Prompts de Vídeo para Cinematic Realistic

{argument name="question" default="今日何曜日だっけ？"}付きの30秒のかっこいいモーショングラフィックスで教えて（全力を出してください）

Create a 20-second ultra-realistic cinematic camping vlog featuring a young Japanese woman with straight black hair and bangs, wearing a dusty pink outdoor jacket. Scene 1 (0–4 sec): Selfie-style vlog in a beautiful pine forest during golden hour. She smiles at the camera while holding a beige tent bag and excitedly introduces her solo camping adventure. Natural handheld camera movement, realistic facial expressions. Scene 2 (4–7 sec): Wide cinematic shot of her setting up a beige camping tent among tall pine trees. She happily raises both hands to celebrate after pitching the tent. Warm sunlight filters through the forest. Scene 3 (7–12 sec): Nighttime campfire scene. She sits on a folding camping chair, roasting a marshmallow on a stick. Close-up of her gently blowing on the toasted marshmallow, with realistic firelight illuminating her face. Scene 4 (12–16 sec): She sits beside the campfire holding a glowing marshmallow, enjoying the peaceful night in the forest. Natural expressions, cozy atmosphere, realistic shadows and warm orange lighting. Scene 5 (16–20 sec): Inside her illuminated tent at night, she smiles at the camera while holding a camping lantern. Suddenly, she hears a mysterious noise outside, opens her eyes wide, and pulls her sleeping bag up to her nose with a cute, surprised expression. Visual style: Photorealistic live-action, 4K, cinematic depth of field, natural skin texture, realistic lighting, smooth camera transitions, authentic outdoor atmosphere, detailed facial expressions, cozy solo camping aesthetic. Audio: Natural forest ambience, birds chirping, gentle wind, crackling campfire, subtle fabric sounds, and soft nighttime forest ambience. No background music, no subtitles, no text, no watermark. Consistency: Maintain exactly the same woman, hairstyle, outfit, facial features, and tent throughout all scenes.

A tiny hand-drawn 2D animated explorer discovers a giant abandoned clockwork workshop, turning gears, springs, buttons, and mechanical objects into a thrilling miniature obstacle course. Style: Mixed-reality hybrid animation combining expressive hand-drawn 2D character art with a realistic mechanical workshop environment. Playful stop-motion physics, smooth hand-drawn motion, cinematic lighting, realistic textures, and detailed mechanical sound effects with energetic background music. Camera & Framing: Extreme macro close-ups, low-angle tracking shots, dynamic overhead views, shallow depth of field, tilt-shift miniature effects, and fast cinematic camera movements following the tiny explorer. Audio & Scene Breakdown [00:00] - [00:03] Visual: A tiny explorer wearing a blue jacket, brown boots, and a small red backpack stands beside a massive brass gear as it slowly begins rotating. [00:04] - [00:07] Visual: She jumps onto the moving gear teeth, runs across them, and leaps onto a giant metal spring that launches her onto a wooden workbench. [00:08] - [00:12] Visual: A huge mechanical lever suddenly moves beneath her, sending her sliding across a polished metal surface before she grabs a dangling copper wire. [00:13] - [00:17] Visual: She swings across the workshop and lands inside an enormous open pocket watch, running between its moving gears as sparks glow in the background. [00:18] - [00:22] Visual: A giant wind-up key begins turning, creating a powerful gust that pushes her across the table while loose screws and metal pieces roll around her. [00:23] - [00:27] Visual: She discovers a tiny glowing blue crystal hidden inside a mechanical box and carefully reaches toward it as the entire workshop begins coming alive. [00:28] - [00:30] Visual: She touches the crystal, causing hundreds of gears to move simultaneously as the camera rapidly pulls backward to reveal the entire workshop operating like one enormous machine. Maintain consistent character design, proportions, environment scale, lighting, textures, motion physics, and visual style throughout the entire video. Use original characters and environments only. No logos, text, watermarks, branded elements, or recognizable copyrighted characters.

Live-action 1990s sitcom look: bright, even, warm multi-camera lighting, slightly soft focus, saturated colors. 16:9. Fixed camera positions, no tracking, no dolly. One continuous scene, 26 seconds, with two hard cuts. Locations are shown in @Image1 (the house exterior), @Image2 (the renovation room) and @Image3 (the kitchen). The husband is the man from @Image4 : mid 20s, broad-shouldered, short dark brown hair, clean-shaven, composed face, clean white collared shirt with a tie, grey trousers. The wife is the woman from @Image5 : early 20s, slim, expressive face, dark brown hair tied up in a red kerchief, a splotch of paint on her cheek, denim overalls with one strap undone over a white paint-stained T-shirt. Keep both faces and outfits exactly as in their images. 0:00-0:04 (static wide shot) The house from @Image1 at dusk, calm and suburban, porch light on, lit kitchen window at frame-right. A kid on a bicycle rides past in front of the house, left to right across the frame, along the street. Dusk birdsong and the soft tick of bicycle wheels. HARD CUT. 0:04-0:12 (medium-wide shot of the room in @Image2 , then a slow pan to the right from a fixed position) The husband stands at frame-left near the stepladder and slowly looks around at the plastic on the floor, the ladder, the work table, the paint cans and the paint rollers. He nods in satisfaction. He walks toward the plastic-draped doorway at frame-right. At the doorframe he flips the light switch on the wall beside it: a click, and the room goes dark behind him. He pushes through the plastic sheeting and exits. The camera pans right with him. Sound of the switch click and rustling plastic. HARD CUT. 0:12-0:24 (one uncut take, static medium-wide shot of the kitchen in @Image3 , widening to a static long shot feel) The wife stands at the sink at frame-left with her back to the room. The husband pushes through the plastic-draped doorframe on the back-right wall and walks toward the kitchen island at center-right. He says, easy and casual: "It's coming along quickly." He keeps crossing toward the right side of the island. The wife slowly turns around to face him, arms crossed. On the kitchen island sit a paint can, a clean paintbrush, a carpenter's level, a hammer, a box of nails and a cup of coffee. 0:24-0:26 (same camera, super-fast aggressive zoom in on the wife's eyes) Her eyes grow wide and her nostrils flare. She makes a comical, exaggerated sitcom frown, brows knitted, mouth turned sharply down, indignant. Hold on her face. Audio: dusk birdsong and soft tick of bicycle wheels outside, quiet room tone inside, soft rustle of plastic, one switch click. The husband's voice is low, easy and casual. No music, no score, no background music, no singing, no laugh track. No on-screen text, no subtitles.

Make a 37-second demoscene tech demo for the track ~/Downloads/{argument name="audio_file" default="(filename).mp3"}. The goal is graphics nobody has seen before. Like it's a statement for a new AI demoscene. Story, in one continuous shot with no cuts: - A chrome sphere floats in dark fog. On each hit in the track, it gains one Mandelbox fractal level. - In the drop, the object grows until its top face is a landscape. Fly low over it at sunset, then dive off its edge. - At the end, the fractal collapses into 3D gold letters of the title. Carve the letters from the same fractal and light them with the same light. Look: path-traced quality. Soft shadows, ambient occlusion, glossy reflections, fog with light shafts, depth of field, motion blur, bloom. Sync: analyse the track first. Save a JSON beat map with hits, breaks, and kick, snare and hat onsets. Kicks pulse the light. Hats add surface detail. Tech: - One WebGL2 fragment-shader raymarcher. One HTML page is both the live player and the render source. - Live: 60 fps in Chrome. - Offline: 1920x1080 at 60 fps with 16 samples per pixel. Render it in headless Chrome on the Mac GPU, pipe the PNG frames to ffmpeg, and use the MP3 as the audio. - Do not use AI image or video generators. - Check contact sheets of stills before the full render.

please create me a motion design / launch video for supasito dot com it should be under 15 seconds.

请在当前项目做一支 15 秒的产品使用说明视频，使用 Remotion，竖版 1080×1920、30fps、共 450 帧。只用 assets 目录里提供的商品图和我给出的事实，不下载陌生素材，不补销售数据。 第 0 至 3 秒展示商品与一句使用场景。第 3 至 9 秒演示两步操作，每步只出现一个动作。第 9 至 13 秒展示结果，并保留能看清的停留时间。最后 2 秒显示产品名称，不加购买引导。 先列分镜与素材缺口，再做预览。字幕单独排版，动效以当前帧号计算。不要用真实时钟驱动时间线，也不要使用不固定的随机数。商品、文字、镜头时间分别配置，方便以后替换。 交付可编辑项目、启动与渲染命令、MP4，以及第 1、5、10、14 秒的静帧。缺少必要素材时停止并说明，不用假素材代替。

Can you please have the robot fly around the camp as the dogs jumps and play watching....

Review my website {argument name="site url" default="[your site URL]"}, and my portfolio with focus on the {argument name="project a" default="[Project A]"} and {argument name="project b" default="[Project B]"} case studies. Make a dynamic 15-second motion graphics video that shows what an incredible motion designer you are, like it's your showreel for a résumé. Go all out. Then make a 30-second, a 45-second and a 1-minute version of it. Don't just stretch it: the longer ones shouldn't feel rushed. Each longer version adds one more project: the 30-second adds {argument name="project c" default="[Project C]"}, the 45-second adds {argument name="project d" default="[Project D]"} and the 1-minute adds {argument name="project e" default="[Project E]"}. Use {argument name="music track" default="[your music track]"} as the music and cut everything on its beat.

Create a 15-second vertical 9:16 photorealistic cinematic video of a cute orange tabby cat inside a muddy World War-style trench, wearing a realistic olive-green military helmet and holding a small vintage rifle. Start with the camera focused on the dark trench entrance, with stacked sandbags and rough wooden planks clearly visible above. At first, only the top of the helmet slowly appears from the trench. The cat gradually rises into view while holding the rifle naturally with both paws. Keep the cat’s face, fur, helmet, rifle, trench, and background consistent throughout the entire video. Around the middle, the cat looks directly toward the camera with a serious but adorable expression and slowly raises one paw in a small salute. Maintain realistic fur movement, natural paw motion, subtle head movement, and cinematic depth of field. The camera should remain mostly stable with a very gentle handheld cinematic movement. Near the end, the cat lowers its paw and slowly ducks back down into the trench, leaving only the helmet visible. Use realistic outdoor lighting, soft overcast sky, detailed muddy soil, natural textures, shallow depth of field, smooth motion, and no text, watermark, distortion, or extra characters.

Make a 15s motion video in code (1920x1080, 60fps, one HTML file drawing every frame from a single seek(t) function, rendered with Playwright + ffmpeg, original synthesized sound at 128 BPM). Idea: a blank résumé fills itself in, one skill per bar, and every skill gets proved on screen before it's ticked. Story: a paper résumé slams onto a dark page and its rows type in (skills, type, systems, depth, data) → the camera pushes into the orange bullet until it floods the frame → five skill meters fill, each on a different curve → one word swings from thin to black on the beat, then flips through six typefaces → a dot grid ripples and resolves into a pixel mascot → a square tunnel flies at the camera and an extruded "3D" slams out → bars trace a spring curve while a counter lands on the reel's real frame count → "EVERY FRAME ON THE BEAT." one word per beat → the résumé comes back, filled in, mascot in the photo box. Rules: one orange accent carries every transition; springs, never linear; every state change sits on the beat; no corner labels, no fake HUD numbers.

Make one 60-second, 60 fps, Apple-style motion-graphics product film for Kirocast (https://t.co/YDA5cSDcTa, "The MacOS screen recorder built for AI."), in two versions: 16:9 at 1920×1080 and 9:16 at 1080×1920 for Instagram Reels and TikTok. Both versions share the same timeline

EMBER FRACTURE — AWAKENING Image SO-YEON | 30s | 16:9 | one continuous generation. LIVE-ACTION ONLY: Ultra-photorealistic AAA supernatural martial arts. <<<image_1>>> locks SO-YEON's exact identity; same single woman throughout. Small 160cm build, messy black hair, black hoodie/pants/Converse. Real skin, pores, hair, eyes and biomechanics. Never CGI/digital double. ALLEY: Wet narrow convenience-store alley at night, red/pink/teal neon, puddles, crates, dumpster, vending machine, steam. 5 unarmed male delinquents attack aggressively, never taking turns. AUDIO: Korean dialogue, diegetic impacts/traffic/ambience only. No BGM/subtitles. AWAKENED COMBAT: Her body takes over automatically; unarmed Taekwondo × Karate × Pencak Silat, extremely fast, fluid chained movement with no reset poses. VFX LOCK: Acceleration = physical movement + subtle heat-shimmer/refractive distortion only. No fire, flames, embers, orange particles, beams, plasma or teleportation. Every strong physical impact creates a brief glass-like spiderweb fracture in the air, splitting neon light, then silently disappearing; realistic steam/dust/debris from impact. IMPACT → FRACTURE WEB → NEON REFRACTION → DISSIPATION. 00–03: So-Yeon cowers against wall. Leader smacks her head. She slowly glares through bangs. {어쭈? 이 년 봐라? 많이 컸다?} 03–06: Fear returns; she flinches: {아…! 미안…}. Leader swings again. 06–09: 0.3s slow-mo: automatic head-slip → Silat parry → pivot → body punch. Fracture flash. Leader crashes into crates. 09–12: She stares at trembling hand in disbelief. {저 년이?!} Four rush simultaneously. 12–17: Heat-shimmer dash through two: parry → redirect → elbow → sweep → side kick. Impact fracture + steam. Continue instantly. 17–22: Two attack together: diagonal dash → duck → shoulder redirect → roundhouse. Wide fracture-web splits pink/teal neon. 22–27: Final attacker from behind. Maximum physical dash; camera lags/whip-pans. Evade → parry → jab → body punch → low kick → spinning back kick. 0.25s slow-mo; dense fracture-web across wall. 27–30: Largest fracture lattice spreads across alley, neon reflections split, debris/crates fly, enemy slides away. Fracture hits lens → brief refracted distortion. So-Yeon studies her hands, then calmly walks through steam, half frightened/half amazed, hair falling over eyes. Never looks back. CUT. CAMERA: Close, kinetic handheld pursuit; tracking, whip-pans, low angles, OTS, facial impacts, rapid focus. Camera reacts slightly late to acceleration. Impact shake only on physical contact. Readable action > chaos. HARD LOCK: Real human + real environment + VFX in same frame. No duplicate So-Yeon. No teleportation. Every VFX effect must originate from visible physical contact.

クラウドのLinux環境にBlenderをPythonモジュールとして入れ、シーン構築からレンダーまで全部スクリプトで実行 ステージ、照明、紙吹雪、カメラワークをコードで組み、Cyclesで描画 グロー、フラッシュ、色収差の後処理とMP4化まで自動 BGMもサンプル素材なし。キック、スネア、ベース、シンセをnumpyのコードで合成 ダンスの腰の高さを解析し、本来のテンポが約137BPMと特定 拍ごとにダンスの時間を補正して、全拍で沈み込みがキックと±0.5フレームで一致 カット、照明、ズーム、質感の切り替えもすべて拍の頭に合わせ、最後の一撃で全員静止 カメラはPythonで毎フレーム計算。急降下、回り込み、顔のアップから横に振り抜くカットなど 拍の頭でクローム、ゴールド、ホログラム、ボクセルに質感とメッシュが変わる

Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing an oversized maroon hoodie and loose casual pants, carrying a simple canvas shoulder bag. Preserve her exact identity, facial features, hairstyle, body proportions and appearance throughout. Location: Quiet older Seoul neighborhood on a pleasant morning. Narrow residential street with low-rise apartment buildings, small local shops, parked bicycles, potted plants and modest storefronts. A little Korean girl, around 5–6 years old, is standing safely near the sidewalk with a small ice cream cone in one hand. Her shoelaces have come completely undone. Lighting & Atmosphere: Warm, cheerful and cozy morning atmosphere. Soft sunlight filters between the buildings, creating gentle warm highlights while some areas remain naturally shaded. Muted surroundings, soft shadows, slightly faded colors and a nostalgic early-2000s feeling. The scene should feel wholesome and ordinary rather than sentimental or cinematic. Style: Ultra-realistic early-2000s Sony MiniDV home video filmed by another person casually walking with her. Multi-shot but completely candid and unstaged. Natural handheld movement, subtle camera shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle digital noise and natural microphone noise. Shot 1 — 00:00–00:04: Medium-wide handheld shot as the young woman walks casually down the quiet street. She notices a little girl standing near the sidewalk, holding an ice cream cone while looking down at her untied shoelaces with a confused expression. Shot 2 — 00:04–00:07: The camera moves slightly closer as the woman slows down. The little girl looks at her shoelaces, then at her ice cream, clearly unsure how to deal with both at once. The woman understands the problem and gently gestures toward the laces, asking if she can help. Shot 3 — 00:07–00:11: The woman crouches down beside the child and carefully ties the loose shoelaces into a secure bow while the child stands still, carefully holding her ice cream away from them. The woman's movements are gentle and efficient. Shot 4 — 00:11–00:14: She gives the finished shoelaces a quick little check and stands back up. The child looks down at her shoes, then looks up at the woman with a small grateful smile. Shot 5 — 00:14–00:17: The woman gives the child a warm little smile and a tiny nod, then continues walking down the street. The child happily takes another bite of her ice cream. Shot 6 — 00:17–00:20: As the woman walks away, she briefly turns toward the camcorder and gives a quiet, contented smile before looking forward again and continuing down the street. Audio: Natural sound only—soft footsteps, distant traffic, subtle neighborhood ambience, children's distant voices, light breeze, fabric movement and the natural sounds of the street.

Went out for milk, came back barefoot 😭 GENERATED With Seedance 2.5 Prompt: 👇 Create a 30-second ultra-realistic Korean summer-morning vlog set in South Korea in the early 2000s, filmed casually by a friend on an authentic consumer DV camcorder. It must feel like genuine home-video footage, not a modern video with a retro filter. CHARACTER: The same young Korean woman in her early 20s throughout. Natural appearance, black wavy hair in a loose messy side ponytail, fitted pastel-blue short top, loose white pajama pants, simple silver necklace, casual flat sandals. Realistic skin texture, minimal makeup, natural expressions and movement. LOCATION: A peaceful Korean residential neighborhood on a warm early-summer morning. Narrow concrete lane, small old houses, weathered concrete walls, potted plants, bicycles, utility poles, overhead wires, laundry hanging outside, and a small neighborhood convenience store. CRITICAL SANDAL RULE (highest priority): From 0s until 17s, BOTH sandals are worn on her feet, properly on both feet, and she holds NO footwear in either hand at any point. Her only hand-held item before 17s is the cloth shopping bag (and later the milk inside it). The sandals come off her feet ONLY at the end of the FINAL ATTEMPT scene (around 21–23s). Before that moment, no sandal may appear in her hand, under her arm, or anywhere except on her feet. EXACT ORDER, 6 SCENES: 0–4s, LEAVING HOME: She steps out of her house wearing both sandals on her feet, holding only a small cloth shopping bag. She locks the door and starts walking down the narrow lane. Both feet in sandals, hands free of footwear. 4–8s, SCHOOL CHILDREN: A few school children with backpacks walk past her. She smiles, waves and says "Good morning!" The children wave back happily and continue ahead toward school. She is still wearing both sandals normally. 8–12s, STORE: She enters the small convenience store (door chime), buys one carton of milk, puts it carefully in her bag and walks back out. Both sandals still on her feet, nothing in her hands except the bag. 12–17s, SANDAL TROUBLE: Walking home through the same lane, she suddenly stops and looks down. The strap of her right sandal has come loose, but the sandal is still on her foot. She pushes the strap back with her fingers and it slips out again. She crouches and tries another way to fix it while the sandal stays on her foot, but it won't stay. 17–23s, FINAL ATTEMPT: The friend zooms in awkwardly. She laughs, makes one last attempt, and the strap pops loose again. Only now, she gives up, takes off both sandals and holds them together in one hand, with the milk bag in the other hand. This is the FIRST moment any sandal is in her hand. 23–30s, BAREFOOT WALK: She walks barefoot down the sunny lane, sandals in one hand, milk bag in the other. The same school children, now farther ahead, notice her sandals and smile, and she laughs and waves. She turns to the camera and says, "I only went out for milk." She keeps w

ai video field test (oct 1, 2026) seedance 2.5, 1080p prompt: Create a 30-second ultra-photorealistic live-action personal vlog / home-video style film of an elderly Korean man spending a quiet ordinary summer morning in South Korea. The result should feel like a forgotten personal recording of an ordinary summer day. Not a commercial. Not a fashion film. Not a music video. Not a professional cinematic production. It should feel like someone casually captured pieces of a real morning as it happened. The emotional appeal should come from small human moments: waking up slowly, sitting on the edge of the bed, rubbing his face, putting on slippers, walking through a modest apartment, making a simple breakfast, standing quietly in the kitchen, looking out the window, and stepping outside into familiar neighborhood streets. The feeling should be quiet, masculine, nostalgic, slightly melancholic, warm, spontaneous, and deeply human. Set it in a real Korean neighborhood — modest apartment interiors, summer light, a small kitchen, quiet residential streets, low-rise buildings, local storefronts, alleyways, electric fans, sliding windows, convenience stores, crosswalk sounds, distant traffic, and subtle signs of daily life in Korea. Keep the environment grounded and unglamorous, like a normal lived-in morning. The man should feel completely real: an elderly Korean man, late 60s to 70s, ordinary appearance, gentle face, natural aging, slightly tired but calm presence, simple casual home clothes, believable posture and movement. Maintain consistent identity throughout the video. Visual style: Modern but humble handheld home-video / smartphone footage with imperfect framing, natural camera shake, slight autofocus breathing, occasional exposure shifts, and subtle observational composition. Nothing polished or overly cinematic. The camera should feel like it just happened to be there. Mood and tone: Natural, intimate, and observational. Slightly melancholic but not dramatic. Warm summer air, soft ambient light, a sense of memory and passing time. The tone should feel personal and truthful. Suggested sequence: Slowly waking up in bed in the morning heat Sitting up and gathering himself Walking to the kitchen in slippers Pouring cereal or preparing a very simple breakfast Standing quietly in the kitchen eating or drinking Looking out the window for a moment Leaving home and stepping into the neighborhood Walking slowly through familiar Korean side streets Audio: Use natural diegetic sound only — room tone, bedsheets, slippers on the floor, spoon against bowl, fridge hum, fan noise, distant traffic, birds, footsteps, quiet street ambience, a passing scooter, crosswalk beeps, neighborhood sounds. No music, no narration, no subtitles, no logos, no watermark. Important constraints: Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic environmental details, and the feeling that the camera happened to be there.

Locked-off pad deck. Five beats of wash, mist, and strut bite. Runway Seedance epic remade in Grok Imagine.

Ultra-realistic cinematic action scene inside a high-school basketball gym, a fierce young woman in a stylish school-uniform-inspired outfit unleashes powerful glowing red and purple supernatural energy from her hands, intense confrontation with another girl, dramatic energy trails and particles, dynamic movement, wooden basketball court, bleachers in the background, cinematic lighting, realistic facial details, dramatic atmosphere, motion blur, volumetric light, shallow depth of field, high contrast, photorealistic VFX, 8K detail, vertical 9:16 composition, epic supernatural action movie aesthetic.

The robot kiss the man on the cheek and says “I love you dad” The man kisses the robot on the forehead and says “I love you too Rocket” The horses and dogs circle around them playfully.

Create an ultra-realistic Korean zombie-horror sequence inside an old apartment elevator at night. A woman in a long golden light-cream one-piece dress enters alone, carrying a shopping bag. The elevator stops between floors, the lights flicker, and the floor indicator glitches to 13. A dark figure appears only in the mirror, whose reflection slowly becomes infected with pale skin, milky eyes, and dark veins. The mirror cracks as an infected hand reaches through. The doors open to a nonexistent dark floor where infected silhouettes rush toward her. She barely escapes as the doors slam shut. When the elevator reaches the 12th floor, she exits—but her reflection stays behind, smiles, then suddenly lunges toward the camera. Cut to black. Style: Ultra-realistic Korean zombie horror, claustrophobic elevator, cinematic handheld camera, flickering fluorescent lights, photorealistic skin, realistic reflections, tense atmosphere, dark shadows, natural facial expressions. Negative prompt: Cartoon, anime, stylized CGI, exaggerated gore, distorted anatomy, extra limbs, inconsistent face, unrealistic reflections, floating objects, text, subtitles, watermark.

日本の地域イベント。着ぐるみの頭を外す瞬間から始まる、さくらの短い休憩。乱れた前髪、汗を拭く手、水を飲んで抜ける肩の力。スタッフと目を合わせてうなずき、再び頭をかぶって会場へ。 後半は子どもたちとの交流と記念撮影。嬉しくて近づく子どもたち、並ぶまでの小さな慌ただしさ、スマートフォンを構える保護者。着ぐるみの中のさくらは、相手の高さへ手を下げ、その動きを待つ。 撮影は付き添う友人の横向きスマートフォン。軽い手ブレ、追従の遅れ、構図の迷い。演技を強調せず、行動と環境音で見せる。セリフ・字幕・BGMなし。 【着ぐるみの設計指示】 着ぐるみはオリジナルの犬型キャラクターとして設計する。既存のアニメ・ゲーム・商品・企業・自治体のキャラクターや、着ぐるみ制作会社の既存デザインを参照・模倣しない。特定キャラクターの特徴的な輪郭、耳、目・鼻・口の配置、配色、模様、衣装、装飾の組み合わせを再現しない。既存キャラの色替えや部分変更ではなく、独自の造形として構成する。

Create a 20.00-second kinetic typography film titled “ESCAPE THE ORBIT,” based on John F. Kennedy’s Rice University address, September 12, 1962. The central experience: a sentence discovers that it can change its own trajectory. Deliver one complete, self-contained HTML file. Composition: 1080×1080. Target: 60fps. Use Canvas, SVG, or embedded WebGL. Embed required assets and libraries. The film must work without audio. EXACT DISPLAY TEXT “We choose to go to the moon” “[…]” “not because they are easy,” “but because they are hard” Preserve this order. The bracketed ellipsis explicitly indicates omitted speech. Attribution is separate from the excerpt. No additional slogans. ART DIRECTION Background: midnight # 080D23. Primary type: warm white # FFF4DD. Trajectory: electric coral # FF654F. Secondary orbital geometry: blue # 6685FF. Use a broad, confident grotesque for the speech and a sharply drawn italic for the final emphatic word. Avoid the appearance of a spacecraft dashboard. No rockets, astronaut illustrations, starfield wallpaper, lens flares, or decorative telemetry. The frame should resemble an exceptionally refined astronomical instrument that has become expressive. CENTRAL VISUAL RULE The baseline of the sentence is a trajectory. At first it is trapped in a closed orbit. A rhetorical decision changes that orbit into an open path. The letters remain the same travelers throughout. Use an abstract orbital metaphor; do not present invented mission data or imply a physically accurate flight simulation. STORYBOARD 0.00–3.50 The opening excerpt appears across the center, large and horizontal. Reveal it in three meaningful phrase groups. A single hairline ellipse passes behind the baseline. A small circular lunar mark occupies its distant focus. Hold the completed phrase motionless for 700ms. 3.50–6.00 The camera pulls back. The previously straight baseline reveals a shallow curvature. The phrase travels along the ellipse as a coherent unit. Keep its glyphs upright during the initial movement. Only after the reading hold may they progressively adopt the tangent of the path. The viewer realizes the sentence is circling rather than advancing. 6.00–7.00 Show the bracketed omission in an uncluttered central opening. The orbital movement decelerates. 7.00–10.50 Reveal the next clause on the near side of the orbit. Its final word travels through one smooth, effortless arc and returns toward where it started. This ease should feel elegant but unproductive. Avoid comic bouncing. 10.50–14.50 Reveal the final clause horizontally before transforming it. At its emphasis, the ellipse opens at one precise point. The same tracked letter group takes the new tangent and departs. Perform one deliberate 70-degree camera roll. Counter-rotate the active phrase so it remains readable while the orbital field changes orientation around it. The trajectory sweeps from lower left to upper right. Acceleration is conveyed by expanding spacing between its trailing marks, not by shaking the camera. 14.50–17.00 The camera matches the departing phrase’s velocity. The phrase becomes visually still while the old orbit recedes beneath it. The lunar mark enlarges into a restrained crescent through geometric overlap. The crescent brackets the destination without becoming a cartoon illustration. 17.00–20.00 Resolve into a spacious editorial composition containing the selected excerpt in reading order, including its omission marker. The open trajectory runs through the margins and exits the frame. Hold the entire image completely still for the final 1.2 seconds. CHOREOGRAPHY Use only three camera operations: pullback, roll, velocity match. Give each operation a rhetorical purpose. Keep the currently read phrase at least 64px high in the 1080px composition. Motion blur may affect trailing geometry, never the active text. No word may begin its ornamental travel before its reading hold finishes. IMPLEMENTATION Represent the ellipse and departure path analytically. Blend position and tangent continuously at the departure point; no teleportation. Use arc-length sampling for consistent spacing along curves. Separate camera transforms from glyph orientation. Cache glyph rendering and static geometry. Expose window.ready and window. seek(t). Seeking must pause playback and render any time from 0 through 20 deterministically, including out-of-order calls. Provide window.frame(n) for n=0…1199 at t=n/60. Render t=20 as the final held composition. Use no accumulated physics or runtime randomness. QUALITY GATE Inspect frames at 0, 3, 5, 7.5, 10.5, 13, 16, and 19 seconds. Verify that the same tracked phrase visibly follows its own trajectory.

Create a 30-second ultra-realistic fictional home-video featuring an adult Korean man in his late 20s spending a cheerful afternoon in an older Seoul residential neighborhood. CHARACTER: A fictional adult Korean man in his late 20s with medium-to-long dark hair tied in a casual low ponytail, natural masculine facial features, realistic skin texture and a friendly expressive personality. Keep his appearance consistent throughout the entire video. OUTFIT: He wears a bold, fashionable summer outfit consisting of a vivid red fitted T-shirt, high-waisted relaxed-fit white denim shorts, clean casual sneakers, a simple bracelet, small understated earrings and a small shoulder bag. The outfit is youthful, colorful and stylish, appropriate for a warm summer day. SCENE 1 — LEAVING HOME He steps out of an older Seoul apartment building carrying a small reusable shopping bag. He closes the gate behind him, notices the camera and gives a spontaneous smile before walking down the quiet residential lane. SCENE 2 — LOCAL BAKERY He enters a tiny neighborhood bakery, looks through the pastry display and chooses a small baked treat. He pays the shopkeeper with coins, thanks them and walks back outside. SCENE 3 — FRIENDLY ENCOUNTER While walking through the narrow lane, he suddenly sees his adult male friend approaching from the opposite direction. They smile, greet each other warmly and share a quick friendly hug. They chat and laugh for a moment before waving goodbye and continuing in opposite directions. SCENE 4 — FRUIT STAND He stops at a small roadside fruit stall and chooses a peach. He pays the vendor, places it inside his shopping bag and continues walking. SCENE 5 — EVERYDAY NEIGHBORHOOD MOMENT He walks beneath trees while eating his pastry. A bicycle passes nearby, and he naturally steps aside. He looks around at the quiet houses and smiles as the camera follows him from a short distance. SCENE 6 — ENDING He reaches the end of the lane, turns toward the camera and gives a cheerful wave. He smiles naturally and says, “Bye bye!” He then turns around and walks away down the residential street while carrying his bag and peach. The camera stays behind him until he disappears around the corner. CAMERA STYLE: Authentic early-2000s consumer MiniDV home-video footage. Handheld camera shake, imperfect framing, autofocus hunting, automatic exposure fluctuations, soft digital detail, mild digital noise, slight compression artifacts, realistic motion blur and occasional awkward zooms. It should feel like a genuine recording made by a friend or family member, not a professional production. AUDIO: Only natural neighborhood sounds: footsteps, bicycles, distant traffic, bakery activity, casual conversations, birds, children playing and light wind. No music, no narration, no subtitles, no text overlays, no beauty filter, no sexualized