Korean Romantic Comedy Bus Scene Script

Prompt

# Seedance 2.5 — 30-second Korean Bus Romantic Comedy / Sudden Brake Catch / Romantic Long Kiss / Bus Exit Cheek Kiss Use exactly 2 uploaded image assets. image1 = The sole and highest priority reference for the adult female lead's identity, face, hairstyle, body type, school uniform, and accessories. Strictly maintain the recognizable face, skin tone, light blue short hair, white cloud hair clip, blue fish hair clip, petite proportions, and the exquisite deep blue school uniform, white shirt, bow, plaid skirt, socks, and shoes from the reference image. image2 = The sole and highest priority reference for the adult male lead's identity, face, hairstyle, body type, school uniform, and accessories. Strictly maintain the recognizable face, black hairstyle, tall and slender proportions, and the Korean-style male school uniform from the reference image. All main characters and recognizable background passengers are clearly depicted as adult actors over 20 years old, using only school-style uniforms and school bus themes. Generate a 30-second, 16:9 widescreen, 4K, 24fps, hyper-realistic live-action Korean romantic short film. Warm afternoon natural light, realistic skin, realistic human inertia, realistic bus suspension and braking physics, delicate eye contact and breathing, natural motion blur, slight film grain. The overall look must be like a real Korean romantic film, not a music video, animation, game CG, or plastic AI skin feel. [Characters and Scene] The female lead is about 156cm, distinctly petite; the male lead is about 180cm, with a natural and obvious height difference when standing together. At the start, the female lead stands in the bus aisle holding a hand strap; the male lead is clearly seated in the aisle seat next to her. The bus is moderately crowded with adult student actors of different faces, hairstyles, and poses. Warm afternoon sunlight shines outside the window. [0–4s | Peaceful After-School Atmosphere] A 35mm aisle wide shot establishes the bus interior, with the camera slowly pushing toward the two leads. The female lead holds a strap with one hand and a school bag with the other; the male lead sits quietly beside her. Outside objects move naturally, and the bus has subtle road vibrations. People around are looking at phones or chatting, overall relaxed and natural. [4–8s | Sudden Brake and Loss of Balance Must Occur Simultaneously] The driver suddenly slams on the brakes. First, clearly hear the sharp, realistic sound of brake friction: “Kkiii-ik——!” At the same instant the braking starts, the entire bus immediately generates strong forward inertia, the front dips, and the vehicle vibrates significantly. All physical reactions must happen at once: Hand straps swing violently forward; Bags, clothing edges, and hair all sway forward; Seated passengers' upper bodies jerk forward instantly; Someone instinctively grabs a handrail; The camera is also jolted forward by inertia with a slight recoil, creating a realistic handheld jolt. The female lead must also immediately lose her balance at the same instant the braking starts. The arm holding the strap is suddenly pulled straight, her center of gravity instantly shoots out of her foot support range, and her feet are forced to take several frantic, messy corrective steps forward. The action must be a continuous physical chain: Braking starts → Body simultaneously leans forward violently → Feet take quick corrective steps → Upper body is still carried by inertia → Fingers slip from the strap → The person naturally falls toward the male lead. Do not show the female lead suddenly losing balance after the bus has already stopped, and do not let her regain her footing midway. [8–12s | Male Lead Catches Her While Vehicle is Still Shaking] Use a 3/4 medium shot from the female lead's front-right, clearly showing the male lead's seat and the female lead's path of falling. The female lead is already in the process of falling, and the bus still has obvious braking inertia, not yet fully stabilized. The male lead is clearly seated at the very beginning. Upon seeing her fall toward him, he reacts immediately: Hips leave the seat → Legs quickly straighten → Takes a half-step into the aisle → Reaches out both hands to her waist and back. Just as the female lead is actually about to fall, the male lead catches her in time. The female lead actually crashes into his arms due to forward inertia, rather than being in a pre-arranged embrace pose. The two are carried by the remaining vehicle inertia, wobbling for a half-step; the male lead must also adjust his feet and center of gravity before finally steadying them both. The female lead instinctively grabs the front of the male lead's uniform or shoulders. The correct causality must be clear: Braking → Female lead simultaneously loses balance → Falling → Male lead rises → Catch → Both continue to wobble together → Finally stabilize gradually. [12–15s | First Heartbeat] The bus and camera gradually recover from shaking to stability. A medium two-shot slowly pushes in to a close two-shot. The male lead still supports the female lead's waist and back, and she still grips his clothes. The two realize their faces are only a few centimeters apart. The female lead is startled first, then her breathing becomes slightly erratic, her gaze shifts away then can't help but return, her cheeks gradually flushing. The male lead first checks if she is hurt, then his gaze slowly turns tender. The female lead tilts her head up slightly, and the male lead naturally tilts his head down. Maintain realistic eye contact, do not kiss immediately. [15–17s | Surrounding Students Become Excited] Nearby students notice their pose; some cover their mouths, nudge friends, peek, or open their eyes wide. The speech must sound like someone truly seeing a heart-fluttering scene and unable to hold back excitement, not like reading a script: Slightly fast speech, lowered voice, natural rising intonation at the end of sentences, with laughter and breathy tones; multiple voices can slightly overlap. “What's this, what's this?” (in Korean) The second one is higher-pitched. “Heol, did you see that?” (in Korean) “Heol” is short like a gasp, “Did you see that?” rises excitedly. “Daebak…” (in Korean) Whispered giggling, in disbelief. No announcer-style delivery, no mechanical one-word-at-a-time. [17–19s | Female Lead Shyly Tries to Back Away] The female lead realizes everyone is watching and tries to back out of the male lead's arms shyly, hugging her bag tightly and not daring to look around. The male lead does not sit back down. Just as she tries to turn and hide, the male lead gently grabs her hand or forearm, making her stop. The female lead turns back in surprise. [19–24s | Embrace + Romantic Kiss] The male lead takes the opportunity to gently bring her a half-step closer, one hand naturally encircling her lower back. The female lead freezes for a second, then does not continue to back away, her hands lightly grabbing the male lead's lapels. The camera very slowly pushes in from a 30° side-angle close two-shot. The two first maintain about 0.5 seconds of eye confirmation. The male lead naturally tilts his head down, and the female lead slightly tilts hers up. Then complete a clear, gentle Korean drama-style kiss lasting about 3–4 seconds. Do not just touch and separate. A gentle initial touch, then both bodies naturally relax into an embrace. The female lead gradually relaxes from initial tension, and the male lead's movements remain restrained and gentle. No exaggerated deep kissing, no intense movements. Try to maintain a stable continuous shot, only allowing a very slight arc movement. Warm light by the window naturally outlines their faces, hair strands, and uniform silhouettes. [24–26s | After the Kiss / Arrival at Stop] The two naturally separate but remain very close. The female lead lowers her head shyly, realizes she's still holding the male lead's clothes, lets go slightly, but can't help but reveal a small smile. The male lead also smiles tenderly. Nearby students lower their voices even more excitedly: “Heol…” “Did they really do it?” “Crazy…” (in Korean) Must be excited, laughing, incredulous youth slang tone. “Crazy…” is not anger, but an exclamation after seeing a heart-fluttering scene. Simultaneously, the bus begins to decelerate normally and gently toward the stop. [26–28s | Natural Exit] The bus door opens with a realistic “chick—” air pressure sound, and warm afternoon light enters the cabin. The female lead walks toward the door first, with the male lead following closely behind. The camera tracks from a 3/4 rear-side angle following them. Must clearly see sequentially: Bus stops steady → Door opens → Female lead steps down → Male lead follows off the bus. Do not teleport directly from inside the bus to the street. [28–30s | Female Lead's Active Cheek Kiss / Ending] After getting off the bus, the female lead doesn't leave immediately but turns at the door to wait for the male lead. Just as the male lead steps off the last step, the female lead looks up at him. Her expression changes from shy to a bit playful and brave. Due to the obvious height difference, the female lead naturally stands on her tiptoes, leans in gently, and gives a short, clear kiss on the male lead's cheek. This is clearly a light kiss on the cheek, not mouth-to-mouth. Do not suddenly cut to a close-up. The camera originally maintains a medium two-shot, naturally and softly pushing in as the female lead stands on tiptoes and leans in, clearly showing: Standing on tiptoes → Active approach → Cheek kiss → Male lead's surprised expression → Female lead's shy yet happy smile. The female lead drops back to her heels, face slightly flushed, smiles, and turns to walk forward. The male lead is stunned for a beat before truly smiling and immediately catches up to her. Finally, the camera does a slight 3/4 tracking from behind: The two walk naturally side-by-side on the warm afternoon street, shoulders getting closer, the male lead reaches out, and the female lead naturally takes his hand. The bus slowly departs in the background. The two walk and laugh together. CUT TO BLACK. [Cinematography Core] 0–4s: Stable wide