Prompts de Vídeo para Landscape Nature

Global Parameters: Character: Young woman, dark hair with white headband, white acrobatic bodysuit with a trailing sheer skirt/cape. Camera Style: Continuous, fast-paced 3rd-person tracking shots (mostly trailing from behind). Seamless match-cut transitions between environments. Color Palette: High-contrast fantasy hues, leaning heavily into pastel pinks, purples, and warm sunset golds. Audio: Fast-paced, whimsical orchestral score (Alice in Wonderland style). Heavy use of wind swooshes, light magical chimes, and rapid footsteps. Timestamped Sequence Breakdown 00:00 - 00:04 | The Palace & Spires Action: Close-up of character's face with elaborate makeup and jeweled nails. She turns and sprints through a gilded, chandelier-lit palace room. She leaps through stained-glass doors. Transition: Match cut mid-leap to her jumping between two massive gothic cathedral spires adorned with giant pink bows. Lighting: Warm, hazy sunset. 00:04 - 00:08 | Cathedral Descent Action: Trailing tracking shot. Character sprints rapidly down the steep, dark slate roof of the cathedral and leaps into the abyss. Audio: Loud wind rushing sound. 00:08 - 00:13 | The Victorian Carnival Action: Character lands seamlessly in a pastel, 18th-century street fair. She parkours over a moving horse-drawn carriage and weaves through a crowd of people in period dress and animal-headed characters (white rabbits). Camera: Low-angle tracking shot, highly kinetic. 00:13 - 00:16 | The Watch Garden Action: Character leaps through an archway framed by giant pocket watches draped in pink ribbons. She sprints through a dense, vibrant field of pink and yellow tulips. Camera: Camera pushes aggressively through the flower petals, staying close behind her. 00:16 - 00:20 | The Water Dungeon Action: Seamless transition into a dark, stone aquatic dungeon. She runs along a massive metal pipe and leaps onto a swinging, boat-like chandelier structure. Lighting: Dark, cool teal shadows with warm lantern highlights. 00:20 - 00:24 | The Cloud Walkway Action: She vaults out of a dark window, landing on a stone bridge high in the clouds. She sprints past giant, surreal rabbit/clockwork guards and leaps toward a massive clock tower decorated with a pink bow. Camera: Tracking forward, floating above the clouds. 00:24 - 00:30 | The Fantasy Kingdom Action: She parkours up the edge of the clock tower's blue roof. Camera: Dramatic, rapid pull-back to a sweeping wide aerial shot. Environment: A magical kingdom at sunset with a winding river, pastel-colored Victorian buildings, hot air balloons, airships, and a central glowing castle.

Create a 30-second ultra-photorealistic early-1980s French countryside documentary, shot on vintage Kodak 16mm. It must look like genuinely forgotten archival footage discovered decades later—not modern footage with a vintage filter. STYLE: Faded warm Kodak colors, organic 16mm grain, subtle light leaks, soft highlight bloom, slight gate weave, exposure fluctuations, natural motion blur, imperfect focus, realistic skin texture and period-authentic optical imperfections. Warm golden afternoon sunlight. No digital sharpness, AI smoothness, glossy cinematic grading or commercial polish. CAMERA: Shoulder-mounted handheld 16mm documentary camera operated by a real human. Subtle shake, imperfect framing, focus hunting, natural camera lag, occasional reframing and slight exposure breathing. Observational and spontaneous. Nobody acknowledges the camera. 0–5s: A slim, naturally beautiful blonde European woman in her early 20s walks through a quiet cobblestone street in a small French village. She wears a simple beige linen midi dress and brown leather sandals, carrying a woven basket filled with flowers and bread. Her hair is loosely tied with flyaway strands. No makeup, no posing. She trails her fingers along old stone walls while glancing at flower-filled windows. Close handheld tracking shot. 5–10s: The camera falls slightly behind as she enters a cozy village square. A baker carries fresh baguettes, an elderly couple chats on a bench, colorful bicycles lean against ivy-covered buildings, and a small golden retriever crosses the camera path. The camera instinctively shifts to avoid the dog, creating an authentic human reaction. She continues walking naturally. 10–15s: Outside a tiny flower shop, a little girl accidentally drops a bouquet of wildflowers. The woman gently kneels, gathers the flowers and returns them with a soft spontaneous smile. The child smiles shyly and runs toward her mother. Completely unstaged; nobody looks at the camera. 15–20s: She continues through rustic stone streets with wooden shutters, laundry, flower boxes and small market stalls. A breeze moves her dress and hair. She pauses briefly at a bakery window, looking at fresh bread. The handheld camera drifts and corrects naturally. 20–25s: She leaves the village and walks toward a quiet overlook. The camera follows from behind as the scene opens into rolling green vineyards and distant hills beneath golden afternoon light. Birds cross the sky. 25–30s: At an old iron railing, she rests both hands and watches birds over the valley. Wind moves loose hair across her face; she tucks it behind her ear and smiles subtly. She walks away. The camera pauses, lets her become smaller in frame, then gently follows. CONTINUITY: Same woman, blonde hair, beige linen dress, basket and natural appearance throughout. Authentic early-1980s environment with no modern objects, clothing, cars or architecture. FINAL LOOK: True archival 16mm documentary realism, Kodak film grain, faded colors, realistic skin pores, organic exposure, subtle flicker, light leaks, gate weave, imperfect focus and authentic handheld motion. No AI beauty smoothing, plastic skin, excessive depth of field, slow motion or modern cinematic polish. ASPECT RATIO: 16:9

Create a 30-second short film in the same handcrafted miniature papercraft style as the reference image: folded-paper characters, visible fibers, tiny imperfections, soft natural light, shallow depth of field, gentle stop-motion movement, and cozy miniature environments. Keep the pace calm, curious, and magical. Use dialogue sparingly. Let natural ambience carry most scenes, with a soft piano and glockenspiel theme appearing only during discoveries and emotional moments. 15 shots: Morning. The boy ties his shoes beside the front door while rain taps the window. His mother hands him a tiny paper umbrella. "Looks like rain." Outside, he notices a little red balloon caught in a tree. A handwritten tag hangs from it: "Please bring me home." Curious piano notes begin as he frees the balloon. He walks through a misty vegetable market, balloon floating behind him. An old fruit seller points uphill. "I saw one like that yesterday." The boy cycles toward a quiet hill, followin

Keep the exact identity from @image1 locked throughout the entire video. Preserve the same face, hairstyle, skin tone, body proportions, clothing style, and natural expressions in every shot. Generate a 15-second ultra-photorealistic smartphone lifestyle vlog that feels like it was casually recorded on a real phone. Use authentic handheld movement, slight natural hand shake, realistic autofocus hunting, minor exposure adjustments, true smartphone stabilization, and natural lighting. No cinematic camera moves, no CGI look, no beauty filters, no slow motion, no text, no subtitles, no logos, and no watermarks. Scene 1 (0:00–0:02) Early morning outside a neighborhood bakery. She walks toward the entrance while holding a paper coffee cup, flips the camera to selfie mode, smiles naturally, and says, "Good morning!" Scene 2 (0:02–0:04) Inside the bakery, she records a display of fresh pastries before picking one, laughing softly as the camera briefly struggles to refocus. Scene 3 (0:04–0:06) She exits the shop and walks through a quiet tree-lined street, taking a sip of coffee while filming the peaceful surroundings. Scene 4 (0:06–0:08) She sits on a park bench, turns the camera toward birds, flowers, and people walking nearby, then smiles back at the lens. Scene 5 (0:08–0:10) At a small weekend street market, she casually browses handmade items, briefly holding one up to the camera before putting it back. Scene 6 (0:10–0:12) She walks beside a calm riverside path, filming the water, passing cyclists, and green scenery while enjoying the fresh air. Scene 7 (0:12–0:15) She stops near a scenic viewpoint, switches to selfie mode, gives a cheerful wave, smiles brightly, says, "See you next time!", then reaches toward the phone to naturally end the recording. Audio: Only authentic environmental sounds: birds, footsteps, light conversations, coffee shop ambience, distant traffic, bicycles passing, breeze through trees, water flowing, and natural city ambience. No background music, voice-over, captions, logos, or watermarks. The final result should look exactly like an authentic smartphone vlog recorded by a real person during a relaxing morning outing.

Ultra-realistic amateur forest creature sighting footage. Cheap handheld camera effect, low-quality visuals, unstable zoom, autofocus failure, heavy digital noise, compression artifacts, shaky framing, heavy breathing captured by the microphone, accidental overexposure between trees, raw mockumentary style. No polished cinematic quality. Only one invisible cameraman, a terrified hiker breathing heavily behind the lens. A massive Bigfoot-style woodland creature: tall and burly, covered in dark hair, human-like posture, heavy natural movements, never cartoonish. Dense forest daytime scene, uneven ground, wet fallen leaves, tree trunks, misty depth, broken branches, natural deep shadows. Authentic low-end camera texture, believable forest sound effects, realistic creature anatomy, limited but clear exposure, unstable autofocus, strong viral effect, natural motion, horror realism, no comedy, no digital polish. 0-5s: Shaky handheld POV - camera moves through the forest, loud breathing, branches hitting the lens. The cameraman whispers in French: "Attends… attends… c'est quoi ça là-bas?" The image struggles to focus between trees. 5-10s: Chaotic zoom - through the trees, a massive hairy creature looms in the distance, half-hidden behind a trunk. The cameraman mutters: "Non… non… c'est pas possible…" The creature slowly steps into a small patch of light. 10-15s: Unstable advance and panicked reframing - the Bigfoot creature turns toward the camera. Only one second of clear footage: massive shoulders, long arms, wet dark fur, heavy breathing. The cameraman gasps: "Oh mon Dieu…" 15-20s: Violent shaking, partial frame loss - the creature suddenly lets out a deep roar and takes two quick steps toward the camera. The cameraman panics, stumbles backward, and the camera falls toward the ground. The final frame captures the creature rushing through the woods before cutting to black.

Generate a [Total Duration] second, [Aspect Ratio] [Location/Theme] travel Vlog, with a total of [Number of Shots] shots, featuring the same [Character] throughout. Character Locking: [Face, Hairstyle, Body Type, Skin Tone, Makeup] consistent throughout. Fixed Styling: [Clothing, Shoes, Bags, Accessories]. Conditional Props: [Props] only appear in [Specified Scenes]. Unified Texture: [Lighting, Color, Phone/Camera Texture, Realism]. Editing Rhythm: Fast cuts, each shot completes one main action and one natural reaction. [Shot 01 | Start Time – End Time | Shot Purpose] Scene: [Location and Necessary Environment] Action: [One Main Action → One Natural Reaction] Camera: [Shot Size, Camera Position, Single Camera Movement] End State: [Character Position, Orientation, Props in Hand, and Emotion] [Continue subsequent shots in the same format] Sound: [Ambient Sound, Action Sound, and Music for each scene] Prohibited: [Face-swapping, outfit changes, extra characters, props disappearing without reason, excessive skin smoothing, studio feel, CGI feel] Final Frame: [Character action, expression, props, and background of the last frame]

【Style】Authentic Cycling Vlog, action cam + phone front camera + tracking shots, 4K Photorealistic, overcast soft light, sweaty skin with real pores, no beauty filters, vertical 9:16. 【Duration】30 seconds 【Scene】Winding mountain road after rain, wet asphalt with a shiny sheen, metal guardrails on the side, moving clouds and mist over distant mountains, water droplets on roadside plants. 【Character】Female cyclist, white road helmet, blue mirrored cycling glasses, dark grey short-sleeve cycling jersey (cityscape print on chest, full zipper, black action cam remote clipped below collar), burgundy cycling shorts (two white stitches on side seams), pink sports watch, black carbon fiber road bike, black deep-rim wheels. 【Glasses Rule】Glasses are worn only during full-speed riding shots (Shot 2, Shot 5, Shot 6); for parking and selfie shots (Shot 1, Shot 3, Shot 4, Shot 7, Shot 8), glasses must be perched on the helmet forehead, leaving the face and eyes fully exposed. 【Global Constraints】Same cycling kit and helmet throughout, no outfit changes; sweat volume increases over time, no regression; hands must always be on the handlebars or phone while moving, no 'third hand'; no other cyclists in the frame. [00:00-00:04] Shot 1: Ground-level Low Angle Start Extremely low angle near the ground, wet asphalt at the bottom edge. She is stopped by the roadside with one foot down, glasses on her helmet, face fully visible, looking down at the camera with a smile. Action: She raises both hands to pull the glasses down over her eyes, then hands return to the bars, foot clips into the pedal with a 'click', crank turns, chain engages, front wheel rolls through a small puddle, splashing water to the sides. The camera follows the wheel slightly. SFX: Pedal clipping, chain engaging, tire splashing. [00:04-00:08] Shot 2: Car-to-car Side Tracking Side tracking shot moving at the same speed, full body in frame. She lowers her torso, hands on the drops, back flat, knees pumping, blue mirrored glasses on. Background guardrails and misty mountains blur past. Detail: First layer of sweat on temples, a small dark sweat patch appearing on the back seam of the jersey. [00:08-00:12] Shot 3: Roadside Selfie (Front Camera Selfie POV) Phone front camera perspective, slight wide-angle distortion. She is stopped, one foot down, pushes glasses back to the helmet first, then holds the phone. Action: She grins at the camera, panting, says something, shoulders rising with breath. She turns the phone to show the curve and misty mountains, then back to her face. Detail: Sweat sheen on forehead and nose, eyes clearly visible, hair stuck to face by sweat. Realistic handheld shake and wind noise. [00:12-00:16] Shot 4: 360 Action Cam / Invisible Selfie Stick 360 action cam effect, slight fisheye, selfie stick invisible. She is still stopped, glasses on helmet. Camera orbits her and the bike 360 degrees. Visuals: Face/helmet top -> wet road/guardrail -> bike rear -> misty valley -> back to face. Action: She looks at the camera and makes a 'let's go' gesture. Detail: Fine sweat beads on arms, sweat stain inside the watch strap. [00:16-00:20] Shot 5: Uphill Breathing Close-up (Handheld Close-up / Uphill) Side close-up of face and shoulders. Steep incline, glasses back on, pedaling slow and heavy. Action: She stands up to climb (dancing on pedals), gripping bars tight, torso swaying, mouth open for air, neck veins visible. A drop of sweat slides from temple to jaw and is blown away. Detail: Jersey front and back soaked dark, helmet straps wet, slight fogging on the lower edge of the glasses. [00:20-00:23] Shot 6: Downhill POV (Handlebar POV / First-person) Handlebar-mounted camera. Shows black bars, tape, computer screen, and her hands. Action: Descending fast into a curve, leaning left, guardrails and trees flying by, splashing through a puddle. Fingers pull the brake levers, then release. SFX: Loud wind noise, high-speed vibration. [00:23-00:27] Shot 7: Wiping Sweat at Finish (Static Medium Shot) Static medium shot. She leans the bike on the guardrail, dismounts, takes off the helmet (glasses attached), and wipes her sweaty bangs back. Action: She drinks deeply from a water bottle, water spills from the corner of her mouth, she wipes her chin with the back of her hand and exhales deeply. Detail: Helmet hair, flushed face, pressure marks from glasses around eyes, sweat lines on neck and collarbone. [00:27-00:30] Shot 8: Ending Peace Sign (Low Angle Pull-back) Low angle looking up, helmet back on, glasses on forehead. She stands by the bike, one hand on the saddle, the other giving a peace sign, smiling while still panting. Misty valley behind her. Action: Camera slowly pulls back and down, she and the bike shrink into the lower third of the frame as mist rises behind her. SFX: Chain sounds, heavy breathing, wind noise, no music, ending with just wind and breath.

THE SNAIL EXPRESS { "title": "The Snail Express", "style": "3D Pixar family animation. Lush garden macro world, golden hour, action-comedy with slow-motion heroics against real-time chaos, vibrant and dynamic.", "shots": [ {"time":"00:00-00:03","type":"EXTREME CLOSE-UP","action":"Snail Shelldon ties a leaf-cape to his shell, blows a party whistle. Ladybug passenger buckles into a leaf-harness.","camera":"Macro, shallow depth of field.","dialogue":"Shelldon: 'All aboard the Express!' Ladybug: 'This is a terrible idea!'"}, {"time":"00:03-00:05","type":"WIDE","action":"Shelldon launches onto a garden hose. An ant pushing a pebble freezes in terror.","camera":"Static then rapid pan.","dialogue":"Ant: 'WRONG TRACK!'"}, {"time":"00:05-00:08","type":"TRACKING","action":"Shelldon glides in glorious slow-motion. Dewdrops hang in air. Ladybug screams joyfully.","camera":"360 bullet-time rotation around snail.","dialogue":"Ladybug: 'WE ARE GONNA DIE!' Shelldon: 'Keep all limbs inside the ride!'"}, {"time":"00:08-00:11","type":"WIDE","action":"Sprinkler activates ahead. Real-time water jets blast. Shelldon enters the water-arc tunnel in slow-mo.","camera":"Low angle, water silhouettes.","dialogue":"Ladybug: 'TUNNEL!'"}, {"time":"00:11-00:14","type":"CLOSE-UP","action":"Shelldon's determined face. Water droplets hit his shell, refracting rainbows.","camera":"Macro face close-up.","dialogue":"Shelldon: 'Choo... choo...'"}, {"time":"00:14-00:17","type":"WIDE","action":"Lawnmower roars to life in distance. Ants scatter in panic. Shelldon is still mid-crossing.","camera":"Rapid zoom out.","dialogue":"Ant Guard: 'CODE GREEN! CODE GREEN!'"}, {"time":"00:17-00:22","type":"TRACKING","action":"Lawnmower blades spin fast toward Shelldon. He inches forward heroically. Ladybug covers her eyes.","camera":"Low tracking shot, grass blurring.","dialogue":"Ladybug: 'I want my mommy!' Shelldon: 'Next stop: Destiny!'"}, {"time":"00:22-00:26","type":"WIDE SLOW-MO","action":"Lawnmower passes directly over Shelldon. Grass blades bend around him like a Moses moment. He emerges with a grass blade on his head like a trophy.","camera":"Under-slug angle through grass.","dialogue":"(triumphant orchestral hit)"}, {"time":"00:26-00:28","type":"CLOSE-UP","action":"Shelldon reaches the hose end. Ladybug kisses the dirt. Shelldon tips an imaginary hat.","camera":"Push-in.","dialogue":"Shelldon: 'Thank you for riding Snail Express.'"}, {"time":"00:28-00:30","type":"TITLE CARD","action":"Black screen. Title 'THE SNAIL EXPRESS' appears in bold colorful letters with a tiny leaf-cape fluttering.","camera":"Static.","dialogue":"(party whistle toot)"} ] }

30s One-Shot · Bamboo Forest Mechanical Temple Adventure [Reference Roles Locked] Character R1@6d127e1b-e58e-4a0b-8054-ab04cf09dd27: Follow the adult female character from the previous round, strictly maintaining the same face, deep brown long curly hair, red lipstick, bronze disc earrings, and mature temperament. Clothing R2@be683d06-0c2b-4fe0-b7ac-708c4b3b28d9: Add purple pointed high heels. This round @96b54c2a-268d-4f86-90e8-4733e5487589 serves only as scene reference: lock bamboo forest, shallow pool, traditional wooden temple, mossy stones, huge yellow industrial machinery, satellite antennas, exposed pipelines, cables, mechanical platforms, and natural morning mist. Prohibit extracting characters, text content, or fixed wide-angle compositions from @1. Character R1, Clothing R2, and Scene @1 must be integrated into the same real space, without appearing as character cutouts, green screen composites, or studio shoot effects. [Global Settings] **Film Goal:** 30-second, real-time speed, no-cut one-shot adventure film. A female explorer in white accidentally enters an ancient temple symbiotic with giant yellow machinery deep in a bamboo forest. She awakens a sleeping white mechanical guardian beast, and under its guidance, traverses the automatically activated ruins, eventually being actively chosen by the guardian beast to receive a golden mechanical seed. **Environment:** Fully reference the ecological mechanical ancient temple of @1. Giant yellow industrial facilities span over the traditional wooden temple; mottled mechanical shells are covered by vines, moss, and bamboo leaves; satellite antennas, thick cables, hydraulic joints, and old wooden eaves are cross-connected. The foreground features a shallow pool reflecting the sky, wet stones, stone lanterns, and a row of white animal guardian statues. Morning mist passes through the bamboo forest, and sunlight forms pale gold-green volumetric light. All machinery has realistic weight, rust, oil stains, and slow-running inertia. **Cinematography Style:** Realistic cinematic live-action texture, fusion of ecological sci-fi and ancient temple adventure. Soft morning light, shallow depth of field, restrained film grain, natural highlight bloom, humid air, and realistic motion blur. The yellow machinery, cyan-green bamboo forest, and the female protagonist's white clothing form a clear color relationship. **Camera Rules:** A complete, continuous, real-time Steadicam long take. The character always moves from the left side of the screen to the right, positioned at the left/right third, with guiding space reserved in front. The camera must transition through real movement between 3/4 rear, water-level side shot, mechanical corridor side shot, low-angle chase, and final 3/4 front medium-close-up. Hidden cuts are prohibited. **Characters and Props:** Character R1 wears full clothing R2, slinging the same small worn brown leather adventure bag. No torches, as the scene is illuminated by natural morning light. The veil, waist knot, earrings, long hair, adventure bag, and high heels must produce realistic inertia. Water stains, moss marks, and dust on the clothing accumulate progressively and cannot automatically restore. **Mechanical Guardian Beast:** A white ceramic mechanical fox about the size of a house cat, derived from the white guardian statues around the pool in @1. The body consists of worn white porcelain armor plates, brass joints, and tiny gears, with eyes emitting a very faint warm golden light. Size, material, and structure are consistent throughout, and it must not turn into a real fox, cartoon pet, or giant monster. [Timestamp Storyboard] 0—5s | Sleeping Guardian Awakens The shot starts from the 3/4 rear of Character R1. Wearing full clothing R2, she enters the bamboo forest mechanical temple in @1 along a stone walkway in the shallow pool, positioned at the right third of the frame. The translucent veil lightly sweeps the wet stone surface, and white high heels cautiously avoid moss. On her second step, she steps on a circular brass pressure plate embedded in the stone path. A clear "click" sounds as the heel presses down, and a row of white animal guardian statues by the pool vibrate slightly. She immediately stops, lowers her center of gravity, holds the adventure bag with her right hand, and turns her head alertly to observe. The white mechanical fox closest to her slowly turns its head, porcelain eyelids open, and eyes light up with faint golden light. It doesn't attack but leaps lightly from the stone base, its four brass claws making small metallic sounds upon landing. The mechanical fox looks back at her once, then runs right along the pool. **End State:** The female protagonist stands at the right third of the frame, surprised but alert; the mechanical fox stops on the stone steps ahead, looking back at her, clearly signaling her to follow. 5—11s | Water Surface Mechanical Stepping Disks Continuing from the mechanical fox looking back. It turns and leaps into the shallow water area, and six moss-covered circular mechanical stepping disks immediately rise in sequence from underwater. The camera lowers from behind the protagonist along a continuous arc to water level, becoming a parallel side tracking shot. She is at the left third of the frame, with space reserved in front for the stepping disks and the mechanical fox's movement. The mechanical fox steps on the first disk, and the internal gears of the disk make a short rotating sound; as it jumps to the next, the previous one slowly sinks back into the water. The protagonist quickly understands the pattern, first locking her gaze on the next disk before moving her body. She uses low-height, short-distance jumps: the forefoot of the white pointed shoe first lands on the dry center of the disk, knees bending to absorb impact, and only after confirming stability does she push off to the next. Each time a disk receives force, the water pushes out realistic ripples, and the end of the veil sweeps across the water, leaving a gradually expanding wet mark. The mechanical fox always stays one disk ahead, occasionally looking back to confirm her position. **End State:** She lands both feet on a mixed wood-stone platform on the opposite bank, her left hand gripping a rusty railing to regain balance; the last stepping disk sinks into the water behind her, and the mechanical fox has already entered the narrow mechanical corridor ahead. 11—17s | Rotating Cable Corridor The camera continues to slide right along the railing, rounding a yellow mechanical pillar and moving close to the side wall of the corridor. The giant facility is awakened by the pressure plate, and the satellite antenna above begins to turn slowly, with the long-dormant motor emitting layers of low-frequency humming. As the mechanical fox passes through the corridor, three sets of hanging cable loops are driven in sequence by the linkage shaft, sweeping across the narrow passage like giant rope rings. It ducks under the first set of cables. The protagonist pauses for half a beat to observe the cycle of the three sets of cables, then follows in a "stop-dash-stop" manner. As the first set of cables rises, she lowers her shoulders and dashes through; the second set sweeps from the foreground, and she immediately presses against a yellow mechanical pillar, her veil and long hair blown to one side by the airflow; the third set of cables suddenly swings back at waist height, she brakes with her back forefoot, bends her knees, and quickly leans her upper body back, letting the thick cable graze past her chest. The wind pressure from the cable flutters the lace collar, earrings, and veil, but does not touch her body. **End State:** She stands upright again and rushes out of the corridor, where the mechanical fox is waiting on an elevated wooden hanging gallery ahead; the three sets of cables behind continue to swing back and forth in a fixed cycle. 17—24s | Folding Gallery Chase The mechanical fox's front paw steps on a circular mechanical seal in the center of the hanging gallery. The seal lights up with a faint golden ring, and the entire wooden hanging gallery immediately begins to fold back into the yellow mechanical main body from the rear end, with wooden boards, metal supports, and railings emitting continuous "clack, boom" mechanical closing sounds. The camera seamlessly circles to a low-angle 3/4 rear view of the protagonist. She is at the right third of the frame, with the left side filled by folding and falling wooden boards and mechanical supports. The mechanical fox runs fast ahead, and she immediately follows in a sprint. High heels land on the center of the wooden boards with short forefoot steps, avoiding the heels getting stuck in gaps. Once, a mechanical support suddenly folds inward, and her sole slips slightly, her body tilting left; she immediately grabs the right railing, using arm pull and core strength to pull her body back onto the path. The adventure bag hits her waist, the wet veil rises behind her, and the folding line closely pursues her heels. At the end of the gallery, only a closing circular mechanical door remains. The mechanical fox first slips through the door gap. The protagonist pushes off the last wooden board with her right forefoot, leaps at a low height into the door, and performs a side shoulder roll upon landing to dissipate force. The circular door closes heavily behind her. **End State:** She stops on one knee in the core courtyard of the mechanical ancient temple, the original path completely sealed; the mechanical fox sits quietly on a central stone platform ahead. 24—30s | Choice of the Guardian Beast The camera rises steadily as the protagonist stands up and moves from behind her shoulder along a short arc to the 3/4 front side. The core courtyard has no modern lighting, only gold-green light beams falling from the damaged roof and bamboo leaves. Yellow mechanical pipes wrap around an ancient stone platform like tree roots. The mechanical fox does not flee. It looks down at its chest, and the white porcelain armor unfolds along precise seams to both sides; inside is not flesh and blood, but a set of slowly rotating brass gears. In the center of the gears sits an almond-sized golden mechanical seed, its surface covered with extremely fine leaf-vein-like engravings. The protagonist does not directly snatch it. She first relaxes her shoulders, slowly unbuckles the adventure bag, then steadily extends her left hand wearing a white long glove toward the mechanical fox. The mechanical fox gazes at her for a moment, actively lowers its head, and uses its front paw to push the golden mechanical seed into her palm. The moment the seed touches the glove, it emits a slight mechanical heartbeat. The entire ruin awakens accordingly: the giant satellite antenna overhead slowly turns toward the sky, warm amber lights light up in sequence inside the yellow mechanical structure, vines entangling the building quiver slightly, and the sound of interlocking gears starting up comes from deep in the bamboo forest. Other white guardian statues in the pool simultaneously turn their heads to look at her, but do not approach. The camera stops at a 3/4 side medium-close-up of the protagonist, positioned at the left third of the frame. She looks down at the mechanical seed in her palm, first holding her breath, then looking up at the mechanical fox with a restrained smile of mixed surprise, alertness, and gentle joy. The mechanical fox remains sitting on the stone platform, its porcelain armor slowly closing. **End State:** The golden mechanical seed is uniquely located in the protagonist's left palm; the mechanical fox sits on the stone platform to her right rear; the entire bamboo forest mechanical temple is awakening layer by layer. [Consistency Maintenance] Maintain the same female protagonist, same face, same hairstyle, makeup, earrings, and body proportions throughout. Full clothing R2 must not be changed, simplified, or turned into an adventure uniform; the lower edge of the veil starts to have water stains after 5s, and dust is added after 17s, with states accumulating continuously. The brown adventure bag is always slung on the same side of the body and must not disappear without reason. The mechanical fox remains house-cat-sized, with white porcelain armor, brass joints, and faint golden eyes throughout. The golden mechanical seed can only be inside the mechanical fox's chest before 24s, then uniquely transfers to the protagonist's left palm; copying or premature appearance is prohibited. The environment always follows the logic of @1's bamboo forest, wooden temple structure, yellow machinery, satellite antennas, moss, pool, and morning mist. The protagonist always moves from left to right, finally stopping at the left third of the frame. All mechanical activations must occur along the causal chain of pressure plate—guardian beast—stepping disks—cables—hanging gallery—core seed. [Audio] Use only live environmental sounds and mechanical sound effects: bamboo leaves rustling, flowing water, birds chirping, soles contacting wet stone, fabric and veil friction, mechanical fox claw sounds, old gears turning, motor humming, cables cutting the wind, wooden boards folding, rapid breathing, and the low heartbeat of the mechanical seed. No BGM, no narration, no character dialogue. [Strictly Prohibited] Prohibit any cuts, montages, hidden transitions, time jumps, slow motion, camera teleportation, wall-clipping, or axis-jumping; prohibit using bamboo, mechanical pillars, closing circular doors, veil sweeping the lens, darkness, or fast whip pans to hide cuts. Prohibit this round @1 from changing the protagonist's appearance or clothing; prohibit copying architectural styles, text, animal statues, or colors from the scene onto the character's body; prohibit white studio backgrounds and marble clothing reference backgrounds from mixing into the scene. Prohibit character centering drift, face-swapping, outfit-swapping, automatic clothing cleaning, veil disappearance, high heels turning into boots, jewelry disappearance, or adventure bag switching sides. Prohibit the mechanical fox from turning into a real animal, plush toy, cartoon character, humanoid robot, or giant monster; prohibit the mechanical seed from turning into jewelry, perfume, magic crystal, flame, or floating light ball. Prohibit weightless jumping, joint distortion, body clipping, cables passing through the body, heels merging with the stone surface, veil passing through railings, or mechanical structures exploding without cause. Prohibit subtitles, readable text, logos, watermarks, UI, neon, studio lighting, advertising product shots, audiences, hosts, other humans, combat armies, blood, and gore.

Create a 30-second photorealistic vintage 16mm documentary set in rural Umbria, Italy, summer 1982. Make it feel like a beautiful forgotten family film shot on Kodak 16mm: warm sun-faded colors, fine analog grain, subtle film flicker, dust, tiny scratches, gentle light leaks, soft halation, slight gate weave, organic focus breathing and imperfect handheld camera movement. 4:3 aspect ratio, no modern cinematic polish. Main character: A naturally beautiful Italian woman, early 20s, slender, warm olive-fair skin, hazel-brown eyes and long dark honey-brown hair loosely tied with a cream ribbon, soft flyaway strands. She wears an elegant ivory linen midi dress with tiny muted terracotta and dusty-blue floral prints, fitted waist, soft puff sleeves, square neckline and fabric-covered buttons, a thin vintage leather belt, tan ankle-strap sandals, tiny pearl earrings and a delicate gold necklace. Natural makeup, no modern accessories. She carries a woven wicker basket with bread, peaches, figs, basil and white wildflowers. 0–6s: She walks through a picturesque medieval Umbrian village lane, touching ivy-covered stone walls. Terracotta roofs, green shutters, red geraniums, ceramic pots and an old Fiat 126 surround her. Her floral dress and hair move gently in the afternoon breeze. 6–12s: She enters a small village piazza. An elderly baker carries fresh bread, women sit outside a bakery, a boy rides an old bicycle and a cream Vespa rests beside a stone wall. The baker smiles and gives her a small loaf. She laughs softly. The handheld camera briefly loses focus before finding her again. 12–17s: A little girl drops wildflowers. The woman kneels gracefully, gathers them and returns the bouquet with a warm smile. The child smiles shyly. Nobody acknowledges the camera. 17–23s: She leaves the village along a path bordered by olive trees, golden grass, poppies and ancient stone walls. The camera moves beside her as her ivory floral dress flows naturally. Birds suddenly rise from a nearby field. 23–28s: She reaches an overlook above beautiful Umbrian hills: vineyards, olive groves, golden fields, stone farmhouses and distant medieval hill towns in warm summer haze. She rests against an old wooden railing, watches the valley and gently tucks windblown hair behind her ear. 28–30s: She picks up her basket and walks away through the olive trees. The camera stops naturally and holds on the empty golden landscape. A subtle film flicker ends the footage. Overall aesthetic: romantic Italian summer, elegant vintage fashion, authentic 1982 village life, beautiful natural woman, warm golden sunlight, realistic skin and fabric texture, documentary realism, imperfect human camera movement, genuine Kodak 16mm archival texture. No modern objects, no digital look, no AI-smooth skin, no posing.

Scene 1 (0–3 sec) A beautiful young Japanese woman begins a morning adventure in a quiet coastal town. She walks beside the ocean with her smartphone in selfie mode, smiling naturally as gentle waves move behind her. Scene 2 (3–6 sec) She explores a small seaside fishing harbor, watches local fishermen preparing their boats, and casually records the colorful boats and peaceful morning atmosphere. Scene 3 (6–9 sec) She discovers a small local seafood market. She looks around curiously, interacts naturally with a friendly vendor, and receives a freshly prepared local snack. Scene 4 (9–12 sec) She walks through a narrow traditional Japanese street lined with small wooden houses and shops. She stops at a tiny souvenir store and picks up a handmade ceramic item. Scene 5 (12–15 sec) She continues toward a rocky coastline and carefully walks along a scenic ocean path. The camera captures waves crashing against the rocks while she films the view. Scene 6 (15–18 sec) She reaches a quiet hidden beach. She removes her shoes, walks along the wet sand, and lets the ocean water touch her feet while laughing naturally toward the camera. Scene 7 (18–21 sec) She sits at a small outdoor seaside café, enjoys an iced matcha drink and a light dessert, and casually talks to the smartphone camera. Scene 8 (21–24 sec) Golden-hour sunlight begins to cover the coastline. She walks toward a small lighthouse on a hill, filming the glowing ocean and surrounding scenery. Scene 9 (24–27 sec) At sunset, she stands near the lighthouse overlooking the ocean. Her hair moves gently in the sea breeze as she watches the sun disappear below the horizon. Scene 10 (27–30 sec) Final selfie shot. She turns toward the camera, smiles brightly, waves goodbye and says: “What a beautiful day. See you on my next adventure. Bye!” Overall style: Ultra-realistic Japanese smartphone travel vlog, same beautiful Japanese woman and consistent appearance throughout, natural handheld phone footage, realistic human movement, authentic facial expressions, real ocean ambience, waves, wind and distant harbor sounds, cinematic natural lighting, realistic colors, documentary-style travel footage, no artificial movements, no text, no subtitles, no watermark.

COLD OPEN EXT. RUINED SHRINE — SNOWFIELD — DUSK Snow falls on the ribcage of a god. A colossal guardian skeleton curls out of the white like a ruined cathedral, and the marauder camp inside it is already screaming. We open mid-carnage. Two bodies lie in the snow behind THE GUARDIAN: white bone armor, mismatched, no two pieces alike. Blood leaking from beneath the plates. Coiled flat against his neck, a small whiskered serpent-dragon, THE RUNT. A MARAUDER rushes him, artifact-studded armor humming, the Guardian's spear runs him through. The man folds. A musket CRACKS. The Guardian drops beside the body he just made. The camp converges, MARAUDERS ringing him, muskets leveled, technology this world shouldn't have. The laughter starting. His hand crawls across the dead man and closes on a PISTOL. New-world steel. It does not belong in that hand. He gets up. Step. A ball punches his shoulder plate. Step. Another staggers him sideways. He keeps coming — then down to one knee at the center of the ring. INSERT — THE CAGE. Behind iron bars at the camp's heart: THE MOTHER. Twenty feet of dull pearl scale, whiskered, ancient. Her great eye finds him and goes very still.

POV motocross sequence on an erupting volcano. The entire scene is from the rider’s perspective, with helmet-camera realism, natural head movement, violent suspension shake, dust on the lens, heat haze, flying ash and intense engine sound. The rider never drives on lava. He stays strictly on rocky volcanic paths, ash-covered trails, loose black gravel and narrow ridges while avoiding lava flows and glowing cracks. 0-5s: POV accelerating downhill on a steep black volcanic trail. Gloved hands, handlebars and front fender visible. Lava flows are visible nearby on both sides at a distance, but the bike remains on solid rocky ground. Small rocks bounce across the trail, smoke rises in the background. 5-10s: The rider weaves through falling debris and sharp turns on a narrow ash-covered path. A fresh lava stream cuts across the route ahead, so he sharply turns onto a higher rocky side trail, avoiding the lava completely. 10-15s: The path narrows along a ridge. The rider jumps over a glowing crack in the ground, clearing it cleanly without touching the molten area below, lands hard on solid volcanic rock, and keeps control while larger stones tumble behind him. 15-20s: A dense wave of ash rolls down the slope. The rider threads between two collapsing boulders, descends a final rocky path, and bursts onto a safer lower ridge far from the lava. He briefly looks back toward the erupting crater while still riding away at speed. Photorealistic motocross physics, realistic suspension movement, coherent volcanic terrain, practical disaster realism, no third-person shots, no fantasy look, stable bike geometry, intense POV immersion.

Use <<<image_1>>> as the SOLE appearance reference for the FEMALE LEAD and <<<image_2>>>as the SOLE appearance reference for the MALE LEAD. Preserve their exact facial identity, facial structure, hairstyle, hair color, body proportions, outfits, shoes, accessories, and clothing colors in every frame. Do NOT redesign, recolor, replace, modify, simplify, or add anything to their clothing or accessories. The two leads must remain unmistakably the same people throughout the entire video. No face morphing, identity drift, hairstyle changes, body changes, wardrobe changes, or age changes. EXTRAS: Exactly 10–14 ensemble dancers. They must have completely different faces from both leads. Do not make any extra resemble either lead. Diverse ages and ethnicities. Wardrobe: colorful pastel summer clothing — sunflower yellow, sky blue, coral, mint, soft pink, cream — including flowing summer dresses, light shirts, trousers, and tailored suits. Their styling should feel like a vibrant modern interpretation of a classic Hollywood musical. Natural fabric movement, realistic hair movement, and varied individual body language. Extras must never look duplicated or cloned. === FORMAT === Premium 30-second cinematic romantic musical film. 16:9 landscape. Fully photorealistic. ONE continuous flowing cinematic take with NO visible cuts. The entire video must feel alive, energetic, romantic, spontaneous, and human. There must be NO dull moments, no empty stretches, no static compositions, no performer standing motionless, and no long shots where nothing meaningful happens. Something should always be evolving through character movement, camera movement, background action, facial expression, choreography, environment, or music. Native 16:9 composition. No letterboxing. No black bars. No artificial AI-video aesthetic. The final result should feel like a real premium musical scene filmed on location with professional actors, dancers, cinematographers, and musicians. === LOCATION / ENVIRONMENT === Set the entire scene on a beautiful Mediterranean-style seaside promenade during a pleasant summer morning. A wide elegant pedestrian promenade runs alongside a sparkling blue sea. Warm cream-colored stone buildings line one side of the promenade. Small stylish cafés with outdoor tables and umbrellas open onto the walkway. Palm trees and Mediterranean plants move gently in the sea breeze. A low stone sea wall runs along the waterfront. Small sailboats and distant boats are visible on the horizon. A few colorful awnings, flower planters, bicycles, and café chairs create natural environmental detail. The location should feel upscale, cinematic, lived-in, and authentic rather than touristy or artificial. The sea provides bright atmospheric depth behind the performers. The promenade should have enough space for the leads and dancers to move naturally without feeling crowded. The environment itself should constantly provide subtle visual movement: palm leaves moving in the breeze, distant boats drifting, pedestrians walking, café activity, fabric moving, dancers crossing the promenade, and sunlight reflecting softly from the water. Do not make the background chaotic. The leads remain the visual focus. === MUSIC — 30-SECOND ROMANTIC ENERGY ARC === Create an ORIGINAL romantic cinematic pop song at approximately 108 BPM. Major key. Warm, joyful, playful, flirtatious, uplifting, and emotionally sincere. The song should feel romantic without becoming slow, sad, overly sentimental, or theatrical. It should have the infectious energy of a joyful cinematic musical number while remaining modern and natural. Instrumentation: 0–7s: Rhythmic acoustic guitar, warm piano, grooving bass, light live drums, subtle hand percussion. 7–14s: Drums become more energetic, warm strings enter, bass becomes more rhythmic, subtle melodic accents increase momentum. 14–21s: Full romantic chorus — energetic live drums, acoustic guitar, piano, warm bass, bright strings, tasteful brass or melodic accents. 21–25s: Briefly pull the arrangement back but KEEP the rhythmic pulse alive with piano, bass, acoustic guitar, and soft percussion. 25–30s: Full instrumental emotional lift returns with strings, piano, guitar, bass and drums, ending on a warm satisfying major chord. The music must continuously evolve. Never allow the soundtrack to feel empty or repetitive. VOCALS: Original English lyrics only. Female lead sings the opening verse. Male lead naturally answers. Both join for the chorus. Their voices should sound like real human singers: expressive, warm, slightly imperfect, conversational, emotional, and natural. Avoid robotic vocals, excessive vocal processing, perfect artificial phrasing, theatrical belting, or exaggerated musical-theater delivery. The lyrics should communicate a simple romantic idea: two people notice each other, gradually become drawn toward each other, enjoy being together, and choose to stay in the moment. Keep lyrics concise enough to fit naturally within the first 25 seconds. VOCALS END EXACTLY at 25 seconds. The final 5 seconds are instrumental only. === PERFORMANCE ENERGY === THE VIDEO MUST NEVER FEEL DULL. The leads should feel genuinely alive, playful, spontaneous, and emotionally connected. They are professional musical performers, but they should NOT look like robots following a choreography spreadsheet. Movement should have natural variation. Allow slightly different step lengths, natural timing variations, spontaneous smiles, small reactions, changing eye contact, subtle improvisation, natural breathing, realistic weight shifts, and imperfect human gestures. Do NOT force perfect symmetry. Do NOT make every movement mechanically synchronized. The leads should naturally react to each other's presence. Their chemistry should feel effortless and playful rather than staged. Energy progression: 0–7s: Charming, confident, immediately engaging. 7–14s: More playful and energetic as the male lead joins. 14–21s: Biggest burst of joyful musical energy. 21–25s: Romantic and intimate but still physically active. 25–30s: Beautiful emotional payoff with a strong visual finale. Even during quieter musical moments, the camera and performers continue moving. === SOUND DESIGN === Natural seaside diegetic sound underneath the music: Soft footsteps on stone. Subtle shoe contact. Light ocean breeze. Gentle waves against the seawall. Distant seabirds. Very subtle café ambience. Fabric movement. Natural outdoor reverb on vocals. Do not add random conversations, distracting chatter, unrelated music, or artificial sound effects. Music and vocals remain clearly dominant. === LIP-SYNC — CRITICAL === Frame-accurate lip synchronization whenever either lead sings. Every English syllable must correspond naturally with the mouth movement. Natural consonant closures. Natural vowel shapes. Realistic jaw movement. Natural tongue movement where visible. Natural breath intake before phrases. Subtle throat and chest movement during sustained notes. Facial expressions must correspond naturally to the lyrics. Singing should never look pasted onto the face. No dubbing mismatch. No delayed mouth movement. No mumbling. No frozen lips. No exaggerated mouth shapes. No dead-eyed singing. When either lead is singing, keep their face clearly visible whenever practical. During singing, avoid fast spins or movements that hide the singer's face. === CHOREOGRAPHY === Elegant romantic musical choreography with genuine energy. Never acrobatic. Never stiff. Never robotic. Never perfectly repetitive. The performers should keep moving naturally throughout the entire scene. Lead movement vocabulary can include: - Rhythmic walking along the waterfront - Playful step-touch movements - Traveling side steps - Gentle heel pivots - Natural turns - One slow underarm turn - One shared clasped-hand spin - Hand-over-heart gesture - Playful shoulder movement - Brief synchronized walking - Holding hands - Promenade movement - Natural eye contact - One final slow half-turn into a shallow elegant dip Do not force every move to happen at an unnaturally precise beat. Let transitions flow organically between movements. The choreography should look like humans dancing with the music rather than a computer executing commands. BACKGROUND DANCERS: The extras continuously create visual life along the seaside promenade. They should: - Cross the promenade in different directions - Walk naturally beside cafés - Perform small partner steps - Move around outdoor tables - Create moving layers of depth - Perform occasional synchronized arm movements - Create loose formations along the waterfront - Form a graceful circular formation around the leads during the finale Not every dancer should perform identical movements at exactly the same time. Allow natural individual variation. Some dancers can briefly interact with the environment while continuing their choreography. Background movement must NEVER completely stop. However, extras must never steal focus from the leads. === CINEMATOGRAPHY === ONE continuous flowing Steadicam take. No cuts. No hidden cuts. No teleportation. No sudden camera jumps. The camera should feel like a real operator is physically moving along the promenade with the performers. Camera movement must constantly evolve. 0–7s: Approximately 50mm lens. Camera retreats smoothly ahead of the female lead as she walks along the waterfront. The sea remains visible behind her. Begin immediately with movement and visual interest. Do not start with a static establishing shot. 7–14s: Camera smoothly arcs laterally toward the male lead as he emerges from a café-lined section of the promenade. The camera movement should feel motivated by his arrival. 14–21s: Camera widens toward approximately 35mm and moves backward with both leads during the energetic chorus. Reveal the sea, cafés, palm trees, and moving dancers. 21–25s: Camera moves closer toward approximately 65mm for an intimate two-shot while continuing to retreat with the leads. The ocean remains softly visible behind them. 25–30s: Camera gradually rises into a graceful crane movement, revealing the waterfront promenade and ensemble surrounding the leads. Never let the camera remain completely static. Use subtle parallax between foreground dancers, performers, cafés, palm trees, sea wall, and ocean. Keep the camera physically believable. No impossible camera movement. No excessive motion blur. No extreme wide-angle distortion. No fisheye effect. === LIGHTING === SOFT, DIFFUSED NATURAL MORNING LIGHT. Pleasant coastal morning atmosphere. The sun is present but softened by thin atmospheric haze and subtle natural cloud diffusion. Avoid harsh direct sunlight. Avoid blown highlights. Avoid deep black shadows. Avoid extreme contrast. Avoid orange or overly golden lighting. Faces must remain naturally and evenly exposed even when the performers turn. Use soft bounced light from cream-colored buildings and pavement. The ocean should reflect soft natural daylight rather than appearing excessively bright. Natural skin texture. Natural skin tones. Gentle cinematic contrast. Soft highlight rolloff. Realistic shadow softness. The scene should feel bright, fresh, airy, and beautiful without looking overlit. The sunlight should feel pleasant on the skin rather than harsh. The environment should look like a real location captured with a high-end cinema camera. The sun remains physically consistent throughout the scene. Shadows remain consistent with the sun position. ONE extremely subtle lens flare may occur naturally when the camera briefly crosses the sun. No repeated lens flares. No artificial glowing skin. No excessive bloom. No glowing outlines around people. === TIMELINE === 0–7 SECONDS — FEMALE LEAD / OPENING: Start immediately with the female lead already walking toward the camera along the seaside promenade. The camera is already moving backward. The ocean glitters softly behind her. Palm leaves move gently in the breeze. Café umbrellas and awnings move subtly. She sings the opening line with a confident natural smile. Her steps have a gentle musical bounce. She passes an outdoor café and briefly gestures naturally toward the sea. Several colorful dancers cross behind her. Another pair performs small synchronized steps near the seawall. A cyclist or pedestrian can naturally pass in the distant background. The environment feels alive from the first second. The female lead performs a playful step-touch movement during a musical phrase. She looks toward camera, then naturally glances toward the direction from which the male lead will appear. Her expression subtly changes as if she has noticed someone. Keep the moment romantic but energetic. NO DEAD FRAME. 7–14 SECONDS — MALE LEAD ARRIVES: On a musical downbeat, the male lead naturally enters from a café-lined section of the promenade. He catches her attention. The camera smoothly shifts toward him without cutting. He begins singing his response while walking toward her. He performs a relaxed heel pivot and playful gesture. The female lead reacts naturally with a smile. They move toward each other while maintaining visible faces. They perform a loose mirrored traveling pattern along the waterfront. He gives a subtle hand-over-heart gesture. She responds with a playful shoulder movement. Their expressions communicate genuine chemistry. Behind them, dancers continue moving in different directions. Palm trees move gently. The sea remains visible. The camera never stops moving. By the end of this section, they naturally fall into synchronized walking toward the center of the promenade. 14–21 SECONDS — BIG ROMANTIC CHORUS: The music opens into its most energetic section. Camera widens to approximately 35mm. Both leads sing together. They travel along the waterfront with lively side steps and natural rhythmic movement. The background becomes more visually active. Several dancers cross behind them. Other dancers form loose pairs. A small group performs synchronized arm movements. One pair turns near the café tables. Another pair moves closer to the seawall. The leads remain the visual focus. During a short instrumental fill, the male lead reaches for her hand. She takes it naturally. He guides her through ONE slow underarm turn. Her clothing and hair respond naturally to the coastal breeze and movement. They immediately reconnect. They perform ONE shared clasped-hand spin during another instrumental accent. The camera moves slightly around them while maintaining the continuous take. The ocean, palm trees, dancers, and architecture create constantly changing layers behind them. The moment should feel joyful, romantic, spontaneous, and cinematic. NO STATIC HOLD. 21–25 SECONDS — ROMANTIC BRIDGE: The arrangement becomes slightly more intimate but does NOT become dull. The leads continue walking together beside the sea. They move shoulder-to-shoulder. They exchange a brief natural glance and smile. Both sing a softer harmonized phrase. The camera moves closer to an approximately 65mm two-shot. They hold hands. They begin a slow promenade toward a brighter section of the waterfront. The background remains alive with softly moving dancers. Some dancers cross through foreground and background at different distances, creating natural depth. Palm leaves continue moving. The sea remains gently active. The leads remain clearly visible. Their movement remains continuous. At exactly 25 seconds, vocals stop. 25–30 SECONDS — BIG VISUAL FINALE: The instrumental arrangement immediately builds again. The leads continue moving rather than freezing. The male lead gently guides the female lead through ONE slow half-turn. She transitions naturally into a shallow elegant dip. The movement should feel romantic and graceful, NOT theatrical. They rise together. She keeps her hand in his. They exchange one final natural smile. The camera begins a smooth crane upward. The full ensemble moves into a wide circular formation along the promenade. The dancers perform ONE synchronized sweeping arm movement. They then settle naturally. The camera rises higher. Reveal the full seaside promenade. Reveal the colorful dancers. Reveal the ocean and boats. Reveal the cafés, palm trees, and architecture. Reveal the two leads at the center. The final image should feel like the payoff to the entire musical sequence. Hold only briefly. The final chord decays naturally. Fade gently to white. === CONTINUITY & PHYSICAL REALISM === Both leads remain identical to <<<image_1>>> and <<<image_2>>> throughout. Exact facial identity. Exact hairstyle. Exact body proportions. Exact wardrobe. Exact shoes. Exact accessories. Exact colors. No wardrobe transformation. No face changes. No identity drift. No body deformation. No age changes. Natural skin texture. Natural hair physics. Natural cloth physics. Natural walking mechanics. Natural foot contact. Natural hand interaction. Natural eye movement. Natural breathing. Physically believable shadows. Physically believable reflections. Consistent environment. Consistent lighting. Consistent camera movement. No duplicated dancers. No cloned faces. No floating objects. No floating feet. No sliding feet. No hands passing through bodies. No impossible joint movement. No rubbery limbs. No unnatural facial expressions. No frozen performers. No static background. No repeated choreography loops. No sudden scene changes. No random props. No invented wardrobe. No text. No subtitles. No logos. No watermarks. No black bars. No letterboxing. No cartoon appearance. No CGI appearance. No plastic skin. No artificial beauty filter. No excessive sharpening. No excessive motion blur. No harsh sunlight. No blown highlights. No crushed shadows. No excessive lens flare. No artificial glow. No camera cuts. No jump cuts. No teleportation. No identity morphing. No lip-sync mismatch. No vocals after 25 seconds. === FINAL CREATIVE DIRECTION === The finished video should feel like a REAL romantic musical scene captured during one beautiful coastal morning. It should be colorful, energetic, playful, romantic, cinematic, emotionally engaging, and visually alive from beginning to end. There must be NO dull moment. Keep the energy alive through continuous camera movement, evolving choreography, expressive performances, moving background dancers, ocean movement, palm trees, café activity, environmental depth, changing compositions, and musical progression. Do NOT make it look like an AI-generated showcase. Do NOT make it overly perfect. Do NOT make it sterile. Do NOT make it slow. Do NOT make it empty. Do NOT make the sunlight harsh. Make it feel human, spontaneous, joyful, romantic, and alive.

Base Setting: Based on the information in this storyboard, generate a professional commercial for pink canned sparkling water with Japanese cinematic aesthetics and narrative. Only generate 0-30 seconds of footage. Style Setting: Visual Tone: Modern Japanese youth cinema aesthetic, simulating 120 medium format film transparency or digital camera with Black Pro-Mist filter. Clean image, very weak grain. Lighting/Tone: High-key backlight and diffuse ambient light. Slight bloom/halation, soft cherry blossom pink and sunny white; shadows retain transparent cyan-blue. Low contrast, low saturation Japanese healing color grading. Do not generate background music, only sound effects. Content: Generate a 30-second, 16:9 vertical, real friend handheld Yunnan travel Vlog. Use the woman in the reference image as the protagonist, maintaining her facial features, hairstyle, features, skin tone, body proportions, and natural expressions throughout the video. Do not change identity, do not swap faces, do not become someone else. The protagonist wears fresh daily outfits suitable for Yunnan travel, such as light-colored short sleeves or thin shirts, casual long skirts or denim shorts, comfortable sneakers, and a small backpack. The overall vibe is natural and relaxed, like a real tourist, not a model pose. Video texture is a real travel Vlog shot by a friend with a phone all day. The footage has natural handheld camera movement, casual composition, slight shaking, occasional imperfect focus, and a real snapshot feel. No commercial quality, no cinematic blockbuster feel, no exaggerated transitions, no artificial special effects. The protagonist behaves naturally, interacting with friends like in a real trip, occasionally looking at the camera, smiling, tidying hair, taking photos with a phone, walking, and stopping to observe the scenery. 0–5 seconds: Departing from a guesthouse in Dali, Yunnan in the early morning. The protagonist carries a small backpack and walks out of a cozy guesthouse with wooden doors, white walls, greenery, and a courtyard feel. She looks down at her phone for the route, then looks up and smiles naturally at the friend's camera, tidies her hair, and walks out of the alley. The camera follows from the back and side-back, with slight shaking from the friend's handheld shooting. The scene includes soft morning sunlight, quiet stone roads, Bai-style architecture, roadside greenery, and small shops just opening. Ambient sounds include birds chirping, distant voices, footsteps, and morning street sounds. 5–11 seconds: Exploring Dali Ancient City streets. The camera follows her slowly through the ancient city streets. Both sides have white walls and gray tiles, wooden signs, flowers, small cafes, Yunnan snack shops, and tourists. She walks into a small cafe or roadside drink shop, buys a drink, and smiles naturally when receiving it. She says a simple sentence in Chinese to the camera: "Going to Erhai first today." Then she continues walking past street shops, stops to take a photo, looks down at the camera preview, and can't help but smile. The camera stays close, capturing casual real moments, no posing. 11–18 seconds: Heading to Erhai. The environment naturally transitions from ancient city streets to the road by Erhai Lake and open lake views. The protagonist sits on the back of an electric scooter or walks to the lakeside, the sea breeze blowing her hair. She becomes visibly excited when she sees Erhai for the first time, looks back at the camera and smiles, then walks quickly toward the lake. The camera follows her on the Erhai ecological corridor, with blue lake water, distant Cangshan mountains, white railings, tree shadows, and people cycling nearby. She stops to look at the lake, takes photos with her phone, leans on the railing, with a natural and relaxed expression. Ambient sounds include wind, lake water, bicycles passing, and distant tourists talking. 18–24 seconds: Xizhou rice fields and Bai village afternoon. The camera cuts to a path in the rice fields under the sun, the protagonist walking along the field with a friend. The background has green rice fields, Bai residences, distant mountains, blue sky, and slowly moving clouds. She squats down to look at roadside flowers, looks back at the camera and smiles when she stands up. She and her friend buy local snacks at a village entrance stall and eat while walking, with a real and relaxed expression. The camera moves naturally among people and alleys, with occasional slight shaking, like a friend casually recording travel clips. No deliberately designed actions, no exaggerated performances. 24–30 seconds: Erhai sunset ending moment. Golden evening, the protagonist sits by Erhai or on a lakeside bench, holding a drink, quietly watching the sunset. The lake surface has fine shimmering light, with the silhouette of Cangshan and sunset clouds in the distance. The friend's camera slowly retreats from her side-back, first capturing her profile and hair blowing in the wind, then bringing in Erhai, the sky, and the peaceful evening scenery. Finally, she looks back at the camera, smiles gently, and says a sentence in Chinese: "Yunnan is really comfortable." The screen stays on the feeling of real travel memories, warm, relaxed, and natural. Visual Style: Real personal travel Vlog material, like shot with a smartphone or small mirrorless camera. Natural daylight, real exposure, slight handheld shake, casual composition, real human reactions, documentary-style realistic style. No cinematic commercial quality, no exquisite advertising blockbuster feel, no deliberate posing, no artificial transition effects, no text overlays, no Logo, no watermark. Maintain the facial identity, hairstyle, features, skin tone, body proportions, and natural expressions of the woman in the reference image throughout. No face swapping, do not become another woman, no excessive beautification, no anime style, no influencer filter feel. No subtitles, no background music throughout, only retain real ambient sounds, footsteps, wind, voices, market sounds, lake water sounds, bird calls, and natural sounds during the friend's filming.

Cinematic hip-hop/rap music video, photorealistic texture, high-end, beach scene. Build the scene based on @Image 1: A band performing on a golden beach with waves crashing—a lead singer holding a microphone and stand on wet sand singing passionately, a guitarist on the left, a guitarist on the right, and a drummer behind the kit; the vast coastline stretches behind them, rolling waves coming in layers, a huge warm golden hour sun slanting across the beach, shimmering on the water, with sea mist and salty vapor in the air. The lead singer in a red tracksuit RAPs to the camera with rhythm—mouth and jaw precisely aligned with every word, head nodding to the beat, driving the flow. Musicians sway to the rhythm, waves crashing behind. This is a bright, energetic rap song—fast-paced, confident, strong beat. Hard cuts on the beat, each switch featuring double contrast (changing both shot size and lens type). Lyrics (lead singer sings 'Hello' in the following languages in order, precise lip-sync): English: 'Hello', Chinese: '你好', Japanese: 'こんにちは', Korean: '안녕하세요', Portuguese: 'Ola', Thai: 'สวัสดี', Spanish: 'Hola', Arabic: 'مرحب'. Shot 1 [0:00-0:03]—Low-angle extreme long shot establishing, Steadicam slowly advancing through golden sunset and sea mist, waves rolling behind the band. Lyric 1 (English 'Hello'). Hard cut. Shot 2 [0:03-0:05]—Close-up of the red tracksuit lead singer RAPPING to the camera, handheld whip-pan in, blurred shimmering light on the sea behind. Lyric 2 (Chinese '你好'). Hard cut. Shot 3 [0:05-0:08]—Macro insert shot, fixed camera, guitarist's fingers plucking strings quickly, sand and salty mist passing through the frame. Lyric 3 (Japanese 'こんにちは'). Hard cut. Shot 4 [0:08-0:10]—3/4 side medium shot of a musician, slow creeping orbit, instrument metal and wet highlights reflecting the low sunset. Lyric 4 (Korean '안녕하세요'). Hard cut. Shot 5 [0:10-0:13]—A musician by the shore, fast tracking shot passing him, he turns to the camera, a wave breaks behind him. Lyric 5 (Portuguese 'Ola'). Hard cut. Shot 6 [0:13-0:15]—Drummer by the water, handheld quick tilt up, sea breeze and spray blowing his hair, he drums to the beat. Lyric 6 (Thai 'สวัสดี'). Hard cut. Shot 7 [0:15-0:18]—Tight push-in on the red tracksuit lead singer during peak flow, aggressive handheld, twilight sea behind silhouetting the band. Lyric 7 (Spanish 'Hola'). Hard cut. Shot 8 [0:18-0:20]—Heroic extreme long shot of the whole band, aggressive handheld advance, lead singer and musicians stepping toward the camera on beat, waves crashing, golden sunset halo bursting behind the band. Lyric 8 (Arabic 'مرحبا'). White balance 4000K, teal-and-amber grading, 35mm, shallow depth of field, film grain, pervasive sea mist, golden hour glow. Solid, high-end texture. Rhythmic rap performance, precise lip-sync, head nodding to the beat. No subtitles, no text overlays, no dissolves, no duplicate characters, only hard cuts. Total duration 20 seconds.