Social Media Post影片提示詞

Create an exactly 12 second photorealistic nighttime social video in 16:9. The scene takes place in an outdoor parking lot beside the rear corner of a glossy vivid hot pink customized sports car. A stylish young woman with long straight black hair, dramatic eyelashes, natural warm skin texture, a loose light beige graphic shirt and long decorated manicure stands beside the rear taillight. Use one continuous energetic handheld camera take with an extremely wide perspective similar to a small action camera held very close to the subject. Preserve genuine human camera imperfections, tiny shakes, imperfect reframing, natural motion blur, focus breathing, realistic lens distortion and slight exposure changes. From 0 to 3 seconds begin with a close three quarter view of the woman beside the pink rear body panel. She smiles, turns toward the lens and points at her lower lip and shiny decorative dental jewelry. The camera impulsively moves closer until her face becomes an extreme wide angle close up. Her finger gently points toward the dental detail while she smiles. Maintain anatomically correct hands, teeth, lips, eyelashes and facial proportions even under strong lens distortion. From 3 to 8 seconds pull away from her face and naturally tilt down toward the custom taillight. Reveal a dark smoked taillight housing containing bright violet and pink LED artwork, a cute original cartoon inspired emblem surrounded by tiny decorative sparkles followed by several glowing heart shapes of progressively smaller size. Do not use copyrighted logos or readable text. The LED pattern must remain perfectly consistent in every frame. Her manicured hand enters naturally and glides over the pink painted panel beneath the light. Show authentic reflections from her fingers, the LEDs and nearby lights moving across glossy automotive paint. Keep tiny fingerprints, subtle surface texture and realistic panel seams. From 8 to 12 seconds swing the handheld camera back toward the woman. Her long hair briefly crosses the lens during the movement. She turns toward camera, casually brushes her hair away from her face and gives a confident relaxed expression while standing beside the glowing taillight. Finish on a slightly wider composition showing her, the pink rear corner of the car and several softly out of focus people standing farther back in the parking lot. Lighting is primarily a strong compact camera light positioned near the lens, producing bright frontal illumination, slightly hot highlights on skin and paint, deep nighttime shadows and authentic falloff. Add violet light spill from the taillight. Distant white parking lot lamps create natural star shaped lens flares against a nearly black sky. Background trees and parked vehicles remain dim and indistinct. Avoid cinematic studio lighting. The footage should feel like a genuine spontaneous car meet video captured by a real person. Use realistic 30 frame per second motion, natural skin pores, individual hair strands, physically accurate reflections, consistent clothing, consistent jewelry, correct finger count, stable car geometry and believable interaction between hands and surfaces. No morphing, floating objects, plastic skin, face changes, temporal flicker, impossible reflections or artificial smoothing. Music should be a stylish modern bass driven nightlife instrumental with a playful feminine attitude, deep clean sub bass, crisp percussion, subtle electronic sparkle and a memorable beat. Begin understated during the facial close up, let the beat become stronger when the illuminated taillight is revealed, then finish with a clean confident musical accent during the final wider shot. Blend faint authentic parking lot ambience underneath the music.

Ultra-realistic cinematic vertical video, 10 seconds. A beautiful young Korean woman spending a peaceful late-night skincare routine in her cozy bedroom. She is wearing the same oversized cream-white T-shirt throughout the entire video. Warm bedside lamp light mixes naturally with soft cool moonlight coming through the window. The room has a cozy Korean bedroom aesthetic with a full-length mirror, soft bedding, subtle fairy lights, and a small bedside table. The entire video is filmed as authentic handheld smartphone selfies, like a personal nighttime vlog. Natural movements, realistic facial expressions, subtle breathing, natural blinking, lifelike hair movement, realistic skin texture, no overly posed movements. Shot 1 (0–2s): Front handheld selfie in front of the full-length mirror. She gently moves her hair behind her shoulders, looks at herself briefly, then turns her eyes toward the phone camera and gives a soft natural smile. The phone has subtle realistic handheld movement. Shot 2 (2–4s): Slightly high-angle selfie while she sits comfortably on the edge of the bed. She picks up a small skincare cream, applies a little to her face naturally with her fingertips, then gives a playful subtle expression toward the camera. Shot 3 (4–6s): Mirror selfie. She stands close to the mirror and gently fixes a few loose strands of hair while looking at her reflection. After a moment, she looks directly at the phone screen and smiles naturally. Shot 4 (6–8s): Side-profile handheld selfie near the bedside table. She reaches for a clear water bottle, takes a small natural sip, lowers it, and looks toward the camera with a soft relaxed smile. Her hair moves naturally as she turns. Shot 5 (8–10s): Front close-up selfie. She comfortably lies back against the pillows under a soft blanket, looks directly into the camera, makes a tiny finger-heart gesture close to the lens, then finishes with a warm genuine smile as the camera gently moves backward. Style: Ultra-photorealistic Korean beauty, authentic smartphone camera quality, natural handheld selfie movement, realistic skin pores and texture, natural blinking and breathing, lifelike hair simulation, realistic hand and finger movements, soft warm bedside lighting mixed with cool moonlight, subtle bedroom shadows, cinematic shallow depth of field, natural lens behavior, premium film color grading, intimate cozy nighttime atmosphere, 24fps, 8K, vertical 9:16. No text, no subtitles, no logos, no unnatural body movements, no excessive beauty filter.

[Style] Luxury Car Delivery Vlog, professional camera + handheld selfie POV mix, 4K Photorealistic, natural skin texture with visible pores, no filter plastic look, vertical 9:16. [Duration] 30 seconds. [Scene] Supercar delivery showroom (cement gray floor, black walls, top strip spotlights) → Showroom entrance ramp → Evening city elevated highway. [Characters] Owner @Image 1 (long hair, black with burgundy gradient waves, thin metal frame clear glasses, gray knit camisole dress); two staff members in black suits (background functional characters, no faces shown). [Vehicle] Bright yellow Lamborghini Urus (Super SUV), four-door high-chassis body, hexagonal headlights with Y-shaped DRLs, sharp side lines, wide wheel arches, 23-inch black rims, quad exhaust, rear integrated spoiler. [Global Constraints] Black cloth only appears in Shot 1, piles on the ground after sliding off; flowers/ribbons only exist in showroom layout (Shots 1-7), Shot 8 car body must be clean. [00:00-00:05] Shot 1: Crane Up / Reveal. Low angle, matte black cloth covering the car. Owner walks in, cloth is pulled back to reveal the yellow Urus. [00:05-00:09] Shot 2: Orbit 360. Ground-level 360-degree rotation around the car. Owner stands by the door. [00:13-00:16] Shot 4: Handheld Close-up. Owner clinks a champagne glass against the lens. [00:16-00:19] Shot 5: Slow-mo Confetti Burst. Confetti explodes as owner laughs. [00:19-00:22] Shot 6: Handheld Selfie POV. Owner sits in driver's seat, makes a peace sign. [00:25-00:30] Shot 8: Launch + Drone Pull-back. Car drives out of the showroom onto the highway at sunset. Drone pulls back to show the city skyline.

Base Setting: Based on the information in this storyboard, generate a professional commercial for pink canned sparkling water with Japanese cinematic aesthetics and narrative. Only generate 0-30 seconds of footage. Style Setting: Visual Tone: Modern Japanese youth cinema aesthetic, simulating 120 medium format film transparency or digital camera with Black Pro-Mist filter. Clean image, very weak grain. Lighting/Tone: High-key backlight and diffuse ambient light. Slight bloom/halation, soft cherry blossom pink and sunny white; shadows retain transparent cyan-blue. Low contrast, low saturation Japanese healing color grading. Do not generate background music, only sound effects. Content: Generate a 30-second, 16:9 vertical, real friend handheld Yunnan travel Vlog. Use the woman in the reference image as the protagonist, maintaining her facial features, hairstyle, features, skin tone, body proportions, and natural expressions throughout the video. Do not change identity, do not swap faces, do not become someone else. The protagonist wears fresh daily outfits suitable for Yunnan travel, such as light-colored short sleeves or thin shirts, casual long skirts or denim shorts, comfortable sneakers, and a small backpack. The overall vibe is natural and relaxed, like a real tourist, not a model pose. Video texture is a real travel Vlog shot by a friend with a phone all day. The footage has natural handheld camera movement, casual composition, slight shaking, occasional imperfect focus, and a real snapshot feel. No commercial quality, no cinematic blockbuster feel, no exaggerated transitions, no artificial special effects. The protagonist behaves naturally, interacting with friends like in a real trip, occasionally looking at the camera, smiling, tidying hair, taking photos with a phone, walking, and stopping to observe the scenery. 0–5 seconds: Departing from a guesthouse in Dali, Yunnan in the early morning. The protagonist carries a small backpack and walks out of a cozy guesthouse with wooden doors, white walls, greenery, and a courtyard feel. She looks down at her phone for the route, then looks up and smiles naturally at the friend's camera, tidies her hair, and walks out of the alley. The camera follows from the back and side-back, with slight shaking from the friend's handheld shooting. The scene includes soft morning sunlight, quiet stone roads, Bai-style architecture, roadside greenery, and small shops just opening. Ambient sounds include birds chirping, distant voices, footsteps, and morning street sounds. 5–11 seconds: Exploring Dali Ancient City streets. The camera follows her slowly through the ancient city streets. Both sides have white walls and gray tiles, wooden signs, flowers, small cafes, Yunnan snack shops, and tourists. She walks into a small cafe or roadside drink shop, buys a drink, and smiles naturally when receiving it. She says a simple sentence in Chinese to the camera: "Going to Erhai first today." Then she continues walking past street shops, stops to take a photo, looks down at the camera preview, and can't help but smile. The camera stays close, capturing casual real moments, no posing. 11–18 seconds: Heading to Erhai. The environment naturally transitions from ancient city streets to the road by Erhai Lake and open lake views. The protagonist sits on the back of an electric scooter or walks to the lakeside, the sea breeze blowing her hair. She becomes visibly excited when she sees Erhai for the first time, looks back at the camera and smiles, then walks quickly toward the lake. The camera follows her on the Erhai ecological corridor, with blue lake water, distant Cangshan mountains, white railings, tree shadows, and people cycling nearby. She stops to look at the lake, takes photos with her phone, leans on the railing, with a natural and relaxed expression. Ambient sounds include wind, lake water, bicycles passing, and distant tourists talking. 18–24 seconds: Xizhou rice fields and Bai village afternoon. The camera cuts to a path in the rice fields under the sun, the protagonist walking along the field with a friend. The background has green rice fields, Bai residences, distant mountains, blue sky, and slowly moving clouds. She squats down to look at roadside flowers, looks back at the camera and smiles when she stands up. She and her friend buy local snacks at a village entrance stall and eat while walking, with a real and relaxed expression. The camera moves naturally among people and alleys, with occasional slight shaking, like a friend casually recording travel clips. No deliberately designed actions, no exaggerated performances. 24–30 seconds: Erhai sunset ending moment. Golden evening, the protagonist sits by Erhai or on a lakeside bench, holding a drink, quietly watching the sunset. The lake surface has fine shimmering light, with the silhouette of Cangshan and sunset clouds in the distance. The friend's camera slowly retreats from her side-back, first capturing her profile and hair blowing in the wind, then bringing in Erhai, the sky, and the peaceful evening scenery. Finally, she looks back at the camera, smiles gently, and says a sentence in Chinese: "Yunnan is really comfortable." The screen stays on the feeling of real travel memories, warm, relaxed, and natural. Visual Style: Real personal travel Vlog material, like shot with a smartphone or small mirrorless camera. Natural daylight, real exposure, slight handheld shake, casual composition, real human reactions, documentary-style realistic style. No cinematic commercial quality, no exquisite advertising blockbuster feel, no deliberate posing, no artificial transition effects, no text overlays, no Logo, no watermark. Maintain the facial identity, hairstyle, features, skin tone, body proportions, and natural expressions of the woman in the reference image throughout. No face swapping, do not become another woman, no excessive beautification, no anime style, no influencer filter feel. No subtitles, no background music throughout, only retain real ambient sounds, footsteps, wind, voices, market sounds, lake water sounds, bird calls, and natural sounds during the friend's filming.

CAMERA: Handheld DV 16mm daily vlog footage. The video MUST begin with her holding the camera at arm's length in selfie mode while stepping outside her apartment building with her dog. The first 20–30 seconds are entirely handheld. Later she occasionally places the camera on a park bench, low stone wall, picnic table, or the ground for wider shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around sunlight, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. It should feel like authentic footage from someone's everyday life rather than a polished commercial. STYLE: A relaxed morning lifestyle vlog. Quiet, cozy, and spontaneous. She occasionally laughs at her dog, pauses to look around, adjusts the leash, brushes hair away from her face, and speaks naturally in short sentences with comfortable pauses. CHARACTER: EMMA — a beautiful white woman in her mid-20s. Long light brown hair in a messy ponytail, green eyes, minimal makeup, oversized gray hoodie, black biker shorts, white sneakers, and a small crossbody bag. She is walking a happy golden retriever. SETTING: A peaceful suburban neighborhood on a sunny morning. Tree-lined sidewalks, quiet residential streets, birds singing, a small park with benches, green grass, and soft golden morning light. Very few people are around. SCENES: The vlog opens in selfie mode. Emma holds the camera while leaving her apartment building with the golden retriever excitedly pulling on the leash. "Good morning." She smiles. "Someone couldn't wait." The dog eagerly sniffs everything as they walk down the sidewalk. She laughs quietly. "He has to inspect every single tree." Still holding the camera, she walks into a small neighborhood park. The dog suddenly stops and stares at a squirrel. "Oh... there we go." She smiles and gently shakes her head. She places the camera on a nearby bench for a wider angle while throwing a tennis ball. The dog happily chases after it. "Worth waking up early." She picks the camera back up. Walking slowly through the park, she looks up at the trees for a moment. "It's actually really peaceful out here." The dog returns with the ball but drops it halfway. She laughs. "Close enough." She sits on the bench while the dog lies beside her. She scratches behind his ears. "I think he's happier than I am." She stands up and continues walking. The camera stays in selfie mode as they head toward home. "Coffee is definitely next." She smiles into the lens. "See you later." She gives a small wave and ends the recording.

High quality video 16:9 aspect ratio 14 seconds duration Cinematic medium shot of a young woman with a short brown bob haircut wearing an open light blue button down shirt over a white crop top and denim skirt She stands on an outdoor patio with hazy warm lighting and out of focus string lights in the background A text graphic reading 111 F is overlaid at the top center She is visibly hot and fans her face with her right hand A hand enters the frame from the right holding a tall glass of ice water with a lemon and a straw She takes the glass with both hands and begins sipping through the straw As she drinks the text graphic rapidly counts down to 69 F She closes her eyes and looks completely refreshed Ambient hazy lighting Upbeat refreshing summer pop music playing Photorealistic 8k resolution highly detailed natural lighting

Ultra-realistic amateur forest creature sighting footage. Cheap handheld camera effect, low-quality visuals, unstable zoom, autofocus failure, heavy digital noise, compression artifacts, shaky framing, heavy breathing captured by the microphone, accidental overexposure between trees, raw mockumentary style. No polished cinematic quality. Only one invisible cameraman, a terrified hiker breathing heavily behind the lens. A massive Bigfoot-style woodland creature: tall and burly, covered in dark hair, human-like posture, heavy natural movements, never cartoonish. Dense forest daytime scene, uneven ground, wet fallen leaves, tree trunks, misty depth, broken branches, natural deep shadows. Authentic low-end camera texture, believable forest sound effects, realistic creature anatomy, limited but clear exposure, unstable autofocus, strong viral effect, natural motion, horror realism, no comedy, no digital polish. 0-5s: Shaky handheld POV - camera moves through the forest, loud breathing, branches hitting the lens. The cameraman whispers in French: "Attends… attends… c'est quoi ça là-bas?" The image struggles to focus between trees. 5-10s: Chaotic zoom - through the trees, a massive hairy creature looms in the distance, half-hidden behind a trunk. The cameraman mutters: "Non… non… c'est pas possible…" The creature slowly steps into a small patch of light. 10-15s: Unstable advance and panicked reframing - the Bigfoot creature turns toward the camera. Only one second of clear footage: massive shoulders, long arms, wet dark fur, heavy breathing. The cameraman gasps: "Oh mon Dieu…" 15-20s: Violent shaking, partial frame loss - the creature suddenly lets out a deep roar and takes two quick steps toward the camera. The cameraman panics, stumbles backward, and the camera falls toward the ground. The final frame captures the creature rushing through the woods before cutting to black.

Create a 30 second vertical 9:16 photorealistic lifestyle vlog, filmed entirely as if a young woman is recording her own afternoon using an iPhone Ultra. The video must feel like a genuine social media vlog, not a commercial or traditional cinematic film. CHARACTER CONTINUITY One stylish young woman in her early 20s. Natural expressive face, warm personality, subtle makeup, realistic skin texture, slightly wavy dark-brown hair worn loose. She wears the same outfit throughout the entire video: oversized cream linen shirt over a fitted white top, relaxed blue jeans, small gold hoop earrings, thin necklace, simple shoulder bag. Maintain exactly the same face, hairstyle, outfit, accessories, body proportions and voice throughout every shot. She is confident but casual, speaking naturally to her phone like she is talking directly to her followers. VISUAL STYLE Authentic premium iPhone vlog photography. Natural HDR smartphone exposure, realistic skin tones, subtle computational photography, crisp foreground detail, realistic highlight roll-off, natural depth of field. Slight handheld micro-shake, tiny framing imperfections, natural autofocus shifts and exposure adaptation. Do NOT make the footage look like it was filmed on a cinema camera or stabilized gimbal. Natural late-afternoon golden-hour color palette throughout. Fast but smooth social-media editing. Every cut should happen naturally on a movement, gesture, camera turn or change of location. SHOT 1 — 0:00–0:04 BEDROOM — MIRROR VLOG She stands in front of a full-length bedroom mirror holding the iPhone Ultra in one hand. Medium mirror selfie framing. She quickly fixes one strand of hair, grabs her shoulder bag and smiles at herself through the phone. Slight handheld movement. Warm sunlight enters through the bedroom window. She speaks directly while moving toward the door: GIRL: "Okay, I have thirty minutes to rescue this boring afternoon." Natural playful delivery. CUT as she swings the phone away from the mirror. SHOT 2 — 0:04–0:09 ELEVATOR / HALLWAY — WALKING SELFIE Front-camera handheld selfie. She walks toward the elevator while holding the phone slightly below eye level. The frame gently bounces with her footsteps. Elevator doors open behind her. She looks into the lens and says: GIRL: "First mission: coffee. Because apparently water isn't enough for my personality." She gives a tiny amused smile after saying "personality." Real hallway ambience, footsteps and elevator ding. CUT as she steps inside the elevator. SHOT 3 — 0:09–0:14 CITY STREET — GOLDEN HOUR Jump cut to outdoors. She walks along a stylish city sidewalk. Front-facing wide smartphone camera. Pedestrians and traffic move naturally behind her. Warm golden sunlight hits the side of her face. She briefly turns the phone toward the glowing street, then immediately brings it back toward herself. While walking she says: GIRL: "Look at this light. Why does everything suddenly look expensive at golden hour?" She laughs softly at her own comment. Natural traffic, footsteps and distant city ambience. CUT during the camera turn. SHOT 4 — 0:14–0:19 COFFEE SHOP — ORDER ARRIVES Close handheld rear-camera shot of a beautiful oversized iced coffee being placed on the counter. Camera quickly tilts from the drink back toward her face. She raises her eyebrows when she sees how large the cup is. She says: GIRL: "I said small. They heard emotional-support size." She laughs naturally and takes the cup. Realistic coffee-shop ambience: espresso machine hiss, cups touching, quiet conversations. CUT while she lifts the drink toward the camera. SHOT 5 — 0:19–0:25 CAFÉ WINDOW — PERSONAL MOMENT She sits beside a large café window. The iPhone is now positioned naturally against something on the table, creating a casual static vlog frame. Medium close-up. Warm sunlight falls across her face. She takes a sip, looks outside for half a second, then looks directly back toward the phone. Her energy becomes slightly softer and more sincere. She says: GIRL: "You know what? This might actually be the best part of my day." Small genuine smile. She reaches forward and picks up the phone. CUT naturally as her hand covers part of the lens. SHOT 6 — 0:25–0:30 OUTSIDE CAFÉ — WALKING ENDING Immediate handheld selfie shot outside the café. She walks down the sidewalk holding her coffee. Golden-hour city background. Natural movement and slight lens flare. She looks directly into the camera while walking and says: GIRL: "Tiny plan, good coffee, better mood. I'll take it. See you tomorrow." She smiles, moves the phone slightly closer to her face and casually covers the lens with her hand. END. AUDIO DIRECTION Generate native synchronized dialogue audio. Same female voice throughout all six shots. Voice should sound close to an actual iPhone microphone: clean but not studio-recorded. Perfect natural lip synchronization. Conversational English delivery with small pauses, breaths, tiny laughs and realistic vocal imperfections. Dialogue must never sound like narration or advertising. Every spoken line comes directly from the woman visible in that shot. Maintain realistic spatial ambience for each location: bedroom room tone, footsteps and elevator ding, city traffic, coffee-shop ambience, cups and espresso-machine sounds. No voice-over. No narrator. No background music. Dialogue and environmental sound only. IMPORTANT CONTINUITY RULES Maintain one identical woman throughout the entire 30 seconds. No facial changes between cuts. No hairstyle changes. No outfit changes. No unexplained objects appearing or disappearing. Keep the same late-afternoon time of day and warm visual palette. Preserve spatially realistic body motion and hand anatomy. Keep smartphone-style framing throughout. Use genuine vlog editing rather than cinematic montage editing. All six scenes belong to one continuous afternoon. DO NOT GENERATE No subtitles. No captions. No floating text. No logos or watermarks. No beauty-filter skin. No exaggerated cinematic bokeh. No impossible camera movement. No drone shots. No third-person cinematic shots. No random music. No additional speakers. No duplicated character. No dialogue assigned to the wrong shot. No dialogue continuing across a cut unless naturally motivated. Final result should feel like a real 30-second iPhone Ultra vlog casually filmed and edited by the woman herself, with believable dialogue, imperfect handheld framing, natural reactions, strong character continuity and seamless multi-shot storytelling.

BRIEF: Create a 30s Japanese-style idol personal vlog following the same young performer through a private day. Keep her face, hairstyle, wardrobe logic and personality consistent. The footage should feel self-shot or casually filmed by a close friend: handheld phone framing, small focus misses, ordinary room light, natural pauses, playful reactions and clean native ambience. STRUCTURE: A personal diary a direct-to-camera morning greeting at home; relaxed breakfast and getting-ready details; a candid moment playing with her fluffy cat; a quick convenience-store or cafe food stop; handheld travel between locations; rehearsal-room preparation and short performance fragments; an unguarded backstage break; and a quiet nighttime sign-off. DIALOGUE: Let her occasionally address the camera in natural Japanese, but avoid subtitles and on-screen text. Preserve believable lip sync, room tone and changes in acoustic space. PROHIBITED: No commercial posing, glamour-ad lighting, face drift, duplicate subject, plastic skin, distorted hands, floating props, logos or captions. A few things worth noticing about why it's built this way: "Wardrobe logic" instead of a fixed outfit. She's supposed to change during the day morning clothes aren't rehearsal clothes. Locking a single outfit would break the premise. Locking the logic keeps her coherent while letting the day progress. "Changes in acoustic space" is the line most people would never write. A bedroom, a convenience store, and a rehearsal room sound completely different, and audio that stays flat across all three is what quietly gives a montage away. The prohibited list bans glamour lighting and commercial posing specifically. For an idol subject, the model's default pull is toward polished promo material that door has to be closed on purpose. And the day has an arc without a plot. Morning greeting to nighttime sign-off gives thirty seconds a shape, so it reads as a diary rather than eight unrelated clips. Everyone tests consistency by keeping the room the same. The real test is walking the same person through a whole day and having nobody notice.

Montage, multi-shot candid observational footage. Do not use a single camera angle or continuous take. Handheld documentary style with the feeling of accidental real-life capture. Slightly imperfect framing, subtle handheld shake, tiny reframing adjustments, gentle exposure breathing, and autofocus that settles half a beat late. Realistic skin texture, soft indoor natural light, film grain, shallow depth of field. Relaxed breathing, natural blinking, restrained and authentic performance. Total of 7 shots. The woman from @ Image 1 is wearing a matching cotton pajama set consisting of a scoop-neck sleeveless top and loose shorts made from the same fabric and design. Barefoot, she lies on her stomach across a lived-in, slightly messy bed in her bedroom, browsing a mobile shopping page on a black smartphone. A house cat jumps onto the bed seeking attention, and she affectionately plays with it. Moments later, a friend calls. She answers, chats, and eventually bursts into laughter. The doorbell rings, so she ends the call and gets up to collect her dinner. Shot 1 (0–2s): She is already moving. One thumb scrolls through a shopping page while she frowns slightly, thinking. She quietly mutters in Korean: "아, 뭐 살랬더라…" ("Ah... what was I going to buy again?"). Lips synchronize naturally. Her bare feet gently sway behind her. A low handheld camera glides along the edge of the mattress, with soft bedding partially obscuring the foreground. Shot 2 (2–4s): The house cat jumps onto the bed, compressing the blanket as it walks toward her forearm and lets out a single meow. The camera gives a slight jolt from the impact, then quickly reframes from the phone to an over-the-shoulder view that includes her face, hands, phone, and cat. Shot 3 (4–6s): She turns warmly toward the cat, stroking it once from its forehead to its shoulders. In a gentle, affectionate tone she says: "우리 애기 왔어?" ("Did my baby come?"). Lip sync is clear and natural. The camera pushes in briefly through the cat's softly blurred foreground toward her face and hand. Shot 4 (6–8s): A friend's ringtone sounds. She glances down, confirms the caller, swipes to answer, and brings the phone to her ear. The camera moves in a loose semicircle from a slightly tilted overhead angle, capturing the entire answering motion. Shot 5 (8–11s): Her friend begins talking. She responds first with confusion, then disbelief: "어, 왜? 진짜 거짓말." ("Huh? Why? No way, you're kidding."). Immediately afterward she naturally bursts into laughter. The cat kneads the blanket beside her. A close handheld side angle keeps both her phone and profile within the same focal plane. Shot 6 (11–13s): A clear doorbell interrupts the laughter. Both she and the cat turn toward the bedroom door. She braces one hand on the mattress to get up. The camera reacts a fraction too late, briefly turning toward the door before naturally correcting back to her rising movement. Shot 7 (13–15s): Still on the phone, she hurriedly says: "어, 나 밥 왔다. 끊어." ("My food's here. I'll hang up."). She ends the call with her thumb, gets off the bed, and walks toward the door while the cat follows across the blankets. The camera slides low beneath her elbow and tilts upward as she stands in one continuous motion. Sound: No music. Only raw production sound: bedding rustling, quiet breathing, finger taps on the phone, the soft impact of the cat jumping onto the bed, one natural meow, faint purring, a single short incoming ringtone, call connection tone, the friend's voice through the phone, the woman's four Korean lines with accurate lip sync, a genuine brief laugh, one clear doorbell, the tap ending the call, and soft cat footsteps. No subtitles, no on-screen text, no logo, no watermark. Never render a reference sheet or duplicate the subject.

A 10-second realistic handheld video at night on a wet sandy beach. A tiny white kitten with grey markings on its head stands upright on its hind legs in shallow water, front paws raised like it’s dancing or balancing, looking curiously at the camera. A small light-brown (ginger) kitten walks toward it, then also rises onto its hind legs beside the white one, both cats standing side-by-side with paws up in a playful, almost human-like pose. Gentle ocean waves roll in the dark background, wet sand glistening under soft night lighting. Cute, slightly shaky handheld footage, adorable and whimsical atmosphere

[Style] Pajama to Mafia Queen contrast blockbuster, cinematic live-action texture (9:16 Vertical, Photorealistic), front part cold home morning light, back part hotel warm gold luxury vs. cold killing intent. [Duration] 12 seconds [Scene] Front: Bedroom, blue blinds, white carved dressing table, wooden floor; Back: 5-star hotel golden corridor, wall lamps forming a warm yellow light strip, crystal chandelier in the depth, marble floor reflecting like a mirror. [Character] Protagonist @Image1 (Front: white home pajamas + plush slippers; Back: black tube top long dress + black feather fur + red-bottom high heels, cold and sharp aura). [00:00-00:03] Opening: Low-Angle Leg Shot - Pajama Stretch Camera close to the wooden floor, shooting diagonally upwards from her feet (long leg perspective, slightly tilted frame). Protagonist stands in the bedroom in white pajamas and plush slippers, stretching with hands joined overhead, then slowly spreading arms, long hair falling, lazy and relaxed expression. Cold morning light through blue blinds behind. [00:03-00:04] Transition: Stomp Transition She lifts one foot, plush slipper stomps heavily towards the camera until the sole fills the screen to complete the transition. [00:04-00:06.5] Landing: Heel Walk Sole lifts, landing is a red-bottom black high heel on hotel marble. Camera follows closely behind her at floor level; only the heels are visible walking forward, clicking on the floor, with wall lamp reflections extending into the depth. [00:06.5-00:09.5] Back-view Slow-mo Push Up Slow motion, camera rises and pushes forward from behind at floor level: revealing the drape of the black dress, the rolling black feather fur, and finally her full back view. Two bodyguards in black suits enter from both sides to walk alongside. Dress hem swings, feathers move distinctly, shadows stretch long towards the corridor depth. [00:09.5-00:11] HARD CUT to Front Hard cut: Camera jumps to a low-angle front view retreating, normal speed. The three walk towards the camera, protagonist in the middle, bodyguards in sunglasses on both sides, synchronized steps, wall lamps sweeping across her face. [00:11-00:12] Climax: The Shot + Freeze Camera rises to a front medium-close shot: Protagonist raises her right hand, pointing a gun at the camera, pulls the trigger—muzzle flashes orange flame filling the screen, recoil shakes hair and fur collar. Light fades, she holds the pose, smoke from the muzzle, eyes locked on the camera, frame freezes. [Sound Effects] Quiet morning ambient sound and fabric friction; a heavy thud at the stomp, then low oppressive drum beats; clicking of heels on marble is the main sound; echoes elongated in slow-mo, drums intensify; heavy beat on hard cut, rhythm returns to normal; explosive gunshot and tinnitus ring at the end, fading into silence.

A cinematic 30-second ultra-realistic eurpeon lifestyle influencer vlog following a young creator from leaving her apartment to enjoying a relaxing morning at a cozy specialty café. She walks through a charming neighborhood, orders an iced vanilla latte and a fresh butter croissant, captures the coffee-making process, shares an honest first-taste review, and ends the vlog strolling back through the lively streets. Documentary-style storytelling, natural smartphone camera movement, cinematic B-roll, fluent English lip-sync, realistic food textures, authentic café atmosphere, warm morning light, premium color grading, seamless scene continuity, Seedance 2.5-quality realism, no text, no logos.

Create a 30-second ultra-realistic multi-shot candid observational video of a young Korean woman relaxing naturally in her bedroom. Use multiple distinct shots and camera angles, not a single continuous take. The footage should feel like an accidentally captured real-life moment. STYLE: Handheld documentary realism, imperfect framing, subtle camera shake, gentle exposure breathing, autofocus settling slightly late, realistic skin texture, soft natural indoor light and shallow depth of field. Natural blinking, breathing, body movement and restrained authentic expressions. No posing, glossy commercial look or cinematic perfection. SUBJECT: A naturally beautiful young Korean woman in her early 20s with long dark hair. She wears a matching cotton pajama set: scoop-neck sleeveless top and loose shorts. Barefoot, minimal makeup, realistic skin texture. SETTING: A lived-in, slightly messy bedroom with an unmade bed, soft bedding and everyday personal belongings. She relaxes on her stomach across the bed while browsing a shopping page on a black smartphone. A house cat interacts naturally with her. SHOT 1 — 0–4s: She lies on her stomach, casually scrolling through a shopping page. She frowns slightly, then mutters in Korean: "아, 뭐 살랬더라..." ("Ah... what was I going to buy again?"). Natural Korean lip sync. Her bare feet gently sway behind her. A low handheld camera glides beside the mattress. SHOT 2 — 4–8s: A house cat jumps onto the bed, compressing the blanket and walking toward her arm. It gives one natural meow. The camera reacts with a tiny jolt, then reframes toward her face, hands and cat. SHOT 3 — 8–12s: She turns toward the cat and gently strokes it from forehead to shoulders. She affectionately says: "우리 애기 왔어?" ("Did my baby come?"). Accurate lip sync. The camera pushes closer through the cat's softly blurred foreground. SHOT 4 — 12–16s: Her friend's ringtone sounds. She looks down, checks the caller, swipes to answer and brings the phone to her ear. The camera makes a loose semicircular movement from a slightly tilted overhead angle. SHOT 5 — 16–21s: Her friend talks. She listens with a confused expression, then reacts: "어, 왜? 진짜 거짓말!" ("Huh? Why? No way, you're kidding."). She immediately bursts into genuine laughter. The cat kneads the blanket beside her. A close handheld side angle captures her profile and phone. SHOT 6 — 21–25s: A clear doorbell interrupts her laughter. She and the cat turn toward the bedroom door. She pauses, realizing her food has arrived, braces one hand on the mattress and begins getting up. The camera reacts slightly late before correcting back to her movement. SHOT 7 — 25–30s: Still holding the phone, she says in Korean: "어, 나 밥 왔다. 끊어." ("Oh, my food's here. I'll hang up."). She ends the call, gets off the bed and walks toward the door. The cat follows across the blankets. The camera tilts upward as she stands, ending with a natural handheld follow toward the doorway. AUDIO: No music. Raw realistic production sound: quiet breathing, bedding rustling, finger taps, cat movement, meow, faint purring, ringtone, call connection tone, muffled friend voice, accurate Korean dialogue and lip sync, genuine laughter, doorbell and call-ending tap. IMPORTANT: No subtitles, captions, logos, watermark or on-screen text. No duplicated subjects, slow motion, exaggerated acting or perfect stabilization. Keep movements spontaneous and observational. Maintain the same woman, outfit, hairstyle, bedroom and cat throughout. DURATION: 30 SECONDS ASPECT RATIO: 16:9 TOTAL SHOTS: 7

【Style】Authentic Cycling Vlog, action cam + phone front camera + tracking shots, 4K Photorealistic, overcast soft light, sweaty skin with real pores, no beauty filters, vertical 9:16. 【Duration】30 seconds 【Scene】Winding mountain road after rain, wet asphalt with a shiny sheen, metal guardrails on the side, moving clouds and mist over distant mountains, water droplets on roadside plants. 【Character】Female cyclist, white road helmet, blue mirrored cycling glasses, dark grey short-sleeve cycling jersey (cityscape print on chest, full zipper, black action cam remote clipped below collar), burgundy cycling shorts (two white stitches on side seams), pink sports watch, black carbon fiber road bike, black deep-rim wheels. 【Glasses Rule】Glasses are worn only during full-speed riding shots (Shot 2, Shot 5, Shot 6); for parking and selfie shots (Shot 1, Shot 3, Shot 4, Shot 7, Shot 8), glasses must be perched on the helmet forehead, leaving the face and eyes fully exposed. 【Global Constraints】Same cycling kit and helmet throughout, no outfit changes; sweat volume increases over time, no regression; hands must always be on the handlebars or phone while moving, no 'third hand'; no other cyclists in the frame. [00:00-00:04] Shot 1: Ground-level Low Angle Start Extremely low angle near the ground, wet asphalt at the bottom edge. She is stopped by the roadside with one foot down, glasses on her helmet, face fully visible, looking down at the camera with a smile. Action: She raises both hands to pull the glasses down over her eyes, then hands return to the bars, foot clips into the pedal with a 'click', crank turns, chain engages, front wheel rolls through a small puddle, splashing water to the sides. The camera follows the wheel slightly. SFX: Pedal clipping, chain engaging, tire splashing. [00:04-00:08] Shot 2: Car-to-car Side Tracking Side tracking shot moving at the same speed, full body in frame. She lowers her torso, hands on the drops, back flat, knees pumping, blue mirrored glasses on. Background guardrails and misty mountains blur past. Detail: First layer of sweat on temples, a small dark sweat patch appearing on the back seam of the jersey. [00:08-00:12] Shot 3: Roadside Selfie (Front Camera Selfie POV) Phone front camera perspective, slight wide-angle distortion. She is stopped, one foot down, pushes glasses back to the helmet first, then holds the phone. Action: She grins at the camera, panting, says something, shoulders rising with breath. She turns the phone to show the curve and misty mountains, then back to her face. Detail: Sweat sheen on forehead and nose, eyes clearly visible, hair stuck to face by sweat. Realistic handheld shake and wind noise. [00:12-00:16] Shot 4: 360 Action Cam / Invisible Selfie Stick 360 action cam effect, slight fisheye, selfie stick invisible. She is still stopped, glasses on helmet. Camera orbits her and the bike 360 degrees. Visuals: Face/helmet top -> wet road/guardrail -> bike rear -> misty valley -> back to face. Action: She looks at the camera and makes a 'let's go' gesture. Detail: Fine sweat beads on arms, sweat stain inside the watch strap. [00:16-00:20] Shot 5: Uphill Breathing Close-up (Handheld Close-up / Uphill) Side close-up of face and shoulders. Steep incline, glasses back on, pedaling slow and heavy. Action: She stands up to climb (dancing on pedals), gripping bars tight, torso swaying, mouth open for air, neck veins visible. A drop of sweat slides from temple to jaw and is blown away. Detail: Jersey front and back soaked dark, helmet straps wet, slight fogging on the lower edge of the glasses. [00:20-00:23] Shot 6: Downhill POV (Handlebar POV / First-person) Handlebar-mounted camera. Shows black bars, tape, computer screen, and her hands. Action: Descending fast into a curve, leaning left, guardrails and trees flying by, splashing through a puddle. Fingers pull the brake levers, then release. SFX: Loud wind noise, high-speed vibration. [00:23-00:27] Shot 7: Wiping Sweat at Finish (Static Medium Shot) Static medium shot. She leans the bike on the guardrail, dismounts, takes off the helmet (glasses attached), and wipes her sweaty bangs back. Action: She drinks deeply from a water bottle, water spills from the corner of her mouth, she wipes her chin with the back of her hand and exhales deeply. Detail: Helmet hair, flushed face, pressure marks from glasses around eyes, sweat lines on neck and collarbone. [00:27-00:30] Shot 8: Ending Peace Sign (Low Angle Pull-back) Low angle looking up, helmet back on, glasses on forehead. She stands by the bike, one hand on the saddle, the other giving a peace sign, smiling while still panting. Misty valley behind her. Action: Camera slowly pulls back and down, she and the bike shrink into the lower third of the frame as mist rises behind her. SFX: Chain sounds, heavy breathing, wind noise, no music, ending with just wind and breath.

Keep the exact identity from @image1 locked throughout the entire video. Preserve the same face, hairstyle, skin tone, body proportions, clothing style, and natural expressions in every shot. Generate a 15-second ultra-photorealistic smartphone lifestyle vlog that feels like it was casually recorded on a real phone. Use authentic handheld movement, slight natural hand shake, realistic autofocus hunting, minor exposure adjustments, true smartphone stabilization, and natural lighting. No cinematic camera moves, no CGI look, no beauty filters, no slow motion, no text, no subtitles, no logos, and no watermarks. Scene 1 (0:00–0:02) Early morning outside a neighborhood bakery. She walks toward the entrance while holding a paper coffee cup, flips the camera to selfie mode, smiles naturally, and says, "Good morning!" Scene 2 (0:02–0:04) Inside the bakery, she records a display of fresh pastries before picking one, laughing softly as the camera briefly struggles to refocus. Scene 3 (0:04–0:06) She exits the shop and walks through a quiet tree-lined street, taking a sip of coffee while filming the peaceful surroundings. Scene 4 (0:06–0:08) She sits on a park bench, turns the camera toward birds, flowers, and people walking nearby, then smiles back at the lens. Scene 5 (0:08–0:10) At a small weekend street market, she casually browses handmade items, briefly holding one up to the camera before putting it back. Scene 6 (0:10–0:12) She walks beside a calm riverside path, filming the water, passing cyclists, and green scenery while enjoying the fresh air. Scene 7 (0:12–0:15) She stops near a scenic viewpoint, switches to selfie mode, gives a cheerful wave, smiles brightly, says, "See you next time!", then reaches toward the phone to naturally end the recording. Audio: Only authentic environmental sounds: birds, footsteps, light conversations, coffee shop ambience, distant traffic, bicycles passing, breeze through trees, water flowing, and natural city ambience. No background music, voice-over, captions, logos, or watermarks. The final result should look exactly like an authentic smartphone vlog recorded by a real person during a relaxing morning outing.

15 seconds, 16:9 landscape video. Blend live-action footage of a dim interior with rough, glowing hand-drawn frame animation. The overall vibe is cute, absurd, lighthearted, and healing, depicting a computer cursor suddenly deciding to leave work early and completing an exaggerated 'commute' in a real room. The scene is a slightly messy, lived-in bedroom/workspace. On the desk are a real laptop, mouse, charging cable, ceramic mug, sticky notes, and pens; in the background, a door, wall, and bed are visible. The room is lit only by a warm desk lamp, computer screen, and small decorative lights. The entire video uses a first-person POV, showing only real hands and forearms. The footage looks like it was shot spontaneously with a smartphone, retaining handheld shake, slight focus hesitation, low-light noise, auto-exposure fluctuations, and natural motion blur from fast tracking. It shouldn't look like a designed ad, but like a worker accidentally capturing an absurd event. 0–3s: POV close-up of the laptop and mouse. The white arrow cursor stops responding, stretches, and crawls onto the user's finger, turning into a hand-drawn office worker with a yellow bag. It jumps onto the keyboard, turning into a suitcase with legs. 3–6s: The suitcase runs across keys, turns into a mini subway on a charging cable, then a paper plane flying off a mug handle. 6–10s: The plane hits a wall, turns into a bird, then a bicycle with the cursor riding it. 10–13s: The bike wheel turns into a clock on the door, then a sun, then a chubby orange cat. 13–15s: The cat jumps on the bed, grows into a giant glowing outline of a sleeping cat covering the room, which closes the laptop. The cursor curls up to sleep. Hand-drawn animation must be rough frame-by-frame style with crayon/chalk textures. No smooth CG; use line-breaking transformations. Colors: white, yellow, light blue, pink, and orange. Hand-drawn characters must interact accurately with real objects. Camera follows with a slight delay. No horror or smooth gimbal shots. Sound: ambient room noise, mouse clicks, and whimsical hand-drawn sound effects.

Super casual real smartphone home video footage, sunny Los Angeles backyard pool party with palm trees and string lights, natural mobile phone camera with slight authentic handheld shake, normal frame rate with smooth natural motion, rapidfire montage with constant quick jump cuts every 1-2 seconds like scrolling through phone memories, unpolished authentic phone recording of mixed ages swimming, eating and dancing near the pool, pure raw home video feel, no cinematic polish or heavy effects. Use the provided reference photo as the strict ONLY visual reference for the main woman. Maintain her exact appearance with zero deviation. Generate a mixed group of family and friends around her by the pool, palm trees, floats and drinks visible. 0-2.5s: Shaky rapid cuts main woman laughing near the pool edge, sunlight sparkling on water, quick flashes of friends splashing. 2.5-5s: Abrupt jump cuts close-up of her smiling with sunglasses, then friends passing cold drinks poolside. 5-7.5s: Fast shaky she chats animatedly on a lounge chair, pool floats and palm trees visible. 7.5-10s: Quick cut close-up cheerful smile toward camera, then jump to her laughing with family near the water. 10-12.5s: Abrupt edit group gathered around a poolside table, snacks shared, playful splashing in background. 12.5-15s: Fast rapid cuts she dances lightly near the pool, friends clapping and laughing along. 15-17.5s: Shaky jump cuts close-up of her jumping playfully near the water edge, laughter all around. 17.5-20s: Abrupt edit group taking a big splash together, mixed ages cheering happily. 20-22.5s: Fast shaky she relaxes on a float, chatting with a friend nearby, sunlight glowing. 22.5-25s: Quick cut close-up warm smile toward camera, then jump to her toasting drinks with friends. 25-27.5s: Abrupt edit everyone gathered close for a group moment, laughing near the pool. 27.5-30s: Final rapid transition main woman relaxed poolside with the group, soft smile, calm summer memory ending with slight natural phone sway. Natural smartphone video quality, slight real handheld shake, smooth normal frame rate motion with no low fps or choppy artifacts, authentic casual interactions and physics, stable main character consistency, charming unpolished home phone recording, no pro stabilization or effects.

[Style] Japanese TV Game Show, Live-Action Broadcast, dual-character comedy competition, multi-camera real-time broadcast, 4K Photorealistic, high-saturation summer colors, no slow motion throughout. [Duration] 30 seconds [Aspect Ratio] 16:9. [Scene] Sunny outdoor large leisure pool, the entire course strictly advances from the left side of the screen to the right. Two starting platforms of the same height are set side by side at the far left: the foreground red track belongs to Character A, and the background blue track belongs to Character B. The two parallel tracks have the same structure: the first section is a high-altitude pulley track sliding from left to right, with a hand-held bar and a circular soft foot pedal suspended below the pulley; the second section is a small circular disk with a diameter of 2.2 meters that rotates at a constant speed; the third section is three soft hexagonal floating blocks that rise and fall and tilt left and right; the fourth section is a short and slippery curved slide. The two slides connect side-by-side at the far right to a huge red and yellow disk with a diameter of 6 meters, with a low soft divider between the entrances to prevent collisions. The final large disk is mounted on an underwater motor shaft, rotating steadily clockwise throughout, with a yellow sumo circle, a red outer ring, and a thin water film on the surface, no railings at the edges, surrounded by a clear swimming pool. Background includes palm trees, large water slides, light stands, commentary booths, and temporary stands full of spectators. [Characters] Character A @Image 1, Character B @Image 2; maintain the face, hairstyle, body type, and sports variety show competition clothing from their respective reference images throughout the film. Character A has a red soft sumo pad fixed at the waist, and Character B has a blue soft sumo pad fixed at the waist; the pads exist from the opening until falling into the water. [Fixed Items] Character A and Character B always advance from the left side of the screen to the right at the same time. Character A is fixed on the foreground red track, and Character B is fixed on the background blue track; lane changes, crossing, head-on sliding, or collisions are prohibited before reaching the final large disk. The head orientation, sliding direction, jumping direction, and camera advancement direction of the two characters are all kept from left to right. The position, number, color, size, and connection relationship of the two tracks remain unchanged throughout the film. The two small disks and the final large disk rotate clockwise continuously in all shots, and cannot suddenly stop or reverse. At the start, both people's hair and clothes are dry; Character B only gets naturally soaked after being pushed out of the large disk by Character A; Character A remains on the disk at the end, only allowed to be splashed with a small amount of water droplets. The final result is fixed as Character A winning and Character B falling into the water. [00:00-00:03] Shot 1: Side-by-side start (Front Side Master Wide, ENG Camera). The camera is located at the front side of the pool, capturing the two side-by-side starting platforms on the left, the two parallel tracks, and the large rotating disk on the far right in a side-front wide shot. Character A stands on the foreground red platform, Character B stands on the background blue platform, both facing the right side of the screen. Character A grabs the red pulley bar and leans forward shouting: "Zettai katsu!" (I will definitely win!). Character B grabs the blue pulley bar, turns her head to look at A and responds: "Makenai yo!" (I won't lose!). The two-way buzzer sounds simultaneously, and the two push off the platform to the right in sync. Commentary: "Futari douji sutaato! Heisou koosu no saki wa kaiten dohyou desu!" (Both start at the same time! At the end of the parallel tracks is the rotating arena!). Sound effects: Start buzzer, audience countdown, and crowd cheering. [00:03-00:07] Shot 2: Parallel sliding (Side Dolly Track L→R). The dolly camera moves to the right at the same speed as the two from the side; the two pulley tracks remain parallel; Character A is in the foreground, Character B is in the background, both holding the bars with both hands and stepping on the soft foot pedals. Character A starts slightly faster, her body pulled into a backward-leaning straight line by the speed; Character B's foot pedal shakes left and right, she tightens her legs with bent knees, pointing at A ahead while sliding. Character B shouts: "Matte!" (Wait for me!). Character A looks back and laughs: "Hayaku!" (Hurry up!). Approaching the landing area, Character B catches up by half a body length by swinging her body back and forth; the two arrive almost side-by-side, but always maintain two independent tracks without crossing or colliding. Sound effects: High-speed pulley sliding, wind, character shouts, and audience laughter. [00:07-00:11] Shot 3: Parallel rotating small disks (Fixed Side Two-shot). A fixed side medium-long shot captures both the red and blue small disks, clearly showing them rotating clockwise, with the final large disk rotating in the distance on the right. Character A lets go first and lands on the foreground red small disk, her soles being pulled backward by the disk surface; she spreads her arms and takes continuous small steps in the opposite direction, standing firm after turning a quarter circle. Character B slips when landing on the background blue small disk, sitting directly on the wet disk surface, and is carried halfway around in a sitting position; she supports herself with her hands and pushes off with her feet, springing back up to a standing position following the rotation speed. Character B laughs and shouts: "Suichatta!" (I sat down!). Commentary: "A wa antei! B wa suwatta mama isshuu shisou da!" (A is stable! B looks like she'll go a full circle sitting down!). Sound effects: Low-frequency motor hum, sole friction, soft disk thuds, and audience laughter. [00:11-00:15] Shot 4: Parallel floating block jumps and slide entry (Side Tracking L→R). The side dolly camera continues to follow from left to right, the foreground red blocks and background blue blocks remain parallel, and the two characters always advance in the same direction. Character A continuously crosses three red and yellow floating blocks: the first with one foot, the second with both feet, and the third tilting to the right; her upper body leans sideways, using her right hand to tap the water surface for leverage, then immediately steps onto the red slide. When Character B crosses the three blue and yellow blocks, the second one suddenly sinks, her left foot steps into shallow water, and her arms circle wildly; she doesn't fall in, instead kneeling onto the third block, then pushing herself up with both hands to lunge onto the blue slide. Character A lies on the foreground slide sliding to the right with arms extended; Character B sits on the background slide sliding to the right with feet first and hands waving. The two slide onto the final large disk from two side-by-side entrances simultaneously, with the soft divider ensuring they don't collide. Character A lands in the front half of the disk, Character B in the back half; both are carried sideways by the clockwise rotating disk, then step back to the yellow sumo circle. Dialogue: Character A: "Saki ni tsuita!" (I arrived first!). Character B: "Hobo douji!" (It was almost simultaneous!). Sound effects: Blocks entering water, splashes, slide friction, and continuous audience gasps. [00:15-00:18] Shot 5: Rotating disk sumo start (High Front 3/4 Wide). A front-diagonal high-angle wide shot captures the final large disk, yellow sumo circle, red outer ring, and surrounding pool; the disk rotates clockwise continuously, the thin water film reflecting in the sun. Character A and Character B each get up during the rotation, being carried two steps sideways to the right by the disk, then taking small steps in the opposite direction back to the yellow circle. The two face each other with low centers of gravity, feet apart, hands holding each other's shoulder and waist soft pads. Character A shouts: "Shoubu!" (The showdown!). Character B responds: "Kakatte koi!" (Bring it on!). Commentary: "Saigo wa kaiten dohyou de suijou zumou!" (Finally, it's water sumo on the rotating arena!). Sound effects: Match gong, disk motor sound, and rhythmic audience clapping. [00:18-00:23] Shot 6: Three rounds of hilarious pushing (Broadcast Rapid Cuts, Real-time). Round 1 uses a fixed camera at the side of the disk: Character A pushes forward first, Character B sidesteps following the disk's rotation; Character A overshoots, taking three steps on the red outer ring to stop, arms windmilling. Hard cut to a central front medium shot: Character B takes the opportunity to push Character A with her blue waist pad, Character A is pushed into a sitting position on the wet disk but uses her feet to slide back to the yellow circle without falling in. Hard cut to a top-down view of the disk: the two grab each other's shoulder pads again, rotating half a circle together with the disk; Character B's right foot suddenly slips, and Character A is dragged into a rotation with her, the two spinning in place like they are connected, then letting go simultaneously and staggering a few steps in opposite directions. Character A laughs while panting: "Me ga mawaru!" (My head is spinning!). Character B replies: "Mada mada!" (Not yet!). Commentary: "Oshite iru no ka, mawasarete iru no ka wakarimasen!" (I can't tell if they're pushing or being spun by the disk!). Sound effects: Wet shoe friction, thuds of soft pads colliding, and audience laughter; real-time throughout, no slow motion, no replays. [00:23-00:27] Shot 7: Character A's feint pushes Character B into the water (Front Side Master Shot). A fixed side-front wide shot captures both people, the disk edge, and the water surface below, with the large disk rotating clockwise. Character B lowers her body and charges straight at Character A; Character A pretends to slip and retreats, letting Character B continue to accelerate. Approaching the red outer ring, Character A suddenly takes a step to the side following the disk's direction, Character B misses, her body turning sideways to the disk edge. Character A immediately pushes Character B's blue waist pad with both hands, shoulder pressed against the pad, taking two steps forward; only contacting the soft pad and shoulders, no touching the head or neck, no hitting. Character B's feet retreat quickly on the wet disk, the first step hitting the red outer ring, the second heel sliding off the disk; her hands grab at the air, and her body falls backward into the pool following gravity, creating a large splash. Character B shouts as she falls: "Uwaaaa—!" (Waaaah—!). Commentary: "A no feinto seikou! B ga ochita—!" (A's feint succeeded! B fell in!). Sound effects: Rapid sole friction, soft pad thud, water entry sound, and a burst of cheering from the crowd. [00:27-00:30] Shot 8: Water reaction and winning wrap-up (Water-level Two-shot → Wide Pull-back). A water-level two-shot: Character B emerges from the water, hair and clothes naturally soaked, wiping water off her face, looking up at Character A still on the disk. Character A stands in the center of the disk raising her arms in celebration: "Yattaa!" (I won!). The disk is still rotating, she slips while celebrating; she immediately kneels and supports herself with one hand, narrowly staying on the disk without falling in. Character B laughs and splashes water upward, the water only hitting Character A's arms and face, shouting: "Tsugi wa makenai!" (I won't lose next time!). The camera slowly pulls back to a wide shot: Character A is kneeling and laughing on the continuously rotating large disk, Character B is splashing in the water, and the audience stands up to clap. Commentary: "Shousha wa A! Saigo made yudan dekimasen!" (The winner is A! You can't let your guard down until the very end!). Sound effects: Loud cheering, applause, laughter, and a closing gong. [Audio] Fast-paced game show style BGM typical of large Japanese variety specials is layered throughout. Audience cheering, laughter, applause, buzzers, pulley sounds, disk motors, sole friction, blocks entering water, slide friction, pad collisions, and water entry sounds are strictly synchronized. Character A, Character B, and the commentary use natural and clear Japanese, with dialogue synced to lip movements; BGM and audience sounds are automatically lowered during dialogue, no other character dialogue is added, no subtitles are generated. [Camera & Editing] Natural multi-camera TV broadcast style, using only hard cuts, real-time throughout with no slow motion, no replays, no freeze frames. A 180-degree axis from left to right is maintained throughout: Character A is fixed in the foreground red track, Character B is fixed in the background blue track; sliding, jumping, block, and slide shots all follow to the right from the side, reverse shots that make characters look like they are going back are prohibited. After reaching the final disk, the relative positions of the disk edge, water surface, and the two people are kept consistent across cuts. All disk shots must clearly show clockwise rotation. [Prohibitions] Starting in opposite directions, head-on sliding, crossing left and right tracks, lane changes, character swaps, a third challenger, multi-person duplication, teleportation, moving backward in position, static in mid-air, body deformation, adding or subtracting limbs, penetrating props, grabbing the head or neck, hitting, and dangerous collisions. The two tracks and the final large disk must not change position, number, color, or size; the small disks and the final large disk must not stop, reverse, or change speed abruptly. Character B cannot be fully soaked before falling into the water; Character A cannot fall into the water, and can only be splashed with a small amount of water at the end. The final result must be Character A pushing Character B off the disk edge into the water. Clothing does not fall off, break, become transparent, or shift excessively. No real program names, TV station names, company names, sponsors, trademarks, subtitles, program logos, station logos, watermarks, meaningless text, or garbled code.

Generate a [Total Duration] second, [Aspect Ratio] [Location/Theme] travel Vlog, with a total of [Number of Shots] shots, featuring the same [Character] throughout. Character Locking: [Face, Hairstyle, Body Type, Skin Tone, Makeup] consistent throughout. Fixed Styling: [Clothing, Shoes, Bags, Accessories]. Conditional Props: [Props] only appear in [Specified Scenes]. Unified Texture: [Lighting, Color, Phone/Camera Texture, Realism]. Editing Rhythm: Fast cuts, each shot completes one main action and one natural reaction. [Shot 01 | Start Time – End Time | Shot Purpose] Scene: [Location and Necessary Environment] Action: [One Main Action → One Natural Reaction] Camera: [Shot Size, Camera Position, Single Camera Movement] End State: [Character Position, Orientation, Props in Hand, and Emotion] [Continue subsequent shots in the same format] Sound: [Ambient Sound, Action Sound, and Music for each scene] Prohibited: [Face-swapping, outfit changes, extra characters, props disappearing without reason, excessive skin smoothing, studio feel, CGI feel] Final Frame: [Character action, expression, props, and background of the last frame]

Scene 1 (0–3 sec) A beautiful young Japanese woman begins a morning adventure in a quiet coastal town. She walks beside the ocean with her smartphone in selfie mode, smiling naturally as gentle waves move behind her. Scene 2 (3–6 sec) She explores a small seaside fishing harbor, watches local fishermen preparing their boats, and casually records the colorful boats and peaceful morning atmosphere. Scene 3 (6–9 sec) She discovers a small local seafood market. She looks around curiously, interacts naturally with a friendly vendor, and receives a freshly prepared local snack. Scene 4 (9–12 sec) She walks through a narrow traditional Japanese street lined with small wooden houses and shops. She stops at a tiny souvenir store and picks up a handmade ceramic item. Scene 5 (12–15 sec) She continues toward a rocky coastline and carefully walks along a scenic ocean path. The camera captures waves crashing against the rocks while she films the view. Scene 6 (15–18 sec) She reaches a quiet hidden beach. She removes her shoes, walks along the wet sand, and lets the ocean water touch her feet while laughing naturally toward the camera. Scene 7 (18–21 sec) She sits at a small outdoor seaside café, enjoys an iced matcha drink and a light dessert, and casually talks to the smartphone camera. Scene 8 (21–24 sec) Golden-hour sunlight begins to cover the coastline. She walks toward a small lighthouse on a hill, filming the glowing ocean and surrounding scenery. Scene 9 (24–27 sec) At sunset, she stands near the lighthouse overlooking the ocean. Her hair moves gently in the sea breeze as she watches the sun disappear below the horizon. Scene 10 (27–30 sec) Final selfie shot. She turns toward the camera, smiles brightly, waves goodbye and says: “What a beautiful day. See you on my next adventure. Bye!” Overall style: Ultra-realistic Japanese smartphone travel vlog, same beautiful Japanese woman and consistent appearance throughout, natural handheld phone footage, realistic human movement, authentic facial expressions, real ocean ambience, waves, wind and distant harbor sounds, cinematic natural lighting, realistic colors, documentary-style travel footage, no artificial movements, no text, no subtitles, no watermark.

Young East Asian woman in modern casual streetwear with headphones, white gloves, and teal ballet pointe shoes, photorealistic. SHOT 1 Feet on a balcony overlooking New York City. Smiling warmly, she says, "Hello! Follow me!" before putting on her headphones and intentionally falling backward off the balcony. She fires a web from her wrist in a Spider-Man style swing, soaring across the city before landing smoothly on the roof of a moving car. SHOT 2 Using Spider-Man style web swinging, she launches into the air, releases the web, and lands on the side of a building. She runs confidently across the vertical wall before firing another web and swinging back down toward the street. SHOT 3 She lands on the street, laughs excitedly, then jumps onto a car roof and shoots another web into the sky. Swinging upward, she shouts, "WHOOO!" before floating high above New York City in a relaxed pose, with the skyline stretching beneath her.

{ "title": "Operation: Snickerdoodle", "style": "3D Pixar family animation. Cozy kitchen at midnight, heist-movie lighting with warm amber and cool moonlight, action-comedy, tactical-knitted aesthetic.", "shots": [ {"time":"00:00-00:03","type":"WIDE","action":"Grandma in tactical knitted sweater and toilet-paper-roll night vision lowers herself from cabinet on yarn rope. Cat Biscuit wears a black bandana.","camera":"Low angle, mission-impossible style.","dialogue":"Grandma: 'Alpha Team, we are go.' Biscuit: 'Meow.' (subtitled: 'Roger that.')"}, {"time":"00:03-00:06","type":"CLOSE-UP","action":"Grandma points a laser pointer at the floor. Red grid lines appear. Biscuit immediately chases the dot, crashing through a colander.","camera":"Rapid cuts.","dialogue":"Grandma: 'Biscuit! The grid is for AVOIDANCE!' Biscuit: (subtitled: 'CANNOT RESIST.')"}, {"time":"00:06-00:09","type":"TRACKING","action":"Grandma army-crawls across tiles. Grandpa snores in recliner in background. She tosses a flour pouch; it pops into a white cloud.","camera":"Ground-level tracking.","dialogue":"Grandma: 'Smoke out!'"}, {"time":"00:09-00:12","type":"WIDE","action":"Flour cloud engulfs the room. Biscuit leaps through it like an action hero. Grandma rappels up the fridge.","camera":"Chaotic wide, flour particles everywhere.","dialogue":"Grandpa: (snoring loudly) '...touchdown...'"}, {"time":"00:12-00:15","type":"CLOSE-UP","action":"Grandma reaches the cookie jar. Her hand grips the lid. Dramatic music swells.","camera":"Extreme close-up, trembling hand.","dialogue":"Grandma: 'The eagle has landed.'"}, {"time":"00:15-00:18","type":"WIDE","action":"She opens it. Pulls out a cookie. Takes a bite. Her face drops in horror.","camera":"Push-in on her face.","dialogue":"Grandma: 'Oatmeal raisin. ABORT! ABORT!'"}, {"time":"00:18-00:23","type":"ACTION SEQUENCE","action":"Grandma and Biscuit frantically search the jar, tossing cookies everywhere. Biscuit bats one into Grandpa's open mouth. Grandpa chews in his sleep.","camera":"Rapid-fire cuts.","dialogue":"Biscuit: (subtitled: 'WHERE IS IT?!') Grandma: 'The snickerdoodle! Find the snickerdoodle!'"}, {"time":"00:23-00:26","type":"CLOSE-UP","action":"Biscuit holds up the single snickerdoodle between his paws, backlit by moonlight. Grandma gasps, hands to cheeks.","camera":"Dramatic hero shot.","dialogue":"Grandma: 'There she is. My golden girl.'"}, {"time":"00:26-00:28","type":"WIDE","action":"They share the cookie, back to back, chewing triumphantly as sun rises through the window.","camera":"Wide, warm sunrise.","dialogue":"Grandma: 'Same time tomorrow?' Biscuit: 'Meow.'"}, {"time":"00:28-00:30","type":"TITLE CARD","action":"Black screen. Title 'OPERATION: SNICKERDOODLE' stamped like a classified file with cookie crumbs.","camera":"Static.","dialogue":"(typewriter clack)"} ] }

CAMERA: DV 16mm tape camcorder handheld feel. POV of CHASE holding the camera herself throughout each location, occasionally propped briefly for hands-free moments. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen. LOOK: Soft, slightly blurry tape quality, faint tape noise, bloomed highlights, flickering auto-exposure, muted contrast, realistic skin tones — lighting shifts per location (clinical soft light at physio → warm home light for stretching → soft steamy bathroom light → dim cozy bedroom light). STYLE: Slow, gentle montage feel — calmer and more tender than her usual bubbly vlogs. Quiet reflective voiceover narration plays over the visuals instead of synced dialogue. Mood stays soft and caring throughout, centered on rest and self-care. Character CHASE — Korean idol, 20s. Long straight black hair, natural and softly tied back, dewy glass skin, minimal to no makeup, tired but peaceful expression. Wearing a modest robe or oversized loungewear throughout — fully covering arms, torso, and legs at all times, including during the bath/shower segment (framed only from shoulders up or via steam/robe coverage, nothing revealing shown). Setting Progression Physio/massage clinic (afternoon) → her room, stretching mat (early evening) → bathroom, steamy warm light (night) → bedroom (late night). Storyboard (20s, 6 cuts) (~3.5s, physio clinic, propped camera, medium shot) She lies on a treatment table as a therapist's hands (off-camera) work on her shoulder, wincing slightly then relaxing. VOICEOVER (CHASE): "Some days, taking care of myself has to come first." (~3s, physio clinic, close handheld) She sits up slowly afterward, rolling her shoulder, small relieved exhale. VOICEOVER (CHASE): "That already feels so much better." (~3.5s, home, stretching mat, medium propped shot) She stretches gently on a mat in her room, slow and unhurried, soft evening light. VOICEOVER (CHASE): "A little more stretching never hurts." (~3s, bathroom, steamy soft light, framed modestly — shoulders up only, robe visible) She sits wrapped in a robe near a warm bath or shower, steam softly filling the frame, eyes closed peacefully. VOICEOVER (CHASE): "And then... just letting the day melt away." (~3s, bathroom, macro insert) Close-up on water droplets and steam, soft warm light, no exposed skin beyond hands/face. No narration — ambient water sound only. (~4s, bedroom, dim cozy light, closing shot) She climbs into bed early, pulling the blanket up, eyes already heavy, a small content smile before the screen fades. VOICEOVER (CHASE): "Some nights, the earlier the better."