Cinematic Showcase影片提示詞

Young Aveline stands beside her massive black dragon on the mountain landscape. The dragon suddenly raises and slowly spreads its enormous dark wings to their full span, powerful and majestic. Wind rushes outward from the movement, blowing Aveline’s...

Can you please have the robot fly around the camp as the dogs jumps and play watching....

Make a 37-second demoscene tech demo for the track ~/Downloads/{argument name="audio_file" default="(filename).mp3"}. The goal is graphics nobody has seen before. Like it's a statement for a new AI demoscene. Story, in one continuous shot with no cuts: - A chrome sphere floats in dark fog. On each hit in the track, it gains one Mandelbox fractal level. - In the drop, the object grows until its top face is a landscape. Fly low over it at sunset, then dive off its edge. - At the end, the fractal collapses into 3D gold letters of the title. Carve the letters from the same fractal and light them with the same light. Look: path-traced quality. Soft shadows, ambient occlusion, glossy reflections, fog with light shafts, depth of field, motion blur, bloom. Sync: analyse the track first. Save a JSON beat map with hits, breaks, and kick, snare and hat onsets. Kicks pulse the light. Hats add surface detail. Tech: - One WebGL2 fragment-shader raymarcher. One HTML page is both the live player and the render source. - Live: 60 fps in Chrome. - Offline: 1920x1080 at 60 fps with 16 samples per pixel. Render it in headless Chrome on the Mac GPU, pipe the PNG frames to ffmpeg, and use the MP3 as the audio. - Do not use AI image or video generators. - Check contact sheets of stills before the full render.

Create a 20.00-second kinetic typography film titled “ESCAPE THE ORBIT,” based on John F. Kennedy’s Rice University address, September 12, 1962. The central experience: a sentence discovers that it can change its own trajectory. Deliver one complete, self-contained HTML file. Composition: 1080×1080. Target: 60fps. Use Canvas, SVG, or embedded WebGL. Embed required assets and libraries. The film must work without audio. EXACT DISPLAY TEXT “We choose to go to the moon” “[…]” “not because they are easy,” “but because they are hard” Preserve this order. The bracketed ellipsis explicitly indicates omitted speech. Attribution is separate from the excerpt. No additional slogans. ART DIRECTION Background: midnight # 080D23. Primary type: warm white # FFF4DD. Trajectory: electric coral # FF654F. Secondary orbital geometry: blue # 6685FF. Use a broad, confident grotesque for the speech and a sharply drawn italic for the final emphatic word. Avoid the appearance of a spacecraft dashboard. No rockets, astronaut illustrations, starfield wallpaper, lens flares, or decorative telemetry. The frame should resemble an exceptionally refined astronomical instrument that has become expressive. CENTRAL VISUAL RULE The baseline of the sentence is a trajectory. At first it is trapped in a closed orbit. A rhetorical decision changes that orbit into an open path. The letters remain the same travelers throughout. Use an abstract orbital metaphor; do not present invented mission data or imply a physically accurate flight simulation. STORYBOARD 0.00–3.50 The opening excerpt appears across the center, large and horizontal. Reveal it in three meaningful phrase groups. A single hairline ellipse passes behind the baseline. A small circular lunar mark occupies its distant focus. Hold the completed phrase motionless for 700ms. 3.50–6.00 The camera pulls back. The previously straight baseline reveals a shallow curvature. The phrase travels along the ellipse as a coherent unit. Keep its glyphs upright during the initial movement. Only after the reading hold may they progressively adopt the tangent of the path. The viewer realizes the sentence is circling rather than advancing. 6.00–7.00 Show the bracketed omission in an uncluttered central opening. The orbital movement decelerates. 7.00–10.50 Reveal the next clause on the near side of the orbit. Its final word travels through one smooth, effortless arc and returns toward where it started. This ease should feel elegant but unproductive. Avoid comic bouncing. 10.50–14.50 Reveal the final clause horizontally before transforming it. At its emphasis, the ellipse opens at one precise point. The same tracked letter group takes the new tangent and departs. Perform one deliberate 70-degree camera roll. Counter-rotate the active phrase so it remains readable while the orbital field changes orientation around it. The trajectory sweeps from lower left to upper right. Acceleration is conveyed by expanding spacing between its trailing marks, not by shaking the camera. 14.50–17.00 The camera matches the departing phrase’s velocity. The phrase becomes visually still while the old orbit recedes beneath it. The lunar mark enlarges into a restrained crescent through geometric overlap. The crescent brackets the destination without becoming a cartoon illustration. 17.00–20.00 Resolve into a spacious editorial composition containing the selected excerpt in reading order, including its omission marker. The open trajectory runs through the margins and exits the frame. Hold the entire image completely still for the final 1.2 seconds. CHOREOGRAPHY Use only three camera operations: pullback, roll, velocity match. Give each operation a rhetorical purpose. Keep the currently read phrase at least 64px high in the 1080px composition. Motion blur may affect trailing geometry, never the active text. No word may begin its ornamental travel before its reading hold finishes. IMPLEMENTATION Represent the ellipse and departure path analytically. Blend position and tangent continuously at the departure point; no teleportation. Use arc-length sampling for consistent spacing along curves. Separate camera transforms from glyph orientation. Cache glyph rendering and static geometry. Expose window.ready and window. seek(t). Seeking must pause playback and render any time from 0 through 20 deterministically, including out-of-order calls. Provide window.frame(n) for n=0…1199 at t=n/60. Render t=20 as the final held composition. Use no accumulated physics or runtime randomness. QUALITY GATE Inspect frames at 0, 3, 5, 7.5, 10.5, 13, 16, and 19 seconds. Verify that the same tracked phrase visibly follows its own trajectory.

Create a realistic cinematic superhero speed sequence in a busy downtown city street during autumn, with natural daylight, pedestrians, cars, crosswalks and detailed buildings. Scene 1 — Wide street-level shot: pedestrians cross a busy intersection while cars wait in the background. Camera tracks smoothly from left to right. Scene 2 — A female superhero in a sleek fitted red superhero suit suddenly appears and accelerates across the crosswalk at extreme speed, powerful running posture, flowing hair. Scene 3 — Side-tracking close shot: she races past outdoor café tables and pedestrians, surrounded by intense glowing red energy trails and realistic motion blur. Scene 4 — Low-angle tracking shot: she rapidly approaches a small white dog in the crosswalk, crouches down while still moving at super speed and safely grabs the dog. Scene 5 — Close dynamic shot: she carries the dog securely while sprinting forward, red energy streaks wrapping around her body, strong cinematic motion blur. Scene 6 — Wide establishing shot: she races across the entire intersection at incredible speed, leaving long red light trails behind her as pedestrians react naturally. Scene 7 — Fast lateral camera pan: she blasts past people sitting on a city bench reading newspapers, red energy trails sweeping through the frame. Scene 8 — Final wide-to-medium tracking shot: she continues running rapidly down the street and toward the camera, then passes close to the camera with powerful speed, realistic cinematic lighting and motion blur. Photorealistic, cinematic superhero VFX, realistic human movement, natural city environment, dynamic camera tracking, shallow depth of field, realistic red energy trails, high detail, smooth motion, dramatic speed-ramp feeling, no text, no logos, no watermark.

Create a cinematic, ultra-realistic 9:16 school classroom scene. A young male student with styled red hair suddenly reacts dramatically as a large burst of flames erupts from a backpack in front of him. Another student in a school uniform sits at a desk in the background, shocked and watching. Warm classroom lighting, realistic fire and smoke effects, dynamic movement, natural facial expressions, detailed environment, cinematic camera motion, shallow depth of field, realistic textures, dramatic atmosphere, high detail, 4K, photorealistic.

animate golden ratios and mandlebrot sets, sacred geometry and cymatics in a well thought out eye candy javascript or 3js 3d animated video. use motion animation to show off your skills and push the limits with quick cuts, vibrant colors and cute but badass characters. make it like an adult cartoon you'd watch on adult swim

The robot kiss the man on the cheek and says “I love you dad” The man kisses the robot on the forehead and says “I love you too Rocket” The horses and dogs circle around them playfully.

Make a 15s motion video in code (1920x1080, 60fps, one HTML file drawing every frame from a single seek(t) function, rendered with Playwright + ffmpeg, original synthesized sound at 128 BPM). Idea: a blank résumé fills itself in, one skill per bar, and every skill gets proved on screen before it's ticked. Story: a paper résumé slams onto a dark page and its rows type in (skills, type, systems, depth, data) → the camera pushes into the orange bullet until it floods the frame → five skill meters fill, each on a different curve → one word swings from thin to black on the beat, then flips through six typefaces → a dot grid ripples and resolves into a pixel mascot → a square tunnel flies at the camera and an extruded "3D" slams out → bars trace a spring curve while a counter lands on the reel's real frame count → "EVERY FRAME ON THE BEAT." one word per beat → the résumé comes back, filled in, mascot in the photo box. Rules: one orange accent carries every transition; springs, never linear; every state change sits on the beat; no corner labels, no fake HUD numbers.

A live WebGL ink painting in the style of Qi Baishi, with paper fibre, dry-brush whiskers and an escape when you touch the water.

Create a 20.00-second kinetic spoken-word film titled “BUILD THE FLOOR.” Treat this as an original miniature speech staged inside a typographic field. Every line reorganizes the field of the frame. The final declaration must stand on a field that finally lies flat. Deliver one self-contained HTML file, 1080×1080, targeting 60fps, using SVG and/or Canvas. Embed all required assets. ART DIRECTION Background #102820. Letterforms # F4E9D5. Field lines and filings # F2B544. A magnetic-monument world: streamlines, flux, stillness at the null. Typography stays crisp; particles are atmosphere only. High-contrast serif for the speech, heavy grotesque for load-bearing words, restrained monospace for flux gauges. No horseshoe magnets, lightning, electron diagrams, or sci-fi arcs. ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” Do not attribute these words to any real person. No extra slogans. The complete speech must be understandable without audio. CENTRAL VISUAL RULE Words have assigned field roles. WAIT is a repelling plate; letterforms lean away from it, kerning compressed. WAITING is field lines sagging under load while filings stream toward the low side. VOICE is one pole reversed; the field reorganizes and letters stand upright along it. ROOM is a null point, a still eye inside the field. FLOOR is the field flattened into a horizontal plane. These roles must emerge from the actual letterforms responding to the field, not from illustrations. STORYBOARD 0.00–3.00 — “We were told to wait.” The sentence leans away from the WAIT plate; streamlines compress against it. Available space pinches on the plate side; the sentence remains readable, pressed but intact. 3.00–6.50 — “So we learned the weight of waiting.” Reveal in phrase groups. Field lines sag deeper with each phrase. Filings — deterministic, hash-seeded per id and time — drift along the streamlines toward the low side and gather. The WAITING glyph hangs tilted inside the field as a suspended load. 6.50–10.00 — “Then one voice made room.” VOICE enters; one pole reverses. The field reorganizes: old streamlines retract by dash-offset while new ones draw in. Letters rotate upright along the new field — analytic rotation of whole glyphs, never path morphing. ROOM opens as a null point, a still eye; the counter of the O in ROOM is its center, and the next composition sits calm inside it. 10.00–12.50 — “Then another.” A second pole turns. The field becomes symmetric; every letter stands vertical. The baseline levels into the first perfect horizontal in the film. Hold absolute stillness for at least 400ms — even the filings pause. 12.50–16.00 — “Now the floor belongs to us.” The field flattens into a horizontal plane. All text aligns to this new ground. The final word 'us' settles firmly. Ensure the transition from dynamic field to flat plane is smooth and visually impactful.

Created a 20 seconds cinematic Japanese-style scene of a young schoolgirl walking alone through a quiet Japanese residential street during warm golden-hour sunlight, shown from behind as she slowly approaches a railway crossing with a train passing in the background, then transitioning to a close-up of her face and flower-decorated hair as she watches the train, followed by a wider shot of her standing near a quiet canal with soft evening light reflecting on the water, then showing her gently touching small white flowers in a golden field, with close-up shots of her hand and the flowers moving naturally in the breeze, gradually transitioning to a wide sunset landscape with the girl standing peacefully in the field, and finally ending with a warm close-up of her face as she softly looks toward the camera, maintaining the same character, hairstyle, school uniform, realistic skin details, natural expressions, smooth cinematic camera movement, soft depth of field, warm sunset lighting, realistic Japanese environment, subtle film grain, peaceful emotional atmosphere, and a dark fade-out at the very end.

EMBER FRACTURE — AWAKENING Image SO-YEON | 30s | 16:9 | one continuous generation. LIVE-ACTION ONLY: Ultra-photorealistic AAA supernatural martial arts. <<<image_1>>> locks SO-YEON's exact identity; same single woman throughout. Small 160cm build, messy black hair, black hoodie/pants/Converse. Real skin, pores, hair, eyes and biomechanics. Never CGI/digital double. ALLEY: Wet narrow convenience-store alley at night, red/pink/teal neon, puddles, crates, dumpster, vending machine, steam. 5 unarmed male delinquents attack aggressively, never taking turns. AUDIO: Korean dialogue, diegetic impacts/traffic/ambience only. No BGM/subtitles. AWAKENED COMBAT: Her body takes over automatically; unarmed Taekwondo × Karate × Pencak Silat, extremely fast, fluid chained movement with no reset poses. VFX LOCK: Acceleration = physical movement + subtle heat-shimmer/refractive distortion only. No fire, flames, embers, orange particles, beams, plasma or teleportation. Every strong physical impact creates a brief glass-like spiderweb fracture in the air, splitting neon light, then silently disappearing; realistic steam/dust/debris from impact. IMPACT → FRACTURE WEB → NEON REFRACTION → DISSIPATION. 00–03: So-Yeon cowers against wall. Leader smacks her head. She slowly glares through bangs. {어쭈? 이 년 봐라? 많이 컸다?} 03–06: Fear returns; she flinches: {아…! 미안…}. Leader swings again. 06–09: 0.3s slow-mo: automatic head-slip → Silat parry → pivot → body punch. Fracture flash. Leader crashes into crates. 09–12: She stares at trembling hand in disbelief. {저 년이?!} Four rush simultaneously. 12–17: Heat-shimmer dash through two: parry → redirect → elbow → sweep → side kick. Impact fracture + steam. Continue instantly. 17–22: Two attack together: diagonal dash → duck → shoulder redirect → roundhouse. Wide fracture-web splits pink/teal neon. 22–27: Final attacker from behind. Maximum physical dash; camera lags/whip-pans. Evade → parry → jab → body punch → low kick → spinning back kick. 0.25s slow-mo; dense fracture-web across wall. 27–30: Largest fracture lattice spreads across alley, neon reflections split, debris/crates fly, enemy slides away. Fracture hits lens → brief refracted distortion. So-Yeon studies her hands, then calmly walks through steam, half frightened/half amazed, hair falling over eyes. Never looks back. CUT. CAMERA: Close, kinetic handheld pursuit; tracking, whip-pans, low angles, OTS, facial impacts, rapid focus. Camera reacts slightly late to acceleration. Impact shake only on physical contact. Readable action > chaos. HARD LOCK: Real human + real environment + VFX in same frame. No duplicate So-Yeon. No teleportation. Every VFX effect must originate from visible physical contact.

A tiny hand-drawn 2D animated explorer discovers a giant abandoned clockwork workshop, turning gears, springs, buttons, and mechanical objects into a thrilling miniature obstacle course. Style: Mixed-reality hybrid animation combining expressive hand-drawn 2D character art with a realistic mechanical workshop environment. Playful stop-motion physics, smooth hand-drawn motion, cinematic lighting, realistic textures, and detailed mechanical sound effects with energetic background music. Camera & Framing: Extreme macro close-ups, low-angle tracking shots, dynamic overhead views, shallow depth of field, tilt-shift miniature effects, and fast cinematic camera movements following the tiny explorer. Audio & Scene Breakdown [00:00] - [00:03] Visual: A tiny explorer wearing a blue jacket, brown boots, and a small red backpack stands beside a massive brass gear as it slowly begins rotating. [00:04] - [00:07] Visual: She jumps onto the moving gear teeth, runs across them, and leaps onto a giant metal spring that launches her onto a wooden workbench. [00:08] - [00:12] Visual: A huge mechanical lever suddenly moves beneath her, sending her sliding across a polished metal surface before she grabs a dangling copper wire. [00:13] - [00:17] Visual: She swings across the workshop and lands inside an enormous open pocket watch, running between its moving gears as sparks glow in the background. [00:18] - [00:22] Visual: A giant wind-up key begins turning, creating a powerful gust that pushes her across the table while loose screws and metal pieces roll around her. [00:23] - [00:27] Visual: She discovers a tiny glowing blue crystal hidden inside a mechanical box and carefully reaches toward it as the entire workshop begins coming alive. [00:28] - [00:30] Visual: She touches the crystal, causing hundreds of gears to move simultaneously as the camera rapidly pulls backward to reveal the entire workshop operating like one enormous machine. Maintain consistent character design, proportions, environment scale, lighting, textures, motion physics, and visual style throughout the entire video. Use original characters and environments only. No logos, text, watermarks, branded elements, or recognizable copyrighted characters.

Knight fighting many black bats dragon lands standing over knight blasts black bats with fire

Locked-off pad deck. Five beats of wash, mist, and strut bite. Runway Seedance epic remade in Grok Imagine.

Create a cinematic, ultra-realistic 30-second live-action food sequence showing the complete preparation of crispy Korean-style glazed chicken in a warm home kitchen. Begin with an overhead close-up of raw chicken pieces being carefully cut into bite-sized chunks on a wooden cutting board. Transition smoothly to a stainless-steel bowl as the chicken is coated with a creamy white seasoned mixture, showing realistic hand movements and detailed food textures. Move into a dynamic close-up of the coated chicken being lowered into hot oil. Capture the bubbling oil, golden batter, steam, sizzling particles, and gradual transformation as the pieces become deeply golden and crispy. Use macro shots to emphasize the crunchy exterior and realistic frying physics. Cut to a dark pan as thick glossy red Korean-style sauce is poured in, followed by finely chopped garlic. Show the sauce slowly heating and bubbling, becoming rich, sticky, and glossy. Add the crispy fried chicken into the pan and toss it repeatedly with chopsticks until every piece is evenly coated in the vibrant red glaze. End with a beautiful close-up of the finished crispy chicken arranged on a white ceramic plate, covered in shiny red sauce and topped with sliced green onions and sesame seeds. Slowly push the camera toward the dish as the glaze catches the warm kitchen light, emphasizing the crunchy texture and appetizing details. Ultra-photorealistic cinematic live-action food commercial, realistic human hands, authentic Korean-style cooking, detailed food textures, crispy batter, bubbling hot oil, realistic steam and heat, glossy sauce, natural kitchen lighting, warm wooden surfaces, macro food photography, shallow depth of field, smooth camera movement, overhead shots, close-ups, realistic frying physics, rich colors, subtle film grain, appetizing presentation, physically accurate ingredients, 30 seconds, widescreen 16:9, no text, no logos, no watermark, no cartoon look, no plastic CGI appearance, no distorted hands, no artificial food textures.

Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing an oversized maroon hoodie and loose casual pants, carrying a simple canvas shoulder bag. Preserve her exact identity, facial features, hairstyle, body proportions and appearance throughout. Location: Quiet older Seoul neighborhood during a pleasant morning. Narrow residential street with low-rise apartment buildings, small local shops, parked bicycles, potted plants, utility poles and modest homes. An elderly Korean woman is preparing to carry a moderately large cloth sack filled with groceries or household items. The street feels peaceful, lived-in and authentic. Lighting & Atmosphere: Warm, gentle and uplifting morning atmosphere. Soft sunlight filters between the buildings, creating warm highlights while the street remains naturally shaded. Muted colors, soft shadows, slightly faded tones and a nostalgic early-2000s feeling. Cozy and wholesome without looking staged or sentimental. Style: Ultra-realistic early-2000s Sony MiniDV home video filmed by another person. Multi-shot, but still completely candid and unstaged. Each shot should feel like the camcorder operator naturally repositioned themselves while following the moment. Natural handheld movement, subtle camera shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle digital noise and natural microphone noise. Shot 1 — 00:00–00:04: Medium-wide handheld shot from behind and slightly to the side as the young woman walks casually down the residential street. Her canvas shoulder bag rests naturally on one shoulder. She notices an elderly woman ahead struggling to lift a moderately heavy cloth sack onto her back. Shot 2 — 00:04–00:07: The camcorder moves closer from the side. The elderly woman tries to lift the sack herself, but it slips down before she can get it onto her back. She pauses and tries again. The young woman notices and naturally slows down. Shot 3 — 00:07–00:11: Closer side-angle shot. The young woman walks over and quietly gestures that she can help. She takes hold of the sack while the elderly woman steadies herself. Together, they lift it smoothly onto the woman's back. The young woman adjusts the sack slightly so it sits securely. Shot 4 — 00:11–00:14: The elderly woman gives her a grateful smile and small nod. The young woman responds with a warm little smile and a brief nod, then steps back. Shot 5 — 00:14–00:17: The young woman turns and continues walking down the street. The camcorder follows her from behind for a moment before drifting slightly to her side. Shot 6 — 00:17–00:20: She glances toward the camcorder while still walking. She gives a quiet, contented smile—natural and understated, as if she's simply pleased that she could help. She turns her gaze forward and continues walking.

Ultra-realistic cinematic action scene inside a high-school basketball gym, a fierce young woman in a stylish school-uniform-inspired outfit unleashes powerful glowing red and purple supernatural energy from her hands, intense confrontation with another girl, dramatic energy trails and particles, dynamic movement, wooden basketball court, bleachers in the background, cinematic lighting, realistic facial details, dramatic atmosphere, motion blur, volumetric light, shallow depth of field, high contrast, photorealistic VFX, 8K detail, vertical 9:16 composition, epic supernatural action movie aesthetic.

Create a 15-second vertical 9:16 photorealistic cinematic video of a cute orange tabby cat inside a muddy World War-style trench, wearing a realistic olive-green military helmet and holding a small vintage rifle. Start with the camera focused on the dark trench entrance, with stacked sandbags and rough wooden planks clearly visible above. At first, only the top of the helmet slowly appears from the trench. The cat gradually rises into view while holding the rifle naturally with both paws. Keep the cat’s face, fur, helmet, rifle, trench, and background consistent throughout the entire video. Around the middle, the cat looks directly toward the camera with a serious but adorable expression and slowly raises one paw in a small salute. Maintain realistic fur movement, natural paw motion, subtle head movement, and cinematic depth of field. The camera should remain mostly stable with a very gentle handheld cinematic movement. Near the end, the cat lowers its paw and slowly ducks back down into the trench, leaving only the helmet visible. Use realistic outdoor lighting, soft overcast sky, detailed muddy soil, natural textures, shallow depth of field, smooth motion, and no text, watermark, distortion, or extra characters.

帮我制作一段视频动画。主题是:“未来已来”，包括音效和音乐。你可以使用任何你觉得合适的工具和技术，如果有需要的话也可以到这个网站https://t.co/rG1XlnIVU5

Three.jsで1分のホラー映像を作って。題材は〇〇。見つかったビデオテープの最後の一分という設定で、手持ちカメラの主観、自動で進む。音も含めて、画像や音声ファイルは使わず全部コードで

Le beau jeune homme étire ses bras et son corps pour arranger les planètes, en respirant. Ses amies aperçoivent son nombril parfait apparaître discrètement sous le rebord inférieur de son pull « on voit ton petit nombril ». plan en zoom sur son nomb...

Create a cute, funny, high-quality 3D animated cinematic scene in a cozy modern bedroom during warm morning daylight. A small child is dressed in an oversized fluffy white ghost costume, with only the child’s big expressive eyes, small hands, and bare feet visible. The adorable ghost walks toward a bed where a surprised mother and father are sitting under a beige blanket. Start with a close-up of the cute little ghost standing in the warmly lit bedroom, then show the child slowly walking toward the bed. The parents notice the ghost and react with exaggerated shock and fear, pulling the blanket up while staring at the child with wide eyes and funny facial expressions. The ghost innocently approaches the camera and raises its tiny hands. Use Pixar-quality 3D animation, highly expressive faces, soft realistic fur and fabric textures, warm natural sunlight coming through the window, cozy bedroom environment, cinematic depth of field, smooth character animation, realistic cloth movement, gentle camera tracking, comedic timing, adorable family-friendly atmosphere, detailed lighting, polished animated-movie quality, vertical 9:16 format, 4K.