Prompts de Vídeo para Product V

Create a product video ad from [image1],[image2], script "9:16, 24fps, 15 seconds. 0-3s: Close-up shot. In a dim room lit by warm ambient lamps, a stylish girl with bangs and freckles calmly puts on her over-ear headphones. 3-5s: Close-up of a finger tapping the "Play" button on a smartphone. As the music starts, the girl closes her eyes and begins swaying rhythmically to a heavy beat, fully immersed. 5-12s: Sophisticated Documentary Montage. The girl remains the absolute visual center within real-world settings: 1. Sitting on a couch at a dim party, she sways in her own world while crowds flow through the foreground and background. 2. At a livehouse venue, she sways in the center with people in the background rendered in artistic motion blur. The camera vibrates slightly with the beat, capturing her internal focus amidst external chaos. 12-15s: The camera snaps back to the girl in her room mid-sway. The background swiftly dissolves and transitions into a solid brand-red color, with a white brand logo “Apple Music”fading into the center. Negative Prompt: Any text, subtitles, watermarks, light effects, black background."

Create a 15-second ultra-realistic cinematic YouTube-style fashion vlog featuring the girl from the uploaded reference image as the exact character reference. Preserve her facial identity, eye color, skin tone, hairstyle, body proportions, and overall appearance throughout the entire video. The video begins with a handheld selfie-style shot inside her cozy bedroom. She looks directly into the camera and says with playful indecision, “I’m going to a party tonight, but I seriously have no idea what to wear.” She looks toward her wardrobe, walks behind the curtain, and quickly returns wearing a stylish cropped top with a mini skirt. She flicks her fingers toward the camera — snap! Her outfit instantly transforms into a fitted crop top with high-waisted jeans. She looks down at herself, poses, then gestures toward the camera as if asking, “This one?” Another finger flick — snap! The jeans transform into a trendy short skirt with a different top. She spins once, lets the skirt move naturally, then gives a playful uncertain expression. She flicks again — snap! Her outfit changes into a stylish party dress with heels and accessories. She strikes a confident pose, checks herself in the mirror, then looks back at the camera with an excited smile. For the final beat, she rapidly flicks her fingers once more and changes into a completely different glamorous party outfit. She looks at the camera, points at herself, then gestures “Which one?” with a playful expression as the camera pushes in. Fast seamless outfit transformations, no jump cuts during the actual changes, realistic fabric morphing, natural hair movement, consistent bedroom environment, handheld creator-vlog energy, expressive reactions, quick camera movements, smooth whip pans, natural daylight mixed with warm bedroom lighting, realistic skin texture, cinematic depth of field, photorealistic, ultra-detailed, 4K HDR, 24fps, 16:9. Audio: Natural room ambience, footsteps, wardrobe movement, finger snaps with satisfying transformation sound effects, subtle upbeat vlog-style background music, natural spoken dialogue. No subtitles, no logos, no watermark, no distorted hands, no duplicate people, no face changes.

Landing page hero section design for SpaceX orbital refueling depot, soft warm off-white and pale stone canvas, oversized clean photographic imagery with gentle natural light, elegant muted champagne and soft gray tones with subtle cyan accents, ultra-clean composition, sophisticated high-end typography, subtle floating glass elements, generous negative space, soft diffused lighting, minimal technical details, polished luxury product aesthetic, calm and refined atmosphere, ultra high detail 12k quality, cinematic depth ready for smooth video motion. Slow cinematic camera push-in, subtle floating particles and soft light movement, gentle atmospheric haze drifting, smooth elegant motion, premium cinematic feel, ultra-high detail, calm and refined atmosphere

Create a 15-second vertical 9:16 cinematic commercial for a fictional AI app called “MA”, an app that creates a quiet mental pause in busy daily life. Style: premium Japanese live-action film commercial, emotionally grounded, realistic Tokyo at night, rain-soaked streets, deep

WOMAN = a 26-year-old British woman, natural relatable UGC style, warm fair skin that reddens easily in the sun, light freckles across nose and cheeks, shoulder-length wavy light-brown hair loose, soft brows, blue-grey eyes, everyday face with minimal makeup, wearing a strappy pastel summer top with sunglasses pushed up on her head. Authentic girl-next-door energy. Appearance only. CITY = a sunny city street on a blazing hot summer afternoon, bright pavements, shopfronts, street trees, heat haze shimmering, an intensely bright sun high in a clear blue sky, harsh direct sunlight, strong warm highlights and glare. Environment only. DELURE = a sleek modern sunscreen bottle, clean minimal pastel-and-white packaging, the brand name "DELURE" printed clearly and legibly across the front in a modern sans-serif font, premium skincare look. Product only. SCENE: a warm, authentic UGC-style sunscreen advert. A young British woman walks through a sunny city on a blazing hot day; the harsh sun is reddening her cheeks. She stops, takes a DELURE sunscreen bottle from her bag, and applies the cream to her cheeks; the redness fades and her skin calms back to normal, healthy and happy. She smiles, relieved. The advert ends on a clean product shot of the DELURE bottle. TECHNICAL: 16:9 (or 9:16 vertical if preferred for UGC), bright natural handheld UGC-style camera, warm sunny summer color grade, crisp and clean, realistic self-filmed advert feel, shallow depth of field on the product shots, photorealistic. CUTS: CUT 1 (0-3s): Zoom straight into the blazing bright sun high in the clear blue sky, intense glare and lens flare, heat haze. Then tilt down to the woman walking along the sunny city street, squinting slightly against the heat, fanning herself. CUT 2 (3-6s): Camera zooms in on her FACE — warm and sunlit, her cheeks visibly flushed and reddened from the harsh sun, a slightly uncomfortable expression. Close on the reddened cheeks. CUT 3 (6-9s): She stops, reaches into her bag, and pulls out the DELURE sunscreen bottle. She squeezes a little cream onto her fingertips and gently applies it to her reddened cheeks, smoothing it in. CUT 4 (9-12s): Close-up on her CHEEKS — the redness visibly fading and calming, her skin returning to its normal healthy warm-fair tone, soothed and even. She relaxes, the discomfort gone, and smiles softly with relief. CUT 5 (12-15s): Camera shifts to a clean hero product shot of the DELURE sunscreen bottle held up in the sunlight (or resting on a bright surface), the brand name "DELURE" sharp and clearly legible, sunlight catching the packaging. A polished final beat. RULES: References are appearance only, do not recreate. Keep the woman's face and identity consistent across every cut. The brand name "DELURE" must be spelled correctly

15 seconds | 16:9 horizontal | 24fps. A 21-year-old Japanese actress sprints along a bright seaside breakwater, grabs a bottle of ice-cold water out of a cooler, drinks it down under

FORMAT:16:9 widescreen, 15 seconds, realistic influencer-style lifestyle video, cinematic 4K, natural lighting, premium fashion aesthetic, fast-paced editing, authentic creator energy. 0:00–0:03 — HOOK Influencer looks into the camera while holding her bag. Dialogue: “Okay, these are the things I’m obsessed with right now.” 0:03–0:05 — BAG Close-up of the bag as she picks it up. Dialogue: “First, this bag. I literally take it everywhere.” 0:05–0:07 — PERFUME Macro shot of perfume as she sprays it on her wrist. Dialogue: “And this perfume? My current favorite.” 0:07–0:09 — SUNGLASSES She puts on her sunglasses and looks confidently at the camera. Dialogue: “These sunglasses make every outfit better.” 0:09–0:11 — SHOES Close-up of her shoes as she starts walking. Dialogue: “And these shoes are way too good.” 0:11–0:13 — PHONE She checks her phone while walking through a stylish café or city street. Dialogue: “Obviously, my phone never leaves my hand.” 0:13–0:15 — FINAL SHOT Quick montage of all five items. She smiles and walks away. Dialogue: “Yeah… I’m obsessed with all of them.” STYLE: Natural influencer delivery, conversational tone, subtle facial expressions, accurate lip-sync, clean dialogue audio, upbeat background music underneath, quick 1–2 second cuts, smooth whip transitions, handheld camera movement, shallow depth of field, realistic product textures, premium but authentic social-media aesthetic.

Landing page hero section design for Tesla AI, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, cool cyan and steel blue with soft amber accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, asymmetric composition, generous negative space, ultra-premium futuristic aesthetic, ultra high detail

[00:00 - 00:03] THE HOOK (The Clean Snap) • Visual & Camera: Starts on the image anchor. Macro tight shot of the dark chocolate bar held by the 28-year-old East Asian woman. • Action / Movement: Hands snap the thick chocolate slab cleanly in half in extreme slow motion. A tiny puff of fine cocoa dust explodes outward at the breaking point. • Audio / Sound Design: Crisp, loud, reverberating "SNAP" sound effect that echoes sharply into silence. • On-Camera / Voice: None. Pure structural precision and acoustic clarity. --- [00:03 - 00:08] THE MELT & DRIP (Rich Texture) • Visual & Camera: Macro close-up tracking shot moving along a square of chocolate as liquid caramel or melted dark chocolate cascades smoothly over the edges. • Action / Movement: Thick, glossy molten chocolate flows slowly over the rigid edges, coating the surface in a seamless, velvet layer. • Audio / Sound Design: Deep, warm, low-frequency atmospheric synth pad swells smoothly. • On-Camera / Voice: None. Focus on fluidity and luxury. --- [00:08 - 00:12] THE PERSONAL EXPERIENCE • Visual & Camera: Medium shot, eye-level. Warm, ambient lighting casting a golden glow. • Action / Movement: The 28-year-old East Asian woman places a small square on her tongue, closes her eyes, and takes a moment to let it melt, exhibiting pure indulgence. • Audio / Sound Design: Music track softens to a gentle hum. • Dialogue (Real-time on-camera): "Pure, unadulterated dark." --- [01:12 - 00:15] THE HERO SIGN-OFF • Visual & Camera: Overhead static hero shot of the broken chocolate bar sitting alongside gold foil on a dark slate block. • Action / Movement: Light sweeps smoothly across the glossy surface of the chocolate. • Audio / Sound Design: Ambient music settles into a deep, elegant final chord. • On-Screen Text / Call to Action: "Indulge the Senses."

Format: 9:16 vertical | Style: Photorealistic premium skincare commercial SHOT 1 — Product Introduction | 0–3s The La Roche-Posay Effaclar Purifying Foaming Gel stands upright on a glossy white acrylic platform in a pristine luxury studio. Soft blue gradient light glows behind the tube. Slow cinematic push-in with subtle reflections. Product must remain exactly identical to the reference image: same tube shape, blue color, logo, typography, cap, proportions and packaging text. No redesign. SHOT 2 — Pick Up Product | 3–5s Close-up of a feminine hand reaching into frame and gently picking up the Effaclar cleanser. The camera follows the movement smoothly. Keep the background minimal, white and softly illuminated with blue accents. Packaging remains sharp, readable and unchanged. SHOT 3 — Dispensing Cleanser | 5–8s Macro close-up of the hand squeezing a small amount of cleanser onto the fingertips. Show the realistic gel texture and subtle glossy highlights. Clean studio lighting, shallow depth of field and slow controlled movement. SHOT 4 — Half-Face Application | 8–11s Cut to the woman applying the cleanser to her face. Only half of her face is visible. Use a tight side-angle crop showing one cheek, part of the jawline and lips. The other half of her face remains completely outside the frame. She gently massages the cleanser in circular motions as soft white foam develops. Never show her full face or a frontal portrait. SHOT 5 — Rinse & Fresh Skin | 11–14s Extreme close-up from the side as she rinses the cleanser away with clean water. Only half of her face remains visible. Water droplets move naturally across the cheek, catching soft studio light. Transition through a subtle water splash/ripple. SHOT 6 — Final Hero Product | 14–18s Return to the Effaclar tube standing perfectly centered on the glossy white platform. A soft blue light sweeps across the background. Subtle water reflections surround the base. Camera slowly pushes in and ends on the product front, with the packaging fully visible and legible. Overall aesthetic: luxury French pharmacy skincare campaign, clinical-clean studio, white and soft blue palette, realistic skin texture, elegant feminine hands, cinematic macro photography, soft shadows, controlled highlights, shallow depth of field, smooth camera movement, photorealistic 4K. Negative prompt: full-face reveal, frontal face, recognizable identity, altered packaging, changed logo, incorrect text, warped tube, distorted hands, extra fingers, duplicate product, excessive foam, unrealistic skin, CGI look, cartoon style, cluttered background, watermark.

A clean, bright, modern kitchen commercial for “Leisure Hydration” lemonade electrolyte drink. Soft natural daylight, white marble countertop, fresh lemons and mint leaves scattered around. Start with a close-up of a tall yellow-and-white aluminum can covered in condensation droplets. The can has playful cartoon lemon character with headphones and a yellow umbrella, text “lemonade”, “leisure HYDRATION”, “5g SUGAR”, “NON CARBONATED”, “electrolyte refresher”, “+ VITAMINS, MAGNESIUM, ADAPTOGENS”. Elegant white text overlay “Hydrate Smarter.” appears. A woman’s hand reaches in and picks up the can. Cut to a beautiful East Asian woman with long straight black hair, wearing a white tank top. She brings the can to her lips, closes her eyes, and takes a refreshing sip. She then lowers the can, opens her eyes, and gives a bright, genuine smile while looking at the camera. She continues smiling and speaking naturally while holding the can near her face. Quick cut to a dynamic product shot of the same can surrounded by flying lemon slices, mint leaves, and dramatic water splashes against a bright white background with soft sunlight rays. She then holds the can forward toward the camera with a big cheerful smile, presenting the product. Soft, fresh, lifestyle commercial style, high-end beverage ad, vibrant yellow and white color palette, clean and refreshing mood. Voiceover (friendly female voice): “I’ve been loving this Leisure Hydration lemonade. It’s packed with electrolytes, only 5 grams of sugar, non-carbonated, and includes vitamins, magnesium, and adaptogens. It’s my go-

30s | 16:9 | Realistic UGC cleanser recommendation | strict one-take | natural smartphone footage Use the same young woman from the reference image throughout the entire video. She has a short black bob haircut, light natural makeup, real skin texture, a slim body, and natural proportions. Keep her face, hairstyle, outfit, and body proportions fully consistent in every second of the video. She must wear the same blue short-sleeve collared pajama top and matching blue pajama shorts from the reference image. The product is one facial cleanser. The key product behavior is: when mixed with water in her hands, it should create rich, fine, realistic white foam. The foam must be formed naturally through rubbing with wet hands, then applied onto the face. It must not appear as a visual effect or pop into existence. Scene A cozy, ordinary apartment with natural daylight. The video starts in the living room. Background includes a beige sofa, coffee table, floor lamp, green plants, and a few real everyday items. The girl sits cross-legged on a rug. In front of her is a plain kraft shipping box, and beside it is a small household pair of scissors. The bathroom is connected nearby and can be naturally walked into. Spatial continuity must feel real and uninterrupted. Camera style This must be one continuous take from start to finish. No cuts, no transitions, no hidden edits, no jump frames, no teleportation. It should feel like a friend is filming her on a phone. Use a natural smartphone wide-angle lens, with slight handheld shake, realistic autofocus and exposure changes. Do not make it feel like a polished commercial. No cinematic camera moves, no subtitles, no over-retouching, no plastic skin. The overall vibe: she just received a cleanser her friend recommended and casually filmed a real unboxing + first try. Sequence 0–3s | Opening Camera starts in the living room. She sits on the rug with the package in front of her, looks at camera, smiles naturally and says: “Okay, this finally came.” Then she looks down at the package. 3–8s | Unboxing She picks up the scissors, holds the box steady with one hand, and cuts through the top tape naturally while saying: “My friend has been telling me to try this cleanser.” She puts the scissors back down and opens the box with both hands. 8–12s | Product out She takes the cleanser out, looks at it briefly, then lifts it naturally toward the camera. No cutaway product close-up, only a slight camera lean-in. She says: “She literally swears by it.” Then smiles and says: “Let’s try it.” She prepares to stand up with the cleanser. 12–17s | Walk to bathroom She stands up naturally while holding the cleanser. The camera backs up and follows her continuously as she walks from the living room into the bathroom. She says while walking: “I haven’t even washed my face yet, so perfect timing.” 17–20s | Wet face At the sink, she places the cleanser beside the sink, turns on the tap, gathers water in her hands, and wets her face. Water must physically touch the skin. Natural droplets appear on hands and face. 20–23s | Foam up She picks up the cleanser, squeezes a small amount into her wet palm, puts the cleanser back down, adds a little water, and rubs both hands together. The foam must build gradually from a small amount into rich, fine white foam. 23–26s | Wash face She applies the foam to her face and massages her cheeks, nose, forehead, and chin naturally. Foam follows her hand movement realistically. Do not cover her eyes. Do not make the foam excessive or like shaving cream. She reacts with mild pleasant surprise and says: “Oh... this feels really nice.” 26–28s | Rinse off She leans toward the sink, uses clean water to rinse off the foam. The foam gradually disappears with water. Her face is revealed clean and naturally wet, with a few droplets still visible. 28–30s | Final reaction She lifts her head, gently touches her cheek, turns to the camera, smiles with a pleasantly surprised expression and says: “Okay... I get the hype.” Then she picks up the cleanser and shows it naturally, saying: “She was right.” End naturally. Critical continuity rules The whole action must happen in one real continuous shot: sitting in living room → pick up scissors → cut tape → put scissors down → open box → take out cleanser → show cleanser → stand up → walk to bathroom → place cleanser down → turn on water → wet face → squeeze cleanser into palm → add water → rub hands → foam forms → apply foam to face → massage → rinse off → touch face → pick up cleanser → share reaction. Must avoid No second cleanser. No product teleportation. No hairstyle change. No outfit change. No face change. No hand/finger deformities. No environment changes. No sudden dry/wet face continuity errors. No foam appearing from nowhere. No hidden cuts. Key story: friend strongly recommends it → package just arrived → she opens it immediately → walks straight to the bathroom → tries it right away → real foaming wash → genuinely likes how her skin feels. Natural, casual, relaxed, everyday American UGC tone.

Project: Frozen Shell (15-Second Ice Cream Campaign)\nFormat: Text-to-Video with Image Anchor (Start Frame)\n\n---\n[00:00 - 00:03] THE HOOK (The Shell Crack)\n• Visual & Camera: Starts on the image anchor. Extremely tight macro close-up on the frozen dark chocolate shell of the ice cream bar.\n• Action / Movement: The 26-year-old Latina woman bites into the bar in hyper-slow motion. The hard chocolate shell cracks in intricate spiderweb patterns before a piece breaks off cleanly.\n• Audio / Sound Design: A sharp, wooden \"CRACK-CRUNCH\" sound effect followed by a deep sub-bass pulse.\n• On-Camera / Voice: None. High-contrast texture shift.\n\n---\n[00:03 - 00:08] THE CREAMY DIP & DIP-FLOW\n• Visual & Camera: Macro shot of the interior showing dense, rich vanilla bean ice cream contrasting against the dark chocolate shell fragments.\n• Action / Movement: Slow-motion shot of a fresh ice cream bar being dipped into a vat of liquid chocolate, pulling out as a smooth, glossy coat quickly freezes into a matte finish.\n• Audio / Sound Design: Smooth, airy \"WHOOSH\" sound layering into a bright, summer-themed indie-pop synth line.\n• On-Camera / Voice: None. Focus on temperature contrast and surface transformation.\n\n---\n[00:08 - 00:12] THE REFRESHMENT\n• Visual & Camera: Medium shot, eye-level. Golden hour sunlight highlighting her face.\n• Action / Movement: The 26-year-old Latina woman laughs softly, savoring the bite as sunlight reflects off her face. She looks straight at the camera.\n• Audio / Sound Design: Music track dips under clear vocal audio.\n• Dialogue (Real-time on-camera): \"Worth every single bite.\"\n\n---\n[00:12 - 00:15] THE HERO SIGN-OFF\n• Visual & Camera: Crisp hero shot of the ice cream bar resting on a marble surface next to vanilla beans and crushed dark chocolate pieces.\n• Action / Movement: A single drop of melted chocolate falls from the tip onto the marble in slow motion.\n• Audio / Sound Design: Upbeat final acoustic chime fade-out.\n• On-Screen Text / Call to Action: \"Break the Cold.\"

The Grok humanoid robot wearing a blue Carhartt-style jumpsuit with short sleeves featuring the Xai logo, a baseball cap with the same Xai logo, and blue Converse high top sneakers. Keep the overall pose, industrial background.

30-second cinematic sci-fi video, 16:9. Inside a highly detailed futuristic workshop, one skilled adult male engineer builds one humanoid robot. Keep the SAME man, SAME clothing, SAME workshop, and SAME robot perfectly consistent throughout. The robot never duplicates or changes design. [0–5s] Wide establishing shot. The engineer stands beside an unfinished humanoid robot secured upright on a mechanical platform. Its metallic frame, exposed wiring, joints, and dark inactive eyes are clearly visible. Slow camera push forward. [5–10s] Close tracking shot. The man carefully installs a glowing blue power core into the robot’s open chest compartment. Tiny sparks flicker as he connects several cables with precise hand movements. [10–15s] Side view. He uses a handheld electric tool to attach polished armor plates to the robot’s shoulders and chest. Mechanical clamps hold each component firmly in place. Realistic tool motion and metal reflections. [15–20s] Close-up. The engineer gently installs the robot’s final facial panel, creating a sleek but unmistakably mechanical humanoid face. He steps back and studies his work. [20–25s] The man activates a control panel. Electrical energy flows through illuminated circuits across the robot’s body. Its eyes gradually glow blue, fingers move naturally, and its head slowly turns toward its creator. [25–30s] The robot carefully steps down from the platform and stands face-to-face with the engineer. The man smiles proudly and extends his hand. The robot looks at it, then gently shakes his hand. Camera slowly circles them for a powerful final shot. Ultra-realistic cinematic lighting, intricate mechanical detail, natural human movement, believable robotics, smooth camera motion, realistic physics, dramatic reflections, consistent scale and anatomy. No morphing, duplication, extra people, extra robots, text, subtitles, logos, or watermark.

Create a product video ad from @image1,@image2, script "A high-end cinematic fashion ad video, vertical 9:16, ultra-realistic, premium lighting, smooth transitions, strong rhythm. Use the exact female model shown in the reference as the model and the exact outfit shown in the reference as the outfit, worn consistently in all shots with full design, color, material, and structure preserved. Maintain consistent identity. Industrial city aesthetic, cool tones shifting to warm sunset. No text, no watermark. 0–2s (Hook + Detail) Indoor minimalist space. The exact female model shown in the reference walks away from camera, soft natural light. Cut to close-up of outfit fabric, folds, and structure, realistic texture. 2–4s (Lifestyle) Wide shot in industrial corridor, full outfit visible. Side tracking shot along concrete wall, emphasizing silhouette and structure lines. 4–6s (Detail + Portrait) Macro of fabric movement (layered/flowing). Cut to mid shot portrait, calm confident expression, slight hair movement. 6–8s (Detail + Lifestyle) Extreme close-up of stitching, seams, material transitions. Top-down wide shot walking through dark industrial tunnel, strong contrast. 8–10s (Detail + Lifestyle) Tracking shot of garment motion while walking. Transition to warm sunlight street crossing, enhancing texture and color. 10–12s (Detail + Portrait) Close-up of lower body or hem movement. Cut to face close-up, clear skin detail, steady gaze. 12–15s (Final) Epic wide sunset shot on a bridge. The exact female model shown in the reference faces skyline, then looks toward camera. Warm light, slow-motion ending. Style: cinematic fashion ad, high-contrast lighting, realistic motion, sharp details, premium commercial quality, no distortion."

Create a 15-second premium Japanese technology commercial announcing the arrival of Seedance 2.5 on Tasky. IMPORTANT: GENERATE ABSOLUTELY NO TEXT OR TYPOGRAPHY ANYWHERE IN THE VIDEO. All titles, captions, product names, brand names, and Japanese copy will be added later during

The Busy Beaver’s desk now has its flower point: 64 SWITCHES 1 FLOWER VASE WORK PLAY LIFE The flowers bring color into the computation without interrupting the Beaver’s work.

Vertical 9:16 video, photorealistic high-end nail salon aesthetic mixed with soft anime-style wide shots. A seamless step-by-step close-up sequence of a professional manicure process on elegant long almond-shaped nails: filing, dusting off white powder with a fluffy brush, wide shot of a cute anime girl sitting in a bright luxury nail salon vanity, applying glossy gel base coat, curing under a UV lamp, buffing iridescent pearl white chrome powder with pearl accents, applying shiny top coat, and placing cuticle oil drops. Ends with the client admiring her glossy metallic pearlescent silver nails under warm glowing lights. Macro-focused shots, ultra-realistic textures, pastel tones, smooth transitions, soft cozy ambiance, cinematic lighting, 4k resolution.

[REFERENCE LAYER] Uploaded reference images, in upload order: @Image1 — CHARACTER REFERENCE, BUNGEE STATE. The man, wearing his black bungee harness with the shirt collar closed. Identity and wardrobe reference only. @Image2 — CHARACTER REFERENCE, VILLA STATE. The same man with no harness and the shirt collar open. Identity and wardrobe reference only. @Image3 — PRODUCT REFERENCE. The NAGI beer can. Design reference only. Follow @Image1 strictly for his face, hair, stubble, build and clothing in every shot from 0s to 13s, including the black bungee harness on his waist and thighs. Follow @Image2 strictly for the same man from 13s to 18s, with no harness and an open collar. Follow @Image3 strictly for the can in every shot where it appears: the matte pale sea-glass body, the bare silver rim, lid and tab, the thin white horizontal line, the white word "NAGI", the small white "JAPANESE LAGER" beneath it, and the slender white barley ear. The man in @Image1 and the man in @Image2 are the SAME person. Keep one single identity. None of these images is a starting frame. Do not open the film on any of them. Do not inherit their composition, their angle, their crop, their flat grey background or their flat studio lighting. Take only the identity, the wardrobe and the product design from them. [ONE-LINE SUMMARY] 18 seconds | 16:9 | 24fps | 720p. Live-action beer commercial. The man from @Image1 dives head-first off a catwalk on a jungle bridge, falls into a gorge toward a single point of white light, grabs the @Image3 can resting on a crystal at the bottom, rises holding it, and arrives in a luxury villa where he finally relaxes. Cinematic live action, shallow depth of field, natural light. Fast-paced advertising edit. [GLOBAL SETUP] Environment and texture: Remote Southeast Asian jungle at morning, a vast limestone gorge filled with mist. Humid air. Emphasize extremely realistic physical texture. Visual style: Cinematic live action. Shallow depth of field. Natural light and backlight. Film grain. Camera language: Only one camera movement per shot. Never mix movements. Character: exactly as in @Image1 — lean and wiry, long narrow face, warm tanned weathered skin, narrow hooded eyes, straight nose bridge, thin lips, angular jaw, short black hair with grey at the temples, light patchy stubble, faded olive-green jungle shirt with sleeves rolled below the elbow, dark khaki cargo trousers, scuffed brown hiking boots. Preserve real fine pores and authentic skin texture. From 0s to 11s he always wears the black bungee harness from @Image1: the waist belt with its steel buckle and both thigh loops joined by flat webbing. The harness is visible whenever his body in frame. Never remove it early. From 13s onward he matches @Image2 exactly: no harness of any kind, collar button open. Product: exactly as in @Image3. Never change the colour, proportions or printing of the can. Falling posture rule: He always goes over the edge leading with his head and chest, tipping his upper body forward into the drop. His feet leave the catwalk last. He never steps off feet-first, never drops feet-down, and never falls with his legs below him. He is head-down and upper-body-first from the instant he leaves the catwalk until he reaches the bottom. Can orientation rule (important): While it rests on the crystal, the can stands UPSIDE DOWN in world space — its lid resting flat on the crystal surface, its base pointing up toward the sky, and the word "NAGI" reading upside down to the world. This is intentional; do not correct it. Because the man arrives head-down, the can appears upright from his point of view, so he grips it in a completely natural way, thumb toward the lid. When his body then rotates head-up, the can rotates with his hand and ends up correctly oriented, lid up, held naturally. His grip never changes or re-adjusts during this rotation. Core of the performance: Falling = everyday stress. Rising = release. The film opens on a tense face and answers it with the same face released. VOICE-OVER RULE (read carefully): There are exactly two spoken lines in this entire film. Both are voice-over, spoken by an unseen narrator with a calm, low, warm male voice, unhurried and quiet. Nobody on screen speaks these lines. The man's mouth does not move for them and there is no lip sync anywhere in the film. The two lines are: at 8.5s — 「うるさい毎日に、」 at 15.5s — 「静けさを、一本。」 These two short lines are the complete and total amount of speech in the film. Add no other narration, no other dialogue, no improvised words, no extra sentences, and do not repeat these lines. The only other human sound in the film is his scream during 4.5-7.5s, which is not speech. [TRANSITION SETUP] Forbid hard cuts. Forbid objects appearing out of nothing. Maintain the breathing of the camera in harmony with the shot lengths, and leave enough time for each transition. This film has exactly eight shots. Render all eight. Do not merge or drop any of them, including the short opening shots. [TIMESTAMPS] 0-1s [THE FACE — EXTREME CLOSE-UP] Action: The film opens on this shot. Extreme close-up of the @Image1 man's face filling the frame. Sweat beads at his temple and runs down. His pupils are wide. His jaw is tight and a muscle flexes at the hinge. He blinks once, hard. His breathing is shallow and fast through slightly parted lips, and his eyes flick downward and away, unable to hold still. Loose strands of hair move in the wind at the edge of frame. Intent: Put the viewer inside his stress before showing them anything else. This is dread, not adventure. Camera: Extreme close-up, locked off. No camera movement at all. Color: Cold blue-green. Desaturated. Hard side light from a low sun. Audio: A deep slow human heartbeat, low and very close, as if heard from inside his own chest. This is the only prominent sound. Beneath it, only his shallow breathing and the faint sound of wind moving through the gorge. There are no city sounds of any kind: no traffic, no cars, no crowds, no station announcements, no phones, no machinery, no distant voices. No background music. No voice-over in this shot. On-screen text: none. -> Natural cut 1-2.5s [THE VOID — STRAIGHT DOWN] Action: Cut to a camera positioned high above, looking straight down. Directly below, a narrow open steel-grating catwalk juts out from a rusted steel truss bridge into empty air, a thin bright line across an enormous field of drifting mist. The @Image1 man is a small figure standing near its tip, wearing his harness, the bungee rope curling behind him along the grating. Below and around the catwalk there is nothing but the mist-filled void of the gorge. Intent: One pure image of how high and how alone he is. No face, no acting — the thin line of metal and the void do the work. Camera: Directly overhead, looking straight down, locked off. No camera movement at all. Color: Cold blue-green. Heavy mist. Almost abstract. Audio: Only the heartbeat, close and loud. Wind moving through the gorge. The faint creak of steel grating. No city sounds. No background music. No voice-over in this shot. On-screen text: none. -> Natural cut 2.5-4.5s [THE JUMP — FULL BODY, SIDE ON] Action: Cut to a side view of the catwalk from across the open air, at roughly the same height as the man. His full body is clearly visible, matching @Image1 exactly, with the black bungee harness plainly visible on his waist and thighs and the rope running from it back along the grating. So is the structure he st

Create a bright, premium lifestyle product video featuring colorful OLLY gummy vitamins. Start with a close-up of the gummy bottle on a clean, aesthetically pleasing surface. Slowly reveal the colorful gummies, highlighting their texture, shape, and vibrant appearance. Show a hand picking up a gummy and bringing it toward the camera, followed by a natural wellness moment. Use soft daylight, warm tones, smooth camera movements, shallow depth of field, realistic product details, subtle reflections, and a clean commercial aesthetic. End with the OLLY bottle clearly visible in a polished hero shot. High-end beauty advertisement, cinematic lighting, realistic textures, smooth transitions, 4K quality.

Base Settings: Based on the visual language and audio information of this storyboard, generate a professional commercial for soda filled with Japanese high school sports movie aesthetics and narrative. Generate sound effects only, no background music. Visual Style: Modern Japanese youth cinema aesthetic, simulating the transparent layering of 120 medium format film or the clean texture of a digital cinema camera with Black Pro-Mist filters. The image is clean and delicate with minimal grain. Lighting: High-key backlight and soft diffuse ambient light, with characters wrapped in a slight glow. Highlights allowed to bloom/halate in sun white, pale cherry pink, or soft gold; shadows remain clean and transparent with a slight cyan-blue tint, no crushed blacks. Palette: Low contrast, low saturation, Japanese healing tones. Overall colors are soft, bright, airy; skin tones natural and clean. Cinematography: Real live-action film style, shallow depth of field, natural focus transitions, slight handheld breathing, smooth motion. Character movements are natural and restrained, conveying emotion through eyes, breath, running, and pauses. The visuals should look like a Japanese hot-blooded youth movie, not anime, illustration, MV, or idol photography. Character Settings: Character A: Black short-haired male student, calm, steady gaze. Character B: Slightly wavy dark brown short-haired male student, direct, expressive. Character C: Ear-length black short-haired female student, basketball club point guard, the protagonist. Content: Scene 01 | 0.0-1.5s | Signal Location: School hallway. Start: Extreme close-up of Character C's face. She has just run, sweat beads on forehead, short hair stuck to the cheek, breathing slightly fast. She looks up sharply off-camera. Background is a blurred Japanese high school hallway. End: Pull back to chest shot. Character C holds a basketball in one hand and a blue-purple RAIKU POP bottle in the other. She turns and runs down the hallway wearing a white uniform shirt, dark pleated skirt, and black training vest. The bottle is covered in condensation. Scene 02 | 1.5-3.0s | Chase Location: Long hallway. Character C runs through, basketball at side, soda in other hand. Side low-angle tracking shot. Character A appears at the corner, catches a rolling ball, and both move towards stairs. Scene 03 | 3.0-4.5s | Stairwell Junction Location: Cement stairs. Character B runs down from above. Character C appears from below, tosses the RAIKU POP to Character A. Character A catches it while running. Scene 04 | 4.5-6.0s | Connecting Bridge. Three students enter from different directions. Long lens compresses distance. Basketball flies towards lens for a circular wipe transition. Scene 05 | 6.0-7.5s | Rooftop Steal. Character B pushes metal door open, catches ball in strong backlight. Character C steals the ball and turns to exit. Scene 06 | 7.5-9.0s | Entering Court. Character C enters dim equipment passage, A and B follow. Character A places RAIKU POP on an old wooden bench. Close-up on the product, condensation sliding, blue bubbles rising. Scene 07 | 9.0-12.0s | The Final Shot. Japanese high school gym. Character C breaks through defense in dark navy/blue-purple jersey. High-speed floor tracking shot. She jumps for a three-pointer. Low-angle shot of jump, ball leaves fingertips. Match cut to Character A unscrewing the cap, then to the ball passing through the net. Scene 08 | 12.0-15.0s | After School Boiling Point. The three sit on a bench in jerseys, each drinking RAIKU POP. PET bottles clink. Tired but satisfied mood. End: Fade to dark navy brand background with logo 'RAIKU POP' and slogan 'After school, the boiling point has just begun.'

Live-action running-shoe commercial. 20 seconds. No cuts are used. The background is one flat electric blue from beginning to end. No gradient, no texture, no floor, no shadows. The shoes fall continuously from the top of the frame towards the bottom. Dozens of running shoes are in frame at any one moment. They are all the same single model and differ only in colour: a light, thin running shoe with a thick white foam midsole under a brightly coloured knit mesh upper, with one small silver tab at the heel. That tab is the same silver on every colourway, and there is no gold or black metal anywhere on the shoe. The colours run through orange, lime, coral, dark grey, white and pale blue. Every shoe falls from top to bottom. They all fall the same way; what differs is that each tumbles on its own axis, so in any one frame some show their outsoles, some their sides, and some are seen from above. Any shoe that comes close to camera enters from the top of the frame and leaves through the bottom; none of them appears or disappears in the middle of the frame. The near ones are large and sharp; the far ones read only as small blurred patches of colour. Focus holds on one plane and everything in front of and behind it falls softly away. The camera holds its position, breathing very slightly. What carries the frame is the shoes. Partway through, a torn paper edge sweeps across the frame and opens the layer beneath it. Along every tear the white core of the paper is left ragged and fibrous, and a soft shadow falls onto the layer below. Wherever she appears, the camera is in front of her. It never follows her back or the back of her head; her face is turned towards camera. The photograph under the paper is black and white: high-key, with the sky blown out to white, and coarse darkroom-print grain. Even inside that black and white, the shoes keep their colour. One woman appears and she is the same person throughout: a Korean woman in her early twenties, with clearly defined features, long eyes and a narrow jawline. Her hair is deep auburn, falling in heavy waves to her waist, with a few fine braids running sideways from the crown. She ties it back in a single tail to run. She wears three things: a pale blue halter crop top underneath, a dark grey sheer cropped bolero over it with long sleeves and thumbholes that cover the backs of her hands, and dark grey joggers gathered at the ankle with a pale blue drawstring at the waist. She stays in all three while she runs; they never turn into a running vest or short athletic shorts. On her feet is the white-foam-midsole running shoe described above. (0:00–0:03) The film opens on the side of a coral running shoe filling the upper left of the frame, close enough that individual strands of the knit upper, the grain along the midsole and the stitching all read. It tumbles on its axis towards the lower right until the inside of the shoe comes into view. Behind it, dozens more come down at varying sizes. (0:03–0:05) A lime pair catches on the top edge of the frame with only the toes pushing in, close enough that the individual strands of knit mesh and the texture of the midsole are visible. The rest of the frame is blue, with only a few small shoes coming down far away in it. (0:05–0:07.5) LAND LIGHT fades up at the centre of the frame in white serif capitals with very wide letter spacing, fixed in place. Printed on paper, its strokes show horizontal printing lines inside them. One falling shoe drops in front of the letters and another behind them. From the lower right corner a torn paper edge rises at an angle and peels the blue layer away. (0:07.5–0:13) Where the edge has peeled back, a bright black-and-white photograph fills in. The camera sits low on the polyurethane track directly in front of her, facing her head-on and retreating as she runs towards it. The white foam midsole reaches forward, compresses as it meets the ground and springs back. The shoes alone hold their coral; everything else is black and white. The camera rises from her feet to her face and frames her from the front, chest up and large. Her eyes fixed straight ahead, her face wet with sweat and her dark auburn hair swinging all read clearly. The stands and the sky behind her fall softly out of focus, and the sky is blown out to white. (0:13–0:16) The torn edge rises from the bottom of the frame and the blue layer comes back. A coral pair falls through dead centre with one shoe crossing over the other, the camera further back now so the whole shoe reads. A single highlight travels across the small silver tab at the heel. (0:16–0:17.5) A single sheet of electric blue paper, come down from the top, covers the frame. Its lower edge is torn, with the white core of the paper showing. (0:17.5–0:20) A bright off-white paper field. At the centre, two lines of thin capitals: LAND LIGHT, RUN LONG. No other lettering and no symbol. A torn edge crosses the lower part of the frame at a very shallow angle. The final frame settles on exactly this. This has to read as a real commercial film. The print grain applies to the black-and-white layer only; the blue layers are sharp. Lettering appears in exactly two places: LAND LIGHT at 0:05–0:07.5 and the two lines on the final frame. No brand name and no logo symbol appear anywhere.

Generate Video: Create a 10-second high-end luxury perfume commercial for the original fictional luxury brand "MAISON LUMÉA" and the product "Obsidian Elixir." The overall production must present a top-tier international perfume film quality, as if co-created by a master director, luxury creative director, top director of photography, Paris haute couture art team, jewelry-grade product photography team, and a cinematic post-production house. The visuals must look like a flagship brand commercial made with a multi-million budget: extremely high-end, mysterious, sensual, expensive, and restrained, with an aura of "night, golden liquid, velvet, firelight, and rare fragrance." Do not include any real brand logos, do not imitate existing perfume brands, avoid cheap e-commerce imagery, do not look like a livestream product display, and avoid messy subtitles. Aspect ratio 16:9, duration 10 seconds, cinematic realistic style, ultra-high-end commercial photography. Main color palette: deep black, obsidian, dark gold, amber gold, faint burgundy, and ivory white highlights. The overall scene is dark with extremely precise lighting, using a small amount of highlights to sculpt the perfume bottle. Texture references: top perfume ads, jewelry ads, red carpet haute couture films, museum-grade still-life photography: large areas of black negative space, understated luxury, velvet-like shadows, golden liquid appearing like fire sealed in obsidian. The overall vibe must not be noisy, flashy, neon-cyber, excessively purple-blue, or plastic-like. Product Setting: A bottle of original high-end perfume "MAISON LUMÉA Obsidian Elixir." The bottle is heavy obsidian-textured glass, nearly black but with translucent smoky gray refraction at the edges. The bottle silhouette is simple and sculptural, like an architectural work of art. Inside the bottle is deep amber-gold perfume liquid, showing rich layers of honey, aged cognac, and molten gold under light. The cap is dark gold metal, restrained in design with fine brushed texture, and a small black crystal embedded at the top. The front of the bottle can feature minimalist branding "MAISON LUMÉA" and the product name "Obsidian Elixir" in a small font; the text must be exquisite, centered, and understated, like real high-end silk-screen printing, no garbled code, not too large, not like a sticker. Scene Setting: The perfume bottle is placed on a display stand at the junction of black velvet and obsidian mirror-finished stone. The background is an extremely dark Parisian night interior, like a private salon, a candlelit room in an ancient palace, or a haute couture fragrance lab. In the distance are blurred candlelight, dark gold frames, black curtains, light smoke, and faint petal silhouettes, but the background must be blurred to not distract from the product. Extremely fine golden fragrance particles float in the air, visualizing the scent in a very restrained, realistic, and elegant way. No clear faces of people; a fleeting blur of black silk or a haute couture skirt can pass by for atmosphere, but the product is always the absolute protagonist. Shot Design: 0-2s: Start from total black. A very narrow, warm golden light beam slowly enters from the top left, first illuminating a soft fold on the black velvet surface. Macro close-up, very shallow depth of field, showing velvet fuzz and tiny fragrance particles. Then, a sharp highlight traces the edge of the obsidian glass at the base of the bottle. The audience cannot yet see the full bottle, only feeling an expensive, mysterious, and highly ceremonial opening. 2-4s: The camera slowly moves up and pushes in slightly, revealing the obsidian glass bottle. The edges show smoky translucent refraction, while the center is almost opaque black. The amber-gold liquid inside looks like a low-temperature burning golden flame as light passes through. The bottle surface has clean mirror reflections, with distant candlelight forming tiny, soft, expensive light points in the glass. Movement must be stable, slow, like a robotic arm, no shaking. 4-6s: Cut to an extreme close-up of the perfume liquid. The golden liquid inside flows slightly, like a mix of honey, amber, and molten gold, thick but elegant. Light creates complex refractions with small golden ripples at the edges. Faint wisps of smoke rise from near the bottle neck, with abstract silhouettes of black rose petals, vanilla pods, and amber resin visible within the smoke, but these shouldn't look like props—only olfactory imagery. This section needs to be extremely sensory; the audience should almost "smell" the fragrance. 6-8s: Pull back to a full product hero shot. The bottle stands at a 3/4 angle on the obsidian platform. The dark gold metal cap is precisely lit by a narrow beam, and the golden liquid inside glows deeply. Black velvet drapes naturally behind the bottle, with distant candlelight blurred into tiny golden bokeh. A few black rose petals fall slowly—very few, with elegant trajectories, not like a wedding petal shower. The camera slowly orbits 15 degrees from a low angle, creating a sculptural product introduction. 8-10s: Final freeze-frame resolution. The bottle is centered-right, with high-end black negative space on the left. The brand name "MAISON LUMÉA" is clear but understated, with the product name "Obsidian Elixir" presented in a small size. In the last second, a warm golden highlight slides from the cap to the bottle, passing through the golden liquid for a brief, restrained, expensive gilded shimmer. Fragrance particles float slowly around the bottle, ending on a static, expensive, collectible moment. Photography Requirements: Cinematic commercial photography language, ARRI Alexa 35 or equivalent texture, combining 85mm and 100mm macro lenses, shallow depth of field, realistic lens breathing, precise light control, black flag shading, narrow golden key light, soft candlelight reflections, velvet shadows. Sharpness focused on bottle edges, metal cap, liquid refraction, branding, and obsidian glass texture. Background must be softly blurred. Lighting Requirements: Low-key lighting, shaping the bottle with minimal light in a black space. Key light is a warm golden narrow beam, fill light is very weak, rim light slightly cool white to make obsidian edges three-dimensional. Candlelight is for background atmosphere only. Highlights must be delicate, smooth, and expensive, not overexposed or flickering cheaply, no rainbow artifacts. Shadows are rich but preserve the bottle's silhouette. Material Requirements: Obsidian glass must be heavy, realistic, semi-transparent with refractions and mirror reflections; metal cap must be dark gold brushed texture, not bright yellow plastic; perfume liquid must look like high-concentration amber gold with depth and fluidity; velvet must be soft with dark layers; stone platform must be black mirror with restrained reflections. All materials must look like real high-end photography, not 3D asset libraries or cheap rendering. Dynamic Requirements: Movements are extremely slow, steady, and restrained. Allowed dynamics: slow light sweeps, slight camera push and orbit, slight liquid flow, slow rising smoke, a few slow-falling petals, light floating particles. No fast cuts, no excessive bottle spinning, no liquid splashing, no exaggerated explosions, no magic effects, no floating products, no camera shake. Post-production Texture: Cinematic color grading, high-contrast dark tones, clean blacks, rich gold but not oversaturated, skin elements almost non-existent. Like a haute couture perfume ad. Add very slight film grain, soft highlight bloom, realistic lens vignetting, but not dirty or overly blurry. The final result must be suitable as a visual for a luxury perfume launch with artistic sophistication. Sound Imagination (Visual Reference): Deep strings, faint glass resonance, soft breathing, crackling fire, a final light metallic note. Although generating video, the visual rhythm should feel supported by high-end scoring: 0-4s mysterious buildup, 4-6s sensory burst, 6-8s product reveal, 8-10s brand lockup. Negative Requirements: No real brand logos (Chanel, Dior, Guerlain, Tom Ford, YSL, etc.); no garbled text, spelling errors, long subtitles, promotional slogans, prices, buy buttons, e-commerce backgrounds, livestream lighting, cheap glass, plastic caps, overly bright gold, messy desks, ordinary bathrooms or mall counters; no distracting figures, hand deformities, bottle warping, liquid clipping, thick smoke, too many petals, low resolution, overexposure, jitter, or AI distortion. The overall feel must be obsidian-mysterious, gilded-luxurious, haute-couture-restrained, with million-dollar-budget production value. 16:9, 10s