Sketch Line Art圖片提示詞

Create a simple children’s book style illustration of a large {argument name="animal" default="rhinoceros"} standing in profile facing left in a sunny savanna. Use a bright cyan-blue sky with two blocky white clouds, one near the upper left and one near the upper right. The animal should fill most of the frame, with a chunky rounded gray body, four thick legs, a small tail with a black tuft, two pointed ears, two ivory horns on the snout with the front horn much taller than the rear horn, and a grumpy expressive face with one visible narrowed white eye, black pupil, downturned brow, nostril, and frowning mouth. Draw everything with thick rough black outlines and visible crayon, oil pastel, or hand-painted brush texture. The ground is flat golden-orange dirt with scattered details: exactly 5 dark gray rocks, exactly 5 small dry grass tufts, and a low green shrub line across the horizon behind the animal. Keep the composition clean and playful, slightly imperfect like a child-friendly storybook drawing, with no text, no watermark, and no realistic photographic rendering.

Create a warm, cozy hand-drawn anime illustration in a soft watercolor-and-ink style, viewed from a high overhead three-quarter angle inside a small reading room. The scene shows exactly one young person with {argument name="hair color" default="messy dark brown hair"} sleeping curled on a cream-colored three-seat sofa, wearing loose {argument name="pajama pattern" default="white pajamas with thin pale blue vertical stripes"}, barefoot, hugging exactly two beige rabbit plush toys against their chest, with their head resting on one white pillow at the right end of the couch. The room has honey-toned wooden plank flooring, beige walls, and gentle afternoon sunlight entering through one centered window behind the sofa with sheer white curtains and heavier cream curtains. Include exactly two tall bookcases, one on the left wall and one on the right wall, both filled with neatly arranged books; add two small wall shelves on the upper left with books, a potted plant, and a framed picture. Add exactly three visible potted plants: one on the windowsill, one on a shelf, and one trailing ivy plant near the upper right bookcase. Place a wooden desk and one simple wooden chair on the left side, with an open notebook or papers on the desk. On the floor in front of the sofa, include one woven rectangular rug with fringed edges, exactly one pair of socks lying near the sofa, one small closed book near the rug center, and one brown leather satchel bag to the right. Add one upholstered armchair at the lower right corner, partially cropped. Use a gentle nostalgic palette of cream, tan, caramel wood, muted greens, and soft shadows; linework should be delicate and slightly sketchy, with detailed textures on fabric, rug, books, and wood grain. The mood should feel peaceful, intimate, and sleepy, like a quiet afternoon nap in a home library. No text, no watermark, no modern electronics, no harsh contrast.

Hand-drawn concept sketch of {argument name="subject" default="subject"}, rough construction lines, dynamic perspective, grayscale pencil rendering, industrial designer sketchbook style, creative brainstorming aesthetic

Create a vertical watercolor travel journal illustration on warm off-white textured paper, showing {argument name="destination" default="Hong Kong"} at {argument name="specific location" default="Victoria Harbour"}. At the top, leave airy negative space and add exactly 2 handwritten text elements: a large loose black ink calligraphy title reading “{argument name="main title" default="Hong Kong"}” and a smaller subtitle beneath it reading “{argument name="subtitle" default="Victoria Harbour"}”. The scene is a dreamy evening harbour view with soft blue-gray mountain silhouettes and misty clouds behind a dense skyline of high-rise buildings, including one very tall rectangular tower on the left and multiple illuminated towers across the center and right. Paint shimmering dark blue water with broken yellow, white, and red reflections. Include exactly 1 large white ferry on the left foreground, angled slightly toward the viewer, with sketchy black ink outlines and warm lit windows. In the right foreground, place exactly 1 stylish young man leaning against a waterfront railing, wearing {argument name="outfit" default="black oversized leather jacket, white T-shirt, dark sunglasses, necklace, rings"}; he has short black hair, a relaxed cool expression, one arm resting on the railing and the other hand raised near his face in a casual gesture. Use a loose urban sketching style: transparent watercolor washes, visible paper grain, splattered edges, imperfect pen lines, minimal facial detail, luminous city lights, and a balanced composition where the person overlaps the harbour while the title remains clean and readable. No photorealism, no hard digital gradients, no extra text, no watermark.

Ultra-premium vertical fashion-tech poster, Cannes-level collectible campaign. {argument name="model" default="Young male/ female model"}, waist-to-mid-thigh framing, slightly low angle, calm confident pose, head slightly raised and tilted, elongated neck. No celebrity likeness. {argument name="background" default="Dense flat cobalt-blue background"} with ultra-thin technical grid, registration marks, subtle print wear and silkscreen traces. Mixed-media fashion illustration: expressive ink contours, graphite, dry brush, selective marker fills, visible sketch lines, tactile pen pressure, textured art paper. {argument name="accents" default="Luxury mustard-yellow print accents"}, grainy paper, subtle ink bleeding, natural print imperfections, sharp yet organic lines, rare collectible screen-print finish, 8K. No photorealism, cartoon, anime, clutter, props, extra people, heavy typography, or generic commercial layout.

Create a square black-and-white manga panel illustration of a very round, fluffy hamster lying on its back on a tatami mat floor in a traditional Japanese room, looking completely unmotivated and sleepy. The hamster is the central subject, huge and pear-shaped with tiny paws resting on its belly, two little feet sticking up at the bottom, small ears, half-closed eyes, and a small open mouth. Use delicate ink linework, cross-hatching, manga screentone texture, and soft fur strokes, with a cute deadpan comedic mood. Add one large irregular speech bubble above the hamster on the left containing Japanese text: {argument name="speech bubble text" default="やる気が\nログアウト\nしています"}. Include exactly 3 small thought-bubble dots leading from the hamster toward the speech bubble. On the right side, place a small standing spiral-bound desk calendar sign angled in perspective with Japanese text: {argument name="calendar text" default="本日の予定\n・何もしない"} and a tiny doodle of a hamster face near the bottom. Show the room details: tatami weave lines and dark fabric borders, a sliding door or wall panel in the upper right with a round black pull handle, a patterned floor cushion partially visible on the left edge, and a round cushion or small plush-like mat partially visible in the lower right. Keep the composition clean and mostly white, with the hamster occupying most of the lower center, humorous and cozy. No color, no photorealism, no extra characters, no watermark.

Goal: Create a square 2x2 editorial photo-collage where real street-style fashion portraits are combined with oversized hand-drawn black ink sketch versions of the same subjects on a plain beige/gray wall, like a creative “photo to doodle illustration” transformation showcase. Canvas: Square 1:1 image divided into exactly 4 equal panels with thin white gutters between panels. Each panel has a minimal urban backdrop: smooth concrete wall, gray floor, soft natural light, muted beige and gray tones, realistic shadows, and editorial fashion photography quality. Layout: Use exactly 4 panels: 1. Top-left panel: one stylish woman leaning against a beige wall on the left, wearing sunglasses, a loose white button-up shirt, blue jeans, white sneakers, and a black shoulder bag, holding a takeaway coffee. To her right, draw a large black pen sketch version of her sitting casually with one leg raised, holding a phone, with headphones around the neck. Add small doodled hearts, stars, and motion marks around the sketch. Place one small rounded-corner inset photo thumbnail near the bottom center-right with a white border. 2. Top-right panel: one woman in a white oversized shirt dress and white sneakers leaning on one leg beside a short black bollard, holding a magazine/newspaper in one hand and a takeaway coffee in the other, wearing sunglasses and a black shoulder bag. To her right, draw a large playful black ink sketch of the same woman standing on one leg with the other leg kicked back, holding a coffee and raising a magazine labeled “VOGUE.” Add small hearts, stars, and motion lines. Place one small rounded-corner inset photo thumbnail near the bottom left with a white border. 3. Bottom-left panel: two streetwear fashion subjects leaning against a wall, both wearing dark caps, sunglasses, oversized neutral jackets, dark baggy pants, and sneakers, each holding takeaway coffee. To their right, draw a large black ink sketch version of the same two people standing side by side in similar poses and outfits. Add small hearts, stars, and motion marks. Place one small rounded-corner inset photo thumbnail near the bottom left with a white border. 4. Bottom-right panel: one sporty woman standing on the left in a white crop top, loose white sweatpants, white sneakers, headphones, sunglasses, and a small black shoulder bag, looking down at a phone. To her right, draw a large black ink sketch version of her dancing or posing with one arm raised high and one leg bent, wearing the same headphones and outfit. Add small hearts, stars, and motion marks. Place one small rounded-corner inset photo thumbnail near the bottom left with a white border. Subject style: Ultra-realistic editorial fashion photography for the real people, natural skin tones, accurate fabric texture, casual candid poses, modern street-style styling. The illustration portions should look like loose hand-drawn fashion sketches in black pencil/ink directly on the wall, with expressive linework, crosshatching, imperfect contours, and sketchy shading. Text content: The only readable text should be the sketch magazine title {argument name="magazine title" default="VOGUE"} in the top-right panel. Avoid any other logos, captions, watermarks, or extra typography. Customizable details: Keep the overall concept as {argument name="concept" default="real fashion portraits beside oversized wall-sketch alter egos"}; use {argument name="wall color" default="warm beige gray concrete"}; keep the clothing palette {argument name="clothing palette" default="white, denim, black, taupe, and gray neutrals"}; render in {argument name="visual style" default="ultra-realistic editorial photography mixed with loose black ink fashion illustration"}. Constraints: Exactly 4 panels, exactly 4 inset thumbnails total, exactly 5 real photographed people total across the collage, exactly 5 large sketched people total across the collage. Maintain clean square collage composition, soft daylight, high-resolution detail, no extra panels, no frame around the whole image, no watermark.

Goal: Create a grayscale Japanese manga page about {argument name="character name" default="Hamster who suddenly came back"}, featuring a quiet traditional room, a tiny hamster, and a beautiful long-haired man in a kimono gently trying to coax it. Canvas: Vertical manga page, portrait orientation, clean white margins, black panel borders, delicate pencil-and-ink shading, soft screentone gradients, high-detail shoujo manga style. Add a small handwritten-style Japanese title at the top left reading 「ひっくりかえったハムスター」 and a page number at the top right reading 「1/6」. Add a small footer centered at the bottom reading 「はむwithOpus4.6」. Layout: Use exactly 5 panels arranged from top to bottom. Panel 1 is a wide establishing panel across the top, showing a traditional Japanese veranda and garden. Panel 2 row has two side-by-side panels: left wider panel with the man seen from behind sitting on the veranda facing the hamster; right narrower panel with a closer view of the man by the sliding door. Panel 3 is a wide horizontal close-up panel of the man speaking softly. Panel 4 is a final wide, low horizontal panel showing the hamster rolling over. Panel details: Panel 1: an empty tatami-and-wood Japanese room opening onto a sunlit garden with hydrangeas, leafy trees, a bamboo fence, and a stone lantern. On the right, an open shoji doorway reveals shelves with books and stacked items inside. On the wooden veranda near the right side sits a small round hamster. Above it place a vertical ellipsis 「・・・・・・」. Dappled sunlight and leaf shadows fall across the floor. Panel 2 left: the long-haired man sits with his back to the viewer on the veranda, wearing a loose dark haori over a pale kimono. He has very long pale hair braided down his back. The tiny hamster faces him from several feet away. The garden foliage fills the background. Panel 2 right: close portrait of the man standing or leaning by the shoji frame, one hand touching the sliding door. He has pale messy bangs partly covering tired, gentle eyes, a long side braid, a composed slightly melancholic expression, and elegant facial features. Add a vertical speech balloon with 「・・・・・・おや。」. Panel 3: wide close-up of the man from chest up, angled slightly left, with soft white bokeh/snowlike dots in the background. His expression is kind, calm, and mildly concerned. Use exactly 2 vertical speech balloons: left balloon text 「話したくなくても、ここにいるよ。」 and right balloon text 「・・・・・・話したくなったら、ここにいるよ。」. Panel 4: minimal pale background with floor line, showing the fluffy hamster lying on its side/back after rolling over, small motion lines near its body. It has round glossy black eyes, tiny ears, soft fur, and an adorably defeated expression. Add large vertical Japanese sound effect text 「ころん」 on the right. Subject details: The male character should look like an ethereal adult bishounen with {argument name="hair color" default="very pale blond or white"} long messy hair, a thick braid over one shoulder or down his back, slim build, and wearing {argument name="outfit" default="a white kimono with a dark haori"}. The hamster should be {argument name="hamster appearance" default="a small round fluffy white hamster with black eyes"}. Visual style: Fine monochrome manga line art, elegant shoujo proportions, delicate crosshatching, soft gray washes, detailed botanical background, peaceful atmosphere, subtle humor, readable Japanese lettering, no color. Constraints: Use exactly 5 panels, exactly 1 hamster, exactly 1 human character, exactly 5 visible text elements inside the story panels: 「・・・・・・」, 「・・・・・・おや。」, 「話したくなくても、ここにいるよ。」, 「・・・・・・話したくなったら、ここにいるよ。」, and 「ころん」. Do not add extra characters, extra animals, modern objects, watermarks, or English dialogue.

Hand-drawn botanical illustration of {argument name="plant or flower" default="lavender"}, delicate ink outlines, fine pencil shading, scientific sketchbook aesthetic, natural imperfections, textured paper background, elegant composition

{argument name="subject" default="subject"} in this style={argument name="transformation" default="transformation"} - Preserve the subject’s recognizable structure, but reinterpret it as a stylized editorial composition where drawing and miniature object-world logic coexist. - Convert some forms into sparse grainy line illustration while converting other forms into soft pastel miniatures or still-life objects. - Reinterpret texture-rich or detailed areas as small clusters of plants, props, vessels, terrain fragments, or decorative micro-world motifs. - Convert smooth surfaces into matte pastel color fields, while using graphic linework to describe edges, volume, and texture selectively. - Reduce complexity into a limited color system with one dominant graphic ink tone and a few quiet pastel support colors. - Replace deep realism with poster-like clarity, paper-print tactility, and curated tabletop arrangement. - Allow the subject to feel partially drawn and partially physically staged, creating a deliberate ambiguity between illustration and object. - Use negative space and sparse composition to keep the image clean, modern, and highly readable. </transformation> <shape_language> - Favor simple containers, rounded objects, leaves, stems, pebbles, tabletop silhouettes, miniature clusters, and clean abstract forms. - Use a mix of flat contour areas and soft low-relief sculptural accents. - Keep repetition rhythmic and decorative. - Let small details feel intentional and editorial rather than busy. </shape_language> <rendering_rules> - Use visibly grainy printed or crayon-like marks for lines and texture accents. - Keep volumetric forms soft, simplified, and pastel. - Limit the palette aggressively for a designed, print-friendly look. - Use shallow spatial depth with subtle diorama hints. - Make the final result feel like an art print, a magazine illustration, and a miniature set all at once. </rendering_rules> <finish> - Graphic limited-palette editorial hybrid. - Printmaking texture fused with soft pastel mini-world staging. - Smart, modern, collectible, and quietly distinctive. </finish> <avoid> - Avoid photoreal rendering. - Avoid deep cinematic perspective or strong realism. - Avoid overstuffing with too many tiny details. - Avoid using too many colors; keep it controlled and designed. </avoid>

Create a premium monochrome editorial fashion poster featuring a {argument name="subject" default="stylish young man"} in a three-quarter profile portrait, wearing {argument name="accessory" default="oversized black angular sunglasses"}, with thick textured curly hair, a clean faded haircut, and a well-defined short beard. Use a high-contrast black-and-white screen-print / ink illustration aesthetic, with rough hand-drawn hatching, distressed grain, ink splatters, photocopy textures, imperfect brush strokes, and subtle halftone details. Keep the portrait highly recognizable, sharp, sophisticated, and fashion-editorial rather than photorealistic. The composition should feel like a luxury streetwear campaign / contemporary graphic-design magazine cover. Place the subject predominantly on the right side with generous off-white negative space. Add layered experimental typography and graphic elements around the portrait: Large stacked bold condensed typography on the left: “{argument name="name" default="MARCOS"}” Oversized rough handwritten brush lettering crossing the lower center: “{argument name="name" default="MARCOS"}”

Create one complete high-detail professional storyboard sheet image for a 30-second 3D animated short film. STORY TITLE: “{argument name="story title" default="The Tiny Crew and the Last Photo"}” SHEET: PART 1 — {argument name="timeframe" default="0:00 to 0:15"} https://t.co/PMPoGt3vTq

Create a vertical black-and-white manga illustration of {argument name="character name" default="an elegant female knight"} in a dramatic action pose, shown from mid-thigh upward in a 2:3 portrait composition. She has {argument name="hair color" default="very light silver-blonde hair rendered as white manga highlights"}, extremely long flowing hair sweeping left across the frame, sharp anime eyes, a calm serious expression, and one visible dangling earring. She wears ornate dark fantasy armor with exactly 6 major visible outfit elements: a sculpted breastplate, a high decorated collar, one large right shoulder pauldron, one armored right gauntlet, a layered waist skirt with belts, and thigh armor with filigree decorations. She grips exactly 1 long katana-like sword diagonally across the foreground with both hands, the blade and hilt cutting through the composition from lower right toward upper left. Surround her with swirling black brush strokes, ink splatters, speed lines, torn ribbon-like shapes, and flying debris, creating a stormy battle aura. Use pure monochrome manga style with no color, intense contrast, dense hatching, crosshatching, screentone textures, glossy black shadows, crisp white highlights, intricate armor engraving, dynamic hair strands, and highly detailed linework. The background should be abstract and chaotic rather than scenic, with circular motion strokes behind her head and heavy black ink masses at the corners. No text, no speech bubbles, no watermark, no color accents.

Goal: Create a monochrome manga page titled {argument name="manga title" default="谷戸の夏休み〜八月一日（土）〜"}, page indicator “1/5”, adapting a quiet summer-vacation short story into a detailed Japanese comic page. Canvas: Vertical manga manuscript page, black-and-white ink with grayscale screentone, clean white margins, thin black outer border around each panel, reading as a polished printed manga page. Top margin shows the title at upper left and “1/5” at upper right. Bottom center credit reads “はむ（台本：Opus5）”. Layout: Use exactly 4 panels arranged in three tiers: Panel 1 is a wide full-width establishing shot across the top; Panel 2 is a wide full-width panel across the middle; Panels 3 and 4 are two equal vertical panels side by side on the bottom row. Main character: A small fluffy hamster-like creature named {argument name="character name" default="はむ"}, round body, soft fur, tiny feet, black bead eyes, wearing a broad straw hat with a dark ribbon, carrying a small vintage travel suitcase. The character appears exactly 3 times: once in Panel 1 sitting at a railroad crossing, once in Panel 2 climbing steps, and once in Panel 3 seen from behind in a wooded path. Panel 4 contains no character, only the empty path. Panel details: 1. Top panel: A coastal railway crossing at Kamakura/Koshigoe in midsummer, with crossing gates, signal lights, wooden posts, station sign, rails, and the bright ocean beyond. A large cumulus cloud floats over the sparkling sea; distant coastline visible. The hamster sits near the foreground facing the sea, suitcase beside it. Include two vertical caption boxes: right box says “八月一日（土）はれ”; left box says “江ノ電を降りると、線路の向こうに海が光っていた”. 2. Middle panel: The hamster walks up a stone stairway bordered by hydrangeas and dense summer greenery, handrail on the left, old houses and a narrow lane visible at the top of the stairs. Include one vertical caption box on the right saying “改札を出て、潮の匂いのする坂をのぼる”. 3. Bottom-left panel: A shaded old stone path leading toward a tiled-roof gate or small temple entrance deep in a quiet valley, dappled sunlight through trees. The hamster stands in the foreground from behind holding the suitcase and looking ahead. Include one vertical caption box on the left saying “蝉の声が一段深くなる。谷戸の奥。お屋敷はそこにある”. Include one rounded thought bubble near the hamster saying “門のところに……誰か、立っている？”. 4. Bottom-right panel: A narrow, empty, darker cut-through path with steep stone walls and thick foliage on both sides, strong shadow and bright opening in the distance. Include one vertical caption box on the right saying “途中から人気がなくなって、切通しの暗がりを抜ける”. Add small sound-effect text in the foliage reading “ジイ……ジイ……”. Visual style: Highly detailed hand-drawn manga linework, realistic backgrounds with nostalgic Showa-era atmosphere, cinematic perspective, delicate hatching, screentone shading, high contrast summer sunlight, quiet mysterious mood, no color. The page should feel like a gentle literary slice-of-life mystery set in Kamakura during summer. Constraints: Preserve all visible Japanese text exactly as written. Do not add extra panels, characters, speech balloons, modern UI elements, watermarks, or color. Keep the page readable as Japanese manga with vertical caption boxes.

[DESTINATION] = {argument name="city name" default="[CITY NAME]"} Create a charming vertical 4:5 mid-century travel picture-book illustration of [DESTINATION], inspired by playful 1950s–60s European city books. Depict the city as an affectionate, imperfect travel memory—not a map, postcard, architectural rendering, landmark collage, or cinematic panorama. Include: • 1 distinctive primary landmark • 1 smaller secondary landmark • 1 distant/partially hidden local feature • 1 recognizable local vehicle • 3–5 subtle everyday city details • 5–6 ordinary people doing simple local activities Compress these naturally into one imaginary street, plaza, park, or waterfront. Keep the primary landmark slightly off-center, with open foreground, shallow theatrical depth, gentle curves, and generous museum-white negative space. The city should be recognizable without feeling geographically accurate. STYLE: Hand-drawn picture-book illustration with loose charcoal/navy ink, trembling contours, crooked architecture, uneven proportions, sparse windows, simplified silhouettes, occasional double strokes, and minimal detail.

Blueprint for a robot from the '{argument name="organization name" default="Metropolitan Police Heavy Equipment Task Force Robot Unit"}'

A stylized, primitive illustration of a dog is rendered in {argument name="dog color" default="a light pink"} against {argument name="background color" default="a dark red background"}. The dog is depicted in a side profile, with a large, angular head featuring a single, circular eye with a smaller circle in its center, and two pointed ears. Its mouth is open, revealing a row of sharp, triangular teeth and a dark, cavernous interior. A curved tail extends from its rear. The body of the dog appears to be filled with hand drawn crosshatching and symbols. Its four legs are depicted as simple, rectangular shapes. The overall aesthetic is reminiscent of a stencil or woodcut print, with a rough, textured quality.

Create a premium, modern high-fashion CHARACTER CONCEPT ART SHEET in a 16:9 widescreen layout on a pure white background. THE ATTACHED REFERENCE IMAGE DEFINES THE ART STYLE — treat it as a strict style bible and reproduce its exact rendering

2x2 grid, 1:1 do this for {argument name="subject" default="4 famous books"} <transformation> - Preserve the subject’s recognizable structure, but reinterpret it as a stylized editorial composition where drawing and miniature object-world logic coexist. - Convert some forms into sparse grainy line illustration while converting other forms into soft pastel miniatures or still-life objects. - Reinterpret texture-rich or detailed areas as small clusters of plants, props, vessels, terrain fragments, or decorative micro-world motifs. - Convert smooth surfaces into matte pastel color fields, while using graphic linework to describe edges, volume, and texture selectively. - Reduce complexity into a limited color system with one dominant graphic ink tone and a few quiet pastel support colors. - Replace deep realism with poster-like clarity, paper-print tactility, and curated tabletop arrangement. - Allow the subject to feel partially drawn and partially physically staged, creating a deliberate ambiguity between illustration and object. - Use negative space and sparse composition to keep the image clean, modern, and highly readable. </transformation> <shape_language> - Favor simple containers, rounded objects, leaves, stems, pebbles, tabletop silhouettes, miniature clusters, and clean abstract forms. - Use a mix of flat contour areas and soft low-relief sculptural accents. - Keep repetition rhythmic and decorative. - Let small details feel intentional and editorial rather than busy. </shape_language> <rendering_rules> - Use visibly grainy printed or crayon-like marks for lines and texture accents. - Keep volumetric forms soft, simplified, and pastel. - Limit the palette aggressively for a designed, print-friendly look. - Use shallow spatial depth with subtle diorama hints. - Make the final result feel like an art print, a magazine illustration, and a miniature set all at once. </rendering_rules> <finish> - Graphic limited-palette editorial hybrid. - Printmaking texture fused with soft pastel mini-world staging. - Smart, modern, collectible, and quietly distinctive. </finish> <avoid> - Avoid photoreal rendering. - Avoid deep cinematic perspective or strong realism. - Avoid overstuffing with too many tiny details. - Avoid using too many colors; keep it controlled and designed. </avoid>

Loose watercolor and pen sketch inside {argument name="location" default="[LOCATION / SUBJECT]"}, seen from {argument name="viewpoint" default="[VIEWPOINT]"} toward {argument name="focal point" default="[ARCHITECTURAL FOCAL POINT]"}, {argument name="central feature" default="[CENTRAL FEATURE]"} at center, {argument name="overhead structure" default="[OVERHEAD ARCHITECTURAL FEATURE]"} overhead. Ink line drawn first and left visible through every wash — {argument name="linework details" default="[ARCHITECTURAL LINEWORK]"} and {argument name="floor grid" default="[GROUND / FLOOR GRID]"} overshooting into blank paper, one long confident arc for {argument name="major curve" default="[MAJOR CURVE]"}. Wash about 65%, warm below and cool above: {argument name="warm palette" default="[WARM ARCHITECTURAL PALETTE]"} on {argument name="lower elements" default="[LOWER ARCHITECTURAL ELEMENTS]"}, {argument name="cool palette" default="[COOL PALETTE]"} over {argument name="upper feature" default="[UPPER ARCHITECTURAL FEATURE]"} thinning to bare line at the crown. Diagonal light shafts left as reserved white paper, the brightest value. Floor in {argument name="floor wash" default="[FLOOR COLOR / WASH]"} with a backrun. Figures in three depth bands, clustered and gapped, never in a row: {argument name="near figures" default="[NEAR FIGURES AND SCALE]"}, one cropped by the bottom edge; {argument name="mid figures" default="[MID FIGURES AND SCALE]"} scattered at different distances, {argument name="midground cluster" default="[MIDGROUND CLUSTER]"} clustered at {argument name="focal point" default="[FOCAL POINT]"}; {argument name="far figures" default="[FAR FIGURES AND SCALE]"} dissolving into strokes. Different actions each — {argument name="action 1" default="[ACTION 1]"}, {argument name="action 2" default="[ACTION 2]"}, {argument name="action 3" default="[ACTION 3]"}

Create a premium 4:5 monochrome editorial poster using the uploaded image as the subject reference. Preserve the subject’s identity and key features while changing the pose naturally. Use high-contrast black-and-white stencil/ink art, halftone grain, rough brush strokes, ink splashes, distressed paper and photocopy textures. Place the subject dynamically on the right with strong negative space. Add bold condensed “{argument name="brand name" default="MAVERICK AI"}” typography on the left, large handwritten “{argument name="stylized name" default="Maverick"}” brush lettering, minimal technical graphics, crosshairs, geometric lines, microtext, and motivational phrases. Swiss editorial design blended with luxury streetwear and underground graphic-art aesthetics, dramatic lighting, sharp facial details, balanced hierarchy, gallery-quality finish, ultra-high resolution.

“Expressive charcoal drawing of {argument name="subject" default="[SUBJECT]"}, bold gestural strokes, soft smudging, dramatic line variation, unfinished edges, raw paper texture, strong artistic movement, selective detail, monochrome fine-art aesthetic, emotional and spontaneous, no text.”

Goal: Create a black-and-white Japanese manga diary page about an overworked office hamster employee, in a humorous slice-of-life tone. Use detailed pencil/ink shading, screentone texture, thick black panel borders, expressive manga speech balloons, and a clean modern office background. Canvas: Vertical manga page, approximately 2:3 aspect ratio, monochrome grayscale, high-resolution print look. Arrange exactly 6 panels: three narrow panels across the top row, two panels across the middle row, and one large dramatic panel spanning the full bottom row. Setting and main character: The protagonist is a small round fluffy hamster office worker with shiny black eyes, tiny paws, soft fur, and a serious but cute expression. The office has rows of desks, monitors, swivel chairs, fluorescent ceiling lights, filing cabinets, glass entrance doors, a landline telephone, and an analog wall clock. The visual humor comes from treating the hamster like a normal salaryman. Panel layout and content: 1. Top-left panel: Empty office after hours. The hamster has collapsed into a melted exhausted heap on the floor beside a small low desk with stationery. Add steam-like fatigue lines rising from the body. Vertical label reads {argument name="four hours later label" default="4時間経過"}. 2. Top-middle panel: Same office, one hour after arriving. The hamster sits upright at a desk, still cute but blank and tired, with papers and a pencil cup. Vertical label reads {argument name="one hour later label" default="1時間経過"}. 3. Top-right panel: Morning entrance scene by glass office doors. The hamster walks in carrying a small black business bag and politely greets the office. Include a speech balloon reading {argument name="morning greeting" default="おはようございまーす"}. Vertical label reads {argument name="third obon day label" default="お盆三日目"}. 4. Middle-left panel: The hamster holds an oversized black landline phone receiver with both paws, standing beside the phone base. It looks earnest and professional. Include two speech balloons: one calm balloon saying {argument name="phone answer text" default="はい、〇〇のハムです"}, and one jagged loud reply balloon from the other party saying 「あー！ハムさんいたぁ!!」. 5. Middle-right panel: Lunch break at the desk. The hamster happily eats noodles from a bowl with chopsticks; steam rises from the bowl. A large landline phone sits in the foreground, and an analog wall clock shows noon. Add sound effect text 「プルルルル」 near the phone. Vertical label reads 「昼休み」. 6. Bottom full-width panel: Dramatic dark background with strong radial speed lines and heavy contrast. The hamster is now angry and intense, gripping the oversized phone receiver, with a manga anger mark on its forehead. On the left, add a large white burst caption reading 「このための出勤とかマジでふざけんな」. On the right, add an ornate flower-decorated thought/speech bubble containing vertical Japanese complaint text: 「あのぉ〜、急ぎ対応してほしいものがあってぇ。お昼中なのにごめんなさい。えっとぉ、私の作った資料ダメ出しされちゃってぇ……ハムさんに直して欲しいんですぅ。あっ、私お昼中なんで、お昼終わるまでにください！」 Style constraints: Use authentic seinen/josei manga diary aesthetics, grayscale pencil crosshatching, soft fur detail, office realism, readable Japanese lettering, and strong comedic timing. Keep exactly 6 panels and exactly the listed text elements; do not add color, extra characters, watermark, or extra captions.

Create a single vertical anime animation development board for an original emotional short film titled "{argument name="film title" default="The Boy and the Umbrella"}". The output must be ONE combined image containing an anime character design sheet and a cinematic storyboard page.