Prompts de Vídeo para Photography

Create a 30-second ultra-photorealistic early-1980s French countryside documentary, shot on vintage Kodak 16mm. It must look like genuinely forgotten archival footage discovered decades later—not modern footage with a vintage filter. STYLE: Faded warm Kodak colors, organic 16mm grain, subtle light leaks, soft highlight bloom, slight gate weave, exposure fluctuations, natural motion blur, imperfect focus, realistic skin texture and period-authentic optical imperfections. Warm golden afternoon sunlight. No digital sharpness, AI smoothness, glossy cinematic grading or commercial polish. CAMERA: Shoulder-mounted handheld 16mm documentary camera operated by a real human. Subtle shake, imperfect framing, focus hunting, natural camera lag, occasional reframing and slight exposure breathing. Observational and spontaneous. Nobody acknowledges the camera. 0–5s: A slim, naturally beautiful blonde European woman in her early 20s walks through a quiet cobblestone street in a small French village. She wears a simple beige linen midi dress and brown leather sandals, carrying a woven basket filled with flowers and bread. Her hair is loosely tied with flyaway strands. No makeup, no posing. She trails her fingers along old stone walls while glancing at flower-filled windows. Close handheld tracking shot. 5–10s: The camera falls slightly behind as she enters a cozy village square. A baker carries fresh baguettes, an elderly couple chats on a bench, colorful bicycles lean against ivy-covered buildings, and a small golden retriever crosses the camera path. The camera instinctively shifts to avoid the dog, creating an authentic human reaction. She continues walking naturally. 10–15s: Outside a tiny flower shop, a little girl accidentally drops a bouquet of wildflowers. The woman gently kneels, gathers the flowers and returns them with a soft spontaneous smile. The child smiles shyly and runs toward her mother. Completely unstaged; nobody looks at the camera. 15–20s: She continues through rustic stone streets with wooden shutters, laundry, flower boxes and small market stalls. A breeze moves her dress and hair. She pauses briefly at a bakery window, looking at fresh bread. The handheld camera drifts and corrects naturally. 20–25s: She leaves the village and walks toward a quiet overlook. The camera follows from behind as the scene opens into rolling green vineyards and distant hills beneath golden afternoon light. Birds cross the sky. 25–30s: At an old iron railing, she rests both hands and watches birds over the valley. Wind moves loose hair across her face; she tucks it behind her ear and smiles subtly. She walks away. The camera pauses, lets her become smaller in frame, then gently follows. CONTINUITY: Same woman, blonde hair, beige linen dress, basket and natural appearance throughout. Authentic early-1980s environment with no modern objects, clothing, cars or architecture. FINAL LOOK: True archival 16mm documentary realism, Kodak film grain, faded colors, realistic skin pores, organic exposure, subtle flicker, light leaks, gate weave, imperfect focus and authentic handheld motion. No AI beauty smoothing, plastic skin, excessive depth of field, slow motion or modern cinematic polish. ASPECT RATIO: 16:9

Base Setting: Based on the information in this storyboard, generate a professional commercial for pink canned sparkling water with Japanese cinematic aesthetics and narrative. Only generate 0-30 seconds of footage. Style Setting: Visual Tone: Modern Japanese youth cinema aesthetic, simulating 120 medium format film transparency or digital camera with Black Pro-Mist filter. Clean image, very weak grain. Lighting/Tone: High-key backlight and diffuse ambient light. Slight bloom/halation, soft cherry blossom pink and sunny white; shadows retain transparent cyan-blue. Low contrast, low saturation Japanese healing color grading. Do not generate background music, only sound effects. Content: Generate a 30-second, 16:9 vertical, real friend handheld Yunnan travel Vlog. Use the woman in the reference image as the protagonist, maintaining her facial features, hairstyle, features, skin tone, body proportions, and natural expressions throughout the video. Do not change identity, do not swap faces, do not become someone else. The protagonist wears fresh daily outfits suitable for Yunnan travel, such as light-colored short sleeves or thin shirts, casual long skirts or denim shorts, comfortable sneakers, and a small backpack. The overall vibe is natural and relaxed, like a real tourist, not a model pose. Video texture is a real travel Vlog shot by a friend with a phone all day. The footage has natural handheld camera movement, casual composition, slight shaking, occasional imperfect focus, and a real snapshot feel. No commercial quality, no cinematic blockbuster feel, no exaggerated transitions, no artificial special effects. The protagonist behaves naturally, interacting with friends like in a real trip, occasionally looking at the camera, smiling, tidying hair, taking photos with a phone, walking, and stopping to observe the scenery. 0–5 seconds: Departing from a guesthouse in Dali, Yunnan in the early morning. The protagonist carries a small backpack and walks out of a cozy guesthouse with wooden doors, white walls, greenery, and a courtyard feel. She looks down at her phone for the route, then looks up and smiles naturally at the friend's camera, tidies her hair, and walks out of the alley. The camera follows from the back and side-back, with slight shaking from the friend's handheld shooting. The scene includes soft morning sunlight, quiet stone roads, Bai-style architecture, roadside greenery, and small shops just opening. Ambient sounds include birds chirping, distant voices, footsteps, and morning street sounds. 5–11 seconds: Exploring Dali Ancient City streets. The camera follows her slowly through the ancient city streets. Both sides have white walls and gray tiles, wooden signs, flowers, small cafes, Yunnan snack shops, and tourists. She walks into a small cafe or roadside drink shop, buys a drink, and smiles naturally when receiving it. She says a simple sentence in Chinese to the camera: "Going to Erhai first today." Then she continues walking past street shops, stops to take a photo, looks down at the camera preview, and can't help but smile. The camera stays close, capturing casual real moments, no posing. 11–18 seconds: Heading to Erhai. The environment naturally transitions from ancient city streets to the road by Erhai Lake and open lake views. The protagonist sits on the back of an electric scooter or walks to the lakeside, the sea breeze blowing her hair. She becomes visibly excited when she sees Erhai for the first time, looks back at the camera and smiles, then walks quickly toward the lake. The camera follows her on the Erhai ecological corridor, with blue lake water, distant Cangshan mountains, white railings, tree shadows, and people cycling nearby. She stops to look at the lake, takes photos with her phone, leans on the railing, with a natural and relaxed expression. Ambient sounds include wind, lake water, bicycles passing, and distant tourists talking. 18–24 seconds: Xizhou rice fields and Bai village afternoon. The camera cuts to a path in the rice fields under the sun, the protagonist walking along the field with a friend. The background has green rice fields, Bai residences, distant mountains, blue sky, and slowly moving clouds. She squats down to look at roadside flowers, looks back at the camera and smiles when she stands up. She and her friend buy local snacks at a village entrance stall and eat while walking, with a real and relaxed expression. The camera moves naturally among people and alleys, with occasional slight shaking, like a friend casually recording travel clips. No deliberately designed actions, no exaggerated performances. 24–30 seconds: Erhai sunset ending moment. Golden evening, the protagonist sits by Erhai or on a lakeside bench, holding a drink, quietly watching the sunset. The lake surface has fine shimmering light, with the silhouette of Cangshan and sunset clouds in the distance. The friend's camera slowly retreats from her side-back, first capturing her profile and hair blowing in the wind, then bringing in Erhai, the sky, and the peaceful evening scenery. Finally, she looks back at the camera, smiles gently, and says a sentence in Chinese: "Yunnan is really comfortable." The screen stays on the feeling of real travel memories, warm, relaxed, and natural. Visual Style: Real personal travel Vlog material, like shot with a smartphone or small mirrorless camera. Natural daylight, real exposure, slight handheld shake, casual composition, real human reactions, documentary-style realistic style. No cinematic commercial quality, no exquisite advertising blockbuster feel, no deliberate posing, no artificial transition effects, no text overlays, no Logo, no watermark. Maintain the facial identity, hairstyle, features, skin tone, body proportions, and natural expressions of the woman in the reference image throughout. No face swapping, do not become another woman, no excessive beautification, no anime style, no influencer filter feel. No subtitles, no background music throughout, only retain real ambient sounds, footsteps, wind, voices, market sounds, lake water sounds, bird calls, and natural sounds during the friend's filming.

Create a 30-second photorealistic vintage 16mm documentary set in rural Umbria, Italy, summer 1982. Make it feel like a beautiful forgotten family film shot on Kodak 16mm: warm sun-faded colors, fine analog grain, subtle film flicker, dust, tiny scratches, gentle light leaks, soft halation, slight gate weave, organic focus breathing and imperfect handheld camera movement. 4:3 aspect ratio, no modern cinematic polish. Main character: A naturally beautiful Italian woman, early 20s, slender, warm olive-fair skin, hazel-brown eyes and long dark honey-brown hair loosely tied with a cream ribbon, soft flyaway strands. She wears an elegant ivory linen midi dress with tiny muted terracotta and dusty-blue floral prints, fitted waist, soft puff sleeves, square neckline and fabric-covered buttons, a thin vintage leather belt, tan ankle-strap sandals, tiny pearl earrings and a delicate gold necklace. Natural makeup, no modern accessories. She carries a woven wicker basket with bread, peaches, figs, basil and white wildflowers. 0–6s: She walks through a picturesque medieval Umbrian village lane, touching ivy-covered stone walls. Terracotta roofs, green shutters, red geraniums, ceramic pots and an old Fiat 126 surround her. Her floral dress and hair move gently in the afternoon breeze. 6–12s: She enters a small village piazza. An elderly baker carries fresh bread, women sit outside a bakery, a boy rides an old bicycle and a cream Vespa rests beside a stone wall. The baker smiles and gives her a small loaf. She laughs softly. The handheld camera briefly loses focus before finding her again. 12–17s: A little girl drops wildflowers. The woman kneels gracefully, gathers them and returns the bouquet with a warm smile. The child smiles shyly. Nobody acknowledges the camera. 17–23s: She leaves the village along a path bordered by olive trees, golden grass, poppies and ancient stone walls. The camera moves beside her as her ivory floral dress flows naturally. Birds suddenly rise from a nearby field. 23–28s: She reaches an overlook above beautiful Umbrian hills: vineyards, olive groves, golden fields, stone farmhouses and distant medieval hill towns in warm summer haze. She rests against an old wooden railing, watches the valley and gently tucks windblown hair behind her ear. 28–30s: She picks up her basket and walks away through the olive trees. The camera stops naturally and holds on the empty golden landscape. A subtle film flicker ends the footage. Overall aesthetic: romantic Italian summer, elegant vintage fashion, authentic 1982 village life, beautiful natural woman, warm golden sunlight, realistic skin and fabric texture, documentary realism, imperfect human camera movement, genuine Kodak 16mm archival texture. No modern objects, no digital look, no AI-smooth skin, no posing.

Super casual real smartphone home video footage, sunny Los Angeles backyard pool party with palm trees and string lights, natural mobile phone camera with slight authentic handheld shake, normal frame rate with smooth natural motion, rapidfire montage with constant quick jump cuts every 1-2 seconds like scrolling through phone memories, unpolished authentic phone recording of mixed ages swimming, eating and dancing near the pool, pure raw home video feel, no cinematic polish or heavy effects. Use the provided reference photo as the strict ONLY visual reference for the main woman. Maintain her exact appearance with zero deviation. Generate a mixed group of family and friends around her by the pool, palm trees, floats and drinks visible. 0-2.5s: Shaky rapid cuts main woman laughing near the pool edge, sunlight sparkling on water, quick flashes of friends splashing. 2.5-5s: Abrupt jump cuts close-up of her smiling with sunglasses, then friends passing cold drinks poolside. 5-7.5s: Fast shaky she chats animatedly on a lounge chair, pool floats and palm trees visible. 7.5-10s: Quick cut close-up cheerful smile toward camera, then jump to her laughing with family near the water. 10-12.5s: Abrupt edit group gathered around a poolside table, snacks shared, playful splashing in background. 12.5-15s: Fast rapid cuts she dances lightly near the pool, friends clapping and laughing along. 15-17.5s: Shaky jump cuts close-up of her jumping playfully near the water edge, laughter all around. 17.5-20s: Abrupt edit group taking a big splash together, mixed ages cheering happily. 20-22.5s: Fast shaky she relaxes on a float, chatting with a friend nearby, sunlight glowing. 22.5-25s: Quick cut close-up warm smile toward camera, then jump to her toasting drinks with friends. 25-27.5s: Abrupt edit everyone gathered close for a group moment, laughing near the pool. 27.5-30s: Final rapid transition main woman relaxed poolside with the group, soft smile, calm summer memory ending with slight natural phone sway. Natural smartphone video quality, slight real handheld shake, smooth normal frame rate motion with no low fps or choppy artifacts, authentic casual interactions and physics, stable main character consistency, charming unpolished home phone recording, no pro stabilization or effects.

Create a 10 second photorealistic nighttime fashion and automotive film in 16:9 at 24 fps, set outside a small independently owned convenience store in a suburban parking lot after midnight. Use an extreme wide angle lens around 14mm with subtle fisheye barrel distortion and a handheld camera held near chest and eye level. The visual language should feel like genuine spontaneous footage captured by a talented friend at an underground car meet, never polished like a commercial studio shoot. Two young adult women are the central subjects. The first has long platinum silver hair and wears an oversized charcoal black hooded jacket with the hood covering part of her forehead. She has a calm confident expression and repeatedly looks directly into the camera while casually holding and adjusting her hood. The second woman has thick natural dark curls and wears a warm brown oversized top. She is energetic and playful, moving close to the lens, touching her lips briefly, turning toward her friend, and running both hands through her curls so individual strands bounce naturally. Behind them are two realistically modified street coupes, one metallic silver and one dark graphite gray, both sitting low with tasteful wheels and authentic reflections. Keep vehicle geometry, wheel placement, glass, reflections, doors, headlights and body panels completely consistent. Several casually dressed people linger naturally near the store entrance in the deep background. Begin with the silver haired woman extremely close to camera while the curly haired woman stands behind her. Cut on the musical rhythm to a wider view showing both women and the silver coupe. Jump into an extreme close portrait of the curly haired woman as she approaches the lens. Briefly cut to a dark clothed figure casually standing beside the graphite car. Return to the silver haired woman adjusting her hood, then show both women moving freely around the front of the silver car. Cut close as the curly haired woman throws both hands into her hair, creating authentic hair movement and natural motion blur. Continue alternating intimate portraits, loose medium shots and wide automotive compositions every few beats. Near 7.5 seconds use a single intense electric blue flash frame, then cut to pure black for the remaining ending, leaving clean empty central space suitable for adding event typography later in editing. Do not generate readable text, logos or fake lettering. Lighting comes only from believable practical sources. Bright fluorescent convenience store windows create warm cream and yellow highlights on faces and cars, mixed with cooler parking lot lamps. Allow slightly clipped storefront highlights, deep imperfect shadows, realistic skin pores, subtle facial shine, fabric texture, asphalt grain and reflections. Preserve natural exposure fluctuations as subjects approach the camera. Avoid beauty lighting, artificial rim lights and perfect cinematic symmetry. Camera motion must contain tiny human hand tremors, subtle lateral sway, occasional imperfect reframing, realistic focus breathing and slight rolling shutter during fast movement. Faces, hands, fingers, hair and clothing must remain anatomically stable between cuts. No morphing, floating objects, warped cars, duplicated people, plastic skin or impossible reflections. Use a gritty photographic digital look with restrained grain, slight low light noise, mild compression texture, rich blacks and warm highlights. Keep the performers relaxed rather than choreographed. Music should be an original approximately 96 BPM underground hip hop instrumental with deep controlled bass, dry punchy drums, sparse atmospheric synth texture and a nocturnal street fashion mood. Synchronize the major visual cuts and blue flash to the beat. No vocals. Let the instrumental continue across the black ending for a confident finish.

- CAMERA / LOOK: Handheld mini DV camcorder footage filmed by the subject herself. Slight hand shake, occasional focus hunting, imperfect framing, natural zoom adjustments, soft tape-like image quality, subtle grain, realistic auto-exposure shifts from bright kitchen morning light. Natural skin tones, mild motion blur, authentic consumer camcorder aesthetic. STYLE: Cozy coffee-prep vlog with gentle ASMR elements. Relaxed pacing, minimal dialogue, candid moments. Focus on satisfying sounds: bean grinder whirring, portafilter tamping, steam wand hissing, cup clinking, milk frothing. SUBJECT: Young man in his mid-20s, plain t-shirt, hair slightly tousled, minimal accessories. Calm, focused energy while making his morning coffee. SETTING: Small kitchen counter with an espresso machine on a bright morning. Natural daylight, coffee beans and a mug nearby, quiet atmosphere. STORYBOARD: → (3s, propped medium shot) Places camera on the counter, switches on the machine. "Morning coffee, the proper way." → (3s, overhead shot) Grinds fresh coffee beans, fine grounds falling into the portafilter. → (3s, close-up) Tamps the grounds down firmly and evenly. → (3s, handheld shot) Locks the portafilter into the machine. "Here we go." → (3s, detail shot) Espresso streams slowly into a small cup. No dialogue. → (3s, medium shot) Pours cold milk into a small steel pitcher. "Time for the milk." → (3s, macro shot) Steam wand hissing as it froths the milk. → (3s, propped shot) Pours frothed milk carefully over the espresso, forming light layers. → (3s, warm ending shot) Holds the finished cup, takes a small sip, satisfied smile. "That's exactly what I needed." → (3s, final shot) Reaches toward camera, still holding the cup. "See you later." Hand covers lens as recording ends. AUDIO NOTES: Natural kitchen ambience — grinder whirring, tamping, steam hissing, milk pouring should be clearly audible. Dialogue quiet and casual. REALISM NOTES: Authentic body language, natural blinking, genuine focused smiles, occasional careful pauses while pouring, imperfect framing, focus breathing, bright morning light shifts. Should resemble a genuine personal coffee vlog on a consumer camcorder, not a commercial or AI-generated production.

【Style】Authentic Cycling Vlog, action cam + phone front camera + tracking shots, 4K Photorealistic, overcast soft light, sweaty skin with real pores, no beauty filters, vertical 9:16. 【Duration】30 seconds 【Scene】Winding mountain road after rain, wet asphalt with a shiny sheen, metal guardrails on the side, moving clouds and mist over distant mountains, water droplets on roadside plants. 【Character】Female cyclist, white road helmet, blue mirrored cycling glasses, dark grey short-sleeve cycling jersey (cityscape print on chest, full zipper, black action cam remote clipped below collar), burgundy cycling shorts (two white stitches on side seams), pink sports watch, black carbon fiber road bike, black deep-rim wheels. 【Glasses Rule】Glasses are worn only during full-speed riding shots (Shot 2, Shot 5, Shot 6); for parking and selfie shots (Shot 1, Shot 3, Shot 4, Shot 7, Shot 8), glasses must be perched on the helmet forehead, leaving the face and eyes fully exposed. 【Global Constraints】Same cycling kit and helmet throughout, no outfit changes; sweat volume increases over time, no regression; hands must always be on the handlebars or phone while moving, no 'third hand'; no other cyclists in the frame. [00:00-00:04] Shot 1: Ground-level Low Angle Start Extremely low angle near the ground, wet asphalt at the bottom edge. She is stopped by the roadside with one foot down, glasses on her helmet, face fully visible, looking down at the camera with a smile. Action: She raises both hands to pull the glasses down over her eyes, then hands return to the bars, foot clips into the pedal with a 'click', crank turns, chain engages, front wheel rolls through a small puddle, splashing water to the sides. The camera follows the wheel slightly. SFX: Pedal clipping, chain engaging, tire splashing. [00:04-00:08] Shot 2: Car-to-car Side Tracking Side tracking shot moving at the same speed, full body in frame. She lowers her torso, hands on the drops, back flat, knees pumping, blue mirrored glasses on. Background guardrails and misty mountains blur past. Detail: First layer of sweat on temples, a small dark sweat patch appearing on the back seam of the jersey. [00:08-00:12] Shot 3: Roadside Selfie (Front Camera Selfie POV) Phone front camera perspective, slight wide-angle distortion. She is stopped, one foot down, pushes glasses back to the helmet first, then holds the phone. Action: She grins at the camera, panting, says something, shoulders rising with breath. She turns the phone to show the curve and misty mountains, then back to her face. Detail: Sweat sheen on forehead and nose, eyes clearly visible, hair stuck to face by sweat. Realistic handheld shake and wind noise. [00:12-00:16] Shot 4: 360 Action Cam / Invisible Selfie Stick 360 action cam effect, slight fisheye, selfie stick invisible. She is still stopped, glasses on helmet. Camera orbits her and the bike 360 degrees. Visuals: Face/helmet top -> wet road/guardrail -> bike rear -> misty valley -> back to face. Action: She looks at the camera and makes a 'let's go' gesture. Detail: Fine sweat beads on arms, sweat stain inside the watch strap. [00:16-00:20] Shot 5: Uphill Breathing Close-up (Handheld Close-up / Uphill) Side close-up of face and shoulders. Steep incline, glasses back on, pedaling slow and heavy. Action: She stands up to climb (dancing on pedals), gripping bars tight, torso swaying, mouth open for air, neck veins visible. A drop of sweat slides from temple to jaw and is blown away. Detail: Jersey front and back soaked dark, helmet straps wet, slight fogging on the lower edge of the glasses. [00:20-00:23] Shot 6: Downhill POV (Handlebar POV / First-person) Handlebar-mounted camera. Shows black bars, tape, computer screen, and her hands. Action: Descending fast into a curve, leaning left, guardrails and trees flying by, splashing through a puddle. Fingers pull the brake levers, then release. SFX: Loud wind noise, high-speed vibration. [00:23-00:27] Shot 7: Wiping Sweat at Finish (Static Medium Shot) Static medium shot. She leans the bike on the guardrail, dismounts, takes off the helmet (glasses attached), and wipes her sweaty bangs back. Action: She drinks deeply from a water bottle, water spills from the corner of her mouth, she wipes her chin with the back of her hand and exhales deeply. Detail: Helmet hair, flushed face, pressure marks from glasses around eyes, sweat lines on neck and collarbone. [00:27-00:30] Shot 8: Ending Peace Sign (Low Angle Pull-back) Low angle looking up, helmet back on, glasses on forehead. She stands by the bike, one hand on the saddle, the other giving a peace sign, smiling while still panting. Misty valley behind her. Action: Camera slowly pulls back and down, she and the bike shrink into the lower third of the frame as mist rises behind her. SFX: Chain sounds, heavy breathing, wind noise, no music, ending with just wind and breath.