Prompts de Vídeo para 2d Animation

Cinematic 2.5D animation in fully painterly rendering, gouache concept art in motion, visible brush textures, flat posterized color blocks, matte finish, soft volumetric lighting. NOT flat 2D cartoon, NO outlines, NOT glossy CGI, NO photorealism.

在专业数字绘图和角色设计界面中，创建一个 15 秒的快节奏角色创建延时摄影。 仅将提供的角色参考用作角色外观、比例、服装、发型、颜色和独特特征的最终目标。过程必须从完全空白的画布开始，并从零重建参考角色。 显示一个可见的鼠标光标积极控制整个创建过程。每个主要视觉变化都应感觉是由光标与 UI 的交互引起的。 0:00-0:02 从干净的专业绘图界面中的空白白色或中性画布开始。光标快速创建第一批松散的结构线条、头部形状、身体比例和基本姿势，使用粗略的草图笔触。 0:02-0:05 加速进入详细草图阶段。光标快速定义参考角色的面部、头发、解剖结构、服装轮廓、配饰和特征性特征。使用可信的绘图手势、短促笔触、选区、变换以及偶尔的撤销修正。 0:05-0:08 粗略草图转变为干净的线稿。光标切换工具，调整画笔大小并清理轮廓。不必要的结构线条消失，同时添加精确的面部细节、服装褶皱和小设计元素。 0:08-0:11 快速上色阶段。光标选择区域并用参考中的正确颜色填充角色。显示快速调色板选择、颜色拾取、图层更改、裁剪蒙版和画笔描边。快速连续添加阴影、高光和材质细节。 0:11-0:13 渲染和润色。光标添加最终光照、头发细节、皮肤阴影、织物质感和反射以及小强调细节。短暂放大重要区域，如面部或服装，同时精修它们，然后缩回。 0:13-0:15 界面清除不必要的引导线和面板。完成的角色显示为完全渲染，并与提供的参考紧密匹配。以光标进行最后一次小调整结束，然后停留在干净的完整角色展示上。 风格： 高速数字艺术延时摄影，精炼的专业角色设计工作流程，可信的绘图软件 UI，流畅的光标移动，快速但可读的操作，干净的图层和工具切换，无随机文本，无虚假对话，无无关弹出窗口。 动作： 整个 15 秒应感觉持续高效。避免长时间停顿。将几分钟或几小时的绘图压缩成充满活力的延时摄影，同时保持进程清晰可读：空白画布 → 粗略草图 → 干净线稿 → 扁平颜色 → 阴影 → 精炼最终角色。 镜头： 主要采用屏幕录制风格，带有细微的数字缩放和平移，跟随光标和活跃绘图区域。保持 UI 稳定且可读。不要在软件界面外使用电影式剪辑。 重要： 角色不得瞬间出现或通过单一神奇变换实现。每个阶段都应通过光标驱动的绘图、编辑、上色和渲染操作可见地建立在之前的基础上。

【10秒手工鉛筆速寫繪畫延時】 在專業數位繪圖軟體中，從完全空白的米白色紙張畫布開始，使用全程可見的滑鼠游標，逐步重建提供的參考圖。保持參考圖的人物、姿勢、構圖、長髮、服裝，以及湖面、拱橋、遠山、柳樹、遊船等場景關係。 0:00-0:02 空白畫布開始，游標快速建立人物比例與整體構圖，勾勒人物、湖面、拱橋、遠山與主要環境輪廓。 0:02-0:04 快速細化人物與背景線稿，繪製臉部、五官、長髮、服裝，同步增加橋梁、山體、柳樹、遊船與背景人物。 0:04-0:06 使用石墨鉛筆快速排線，建立頭髮、臉部、服裝與環境明暗。保留自然交叉線、重複線、斷續線與手工修改痕跡。 0:06-0:08.5 持續精修五官、髮絲、服裝褶皺與環境細節，逐漸形成完整的手工鉛筆速寫。 0:08.5-0:09.5 完成最後細節，擦除少量多餘構造線，穩定展示完整作品。 0:09.5-0:10 游標移至畫面左下角，以自然手寫筆觸完成最後署名「● DeepBlue」。署名只能在最後出現，完成後游標停留。 風格： 高速手工鉛筆速寫延時攝影；米白色紙張、石墨線條、自然排線、交叉線、紙張紋理、真實手繪痕跡。畫布為視覺主體，UI 簡潔可信。 核心要求： 空白畫布 → 構圖 → 草圖 → 細節線稿 → 排線明暗 → 精修 → 完成 → 最後署名。所有畫面變化都由可見游標實際繪畫逐步產生，後續畫面必須建立在前一階段之上。禁止角色或背景突然出現、禁止直接切換成完成圖、禁止彩色上色、水彩、3D、動漫風與電影式轉場。

Ultra-cute and viral social media edit. The woman making the peace sign smiles as the camera gently zooms. The video is layered with a 'sticker bomb' effect—animated sparkly stars, bouncing hearts, and 'KAWAII' text overlays that pulse to the beat.

montage, multi-shot animated mystery comedy, Don't use one camera angle or single cut, French ligne claire comic-book animation, clean precise outlines, flat elegant colors, minimal shading, charming European graphic storytelling, crisp architectural backgrounds, expressive restrained faces, sparkling underwater caustics, turquoise coral red cream and navy palette Inside a glass-domed detective office on the floor of a colorful tropical sea, an elegant octopus detective wearing a tiny trench coat sits behind a desk, a nervous pufferfish client floats opposite him, and a bored seahorse assistant holds a notepad. Outside the giant windows, schools of fish glide between coral towers. A suspicious crab hides beneath the desk. Shot 1: Medium shot with a smooth sideways dolly, the octopus detective steeples four pairs of tentacles confidently. He says: "No mystery is too complicated for Monsieur Octave." Shot 2: Close-up, the nervous pufferfish inflates slightly with distress and says: "Someone stole my priceless pearl!" Shot 3: Wide shot, the octopus rises dramatically and uses six tentacles simultaneously to examine the room with magnifying glasses while the seahorse assistant scribbles notes. Shot 4: Medium tracking shot, the detective follows a trail of tiny scratches across the floor directly toward the crab hiding beneath his own desk. He whispers: "The culprit is near." Shot 5: Close-up insert, the crab opens one claw — the missing pearl sits inside it — then quickly hides it behind his back. Shot 6: Wide shot, everyone stares silently at the crab. The crab points one claw toward a passing fish outside the window. The detective sighs: "An ambitious defense."

Begin in a DARK, GRITTY, PHOTOREALISTIC modern city street at night. The opening MUST look completely live-action and realistic — wet pavement reflecting streetlights and neon signs, dark buildings, passing cars, and several pedestrians walking along the sidewalk. The people look tired, serious, and unhappy. Moody cinematic nighttime lighting, realistic human faces, realistic clothing, realistic city environment. [0.0–1.2s] Fast cinematic establishing shot moving through the gloomy photorealistic street. Pedestrians walk silently with tired expressions. Everything feels cold, dreary, and lifeless. [1.2–2.0s] QUICK CUT to a close-up of an old-school portable BOOMBOX sitting on the sidewalk. A human hand reaches into frame and forcefully presses the PLAY button. CLICK. Immediately an energetic, joyful, extremely catchy upbeat song EXPLODES from the speakers. [2.0–4.8s] The boombox speakers suddenly release an enormous, spectacular TIDAL WAVE OF MUSIC. CRITICAL: This is NOT a water wave. It is a gigantic colorful 2D HAND-DRAWN CARTOON WAVE constructed entirely from hundreds of animated musical notes, treble clefs, music staffs, colorful sound lines, rhythm symbols and swirling music graphics. The musical-note wave moves physically like a huge breaking ocean wave, rapidly surging outward from the boombox and racing down the street. The wave itself is already CARTOON ANIMATION while the untouched city ahead of it remains completely PHOTOREALISTIC. As the musical wave touches anything, that object INSTANTLY TRANSFORMS from realistic live-action into colorful hand-drawn cartoon animation. The transformation boundary travels visibly with the wave. It sweeps across pedestrians: REALISTIC HUMAN → COLORFUL CARTOON CHARACTER. Their tired expressions immediately become huge joyful smiles. They begin dancing, bouncing and moving happily to the music. The wave hits realistic cars: REAL CAR → FUN COLORFUL CARTOON CAR. It hits buildings, sidewalks, streetlights and signs: REALISTIC CITY → BRIGHT PLAYFUL CARTOON CITY. Cartoon streetlights bend and bounce rhythmically. Cartoon signs wiggle happily. Cars bounce slightly to the beat. The camera dynamically follows the rapidly expanding transformation. [4.8–7.0s] The camera quickly CRANES UP above the street into a wide aerial view. The enormous musical-note wave races outward block after block across the city. Behind the wave is an entirely colorful, joyful HAND-DRAWN CARTOON WORLD. Ahead of the wave remains dark photorealistic nighttime reality. As the final portion of the city transforms, the transformation races upward into the sky. DARK REALISTIC NIGHT → BRIGHT BLUE CARTOON DAYTIME. A huge cheerful YELLOW CARTOON SUN rises behind the newly transformed cartoon skyline. The cartoon sun opens its eyes and forms a gigantic HAPPY SMILE. FINAL IMAGE: A completely transformed colorful cartoon city filled with smiling cartoon people dancing i

Make an Illustration on these: His Character Holy and without sin. He lived a life of perfect obedience. He was tempted in every way we are, yet never sinned (Hebrews 4:15). His holiness is not distant or cold; it is the purity that can actually dra...

A high-fashion anime editorial film follows a woman flowing through ten precise poses. aria defines her face, hair, freckles and identity; ariaoutfit defines her full outfit, accessories and proportions. Ignore both reference backgrounds and add no new accessories. She has layered red-to-pink hair held by a claw clip, amber eyes, light freckles, a thin black choker, ink tattoos on her arms and right shoulder, an oversized grey band tee worn off one shoulder, black biker shorts, a thin thigh strap, and bare feet. Render as cel-shaded anime illustration with clean ink linework and flat shadow blocks. The film unfolds in one uninterrupted 15-second shot at 128 BPM inside a minimal white cyclorama with hard strobes, faint haze, glossy floor reflections, a satin sheet, and scattered proof sheets. The camera follows one physically continuous path, accelerating between poses and braking sharply on every lock. 0:00-0:01.5: Pose 1, centered frontal MCU, one hand brushing the hair beside her ear, restrained push-in. 0:01.5-0:03.0: Pose 2, three-quarter with lifted chin; Pose 3, lowered gaze with both hands near collar and hair; camera descends in a fast arc and pauses on her eyes. 0:03.0-0:04.5: Pose 4, strict left profile; Pose 5, one shoulder rolled forward while the off-shoulder edge of the tee catches a sharp side light; camera whips past her cheek. 0:04.5-0:06.0: Pose 6, she gathers a fold of the tee at her waist; Pose 7, over-the-shoulder look; camera dives to torso level and rises into a close facial pass. 0:06.0-0:07.5: Pose 8, she lowers onto the satin sheet with one knee raised; Pose 9, one bare foot extended toward the lens dominating the foreground; camera rockets forward at floor level. 0:07.5-0:09.0: Pose 10, three-quarter stance, one hand at the collarbone, the tee hem skimming her thigh; camera slides across the waistline into a portrait hold. 0:09-0:11.0: she folds inward, closes her eyes for one breath, then opens into a long upward stretch; tight orbit. 0:11.0-0:13.0: rear three-quarter shoulder silhouette turning just enough for jawline and tee neckline to catch the same flash. 0:13.0-0:15.0: the camera grazes past her eyes, arcs outward and lowers as she lands in a dominant full-body pose looking down into the lens, ending on a clean wide hold under a final white flash bloom. Use a smooth 24-85mm zoom feel, hard frontal flashes, sharp side rim light, shutter clicks, breath, hair movement, and fabric rustle. Keep one continuous character with stable identity, anatomy, hairstyle, outfit, accessories, tattoo placement, and anime style throughout.

Wide cinematic illustration of a colossal weathered white mechanical helmet half-buried in a vast desert, riveted metal plates and rust stains, a lone tiny figure standing inside the open visor looking inward, pale sand piled around the base, distant low mountains under a clear blue sky, graphic novel style, clean linework, quiet scale, ultra detailed, 8k

MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: A cool young male in his early 20s, confident and playful, short dark slightly messy hair, expressive face, trendy oversized graphic T-shirt, relaxed baggy cargo pants and clean sneakers. Maintain STRICT face, hairstyle, clothing and identity consistency throughout. 0–4s — THE SPARK Open with a stylish low-angle tracking shot of the boy casually walking through a colorful modern city street while holding a chilled Mountain Dew Spark can. Tiny cute hand-drawn doodles subtly appear around him: stars, lightning bolts, hearts and lemons. He stops. Cut to a macro close-up of the cold can covered in condensation. He cracks it open. PSHHHH! A tiny hand-drawn lightning bolt appears above the can and vibrates with the sound. 4–8s — TOO MUCH SPARK He takes a big sip. Instantly, colorful 2D doodles explode from behind him. Lightning bolts race across the screen, cute lemons bounce past camera, stars pop around his head and cartoon speed lines surround his body. He looks surprised, then grins. Use a quick punch-in camera movement. 8–15s — THE BOOST Suddenly, he launches forward at ridiculous speed. Use rapid whip pans, low-angle tracking shots, dynamic handheld movement and energetic speed ramps as he runs through the city. Every movement triggers a doodle: Footstep → star burst Arm swing → lightning bolt Jump → comic explosion Turn → curved hand-drawn speed lines Smile → tiny floating hearts The doodles physically interact with the live-action environment, wrapping around poles, bouncing off walls and following his movement. At 15 seconds, he races toward a city staircase, preparing to jump onto it. End with a fast forward-moving camera transition that naturally continues into Part 2. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, crash zooms, low-angle tracking, speed ramps and match cuts. Keep movement flowing naturally so the video feels like one continuous sequence, not separate clips. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Playful and cute, never childish. Doodles must interact naturally with the live-action environment. PART 2: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: Continue with EXACTLY the same young male from Part 1. Same face, hairstyle, oversized graphic T-shirt, baggy cargo pants, sneakers and overall identity. STRICT IDENTITY AND OUTFIT LOCK. 0–6s — DOODLE CHAOS Continue directly from Part 1 as the boy jumps onto a city staircase and races upward. Hundreds of cute hand-drawn doodles chase after him. Animated lemons bounce down the stairs. Lightning bolts zigzag beside him. Tiny stars spin through the air. Cartoon flames briefly appear behind his sneakers. Rapidly alternate between: Low-angle running shot Side tracking shot Close-up of sneakers Close-up of his excited expression Overhead shot as doodles spiral around him Use energetic whip transitions synchronized with the music. 6–11s — PRODUCT HERO The boy suddenly stops. Everything freezes. The doodles freeze mid-air around him. He casually spins the Mountain Dew Spark can toward the camera. Transition into a premium macro product close-up: cold condensation, sharp label detail, vibrant commercial lighting and fizzy energy. Hand-drawn lemons and lightning bolts begin orbiting around the can. The camera slowly pushes toward the product while the background remains softly blurred. 11–15s — FINAL EXPLOSION He takes one final sip and smirks directly at camera. On the beat, every doodle in the scene rushes toward him: ⭐ ⚡ 🍋 ❤️ 💥 They explode outward into a giant colorful hand-drawn burst behind him. He stands confidently in the center, holding the Mountain Dew Spark can toward camera. End on a clean premium hero shot of the Mountain Dew Spark can surrounded by playful doodle lightning, stars and fruit. Final feeling: refreshing, energetic, mischievous, funky and irresistibly fun. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, speed ramps, macro product photography, orbiting camera movement, crash zooms and match cuts. Transitions should be motivated by the character's movement and preserve visual continuity from Part 1. DOODLE ANIMATION: Cute hand-drawn 2D doodles with intermediate sketch lines, playful expressions and bouncy animation. Doodles should physically interact with the live-action world rather than appearing as static overlays. Keep them playful and stylish, never childish. NEGATIVE PROMPT: No character identity changes, no outfit changes, no inconsistent face, no extra fingers, no distorted hands, no warped product, no incorrect can shape, no unreadable logo, no duplicate cans, no floating character, no stiff movement, no random scene changes, no disconnected clips, no excessive motion blur, no dull lighting, no childish cartoon environment, no photorealistic doodles, no messy compositing, no deformed facial features, no text artifacts.

Create a 15-second 16:9 video on a pure white background with a locked front camera and centered framing. No camera movement, cuts, transitions, text, captions, or extra elements. Feature a photorealistic golden powdered-sugar donut with a simple black 2D hand-drawn chubby cat wearing a snorkel, mask and flippers. Keep the donut realistic and the cat/waves as minimal black line-art. Never make the cat 3D. 0–2s: The donut stays still while the happy cat floats inside it, gently paddling and kicking. Small black wave lines animate around the donut. 2–3s: The cat paddles faster, notices the donut, looks hungry, licks its lips and gives a mischievous smile. 3–6.5s: The cat bites the donut repeatedly. Show clear progressive eating: whole donut → big bite → half donut → tiny piece. Add small crumbs and funny chewing expressions. Every missing section must disappear through a visible bite—never dissolve or vanish. 6.5–7.5s: The cat eats the last piece. The donut is completely gone. It looks around, realizing it ate everything. 7.5–8.5s: The cat becomes adorably sad, with lowered ears, drooping paws and a pout, staring at the empty space. 8.5–10s: A fresh complete powdered-sugar donut drops from above and lands perfectly around the cat. The cat instantly becomes excited and the wave lines return. 10–11.5s: The cat hugs the new donut with closed eyes and a huge happy smile. 11.5–13s: It happily wiggles its paws and flippers, floating in the donut. 13–14s: The cat looks at the camera and gives a cute little wink. 14–15s: A tiny bubble pops from the snorkel. The cat kicks its flippers twice and smiles brightly as it floats happily inside the untouched donut. Keep the same visual continuity from beginning to end: realistic donut + black hand-drawn cat, snorkel, flippers and waves only.

Cinematic 2.5D animation. NOT flat 2D cartoon, NO outlines, NOT glossy CGI, NO photorealism. WORLD: Moonlit brutalist rooftop at midnight, palette of dark charcoal, dusty lilac, and cream white, one glowing silver-moonlight accent, drifting fog, volumetric

Cinematic 2.5D animation in the style of fully painterly rendering, characters and environments look like gouache concept-art paintings in motion, visible brush texture on skin, cloth and buildings, flat posterized color blocks with hard-edged light

Create a whimsical Studio Ghibli-inspired animated scene showing a traditional Moroccan lamb tajine being prepared outdoors in a breathtaking mountainous landscape. Begin with wild mountain goats on rocky cliffs, then show the cook preparing fresh lamb, picking dark olives, salting preserved lemons, and slicing herbs and meat. Pour olive oil into a rustic clay tajine, layer in lamb, olives, lemons, and herbs, seal it with the conical lid, and place it over glowing coals in a stone fire pit. End with the lid lifting to reveal a steaming, golden lamb tajine as olive oil and herbs glisten in the warm sunlight, with cinematic detail, cozy natural colors, gentle animation, and a magical handcrafted atmosphere.

Intense cinematic close-up of a female pilot inside a worn cockpit, cracked yellow flight helmet with shattered visor over one eye, sweat and a thin streak of blood on her face, wide focused eyes, slightly parted lips, analog gauges and clocks glowing warm orange in the background, graphic novel illustration style, heavy linework, dramatic lighting, tense atmosphere, ultra detailed, 8k

Generate a 30-second, 16:9, full-color 2.5D hand-drawn action animation film. Each segment compresses roughly 3–4 of the original 22 shots into one continuous 5-second beat, written as a standalone prompt block you can feed into a video generation tool one at a time. SEGMENT 1 (0:00–0:05) — The Chase Begins 2.5D hand-drawn action animation, 16:9, full color, oil-paint rough brushstrokes, three-value cel shading, manga screentone, dry-brush speed lines, warm orange sunset light with blue-cyan shadows and pink-purple ambient reflections. Wide broken city road at a central vanishing point, embedded rail tracks on the left, foreground puddles, glass curtain wall on the left, massive concrete bridge pillar on the right, warm-toned high-rises in the distance, a giant static city statue far in the background. Low camera hugging the road surface, tracking backward at high speed. A slender bare-handed fighter — narrow shoulders, thin arms, choppy white hair, dark-red matte markings under his eyes, loose black hooded jacket over a dark inner layer, loose black pants, lightweight dark shoes, hands empty — sprints at frame-left. Behind him at frame-right, a slender white-robed swordsman — short choppy black hair, sharp eye makeup, wide-sleeved white robe, high-waist sash, black gloves — pursues holding a single katana in his left hand, right hand empty. Rails, puddles, and buildings streak past in fast parallax. Mid-shot: an ordinary gray sedan barrels out of control from behind them, tires wobbling, body bouncing violently on the cracked pavement, camera pushing forward along the road centerline. End of segment: the swordsman slide-steps left to dodge the car, bringing the katana in front of his body; the fighter cracks the asphalt with a launching stride and vaults up over the hood, camera whipping into a lateral tracking move. Hand-drawn uneven timing, twos and threes on ordinary movement, ones on the burst vault. No energy glow, no glowing blade — all light from sunset and reflections. High-speed electronic drums and distorted bass building steadily; tire friction and engine roar synced to the car's bounce. SEGMENT 2 (0:05–0:10) — Airborne Clash Same characters and road setting as established (black-clad bare-handed fighter, white-robed swordsman with single katana, broken city road with bridge pillar and glass curtain wall). 2.5D hand-drawn style, oil-paint brushstrokes, cel shading, screentone, warm sunset palette with cyan shadows. Camera whips sharply upward. The fighter flips fully inverted above the moving car, his loose black jacket and pant cuffs whipping with delayed follow-through, body forming a clean bow-shaped silhouette against the sky. Fast push-in on his face: hanging upside down, white choppy hair sweeping across his forehead, a restrained dangerous smile, dark-red under-eye markings in flat matte texture. Camera moves t

Cinematic 2.5D animation. NOT flat 2D cartoon, NO bold black outlines, NO cel-shading, NOT glossy CGI, NOT Unreal Engine, NO photorealism, no plastic skin. WORLD: crumbling mountain monastery courtyard at dusk, mist rolling through broken stone pillars,

Turn this cake into a character dancing with a top hat, white gloves, red shoes and a big smile.

Infographic on how blue light rays prevent the production of melatonin and disrupt the circadian rhythm

Create a whimsical, cinematic Ghibli-inspired miniature workshop where tiny cheerful characters work together to harvest, cut, crush, and process a giant glossy red cherry into fresh cherry juice and jam. Show the cherry crashing onto a wooden table, workers building scaffolds and bridges with everyday objects, slicing the fruit with oversized tools, collecting flowing juice, pulling carts of cherry pieces, and cheering as the workshop becomes bustling with activity. End with a wide, magical view of the tiny workers celebrating around a large metal tin filled with vibrant red cherry jam, warm lighting, detailed textures, playful teamwork, and charming handcrafted animation.

Create a short Studio Ghibli-inspired animated video showing the cozy preparation of a traditional Filipino breakfast. Begin with grocery shopping for Lucky Me! Pancit Canton and SPAM, then show SPAM being sliced and fried, eggs scrambled in butter, and garlic sautéed with rice to make sinangag. Prepare instant coffee with steaming hot water. End with a beautiful countryside scene featuring a bamboo bahay kubo surrounded by lush rice fields, where the finished meal garlic rice, scrambled eggs, fried SPAM, tuyo, pancit canton, and hot coffee is served on a bamboo table under a bright blue sky.

2Dサイバーパンク・アニメーション スタイル： ハイクオリティな日本の2Dアニメーション。 手描きセルアニメ調。 シャープで美しい線画、明確なセル塗り、繊細な影、高密度な背景美術。

15초, 16:9, text-to-video only. 정확히 6개 장면, 장면당 2.5초. 모든 장면 전환은 효과 없는 clean hard cut. 참조 이미지·시작 프레임·스토리보드 입력 0장. 생성 자연음 포함. 【화풍】 오리지널 일본식 손그림 2D 요리 애니메이션. 완전히 손으로 그린 모습. 부드럽고 또렷한 연필 윤곽에 미세한 선 굵기 변화와 손그림 흔들림을 남긴다. 음식에는 가늘고 따뜻한 선, 손과 도구에는 한 단계 굵은 선. 따뜻한 중간색의 깨끗한 2–3단 풀컬러 셀 채색, 검게 뭉개지는 그림자 없음. 붓 결이 보이는 생활 주방, 얕은 대기 원근, 절제된 아날로그 필름 그레인과 셀 가장자리의 약한 색 번짐. 가나슈와 젖은 반죽에만 강한 스펙큘러 하이라이트. 기존 스튜디오·작가·영화·캐릭터의 고유한 모습을 모방하지 않는다. 【주제와 규칙】 주제: 코코아 초코 식빵. 다크 초콜릿과 생크림으로 차가운 가나슈 시트를 만들고, 코코아 반죽을 치대고 1차 발효까지 진행한다. 화면에는 숙련된 성인 여성 한 명의 팔꿈치 아래와 두 손만 보인다. 아이보리 린넨 소매, 따뜻한 피치베이지 피부, 짧고 칠하지 않은 손톱, 각 손 다섯 손가락, 액세서리 없음. 얼굴·머리·몸통·전신·두 번째 사람 없음. 음식과 조리 과정만 주제다. 각 장면의 주 행동은 정확히 하나이고, 재료 상태는 앞으로만 진행한다. 완성 식빵·구운 빵·성형 로그·내부 초콜릿은 절대 보여주지 않는다. 【장면 구성】 장면1 — 0.00–2.50 카메라: 마모된 오크 도마를 거의 수직으로 보는 높은 부감 클로즈업, 아주 느린 접근. 시작: 포장 없는 다크 커버춰 한 블록과 페일 오크 손잡이 칼 한 자루. 동작: 왼손이 고정하고 오른손이 네 번 따로 자르며 매번 칼날을 완전히 들어 올린다. 변화: 작고 고른 조각 한 무더기. 질감: 건조하고 날카로운 절단면과 작은 부스러기, 녹거나 번들거리지 않음. 연결: 같은 조각 전부가 장면2에 들어간다. 장면2 — 2.50–5.00 ★ 질감의 견장면 카메라: 볼 림 바로 위의 낮은 측면 매크로, 오른쪽으로 아주 느리게 이동. 시작: 장면1의 조각이 뜨거운 생크림 속에서 가장자리부터 녹는다. 동작: 짙은 갈색 실리콘 주걱이 중앙에서 바깥으로 세 번 원을 넓혀 젓는다. 변화: 조각이 사라지고 검고 균일한 가나슈가 되며 마지막 자국이 천천히 닫힌다. 질감: 물처럼 출렁이지 않는 무거운 점도와 좁고 밝은 하이라이트. 연결: 같은 가나슈에 버터와 박력분을 섞어 3mm로 펴고 냉장한다. 장면3 — 5.00–7.50 카메라: 작업대를 내려다보는 고정된 높은 45도 미디엄. 시작: 자연색 유산지 위 22×8cm, 두께 3mm의 냉장 가나슈 시트 한 장. 동작: 두 손이 유산지 양끝을 잡아 한 번 들어 올린다. 변화: 시트가 완만하게 휘지만 처지거나 깨지지 않는다. 질감: 차갑고 유연한 고형물, 좁고 단단한 광택. 연결: 같은 시트 한 장을 차갑게 보류한다. 장면4 — 7.50–10.00 카메라: 스테인리스 볼 입구에 가까운 고정 부감 클로즈업. 시작: 균일한 갈색 마른 가루와 중앙의 차가운 유제품 혼합액. 동작: 주걱이 바닥에서 위로 네 번 접는다. 변화: 날가루가 거의 없는 거칠고 찢어진 셔기 코코아 반죽 한 덩이. 질감: 어두운 젖은 부분, 울퉁불퉁한 표면, 가장자리의 작은 마른 가루. 연결: 같은 반죽과 버터 한 블록이 장면5로 간다. 장면5 — 10.00–12.50 ★ 질감의 견장면 카메라: 작업대 높이의 고정 낮은 측면 미디엄. 시작: 셔기 반죽 중앙에 버터 한 블록. 동작: 두 손이 앞으로 밀고 안쪽으로 접는 동작을 세 번 한다. 변화: 버터 자국과 균열이 사라지고 매끈하고 탄력 있는 짙은 코코아 반죽이 되며 얇은 가장자리 하나가 찢어지지 않고 빛을 통과시킨다. 질감: 젖은 광택이 아닌 탄성광과 글루텐 저항. 연결: 같은 반죽을 같은 볼에서 약 2배까지 발효한다. 장면6 — 12.50–15.00 카메라: 볼 중앙을 향한 높은 45도 매크로, 자국을 향해 아주 느린 접근. 시작: 같은 반죽이 약 2배로 부푼 매끈한 돔. 동작: 검지 하나가 중앙을 누르고 완전히 빠진다. 변화: 가장자리만 천천히 일부 돌아오고 중앙 자국은 얕게 남는다. 질감: 미세한 발효 기포와 부드러운 탄력, 구운 껍질 없음. 연결: 이 발효 완료 상태에서 끝낸다. 【카메라】 장면마다 거리·각도·높이 중 최소 두 가지를 바꾼다. 한 장면 안에서는 고정하거나 지정된 극히 느린 이동만 한다. 휩팬·손떨림·회전·급줌 없음. 무엇이 무엇에 닿는지 항상 읽혀야 한다. 가장 가까운 매크로는 장면2와 장면6에만 쓴다. 【질감과 움직임】 초콜릿 조각→무거운 유화액→차갑고 유연한 시트, 마른 가루→셔기 반죽→매끈한 글루텐→부푼 반죽의 변화가 단계적으로 보인다. 손에는 무게와 동작 뒤 여운이 있고 액체·반죽은 점도·탄성·중력을 따른다. 갑작스러운 모핑이나 상태 회귀 없음. 【빛과 무대】 깨끗한 따뜻한 아침의 생활 주방 한 곳. 흰 쿼츠 작업대와 마모 오크 도마. 프레임 좌상단 창의 부드러운 골드 키, 반대쪽의 약한 쿨 필, 모든 손·도구·재료 아래 같은 방향의 접지 그림자. 현재 장면에 이름이 있는 물체만 보인다. 【물리적 연속성】 같은 커버춰 전량, 같은 가나슈 한 배치와 시트 한 장, 같은 코코아 반죽 한 덩이, 같은 손·소매·볼·주방·광원을 유지한다. 도구와 재료의 개수·크기·재질이 변하지 않는다. 실제 조리 순서와 중력을 지킨다. 【소리】 낮은 생활 주방 룸톤과 화면 속 접촉음만: 마른 칼질, 젖은 주걱 마찰, 유산지 바스락임, 볼 울림, 반죽 점착음, 작은 손가락 점착음. BGM·대사·내레이션·사람이나 동물 음성 없음. 【네거티브】 화면 글자, 제목, 캡션, 자막, 숫자, 라벨, 로고,

Pop-up book paper craft animation, 15 seconds, 16:9. Masterpiece paper engineering. Multi-layered topographic paper design, intricate cut-paper landscapes, embossed details, gold foil map markings, moving paper mechanisms, handcrafted textures, cinematic warm lighting, shallow depth of field. Everything exists as physical paper emerging from an antique atlas. No voice. Audio: turning pages, rustling paper, subtle orchestral wonder. ACT 1 (0-4s) An ancient atlas opens. A magnificent paper map unfolds across both pages. Mountains rise in layered paper relief. Forests, rivers, bridges, cities, and ships emerge from hidden folds. Tiny paper clouds float above the landscape. Camera travels low across the terrain. ACT 2 (4-8s) A page turns. The map begins reorganizing itself. Rivers fold upward into roads. Mountains flatten and transform into oceans. Cities slide across hidden paper tracks. Entire regions rotate and lock into new positions like a giant mechanical puzzle. ACT 3 (8-12s) Another page turns. The map becomes increasingly impossible. New continents unfold from beneath existing continents. Bridges span across the sky. Floating islands emerge from layered mechanisms. Endless paper geography grows outward beyond the original map. ACT 4 (12-15s) Final page turn. The entire world folds inward through thousands of synchronized paper movements, transforming into a giant ornate compass made from landscapes, cities, oceans, and mountains. The compass expands and unfolds into an even larger impossible map extending beyond the book's edges. Freeze on the completed transformation.