Cityscape Urban影片提示詞

Generate a 20-second, 16:9 widescreen, 720p, highly realistic live-action quality urban street chase action short film. Use tense, fast but spatially clear action movie editing. A rainy evening old commercial street, entering the blue hour. Most shops are closed; metal roll-up doors, old brick walls, narrow alleys, external fire escapes, and scattered warm yellow shop lights form a real urban environment. Wet asphalt road reflects streetlights and neon signs, but no recognizable brands or garbled text. [Protagonist Character Design] Female, 22-year-old East Asian, approx 168cm, slender and toned with an athletic physique from running. Agile but not a professional spy or superhero. Warm natural skin tone with real pores, fine texture, and natural asymmetry. Narrow oval face, clear brow bone, straight thick eyebrows, sharp gaze, straight nose, clean jawline, a faint small scar on the right eyebrow tail, full chest with clear contours. Black collarbone-length hair tied in a loose low ponytail. The ponytail, stray hairs, and clothing hem swing continuously with speed and turns; with exertion, stray hairs stick to forehead and face. Fixed clothing: Matte dark green lightweight windbreaker, dark gray U-neck tight T-shirt, black straight-leg cargo pants, dark gray non-slip running shoes, black nylon crossbody bag with a burgundy strap crossing from right shoulder to left waist. Protagonist maintains the same face, physique, hair, clothing, and bag throughout. The bag stays with her, never transferred to pursuers. Performance core: Initial alertness → tense acceleration when confirmed chased → rapid judgment facing obstacles → brief panic in a dead end → re-focusing finding the fire escape → nearly caught → temporary escape but still wary. Express tension through backward glances, rapid breathing, scanning the environment, shifts in center of gravity, and gripping actions; no exaggerated bulging eyes, screaming, or emoji-like terror. [Three Pursuers] Fixed as 3 adult males, unarmed: Pursuer A: Tall, charcoal gray hoodie, black pants, black sneakers, always leading. Pursuer B: Burly, dark blue denim jacket, dark yellow T-shirt, dark pants, usually left behind A. Pursuer C: Thin, brown old work jacket, gray beanie, dark gray pants, usually right behind. Identities, faces, physiques, and clothing are non-interchangeable. Count always 3, no duplicating, merging, disappearing, or adding new ones. [00:00–00:02.5 | Establishing Wide | Spotting Pursuers] Fixed wide angle from the side of the street, establishing the wet street, intersection, alley entrance on the right, and distant fire escape. Protagonist bursts from an alley on the far left, enters the main street and instinctively looks back. Pursuer A appears immediately, B and C follow within half a second. Clear chase formation. Protagonist accelerates right, breathing tightening, leaning forward. Pursuers follow. Music starts with low pulses; sounds of shoes hitting wet ground and splashing water, followed by three sets of approaching footsteps. [00:02.5–00:06 | Side Orbit Follow | Closing Distance] Medium-long shot high-speed orbit track from the side, parallel to protagonist moving right. All 4 visible. Protagonist accelerates arm swing; bag and strap bounce. One quick backward glance to confirm Pursuer A is closing in, then eyes back front. Pursuers maintain positions: A first, B left-back, C right-back. Protagonist passes a puddle, right foot splashing water backwards; no slipping, continues running. B pauses slightly stepping in the puddle, falling half a pace behind. Music adds fast low drums and short electronic beats. [00:06–00:09.5 | Low-Angle Front Follow | Overlapping Fallen Bicycle] Low-angle wide-front follow, camera moving backward. Protagonist visible from knees up; obstacle ahead clear. A fallen delivery bike blocks the path. Protagonist sees it, checks height, adjusts stride. Left foot plants on wet ground, knee bends, center of gravity drops; then jumps over the lowest part of the frame. Vertical rise happens after takeoff. Lands on right foot, knee absorbing impact, upper body briefly dipping, then re-accelerates. Short side-back medium shot: A vaults over handlebars, B dodges left, C vaults the wheel. Distinct but continuous actions, no clipping or merging. [00:09.5–00:13.5 | Telephoto Compression | Entering Dead End] Frontal telephoto shot from deep inside a narrow side alley. Protagonist turns right into the alley; long lens compresses space making pursuers look closer. Right foot plants to turn, body leaning inward, shoes kicking up water droplets. Runs a few paces, realizes the alley ends in a brick wall. Speed drops, sprint turns to two rapid braking steps. Doesn't stop early or appear at the wall instantly. Panic when seeing the wall; scans left/up, finds a metal toolbox and a fire escape bar 2m high. Sounds of approaching footsteps and a short shout (no dialogue). Music adds rising high-freq strings and electronic noise. [00:13.5–00:17 | Low-Angle Medium | Leaping to Fire Escape] Side low-angle medium shot from below the fire escape, showing lead, toolbox, bar, and alley entry. She rushes the toolbox. Right foot plants on the edge with a metallic thud; pushes up. Reaches up with both hands. Hands grip the bar after rising. Fingers close fully, arms take weight, body swings slightly. Tucks abs, feet against wall, right knee up, pulling to the platform. Pursuer A lunges for her right foot. Hand misses by 20cm after she pulls up. No contact. Shoes pass above A's palm. A overshoots, stabilizing without falling. [00:17–00:20 | Low-Angle Wide | Temporary Escape] Fixed low-angle wide from alley floor. Using arm pull and wall kick, she rolls onto the first platform. Chest, abs, and knees cross the edge sequentially. Pursuers A, B, and C arrive below. Count stays 3, looking up for a way to follow. She stands quickly, grabbing the upper railing to climb higher. Looks down once: not victory, but panting, tension, and wary of stopping. Camera tilts up slightly following her out of frame top. Last shot shows the swaying metal fire escape, pursuers below, and wet brick walls. Loud metallic vibration sounds. Music ends on a strong beat at 20s, leaving suspense. [Music & Sound FX] Instrumental urban action thriller score: low-freq heartbeat pulses, fast electronic beats, low drums, rising strings, and a final heavy hit. Music builds from 0s, adds beats at 2.5s, peaks during the climb, and stops at 20s. Must not drown out real sounds: four sets of footsteps, lead's rapid breathing, splashes, bike vibration, metallic toolbox thud, bar friction, and fire escape vibration.

The man walks forward naturally towards the camera with a confident, smooth gait, arms swinging freely, legs stepping mid-stride continuously, slight camera tracking forward, realistic clothing movement, natural body physics, sunny urban sidewalk env...

A cinematic, realistic short video of a stylish young woman with long wavy brown hair and bangs, wearing a beige trench coat over a white top and light pants, carrying a brown leather shoulder bag. She steps out of an elegant blue door of a classic European building onto a sunlit cobblestone street lined with plants and flower boxes. She walks confidently down the charming Parisian-style alley. She approaches and enters a cozy cafe with wooden doors and glass windows labeled something like “CHANEL ALEX” or similar. Inside the warm, inviting cafe with exposed beams, pendant lights, and a marble counter, she orders an “Ice vanilla latte, please” from a bearded barista in an apron. A close-up of a golden, flaky croissant on a white plate with a fork. She sits by the window, happily sips the layered latte from a clear glass mug, closes her eyes in enjoyment, and says “That’s the good stuff.” She then takes a big bite of the croissant and says “Perfect start to the day.” Final shot of her walking down a bustling cobblestone street in golden morning light, holding the coffee and half-eaten croissant, smiling and looking at the camera. Soft natural lighting, warm tones, shallow depth of field, high detail, lifestyle aesthetic,

Create a seamless 9-second surreal animation blending Tokyo with giant desserts: a massive silver fork plunges into a miniature Tokyo street and lifts a strawberry shortcake slice with whipped cream, strawberries, and red glaze; cut to street level where a giant chocolate slab sits in the pavement as thick caramel pours over it and pedestrians pass by; show a bustling skyscraper avenue decorated with strawberries and whipped-cream rooftops; finally, zoom out to reveal the entire city district sitting on a giant decorated cake on a white plate as a huge fork carves out and lifts a slice of the city-cake, seamlessly returning to the aerial Tokyo view.

Use the first reference image (9 panel storyboard contact sheet whose cells are labelled TAKE 01 to TAKE 09) as ordered key poses TAKE 01-TAKE 09 for ONE unbroken LOCKED shot: the camera never moves, the action passes through TAKE 01 to TAKE 09 inside a fixed frame, without cuts or holds; completely ignore its line-sketch style, panel frames, gutters and any text. LOOK & WORLD: Modern 2D cel-shaded anime with painted backgrounds and clean confident linework. On a city rooftop at dusk, two fighters in simple training clothes trade staff work inside a chalk circle. Warm low dusk light, long shadows on concrete, cool blue city haze behind. One fixed 24mm lens, deep focus, cinematic. The lens never changes. CONTINUITY (binding, not flavour): Locked frontal wide at waist height, unchanged from TAKE 01 to TAKE 09. Stage anchors hold their positions throughout: rooftop water tank screen-left, chalk circle center, city skyline screen-right, crate at right. The chalk circle is unbroken through TAKE 04; scuff marks start at TAKE 05 and persist. One staff drops at TAKE 06 and stays on the ground for the rest of the take. The screen-left fighter is upright through TAKE 07 and grounded from TAKE 08 on. Stage anchors hold their screen positions throughout, the camera height never changes, and every state pinned to a TAKE number is true from that TAKE onward and false before it. Never invent a shot that the sheet does not have. ACTION & CAMERA: the camera is bolted down. No cuts, no zoom, no pan, no tilt, no tracking, no shake, no reframing. Only the action moves, entering and leaving a fixed frame. (TAKE 01) locked, no movement, Facing off: both fighters stand at opposite edges of the chalk circle, staffs low. (TAKE 02) locked, no movement, First approach: the screen-left fighter steps in, staff rising to guard. (TAKE 03) locked, no movement, First clash: the staffs meet high in the center of the frame. (TAKE 04) locked, no movement, Bind: bodies close, staffs crossed, both leaning into each other. (TAKE 05) locked, no movement, Break: the screen-right fighter pivots away, first scuffs on the circle. (TAKE 06) locked, no movement, Disarm: the screen-right fighter staff spins out to frame-right and lands on the ground. (TAKE 07) locked, no movement, Empty hands: the screen-right fighter raises open palms, the other still guarding. (TAKE 08) locked, no movement, Takedown: the screen-left fighter is swept and lands flat inside the circle. (TAKE 09) locked, no movement, Hand up

Landscape iPhone video, one unbroken 30-second take, no cuts. LOCATION / TIME Hongdae, Seoul, blue hour. The pavement is still wet from rain. Neon signage is just starting to come on. Use a long, straight stretch of shopfront-lined sidewalk with enough clear depth for the performer and camera to travel roughly 40 meters continuously. SOUNDTRACK This is a music video. The track is the entire audio. The music is NOT playing inside the scene. It is a finished studio recording laid directly over the footage in the edit, exactly like a professional music-video soundtrack. The music must be: - Clean - Loud - Full-range - Mastered - Immediate and front-of-mix - Filling the entire frequency spectrum, including deep sub frequencies Music style: K-pop dance-break instrumental at around 104 BPM. Musical elements: - Hard 808 sub - Tight, snappy claps - Sparse minor-key synth stabs - Layered female vocal ad-libs - Stacked vocal hooks with no intelligible words Energy progression: The track begins sparse and restrained, then transitions into a full drop that carries the entire second half. IMPORTANT AUDIO RESTRICTIONS: NO street ambience. NO traffic noise. NO footsteps. NO crowd noise. NO voices. NO wind. NO environmental sound. NO room reverb. NO outdoor echo on the music. The soundtrack must NOT sound like: - A phone speaker - A car stereo - A busking speaker - Music playing from a nearby store - Music heard from across the street No muffling. No distance effect. No bandpass filtering. The music must remain studio-clean, full-frequency, loud, and immediate throughout. THE PERFORMER A Korean woman in her early twenties. Appearance: - High ponytail - Oversized varsity jacket - Cropped tee underneath - Wide black trousers - Chunky sneakers She is a professional working music-video dancer and immediately reads as one through her movement quality. She travels forward for the ENTIRE 30-second take. She dances for the ENTIRE 30-second take. The forward walk itself is choreography. Walking is never used as a break between dance phrases. Movement vocabulary: - Hip-hop bounce with strong, visible knee action - Chest isolations - Rib isolations - Shoulder pops - Waacking arm circles - Sharp wrist snaps - K-pop point-choreography accents - Quick heel-toe footwork incorporated into her traveling steps Movement density: Maintain roughly 4 to 6 clearly visible choreographic accents per second. The movement remains sustained throughout. She NEVER drops into ordinary walking. Every accent should feel rhythmically connected to the soundtrack. Her movement amplitude follows the music: - Smaller and more contained during the sparse opening - Increasingly confident as the track builds - Biggest and most explosive during the final drop Performance behavior: She occasionally half-sings along to the track without producing audible diegetic vocals. She catches the camera lens, grins, breaks eye contact naturally, then reconnects with the lens. She feels confident, playful, spontaneous, and extremely comfortable performing directly to camera. THE CAMERA Handheld iPhone footage. Landscape orientation. One continuous 30-second shot. NO cuts. The camera operator walks backward ahead of the performer for the entire take, matching her forward pace. Camera height: Approximately chest height. Framing: Keep her centered and framed from head to sneakers for most of the take. Use a wide iPhone lens perspective. She must remain large enough in the frame that: - Her face stays clearly resolved - Her eyes remain readable - Her hands remain clearly visible - Her dance details remain easy to understand Camera behavior should feel authentically handheld: - Mild natural hand movement - Slight rolling-shutter wobble - Small framing imperfections - Autofocus hunts once or twice - Exposure subtly adjusts as she passes bright storefronts Wet pavement and asphalt reflect the neon signage and surrounding lights. DO NOT use: - Gimbal smoothness - Orbiting camera movement - Zooms - Camera rotation - Slow motion - Drone shots - Stabilized cinematic tracking CROWD BUILD 0-4 SECONDS The performer dances forward alone. Ordinary pedestrians are already moving naturally through the background and around her. Nobody appears to know what is about to happen. 4-9 SECONDS One guy who is already visible behind her begins catching the groove. He starts copying her shoulder choreography approximately half a beat late. His participation should initially feel accidental rather than staged. 9-15 SECONDS Three or four additional people gradually join. Each dancer must peel naturally out of the existing pedestrian flow. Entrances can come from: - The left side of the sidewalk - A visible shopfront - Further behind the performer - Other positions already established within the shot Nobody should suddenly materialize or enter from an impossible location. Each person was already somewhere logically present within the continuous environment. 15-21 SECONDS The group grows to approximately 12 to 15 dancers behind her. They remain loosely packed rather than forming a perfect formation. They copy her accents with slight ripple delays. The timing differences should make the sequence feel spontaneous and contagious rather than perfectly rehearsed. 21-30 SECONDS The number of dancers now HOLDS. Do not keep adding more people. Instead, increase the energy. The group gradually tightens into a loose wedge formation behind the lead performer. Choreographic intensity reaches its peak. The lead performer remains the unmistakable visual focus. FINAL 2 SECONDS She throws her hardest, sharpest choreographic accent directly toward the camera lens. Everyone behind her lands the same beat with her. The movement hits hard and feels satisfying. The shot does NOT freeze. The dancers remain physically alive after the accent. Bodies continue breathing and settling naturally as the 30-second frame ends. BACKGROUND PEDESTRIANS Some pedestrians NEVER join the choreography. They continue walking normally around the dancers. Their reactions vary naturally: - Slightly annoyed - Curious - Amused - Indifferent Some carefully edge around the growing dance group while continuing toward their destination. This contrast between dancers and uninvolved pedestrians is essential for making the moment feel real. PHYSICAL REALISM Grounded human biomechanics throughout. Every movement must show: - Visible weight transfer - Proper foot planting - Real momentum - Believable balance - Natural joint articulation - Correct body mechanics No sliding feet. No floating. No impossible limb motion. No rubbery joints. No unnatural acceleration. No teleporting people. No duplicated pedestrians. The lead performer stays the clear focus throughout the entire take. Maintain enough proximity and image clarity that her face, hands, expressions, clothing, and choreography stay clearly resolved even with the wide lens.

A cinematic, stylish sequence of a confident young woman with short curly brown hair, bold red lipstick, and a statement necklace. She wears a sharp grey pinstripe oversized blazer and matching trousers with bright red pointed high heels. Starts with a close-up of her red heels stepping out of a black luxury car onto a wet city street at dusk. She walks confidently through revolving glass doors into a modern office building, presses the elevator button, checks her tablet in the mirrored elevator, then enters a boardroom. She presents charts and graphs on a large screen to a group of executives in suits, gestures confidently while speaking, signs a document, shakes hands with a senior executive, checks her elegant wristwatch with a burgundy leather strap, and finally walks across a glass-walled rooftop terrace overlooking the New York City skyline at golden hour, wind lightly moving her hair, powerful and composed expression. Moody cinematic lighting, wet reflections, sharp fashion photography style, high-end commercial aesthetic, 16:9.

Ultra-realistic UGC smartphone vlog in Japan. A young Japanese woman with long dark hair and a casual stylish outfit explores a lively Tokyo shopping street, filmed entirely on her phone with natural handheld movement, slight camera shake, realistic autofocus, imperfect framing and authentic street ambience. 0–3s: selfie mode while walking, smiling: “Come shopping with me in Japan!” 3–6s: quick camera turn showing colorful Japanese shops and busy street, then she enters a cute accessories store. 6–10s: she browses cute bags and hair accessories, picks up one item, tries it in a mirror and excitedly says, “Wait, this is so cute!” 10–13s: quick shot of her paying and receiving a small shopping bag, then walking outside. 13–15s: she holds the bag toward the camera, smiles and says, “Definitely worth it!” Natural Japanese environment, realistic skin texture, authentic expressions, real smartphone exposure, subtle motion blur, natural lighting, no beauty filter, no commercial look, no exaggerated acting, seamless fast-paced storytelling, consistent character throughout, highly photorealistic, 1080p, Seedance 2.5.

Young American woman, early 20s, natural everyday appearance, cropped puffer vest over a long-sleeve tee, biker shorts, white sneakers, hair in a high ponytail, minimal makeup, realistic skin texture, energetic morning-person personality. Location: Small neighborhood street with a corner coffee shop, early morning. Brick sidewalks, parked bicycles, a bench outside, soft morning fog lifting. No large crowds, no chain branding. Visual Style: Ultra-realistic documentary realism, candid unscripted feeling, cool soft morning light. Camera Style: Early 2000s consumer DV camcorder aesthetic, handheld shake, autofocus hunting between her and the shop window, faded soft contrast, mild sensor noise. No stabilization. Timeline (15 sec, each slot = 2 compressed beats): 00:00–00:03 → She jogs up to the coffee shop, then pauses to catch her breath. 00:03–00:06 → She turns to camera saying "okay I definitely earned this coffee," laughing. 00:06–00:09 → She steps inside briefly, then walks back out holding a cup. 00:09–00:12 → She takes a sip, then sighs happily, warming her hands on the cup. 00:12–00:15 → She looks at camera saying "best part of my morning, no joke," smiling as it fades. Audio: Distant footsteps, faint café chatter, birds, light wind. Her dialogue as noted above. No music. Goal: A warm, energetic morning routine moment relatable, cheerful, real.

Create an ultra-realistic cinematic action sequence featuring a young woman wearing fitted blue jeans, a stylish crop top, sneakers, and protective inline skates. Maintain perfect character consistency throughout the entire video — same face, hairstyle, outfit, body proportions, and accessories. The video opens with a low-angle tracking shot as she skates aggressively through a crowded downtown street, weaving effortlessly between taxis, buses, pedestrians, bicycles, street vendors, and delivery carts. She looks over her shoulder and notices a police car approaching behind her with flashing lights. She accelerates dramatically. The camera races alongside her as she performs a powerful jump over a moving car, lands smoothly, then immediately launches over a street vendor cart without losing speed. She ducks beneath a low barrier, spins around a corner, grabs a railing, swings around it, and lands back onto the street. The police chase intensifies. Two police cars struggle to follow as she cuts through narrow side streets, crowded market lanes, alleyways, and pedestrian-filled shortcuts. Use rapid FPV-style camera movement, low tracking shots beside her skates, dramatic overhead views, tire-level shots, and fast whip pans. Keep the action physically believable with realistic momentum, wheel friction, body weight, and landing impact. She makes one final spectacular leap over a line of parked vehicles, lands perfectly, and disappears around a tight corner. The police cars stop behind her. The officers step out, completely exhausted, looking down the empty street in disbelief. One officer slowly shakes his head and says, “She's too fast.” The other officer catches his breath and simply gives up, leaning against the car. End with a cinematic slow-motion hero shot of the girl skating away into the busy city, sunlight reflecting off the buildings as the camera rises above the street and pulls back. Style: Premium action-movie cinematography, high-energy urban chase, realistic stunt choreography, dynamic handheld camera, FPV tracking, dramatic low angles, smooth gimbal shots, realistic motion blur, detailed city environment, natural lighting, physically accurate vehicle and character movement, cinematic color grading, photorealistic, ultra-detailed, 4K HDR, 24fps, 1 Negative prompt: No crashes into pedestrians, no injuries, no gore, no distorted anatomy, no extra limbs, no duplicated characters, no floating objects, no unrealistic skating physics, no flickering, no text, no logos, no subtitles, no watermark.

A cybernetic swordswoman with white hair, a torn tactical coat and a glowing mechanical arm stands on the roof of a neon skyscraper while autonomous war drones surround the city, she launches forward, runs along missiles in midair, cuts through six drones in a single rotating strike, rebounds between glass towers and intercepts a gigantic rail-cannon projectile with her blade before redirecting it toward an orbital warship, futuristic megacity at night with holographic billboards, airborne traffic, rain and collapsing architecture, ultra-premium contemporary anime action, explosive hand-drawn sakuga, aggressive foreshortening, impossible camera rotations, rapid whip pans, smear frames, graphic black-and-white impact cuts, detailed cel shading, seamless 2D characters and 3D city environments, electric cyan lighting contrasted with hot magenta and orange explosions, violent high-tech atmosphere, ending with the reflected projectile splitting the orbital ship above the skyline as the swordswoman lands silently on a falling shard of glass.

extremely fast-paced, cinematic, bright, photorealistic FPV flight through the ancient Byzantine Empire at its magnificent peak. Begin soaring high above Constantinople at golden sunrise, then dive rapidly toward the colossal Theodosian Walls, skim above bustling streets filled with Byzantine citizens, merchants, soldiers, horses, and colorful market stalls, race between monumental stone buildings and marble columns, sweep through the vast Hippodrome packed with spectators and chariot racers, fly past imperial guards in historically authentic armor, then accelerate toward the magnificent Hagia Sophia with its enormous dome gleaming in sunlight. Continue over grand imperial palaces, churches, courtyards, harbors crowded with wooden Byzantine ships, and the sparkling Bosporus before climbing dramatically above Constantinople to reveal the immense ancient city stretching toward the horizon. Historically authentic Byzantine architecture, clothing, ships, streets, and atmosphere, brilliant natural sunlight, vibrant colors, realistic materials, cinematic lighting, breathtaking scale, dynamic motion blur, extreme speed, immersive FPV perspective, ultra-detailed, photorealistic, visually spectacular, smooth stabilized camera movement. One continuous uninterrupted single-take shot from beginning to end, perfectly fluid movement, no cuts, no transitions, no scene changes, no teleportation, no modern objects, no text, no logos, no fantasy elements

Reference Character: Use the first image as the protagonist — a skilled infiltrator. Maintain identical face, hairstyle, tactical outfit, and identity throughout all shots. Reference Location: Use the second image as the city skyline/rooftop complex. Maintain identical architecture, neon signage, and lighting throughout every scene. Style: Ultra realistic cinematic heist thriller, night city lighting, handheld and drone-style blend, photorealistic, neon-blue and amber contrast, rain-slicked reflective surfaces, shallow depth of field, 35mm anamorphic, physically accurate motion blur, HDR, sharp cinematic color grading. Audio: No music. Only wind, rain, distant traffic hum, footsteps on metal/concrete, fabric movement, radio static burst, breathing, heartbeat under tension. 0–3s Wide drone-style shot. City skyline at night, rain falling in sheets, neon signs reflecting off wet rooftops. Protagonist crouches at the edge of one building, scanning the target tower. 3–6s Close-up. Gloved hand pulls a grappling device from a harness, checking the tension with a practiced motion. Rain drips off the visor. 6–9s Wide tracking shot. Protagonist sprints across the rooftop and leaps the gap between buildings, body suspended mid-air for a beat, rain streaking past. 9–12s Handheld shot, landing roll absorbed smoothly. Protagonist moves low and fast toward a maintenance hatch, checking over one shoulder. 12–15s Close-up on hands working quickly at a control panel — wires, a small device blinking red then green. A soft click as the hatch unlocks. 15–18s Medium shot, descending through the hatch into a dim service corridor. Flashlight beam cuts through steam venting from overhead pipes. 18–21s Wide shot. A security beam sweeps across the corridor. Protagonist flattens against the wall, perfectly still, timing the gap between sweeps. 21–24s Handheld shot, fast movement. Protagonist slips past the beam at the exact moment, rolling underneath and continuing forward without breaking stride. 24–27s Close-up. Reaching the target vault door, hand pressing a device against the lock. A tense beat as lights blink rapidly, then turn solid green. 27–30s Final wide shot. Vault door slides open, soft light spilling out onto the protagonist's face — calm, focused, already moving inside. Hard cut to black. Quality Tags: ultra realistic, cinematic heist masterpiece, physically based rendering, realistic rain and reflection simulation, HDR, 8K, authentic fabric and metal texture, consistent character identity, no music, no text, no logo, no watermark.

Use [Reference Image] as the sole character reference. Designed for Seedance 2.5, 16:9, 30 seconds, 60fps. Generate the entire video as one continuous, high-speed cinematic one-shot. Conventional editing cuts, blackouts, fades, teleports, or sudden switches to unrelated locations are prohibited. The theme is 'a small accident starting from a cute prank escalates into a massive uproar involving an entire giant game center.' Not scary or serious, but vivid, comical, unpredictable, slightly silly, yet the video quality itself is AAA movie grade. The sequence must be a continuous physical chain over 30 seconds: sliding on the floor -> rushing into a giant gacha machine -> being trapped in a transparent capsule -> rolling through the machine's internals -> falling onto a prize rail -> being launched into a crane game -> grabbing onto a crane arm -> being dropped -> falling onto a giant pinball table -> being bounced around like a ball -> the two popping out of the final prize exit. Generate visual accents every 0.3 to 1.0 seconds, but do not use fast-cut editing. The camera enters the machine internals with the protagonists, passing through angles impossible for humans: inside the transparent capsule, between gears, inside the crane glass case, and skimming the pinball surface. [Character] Completely maintain the adult female character from [Reference Image] for 30 seconds. Keep the vivid pink hair, large ribbon, large purple eyes, bright and mischievous expression, pop outfit, clear black line art, and retro-pop 2D anime/comic texture centered on yellow, pink, blue, and red. Do not make the protagonist live-action, 3D, 2.5D, CG, or a plastic figure. She must be recognizable as the same person from every angle (front, profile, back, top, bottom, and during high-speed rotation). Hands must always have 5 natural fingers. [White Sidekick] Use the small white fluffy character from the bottom right of [Reference Image] as the protagonist's sole companion. Maintain the fluffy white body, pointed ears, black heart pattern on the forehead, large black eyes, red cheeks, purple-pink tongue sticking out, and small fangs. Treat as an 'unidentified cute fluffy creature' rather than a specific dog, cat, or monster. Maintain the 2D comic texture. No live-action. Personality is greedier and more impulsive than the protagonist; the primary cause of the commotion. [Setting | RETRO FUTURE MEGA ARCADE] Night. A super-sized retro-futuristic arcade located in the center of a giant city. Depict the background as purely photorealistic live-action. Large atrium, chrome metal, colored glass, polished floors, giant gacha machine, crane games, pinball machines, arcade cabinets, transparent tubes, prize conveyor rails, physical neon signs instead of LEDs, rotating lights, and mechanical score displays. A space evolving 1980-90s arcade shapes into near-future architecture. Not just generic cyberpunk. Background lighting is live-action. Only the characters are vivid 2D anime. Cast natural shadows on the live-action floor; reflections of characters in glass and chrome. Live-action objects occlude characters naturally. [0.00-3.50 | The Last Candy] From frame 1, the duo is sprinting. Protagonist runs toward the camera in the center aisle with a pink candy. Sidekick jumps for it. Low-angle camera (30cm) retreats fast. Protagonist taunts: 'Want it?' Sidekick: 'Gimme!' Protagonist: 'Nope!' Mischievous expression. Sidekick jumps but hits a giant gacha lever instead. 'CLANK!' [3.50-6.50 | Gacha Rampage] Lever rotates. Gears turn. Hundreds of capsules move. Protagonist: 'Eh?' Prize entrance opens with intense suction. Hair/fur pulled toward entrance. Protagonist: 'Wait wait wait!' Sidekick is happy. They slide toward entrance. Protagonist braces, but slides on the floor. Camera enters gacha with them. Protagonist: 'That's not the entrance!' [6.50-10.00 | Inside the Capsule] No cuts. They fall into a 2m transparent capsule that snaps shut ('SNAP!'). They push against each other. Protagonist: 'Cramped!' Sidekick: 'Fun!' Capsule rolls down a rail. Camera chases, skims surface, and looks through walls. Faces squished against walls. Protagonist: 'My face!' [10.00-13.50 | Impossible Internal Camera] Fast descent through spiral rails. Camera passes through gear holes and metal gaps. Contrast vivid 2D girl with photorealistic metal. S-curves throw them around. Protagonist hugs sidekick: 'This isn't a gacha!' Sidekick: 'Again!' Protagonist: 'No!' Launched at rail's end. [13.50-17.00 | Fall into Crane Game] Capsule flies through atrium and lands on a pile of giant plushies ('POOF!'). Capsule opens. A 3-claw crane descends. Protagonist: 'Bad feeling.' Sidekick: 'Oh?' Crane grabs sidekick. Sidekick: 'Yay!' Protagonist: 'Don't be happy!' [17.00-20.50 | Failed Crane Rescue] Protagonist jumps and clings to the crane arm. Crane moves toward prize exit. Camera looks down from above. Protagonist: 'Don't let go!' Sidekick: 'Okay!' Sidekick licks protagonist's hand. Protagonist: 'Not there!' Protagonist lets go in surprise; crane shakes; claws open. Both fall. [20.50-24.50 | Giant Pinball] Fall onto a life-sized pinball machine. Protagonist: 'There's more!?' Slide down the ramp. Sidekick hits bumper ('BOING!'), protagonist hits another ('BOING!'). Camera skims glass surface at high speed. Synchronized lights/bells. They collide in center ('OOF!'). Protagonist slides on top of sidekick. [24.50-27.50 | Giant Flippers] Approach bottom. Flippers strike ('WHAM!'). Launched into the air. Protagonist hugs sidekick: 'No more snacks!' Sidekick: 'Ehh!?' Enter a different red 'Prize Exit' on a parabolic trajectory. [27.50-30.00 | Unexpected Prize] Slide through tunnel. Metal shutter opens ('CLICK!'). Pop out into the central prize tray ('PLOP!'). Protagonist sits with sidekick, disheveled. Protagonist: '...Go home?' Sidekick: 'Again!' Protagonist squishes sidekick's cheeks: 'Rejected.' Sidekick laughs. Candy falls into a hole ('CLINK'). Giant machine sound. Smile fades. Sidekick's eyes sparkle. Protagonist: '...Run.' Sidekick: 'Yay!' 29.7s: Sprint toward camera. Background machines activate. No explosions. Bells, lights, capsules move. 30.0s: Protagonist winks/tongue out to camera. Sidekick does same. Comical end matching reference image. No fade to black. [Music/Sound] Bright electro-pop x retro arcade funk x playful breakbeat (132-138 BPM). No heavy EDM. Arcade synth, 8-bit accents, short brass. Synchronized sound effects: Clank, Snap, Vibration, Squish, Poof, Motor, Boing, Wham, Clink. Characters have specific voices (Protagonist: young adult; Sidekick: high-pitched, innocent). [Dialogue] Follows specific list in Japanese. Lip-sync required. [Important] Maintain 2D characters in photoreal world. Co-existence of 2D/3D textures. Emphasis on comedy chain. [Prohibited] No live-action characters, no 3D styles, no character mutations, no cuts, no fades, no slow-motion, no explosions, no gore, no UI/text.

Preserve the exact face, identity, skin tone, body proportions, facial features, hairstyle, and outfit of the character throughout the entire video. No appearance changes or identity drift. Duration: 30 seconds Aspect Ratio: 16:9 Create an authentic 2026 smartphone travel vlog showing a surprising side of everyday China. The concept is: “The future is normal here.” Avoid typical tourist landmarks. Focus on ordinary streets, technology, local food, and spontaneous reactions. 00:00–00:05 Selfie footage while walking through a modern Chinese neighborhood. She notices an autonomous delivery robot moving along the sidewalk and turns the camera toward it. She says naturally: “Wait… is that actually delivering food?” She laughs as the robot continues past her. People around her barely react. 00:05–00:10 She enters a modern convenience store. Show realistic shelves, drinks, snacks, digital payment and everyday shoppers. She picks up an unfamiliar local snack and looks at the camera: “I have no idea what this is.” She pays using her phone and reacts: “That was way too easy.” 00:10–00:16 Outside, she notices electric vehicles and scooters moving quietly through the street. She films them briefly, then looks back at the camera. She says: “I expected futuristic buildings…” Brief pause. “…but it's the normal streets that surprise me.” 00:16–00:23 She enters a lively local food street. Show steaming food stalls, cooks preparing noodles and skewers, pedestrians eating, bicycles, scooters and authentic evening street ambience. She orders a local snack, takes a bite and genuinely reacts: “Okay… that's really good.” 00:23–00:30 Golden-hour-to-evening selfie shot while walking through the busy street. Warm storefront lights, local people and everyday city life fill the background. She looks into the camera and says: “Everyone shows you the famous China…” She turns the camera toward the street. “But this is the part I didn't expect.” She smiles and keeps walking as the phone lowers naturally. VISUAL STYLE: Raw smartphone footage, natural handheld shake, autofocus shifts, imperfect framing, realistic motion blur and exposure changes. No cinematic lighting, beauty filters, stabilization, color grading, subtitles or watermark. AUDIO: Authentic smartphone microphone audio with Chinese street conversations, footsteps, scooters, traffic, shop ambience, cooking sounds and natural crowd noise. REALISM: Make everything look genuinely filmed by a traveler, not like a commercial or CGI travel video. Maintain consistent character appearance throughout.

Use the uploaded reference image as the exact character reference. Preserve her facial identity, eye color, skin tone, hairstyle, makeup, body proportions, and overall appearance consistently throughout the entire video. Maintain the same recognizable street, buildings, storefronts, sidewalks, trees, streetlights, and overall camera path in every season. Create an ultra-realistic cinematic lifestyle sequence following a stylish young woman walking down the exact same city street while carrying a takeaway coffee in one hand and a canvas tote bag over her shoulder. She walks casually through the sunny street wearing a light fitted top, denim shorts, sneakers, and sunglasses. Trees are lush and green, people wear lightweight summer clothing, café windows are open, and warm sunlight fills the street. She takes a sip of coffee, smiles, and keeps walking. She suddenly flicks her fingers. On the exact same finger-flick motion, the entire environment transforms seamlessly into autumn. Her outfit instantly changes into a cozy sweater, long skirt, ankle boots, and light jacket. Green leaves transform into orange and golden foliage, leaves drift through the air, and pedestrians around her naturally change into autumn coats and scarves. She continues walking without stopping, as if the transformation is completely normal. She flicks her fingers again. The same street instantly becomes winter. Snow begins falling, trees become bare, warm lights glow from the same storefronts, and pedestrians now wear coats, scarves, gloves, and winter boots. Her outfit transforms into a stylish long wool coat, scarf, tights, and boots. Steam rises subtly from her coffee as she walks through the snowy street. She looks around with a small amused smile and flicks her fingers again. The street transforms into spring. Snow disappears, trees suddenly bloom with fresh green leaves and soft flowers, sunlight becomes brighter and warmer, and pedestrians switch into light jackets, skirts, shirts, and spring outfits. Her outfit changes into a stylish lightweight jacket, flowing skirt, sneakers, and a fresh spring look. Petals gently float through the air as she continues walking with her coffee and tote bag. FINAL — 0:28–0:30 She reaches the same spot where the video began. The camera slowly circles around her as the four seasonal elements subtly blend together — a few autumn leaves, spring petals, warm summer sunlight, and tiny snowflakes — before everything settles into a beautiful neutral season. She takes one final sip of coffee and smiles directly at the camera. Style: Ultra-photorealistic cinematic lifestyle film, seamless transformation effects, perfectly locked street geography, continuous walking motion, realistic seasonal physics, natural pedestrian behavior, elegant fashion transitions, smooth gimbal tracking, subtle handheld texture, shallow depth of field, realistic coffee steam,

Duration: 15 seconds Aspect Ratio: 16:9 landscape Style: Cinematic Chase Oner, New York Manhattan street, cloudy diffused natural light, cold tone low-saturation documentary film quality. Character: Protagonist I. Narrative Goals The entire video is a continuous horizontal side-tracking long shot. The camera remains parallel to the street, moving left in a shoulder-mounted stabilizer posture, without cutting or changing position. 1. Front: Tracking the running female lead to build speed and tension. 2. Middle: Briefly losing the subject due to foreground obstruction, with hesitant camera movement before locating pursuers. 3. Back: Focus shifts from pursuers to the distant female lead; camera recaptures and accelerates. II. Spatial Layers Foreground: Parked cars, passing yellow taxis, newsstands, construction scaffolding. Subject Layer: Running female lead -> Pursuers -> Female lead. Mid-ground: Outdoor restaurant seating, startled passersby, men in navy suits rushing out of revolving doors. Background: Manhattan main street vanishing point, traffic lights, white steam from vents. III. Executable Camera Timeline - 00:00-00:01.8: Establish Stillness. Slow left pan focusing on an old man at an outdoor table. - 00:01.8-00:02.3: Triggered. Female lead rushes past; camera snaps into a leftward acceleration with realistic shake. - 00:02.3-00:06: Tracking Speed. Medium-close side shot of the lead at full sprint. Background is blurred. Focus on her tense expression and heavy travel bag. - 00:06-00:07.2: Obstruction. A yellow taxi blocks the view; camera loses the subject. - 00:07.2-00:08.3: Hesitation. Camera slows and drifts right to find the subject, eventually locking onto men in suits exiting a building. - 00:08.3-00:11.5: Pursuers. Tracking three men in navy suits running through the crowd. - 00:11.5-00:12.5: Focus Drift. Focus shifts from pursuers to the distant female lead; camera accelerates again. - 00:12.5-00:15: Convergence. Camera tracks the lead entering a dense crowd. She is exhausted. Final shot holds as she disappears into the crowd.

A continuous 15-second ultra-cinematic sequence, hyper-photorealistic with subtle surreal elements, shot on anamorphic lenses with fine 35mm film grain and gentle chromatic aberration, in the style of Christopher Nolan and Denis Villeneuve. Opening (0-3s): A solitary time traveler stands alone in an infinite dark void, wearing a weathered dark trench coat over intricate brass-and-leather chronosuit elements, long coat fabric and scarf stirring slightly as if in zero gravity. Their face is partially hidden by a reflective visor. At 3 seconds a vertical seam of pure brilliant white-blue light tears open in front of them like fabric ripping. Cascading, overlapping layers of historical and future eras pour through: ancient Egyptian pyramids under desert sun, bustling 1920s jazz-age streets with Model Ts, towering neon-drenched 2080s cyberpunk megacity, and a misty primordial forest with massive trees. The layers swirl and fold into each other like liquid glass. 4-9s: The traveler steps forward into the rift. Camera executes a smooth, accelerating tracking orbit around them as the temporal layers intensify, architecture and landscapes melting and reforming, particles of glowing clockwork gears, sand, neon particles, and leaves swirling in realistic fluid physics. Wind and energy pull at the coat and hair dramatically. 9-12s: Everything accelerates into a chaotic, beautiful collapse toward a single point of intense light — the singularity. Camera begins pulling back rapidly. 12-15s: The singularity expands outward into a serene, breathtaking view of Earth from high orbit at golden hour, blue oceans and swirling white clouds glowing softly, the traveler now a tiny silhouette floating peacefully in the foreground, facing the planet. Soft volumetric god rays and atmospheric haze. Lighting: High contrast between deep blacks of the void and intense cool whites/blues of the portal, transitioning to warm golden sunlight. Specular highlights on metal and visor. Volumetric light rays throughout. Native audio design: Starts with deep low-frequency void rumble and faint mechanical ticking. Builds with electrical tearing and crackling as the portal opens, layered overlapping historical soundscapes (distant horses and market chatter, jazz saxophone, cyberpunk rain and neon hum, forest wind and birds), rising orchestral tension and ethereal tones, peaking in a pure resonant crystalline note at the singularity, then resolving into soft ambient space silence with a single distant heartbeat and gentle orbital hum.

A young Asian woman with medium , bleached blonde hair and bangs, dressed in a blue tank top, beige unbuttoned shirt, loose jeans, and white sneakers, explores a traditional italian neighborhood in sunlight. •She stands before a wooden slatted building, smiling and waving both hands at the camera.
 •Walking away, she navigates a dark, narrow alleyway between wooden buildings.
 •Emerging into an open alley, she pauses to lean down and inspect potted plants against a wall.
 •Along a stone canal ledge, she reaches out to pet a tabby cat walking on the wall, which turns its head toward her.
 •Stopping at a red vending machine in a quiet alley, she opens a canned drink and takes a sip while looking at the camera.
 •Walking along a sunny street sidewalk, she carries her drink as a red taxi passes in the background.
 •She turns back to face the camera, smiling as she continues walking down another narrow, wooden-walled alleyway.

Main Subject: Young Korean woman, 20, natural everyday appearance, medium-length dark brown hair in a loose half-up style with wispy bangs, realistic skin texture, minimal makeup, slightly sleepy but cheerful personality. Wearing a soft mustard-yellow cardigan over a white cotton blouse, dark navy pleated midi skirt, white ankle socks, brown loafers, and a small canvas shoulder bag. Maintain consistent identity, clothing, hairstyle, and appearance throughout. Location: Quiet traditional neighborhood in Gyeongju on a cool autumn morning. Low tiled-roof houses, stone walls, narrow lanes, small gardens, bicycles, old utility poles, fallen leaves, and a tiny family-owned bakery with a fogged glass window and handwritten Korean signs. No tourists or busy traffic. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior, subtle expressions, natural movement, authentic Korean small-town atmosphere. Camera Style: Early-2000s consumer MiniDV camcorder. Heavy handheld shake, imperfect framing, autofocus hunting between bakery windows and her face, exposure pumping between indoor and outdoor light, faded colors, soft contrast, slight motion blur, DV compression artifacts, mild sensor noise, no stabilization. 00:00–00:03 She walks down the quiet lane carrying her shoulder bag, stepping through fallen leaves. She notices the small bakery and slows down. 00:03–00:06 Inside, she looks through the glass display and chooses a freshly baked red-bean bun. Warm bakery light reflects on the glass while autofocus struggles to find her face. 00:06–00:09 She steps outside, takes a small bite, and smiles while warm steam escapes from the fresh bread. A bicycle passes behind her. 00:09–00:12 She continues toward a nearby stone wall, checking the time on her small wristwatch as morning sunlight reaches the street. 00:12–00:15 She notices the camera, laughs softly, gives a quick little wave, and walks away toward the old neighborhood. The operator accidentally points at the pavement before the recording cuts to black. Audio: Natural ambience only–morning birds, footsteps on leaves, bicycle bell, distant scooter, bakery door chime, quiet conversation, paper bag rustling, soft wind. No music. No narration. Goal: A forgotten MiniDV recording from 2004, capturing an ordinary autumn morning in historic Gyeongju–quiet, nostalgic, imperfect, intimate, and completely believable.

Ultra-realistic smartphone food vlog set in a charming neighborhood in Tokyo, Japan. The entire video must look like it was genuinely recorded on a modern flagship smartphone by a real female creator, not like a cinematic production or AI-generated video. 0–5 seconds: A young Japanese woman walks through a narrow Tokyo side street in the early evening, holding her smartphone at arm’s length and casually talking to the camera. Traditional Japanese shopfronts, vending machines, bicycles, small signs, utility wires, pedestrians and warm storefront lights create an authentic neighborhood atmosphere. Natural handheld movement and slight framing imperfections. 5–10 seconds: She notices a tiny hidden dessert café and turns the camera toward its entrance with an excited reaction. She walks inside while continuing the vlog. The camera naturally adjusts exposure from the bright street to the warmer interior. 10–16 seconds: Show the staff preparing a fresh strawberry cream dessert. Realistic strawberries, whipped cream, soft cake layers and small details of the preparation. The creator moves the phone closer for a natural food close-up while autofocus subtly shifts between the dessert and her hand. 16–22 seconds: She receives the dessert, holds it directly toward the phone camera, then takes a spoonful and tastes it. Her reaction should be spontaneous and believable, with subtle facial expressions rather than exaggerated acting. 22–27 seconds: She smiles, takes another small bite and turns the camera slightly to show the cozy café interior, Japanese customers naturally sitting in the background and warm practical lighting. 27–30 seconds: She walks back outside onto the Japanese street, looks directly into the phone camera and naturally says, “Okay, this place was actually so good!” She smiles and ends the recording casually. Authentic Japanese environment, realistic human behavior, natural walking physics, real-looking food textures, accurate skin texture, natural hair movement, realistic reflections, imperfect smartphone framing, subtle autofocus hunting, automatic exposure adjustments, slight handheld shake, natural motion blur, realistic low-light smartphone noise, true-to-life colors, detailed background activity, genuine vlog energy, high-resolution smartphone footage, photorealistic, documentary realism, no cinematic camera moves, no drone shots, no artificial slow motion, no CGI appearance, no text, no subtitles.

Create an ultra-realistic cinematic miniature disaster scene inside a massive professional Hollywood VFX studio.\n\nShow a highly detailed miniature modern coastal megacity with skyscrapers, roads, bridges, waterfront buildings, vehicles and boats. A gigantic realistic ocean wave crashes toward the city, creating physically believable flooding, foam, spray, mist, water reflections and debris.\n\nInclude professional VFX crew members, cinema cameras, lighting rigs and studio equipment around the miniature set to create an authentic behind-the-scenes practical-effects look.\n\nPhotorealistic, realistic miniature scale, cinematic lighting, natural shadows, detailed textures, realistic water physics, shallow depth of field, professional cinema camera, smooth camera movement, dramatic atmosphere, Hollywood disaster-movie VFX quality, 9:16 vertical format.\n\nMaintain consistent buildings, environment and scale throughout the video.\n\nAvoid: cartoon, CGI-looking visuals, distorted people, extra limbs, warped buildings, flickering, unrealistic water, random objects, text, logos, watermarks.

FORMAT: 30-second high-detail photorealistic live-action short film, 4K UHD, 24fps, realistic Chinese urban environment TIME: 5:50 AM–6:20 AM, humid summer morning, city transitioning from darkness to sunrise LOCATION: Shanghai residential tower, underground delivery area, crowded morning street, elevated metro line CHARACTER: Chinese male courier, 26, delivery uniform, electric scooter, insulated food bag STORY: A courier makes one final delivery before ending his shift, only to discover the recipient is someone who cannot possibly have ordered it. ACTION: 00:00–00:04 → Courier rides an electric scooter through nearly empty Shanghai streets, checking the delivery address at a red light. 00:04–00:08 → He enters a residential tower, rushes through the lobby and checks the apartment number. 00:08–00:12 → He knocks. An elderly woman opens the door and immediately recognizes the name on the package. 00:12–00:16 → She looks confused and says the person listed has been dead for ten years. 00:16–00:20 → Courier checks the delivery app. The order suddenly disappears from his screen. 00:20–00:24 → The woman opens the package herself. Inside is an old photograph of her and the deceased man. 00:24–00:27 → She turns the photograph over and finds today's date handwritten on the back. 00:27–00:30 → Courier looks down the hallway. His scooter alarm suddenly sounds from the street below. He runs toward the elevator. CAMERA: Fast handheld urban storytelling, practical building lights, elevator reflections, moving tracking shots, natural autofocus transitions, no slow motion. PHYSICS: Scooter suspension reacts to road imperfections, elevator doors and floor indicators operate normally, package weight affects courier's movement, paper bends naturally, morning humidity creates realistic atmospheric haze. AUDIO: Electric scooter motor, traffic signals, elevator chime, footsteps, door knock, distant metro, phone notification, scooter alarm. REALISM: Authentic Shanghai residential architecture, Chinese signage, realistic courier behavior, natural Chinese dialogue, believable crowd density and traffic. Mystery remains unexplained without visible supernatural effects.

Create a 15-second vertical 9:16 cinematic commercial for a fictional AI app called “MA”, an app that creates a quiet mental pause in busy daily life. Style: premium Japanese live-action film commercial, emotionally grounded, realistic Tokyo at night, rain-soaked streets, deep