="hair color" default="dark brown-black"} hair tied in a high loose ponytail with wispy bangs, delicate floral kanzashi ornaments, ribbons, soft pale skin, subtle peach makeup, and a calm wistful expression. Dress her in an ornate cream and red floral kimono with blue, gold, and coral sakura patterns, a large layered obi bow at the back, rich brocade textures, and fine linework. The background is springtime Kyoto: a river canal with reflections, a traditional bridge with tiny pedestrians, wooden machiya houses, temple roofs, a five-story pagoda, distant blue-gray mountains, and dense cherry blossoms with falling petals. Add a wooden building edge and hanging lantern on the right; on the wall include vertical Japanese calligraphy reading {argument name="calligraphy text" default="京都"} with a small red seal. Include one decorative vertical textile border on the far left containing repeated Japanese motifs: cherry blossoms, fan patterns, blue wave shapes, red-and-gold brocade panels, and gold cloud forms. Use an antique paper texture, muted parchment background, gold leaf accents, delicate ink outlines, watercolor wash, and high-detail vintage print aesthetics. Adjust contrast and saturation so the image is not too pale: warm cream highlights, deep indigo shadows, saturated red-gold kimono accents, and crisp facial detail. Composition should place the woman slightly right of center, with the pagoda and bridge visible to the left, creating depth and a romantic travel-poster mood. No modern objects, no extra text besides the calligraphy and seal, no watermark.

主题方向：东方禅意极简插画 风格分支：女性审美明快型 主体内容：{argument name="主体内容" default="一位手持圆形团扇的古风女子站在白墙竹影前"} 情绪母题：轻盈、明媚、夏日风感 场景与意象：圆形团扇、{argument name="花影颜色" default="西柚粉"}花影、青竹绿竹影、白墙、女子 构图与空间：9:16 竖版构图，人物位于下方偏一侧，圆扇靠近视觉中心，顶部与另一侧保留整洁留白 色彩控制：奶油白作为背景基底，青竹绿用于竹影和少量植物，西柚粉用于花影和扇面点睛，人物服装用浅白或浅粉；避免红绿过满和全图粉绿滤镜化 光线与质感：明亮柔光，边缘清晰，画面干净清爽，现代东方插画感 画幅比例：9:16 补充要求：整体要轻快、鲜活、女性审美强，适合小红书高颜值封面

Create a clean anime production setting illustration of a {argument name="fish species" default="Japanese sea bass"} in full left-facing side profile, centered horizontally on a deep navy blue background. The fish should be long and realistic but stylized like a hand-painted animation reference sheet, with a dark bluish-gray back, silver-white belly, visible overlapping scales, a pale lateral line, large golden eye, defined gill plates, and crisp ink outlines. Show exactly 7 visible fins: one spiny dorsal fin near the front of the back, one soft dorsal fin behind it, one large forked tail fin, one pectoral fin on the visible side, one pelvic fin underneath near the head, one anal fin underneath near the rear, and a small lower fin edge partially visible behind the body. Add a thin fishing line entering from the left into the fish’s mouth and a small metallic lure or hook rig positioned inside the open mouth so that the hook appears caught in the mouth, not floating outside; keep the lure subtle and partially hidden by the lips. Use detailed fin rays, delicate scale texture, muted natural colors, soft cel-shading, and a polished concept-art look. No labels, no extra objects, no watermark, no border.

Create a vertical 2:3 portrait illustration in a luxurious Japanese maki-e lacquerware aesthetic, using only deep matte black and metallic antique gold. Depict {argument name="character name" default="an elegant young male flutist"} in three-quarter view from mid-thigh up, standing calmly while playing a black transverse bamboo flute held horizontally to his lips. He has {argument name="hair color" default="long flowing golden-blond hair"}, loose layered bangs, a low ponytail over one shoulder, refined sharp facial features, downcast eyes, and a serene melancholy expression. Dress him in a formal traditional Japanese kimono ensemble: a black outer robe with wide sleeves, gold linework, layered inner kimono with subtle geometric patterns, an obi sash, and a small fan tucked at the waist. Add ornate gold maki-e decoration across the robe and background: exactly 2 large chrysanthemum flower motifs, one on the lower left sleeve hem and one on the lower right background, plus multiple drifting clusters of tiny gold blossoms and speckled gold dust resembling clouds. Include delicate Japanese garden fence and tall grass line art near the lower edges. The composition should feel like an elegant traditional performing arts poster, with intricate engraved manga-style linework, fine hatching, shimmering gold leaf texture, high contrast black negative space, no modern objects, no text, no border, and no watermark.

Create a vertical digital illustration of an opulent, fantastical scene blending traditional East Asian aesthetics with dark fantasy elements. The composition is dense and chaotic, featuring a large black lacquered folding screen in the background adorned with intricate gold dragon embroidery. Surrounding the screen are numerous glowing paper lanterns suspended from above, casting a warm light amidst a shower of falling pink cherry blossom petals. In the foreground, a massive, out-of-focus spherical object decorated with gold floral patterns and red accents dominates the lower left corner. To the right, long flowing strands of vibrant pink hair cascade down, belonging to a figure whose bare feet are visible resting on a highly reflective, glossy black floor scattered with red rose petals and golden debris. A large calligraphy brush drips black ink into the air near the top right. The overall atmosphere is luxurious yet slightly ominous, characterized by high contrast between the deep blacks, bright golds, and soft pinks.

Goal: Create a richly detailed ancient Chinese ink-and-wash strategic visualization map of {argument name="battle name" default="赤壁之战"}, showing the Battle of Red Cliffs as a historical military map with painterly mountains, rivers, fleets, arrows, burning ships, labeled cities, and parchment texture. Canvas: Horizontal 4:3 map poster, aged tan rice-paper background with darkened worn edges, decorative corner border ornaments, ink stains, faded seals, and a hand-painted Song/Ming dynasty atlas aesthetic. Use a slightly elevated bird’s-eye view with the Yangtze River as the dominant blue waterway cutting across the center. Main title area: Place a huge black-and-dark-red Chinese brush-calligraphy title in the upper left reading {argument name="main title" default="赤壁之战"}. Beneath it, add a dark red banner subtitle reading {argument name="subtitle" default="孙刘联军 vs 曹操"}. Add a small supporting line below in fine Chinese type: “天下大势 · 江河为战 · 火映赤壁 · 三国鼎立”. Map geography and labels: Show exactly 11 major geographic/place labels in Chinese across the map: 1) 武陵 on the left-central mountains, 2) 巴丘 lower left of the river, 3) 长江 written large on the central river, 4) 南郡（今江陵）upper center-right, 5) 荆州 upper right, 6) 江夏（今武昌）right of river, 7) 夏口（今汉口）far right river bend, 8) 东吴 far right, 9) 赤壁（今赤壁市）near the central fire battle, 10) 乌林（曹军大败之地）below Red Cliffs, 11) 柴桑 lower right. Include misty mountain ranges, watchtowers, walled towns, small villages, docks, and forested islands. Battle layout: Depict exactly 2 opposing forces. The northern/upper force is Cao Cao’s army, colored blue, with a blue vertical banner “曹” and a label “曹操军 约二十余万”; show blue infantry ranks and fleets moving south along the river. The southern/lower-right force is the Sun–Liu allied army, colored red, with a large red banner “孙” and label “孙刘联军 约五六万”; show red infantry ranks and warships launching the attack. Use dramatic red fire arrows and burning ships at the central river near Red Cliffs. Add the key action label “黄盖火攻” in red near the flames, and label the blue fleet formation “曹军水军布阵（以铁链连船）”. Movement arrows: Include exactly 4 arrow systems: 1) blue dashed arrows descending from the north labeled “曹操南下 顺江而下”, 2) red attack arrows curving from the southeast toward the burning fleet labeled “黄盖火攻”, 3) green dashed retreat arrows running west/southwest labeled “曹军大败 向华容道撤退” and “至华容道（曹军败退）”, 4) red reinforcement arrows from the far right labeled “来自江上游（孙刘联军会师）” and “至柴桑（朱吴后方）”. Inset information panel: In the upper right, add a parchment-framed rectangular inset with a small monochrome river battle illustration and exactly 4 Chinese text lines: 1) “时间：建安十三年（208年）”, 2) “关键看点：火攻、联军、长江水战”, 3) “曹操南下，意图一统江南；”, 4) “孙刘联手于赤壁以火攻破敌，曹军大败，三国鼎立之势由此形成。” Add a small red seal marked “三国”. Legend and scale: In the lower right, create a framed legend titled “图例” with exactly 6 legend items: 1) blue dashed arrow “进军路线（曹操军）”, 2) red arrow “火攻方向（孙刘联军）”, 3) green dashed arrow “败退路线（曹操军）”, 4) blue boat icon “曹操军战船”, 5) red boat icon “孙刘联军战船”, 6) flame icon “火攻地点”. Include a simple scale bar marked 0, 25, 50, 100 里 and a compass rose labeled 北. Foreground atmosphere: Along the bottom edge, add a dark silhouetted battlefield foreground with wooden watchtowers, banners, spears, soldiers, smoky mist, and a broken black war flag bearing the phrase “一分天下 始于此战”. Visual style: Classical Chinese shanshui map painting mixed with modern infographic clarity; sepia parchment, muted teal-blue river, black ink mountains, red and blue army color coding, delicate Chinese typography, dramatic but readable. Use dense historical detail but keep all labels legible and map symbols consistent. No photorealism, no modern objects, no watermark.

Goal: Create a cinematic character concept sheet for an elderly Buddhist monk in an ancient East Asian mural style, showing exactly 2 depictions of the same character: 1 full-body standing view on the left-center and 1 larger three-quarter bust/waist-up portrait on the right. Canvas: Wide horizontal 16:9 composition, aged parchment background, muted tan and ochre palette, no modern frame, no text. Subject details: The character is {argument name="character description" default="an elderly bald Buddhist monk with a gaunt face, worried eyes, wrinkled skin, and six small circular burn scars on his scalp"}. He wears {argument name="robe colors" default="weathered rust-brown, beige, and gray layered robes"} with ragged hems, visible patchwork repairs, frayed fabric edges, and a rope belt. Accessories must include exactly 4 visible items on the belt or hands: 1 long dark prayer-bead mala hanging from the hands, 1 small tan drawstring pouch, 1 short dagger or ritual knife in a sheath, and 1 hanging cord/tassel. The full-body figure stands humbly with hands clasped around the beads, worn cloth shoes, and a slightly stooped posture. The larger right portrait shows the same monk looking left with a solemn, haunted expression, emphasizing realistic facial anatomy, fine wrinkles, hollow cheeks, and the patched robe shoulder. Background and setting: Ancient wall-painting backdrop with faded ink-wash mountains, misty valleys, and pale rivers. Include exactly 3 major background motifs: 1 faded seated Buddha or bodhisattva figure with a halo on the far left, 1 central distant mountain-and-river landscape, and 1 partial red-and-blue circular decorative mural element on the far right. Make all background motifs distressed and partially erased, as if painted on old temple plaster. Visual style: {argument name="art style" default="high-end historical fantasy concept art mixed with Dunhuang cave mural, ink wash, and weathered parchment texture"}. Use delicate linework, subtle watercolor shading, muted mineral pigments, cracked plaster stains, worn edges, and painterly realism. Keep the mood contemplative, sacred, and melancholic. Constraints: No captions, no logos, no watermark, no extra characters beyond the 2 monk depictions and the faded Buddha motif. Maintain historically inspired robes and props, avoid bright saturated colors, avoid clean digital plastic rendering.

Goal: Create a realistic vertical smartphone screenshot of a ChatGPT conversation showing an AI-generated Chinese history infographic about {argument name="topic" default="安史之乱"}. Canvas: 576 × 1024 portrait phone screen, clean white iOS-style interface, high-resolution screenshot look with soft shadows and rounded UI elements. Top status and navigation: Show the iPhone status bar with exactly 5 visible status items: time “8:47”, a small user/person icon, black Dynamic Island with one tiny orange dot, cellular/Wi‑Fi indicators, and a battery badge reading “16”. Below it, show exactly 3 floating navigation controls: a left circular hamburger/menu button with a small blue notification dot, a right rounded pill containing an edit/compose icon, and a three-dot menu icon. Chat layout: On the right side near the top, place one light-blue user message bubble containing exactly this Chinese text: “生成图片：全面讲一讲\n安史之乱”. Beneath it, show one generated image card with rounded corners. Add exactly 2 small action icons under the card on the left: a share/upload icon and an ellipsis icon. Add one white circular share button overlay at the lower-right corner of the generated image card. Generated image card content: The card is a dense, horizontal Chinese educational infographic poster about the An Lushan Rebellion. Use an antique parchment and ink-wash historical style with dark red section headers, beige paper background, weathered borders, and a dramatic top banner painting of a burning Tang dynasty city, smoke, soldiers, banners, and a dark horse silhouette. Large brush-calligraphy title at upper left: “安史之乱”. Include a smaller subtitle about the major turning point of the Tang dynasty from prosperity to decline. Keep all infographic text in Chinese and make it appear mostly legible. Infographic sections: Use exactly 9 visible content sections in the poster: 1) “什么是安史之乱?” explanatory text block, 2) “主要人物” row with exactly 5 illustrated portrait figures labeled An Lushan, Shi Siming, Tang Xuanzong, Tang Suzong, and Yang Guifei, 3) “叛乱的原因” list with exactly 4 numbered causes, 4) “叛乱的过程” vertical timeline with exactly 6 dated milestones, 5) a central “叛乱形势图” map of Tang China with red and black arrows showing rebel and imperial movements, 6) “重要战役与事件” column with exactly 4 thumbnail battle/event images, 7) “叛乱的影响” block with exactly 4 icon-and-text impact items, 8) “历史意义” block with exactly 3 icon-and-text meaning items, and 9) “后世评价” block with exactly 3 quote cards. Add a bottom slogan line in Chinese resembling “以史为鉴，方知兴替。” with a small grayscale battlefield silhouette along the bottom edge. Bottom input bar: At the bottom of the phone screenshot, show the ChatGPT message composer as one rounded white pill with exactly 4 elements: a plus icon, gray placeholder text “询问 ChatGPT”, a microphone icon, and a blue circular voice-wave button. Visual style: Modern ChatGPT mobile UI combined with a richly detailed Chinese history infographic. The screenshot should feel like an authentic mobile app capture, with white margins, subtle drop shadows, rounded corners, and no external watermark. Constraints: Do not add extra chat messages. Keep the infographic fully contained inside the rounded image card. Preserve the visible Chinese text where specified. Use accurate Tang dynasty historical visual motifs and avoid fantasy elements.

极简东方 × 宋式美学 × 古风 Editorial × 独立艺术封面 人物：白娘子、小青。 白娘子：画面右侧，微微侧身望向远处，神态沉静温婉；月白宋式长裙，简洁发髻，少量白玉饰。 小青：画面左侧，稍靠前半步，身体朝向白娘子并回眸看她，神态灵动自然；浅青宋式长裙，简洁发髻，少量青玉饰。 场景：{argument name="场景" default="极简江南水岸，盛夏时节，仅保留浅水、远山与一处简洁临水台阶，背景干净。"} 画面：人物位于中下部，左右错落，大面积留白；低饱和月白与浅青，自然夏日光线，柔和景深，背景轻微虚化；真实摄影质感，真实肤质与自然材质，低信息密度，干净克制，避免过度锐化、磨皮、颗粒与AI精修感。 文字设计：主标题「{argument name="主标题" default="白娘子 · 小青"}」，搭配一句短诗「{argument name="短诗" default="山色空蒙雨亦奇"}」；极简东方排版，小字号、细字体，融入留白，不添加英文、印章或其他装饰文字。 画幅：9:16竖幅。 画面左下签名“● DeepBlue”，●为纯 #0B3D91 深蓝色，DeepBlue 为白色自然手写体。

Create a humorous traditional Japanese ink-and-wash calligraphy poster on aged parchment paper. The composition is a wide horizontal ukiyo-e/sumi-e style artwork with a warm beige, stained washi texture background, black brush ink, muted red seals, and subtle gray mountain washes. On the left foreground, show a bald laughing monk in dark robes sitting on the ground, holding a large calligraphy brush raised high in his right hand and steadying a long blank scroll that curls across the bottom. Beside him sits one fluffy white cat with closed eyes and a content smile. Behind them, paint a bonsai-like pine tree, a large muted red sun, distant Mount Fuji, misty clouds, rocky hills, and small pagoda silhouettes at the far right. Fill the upper and central area with many vertical columns of playful handwritten Japanese-style kana calligraphy, imperfect and organic like wet brush strokes, evoking a silly chant rather than readable formal prose. Include exactly one tall red-outlined title seal at the upper right containing large black kanji text {argument name="title seal text" default="寿限無"}. Add exactly three small red square artist seals: one beneath the title seal, one near a small vertical inscription on the right, and one beside the monk’s signature at lower left. Include exactly two small side inscriptions: at lower left, vertical black text {argument name="monk signature" default="長命万歳"}; at mid-right, a small vertical proverb-like note {argument name="side inscription" default="名は長くとも 人の縁は短し だからこそ大切に"}. The main calligraphy should be arranged in about eleven vertical columns from right to left, using the default chant text {argument name="main calligraphy chant" default="じゅげむ じゅげむ ごこうのすりきれ かいじゃりすいぎょの すいぎょうまつ うんらいまつ ふうらいまつ ところにすむところ やぶらこうじの ぶらこうじ ぱいぽぱいぽ しゅーりんがん ぐーりんだいの ぽんぽこぴーの ぽんぽこなーの ちょうきゅうめいのちょうすけ"}. Make the brushwork expressive, slightly uneven, and intentionally imperfect; preserve ample negative space around the calligraphy; no modern typography, no digital UI, no English text, no photorealism.