Crowd Group向け動画プロンプト

Create a 30-second ultra-photorealistic live-action Korean countryside lifestyle vlog showing a playful summer water-gun battle between a young Korean woman and three village children. Begin with the woman walking through a quiet Korean village when the children surprise her with a playful water-gun attack. She laughs, joins the game, and the friendly battle turns into a spontaneous chase through the sunlit village streets. Show authentic Korean countryside details including traditional homes, stone walls, gardens, trees, bicycles, narrow paved roads and warm summer sunlight. Keep all characters, clothing, water guns and environment perfectly consistent. Capture realistic water-gun pressure, fluid dynamics, gravity, air resistance, droplets, splashes, wet clothing, wet hair, running biomechanics, friction, momentum and natural environmental reactions. Water should behave like real pressurized liquid rather than artificial beams. Use modern 2026 handheld cinematic-vlog cinematography with dynamic tracking shots, close-ups, over-the-shoulder angles, realistic autofocus, natural camera inertia and occasional wide village views. Natural diegetic audio only: children's laughter, footsteps, water-gun sounds, water impacts, leaves, birds, insects and authentic Korean reactions. No music, narration or subtitles. End with everyone completely soaked and laughing together as sunlight catches the falling water droplets in the peaceful village street. No CGI, animation, fantasy water, impossible physics, dangerous behavior, distorted faces or hands, duplicated children, changing clothing, excessive camera movement, logos or watermark.

Create a 30-second, 1080p ultra-realistic Korean action-comedy scene at a stylish rooftop restaurant overlooking Seoul at night. Use the uploaded images as exact visual references for the characters. Keep their faces, hairstyles, body proportions, clothing and accessories consistent throughout the entire video. Young Korean woman, early 20s, long straight black hair, fitted pastel-blue cropped top, loose pajama-style pants and simple silver jewelry. She is confident, calm, expressive and slightly mischievous. Young Korean man, early 20s, short black hair, gray button-up shirt, dark trousers and white sneakers. He is playful and cocky at first, then becomes confused and embarrassed. The woman sits at an outdoor table enjoying a beautifully presented dessert while admiring the Seoul skyline. The man walks past, notices the dessert and deliberately takes the final piece from her plate with a smug grin. He looks at her and teasingly says, “Too slow,” before walking away laughing. She watches him leave, pauses for a moment, then gives a small knowing smile as if she already has an idea. A few moments later, the man sits with his friends at another table. A waiter brings him an oversized luxury dessert covered in whipped cream, fruit and chocolate. He proudly shows it to his friends and takes a huge bite. His expression immediately changes when he discovers that the impressive dessert is actually a harmless prank: underneath the cream is an empty serving bowl. His friends burst out laughing. He looks across the rooftop and sees the woman casually eating the original dessert he stole from her. She looks directly at him, raises her spoon and gives him a tiny satisfied smile. He realizes she planned the whole thing. He walks toward her table, trying to look annoyed, but she simply takes another relaxed bite and gestures toward the empty plate in front of him. He finally starts laughing at himself, shaking his head as his friends continue teasing him. End with the woman turning back toward the glowing Seoul skyline, completely satisfied, while the man sits down beside his friends looking embarrassed but amused. Ultra-realistic Korean rooftop restaurant, beautiful Seoul night skyline, warm restaurant lighting, realistic food textures, natural facial expressions, believable Korean crowd reactions, subtle wind moving hair and clothing, realistic reflections, handheld cinematic imperfections, natural motion blur, physically accurate movements and authentic restaurant ambience including conversations, dishes, footsteps and distant city sounds; no music. No gore, blood, serious injuries, weapons, dangerous stunts, identity drift, outfit changes, duplicated people, teleportation, distorted hands, extra fingers, warped faces, unnatural expressions, CGI appearance, impossible physics, subtitles, captions, text, logos or watermark..

Create a 30-second ultra-photorealistic live-action Korean countryside lifestyle vlog following a young Korean woman through a spontaneous afternoon adventure. Begin with her leaving her village home on a bicycle before three local children challenge her to a friendly race through the quiet countryside. Show an authentic Korean rural village with traditional houses, stone walls, vegetable gardens, rice fields, narrow roads, trees and a peaceful stream beyond the village. Keep the woman, children, bicycles, clothing and environment perfectly consistent throughout. Capture realistic cycling biomechanics, pedaling, steering, braking, balance, bicycle momentum, wind, hair and clothing movement, flowing water, grass, leaves and natural sunlight. Every movement should follow believable real-world physics. Use modern 2026 handheld cinematic-vlog cinematography with realistic autofocus, subtle camera movement, bicycle-height tracking shots, intimate close-ups and wide countryside views. Natural diegetic audio only: bicycle chains, tires, brakes, birds, insects, wind, children's laughter, flowing water, snack packaging and authentic Korean dialogue with accurate lip synchronization. No music, narration or subtitles. End with the woman and children sitting beside the stream, sharing snacks as their bicycles rest nearby and warm sunlight filters through the trees. No CGI, animation, artificial movement, impossible physics, distorted faces or hands, changing outfits, duplicated children, floating objects, excessive camera shake, logos or watermark.

Create a 15-second photorealistic cinematic urban sequence set in a busy Manhattan-style city intersection during a bright late afternoon. Begin with a smooth low-angle forward tracking shot through a crowded pedestrian street surrounded by tall urban buildings, cinema signs, storefronts, traffic, street poles, and hundreds of naturally moving pedestrians. A rugged middle-aged bearded man wearing a dark charcoal jacket and dark shirt walks steadily toward the camera through the crowd, maintaining a serious, thoughtful expression. The camera smoothly tracks backward as he approaches, keeping him sharply in focus while pedestrians naturally pass in the foreground and background. A woman in an elegant flowing red dress suddenly crosses into the scene from the side, walking past the man as they briefly notice each other. Continue with cinematic medium shots showing believable eye contact and natural human movement. Pigeons suddenly take flight around them, creating dynamic foreground motion and subtle visual tension. Cut between the man's face, the woman moving through the crowd, and wide environmental shots showing the scale and energy of the city. Gradually transition from smooth stabilized camera movement into a subtle handheld cinematic feel. In the final seconds, the camera slowly pulls backward and rises slightly, revealing the entire crowded avenue stretching between tall buildings, with the man becoming smaller within the moving crowd. Warm natural sunlight, realistic shadows, atmospheric depth, subtle lens flare, shallow depth of field during close-ups, natural skin texture, realistic hair and clothing movement, physically accurate lighting, authentic pedestrian behavior, realistic pigeons and motion blur, cinematic color grading, premium feature-film cinematography, grounded photorealism, highly detailed urban environment. No animation, no cartoon appearance, no exaggerated CGI, no distorted faces, no duplicated people, no unnatural body movement, no floating objects, no subtitles, no logos, no watermark. Maintain consistent character appearance, clothing, environment, and facial features throughout the entire sequence. Shot timing 0–3 sec: Wide/low-angle tracking shot through crowded city street. 3–6 sec: Bearded man approaches camera, camera smoothly tracks backward. 6–9 sec: Woman in red dress crosses his path; brief eye contact. 9–12 sec: Close/medium shots + pigeons suddenly flying through foreground. 12–15 sec: Camera pulls back and rises, revealing the massive crowded city avenue and the man disappearing into the crowd.

Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Berlin street life in 1989. The entire video must look like genuine footage recorded in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. **MAIN FOCUS:** The video is primarily about ordinary daily life on the streets of West Berlin in 1989. Crowded sidewalks, people walking in different directions, period-correct taxis (Mercedes W123s), Trabants and Wartburgs passing through traffic, buses, storefronts, street vendors, newspaper kiosks, and the constant movement of the city. The camera should feel like someone documenting the everyday routine of Berlin, not showcasing its architecture or politics. **SCENE SEQUENCE:** - **0–5s:** Street-level view from a busy West Berlin sidewalk (e.g. near Kurfürstendamm). A crowd of pedestrians walks past the camera in both directions. Mercedes taxis, Trabants, and older European cars move through the street. Natural handheld camera movement. - **5–10s:** A crowded avenue intersection. People wait at the crosswalk, then begin crossing. Buses, taxis, and traffic move through the frame. The camera slowly pans with the street activity. - **10–15s:** A closer street-level view of everyday pedestrians, storefronts with German signage, newspaper kiosks, and passing cars. People carry shopping bags, talk to each other, and go about their normal routines. Natural, unscripted-looking movement. - **15–20s:** A slightly wider street view showing a busy Berlin avenue filled with pedestrians and traffic. Buildings are visible only as part of the background. A section of the Berlin Wall or period signage may appear naturally in the distance, but the street activity remains the focus. - **20–25s:** Another crowded sidewalk and intersection. Trabants, taxis, buses, pedestrians, and storefronts create a constantly moving urban scene. The camera gently follows the flow of people. - **25–30s:** Final street-level view of a busy avenue, with pedestrians crossing, cars passing, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. **CAMERA & CINEMATOGRAPHY:** Real 1989 professional video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. **IMAGE QUALITY:** Surprisingly sharp

No talk… Dreamy oil painting in the style of Klimt of a sci-fi armored, charming, handsome, futuristic, wholesome knight holding a lovely female, spaceships, space palaces, waterfalls, light, no extra arms…

[素材] @画像1 = 主人公の青年（花屋）の顔・くせ毛・体格・衣装・表情 @画像2 = 悪役（高級花店の男性オーナー）の顔・大柄な体格・プラム色のエプロン・腰の花ばさみ @画像3 = 式場スタッフ（中年女性）の顔・まとめ髪・紺色の制服 @画像4 = 新婦の顔・髪・花の髪飾り・ドレス @画像5 = 花飾り、壊れた花飾り、花の運搬ケース、台車、花のないアーチ @画像6 = 白い結婚式場の搬入口・廊下・ホール @画像7 = 青年の茶色い木造の花屋・看板・積み込みスペース @画像8 = LUMIO（明るいリーフグリーンのステーションワゴン）の外観・荷室・後席を倒した状態 @画像1〜@画像4 の各シートに並ぶ人物は、同一人物の別角度・別表情。別人として登場させない。 シートの枠・ラベル・英字・番号は映像に出さない。 [ひとことで] 15秒 | 横16:9 | 24fps。 心優しい青年の花屋が、結婚式場の搬入口で大柄な男に花飾りを壊され、うつむく新婦を見て決意し、 自分の花屋でLUMIOの広い荷室に予備の花を積み込むまで。表情豊かな3Dアニメーション長編映画のルック、セリフなし。 [全体設定] 基本の環境と質感: 晴れた日の午前中。柔らかな自然光。花びらと葉、布地、車の塗装とガラスに繊細な質感。 ビジュアル: 表情豊かなスタイライズド3Dアニメーション長編映画のルック。オリジナルの人間キャラクター。やや浅い被写界深度。柔らかな午前の自然光。 カメラ言語: 1カットにつきカメラの動きは1つだけ。基本は固定カメラ。 人物: @画像1 青年 = 栗色の短いくせ毛、優しい茶色の瞳、アイボリーの袖まくりシャツ、セージグリーンのエプロン、濃紺のパンツ、白いスニーカー。 @画像2 悪役 = 白髪まじりのグレーのなでつけ髪、太い眉、大きく四角いあご、太い首、広い肩、大柄な体。アイボリーの袖まくりシャツ、花の刺繍がある深いプラム色の胸当てエプロン、右腰の革ホルダーに赤い花ばさみ、茶色の革の腕時計、濃いグレーのパンツ、茶色の革靴。見下す目つきと片側だけの薄笑い。 @画像3 スタッフ = こげ茶に白髪がまじるまとめ髪、紺色のジャケットとパンツ、胸に名札、小さな真珠のピアス。 @画像4 新婦 = 茶色のまとめ髪、右側に白い花の髪飾り、七分袖レースの白いドレス。 肌は3Dアニメらしい柔らかな質感。プラスチックのようなテカりを出さない。 LUMIO: @画像8 の明るいリーフグリーンの5人乗りステーションワゴン。低く長い車体、長いルーフ、アイボリーの内装、右ハンドル。前後のVエンブレム、ライト、ホイール、窓の形を固定。 花: 白いバラを中心に、淡いピンクとアプリコット色のバラ、小さな白い花、ユーカリの葉。@画像5 の配色とケースの形を固定。 演技の核: 眉・目線・口元・姿勢だけで感情を伝える。青年の「悲しみ → 決意」の切り替えがいちばん大事。 カット数: この動画は全部で5カット。これ以外のカットや場面を足さない。 禁止: 字幕なし。BGMなし。セリフ・声・ハミングなし。物が何もないところから湧く表現なし。背景や物体のモーフィングでつながない。走行シーンを追加しない。 [タイムスタンプ] 0-6s【紹介 → 妨害】カット1（途中で切らない） 場面: @画像6 の白い式場の搬入口。やや引いた中景の固定カメラ。人物の足元の床まで画面に入れる。台車に載った @画像5 の大きな花飾りと @画像1 の青年が画面中央。 @画像3 のスタッフは、青年から3メートル以上離れた画面奥の扉の横に立つ。青年の隣には立たない。 動作: 0-2s: 青年は台車の横に立ち止まり、白いバラを1本、指先でそっと整えて小さく微笑む。台車は押さず、止まったまま。 2-3.5s: 画面右から @画像2 の悪役が歩いてくる。すれ違いざま、悪役の大きな右の手のひらが、台車の上の花飾りを横から強く突き飛ばす。悪役の手と花飾りが触れる瞬間を、画面の手前ではっきり見せる。青年の両手はこのとき台車から離れている。 3.5-5s: 花飾りが画面の左奥へ横倒しに落ち、床の上で土台が割れ、白いバラの茎が数本折れる（@画像5 の壊れた花飾りの状態）。床に散らばった花が見える。青年が両手を伸ばすが間に合わない。 5-6s: 悪役は片側の口角だけを上げ、振り返らずに画面左の外へ出ていく。画面奥のスタッフが立ち止まり、眉をひそめて悪役を見ている。 意図: 花が落ちたのは悪役のせいだと、ひと目でわかるようにする。青年が台車を押している最中に落ちると、青年の不注意に見えるので、青年は必ず止まっている。スタッフの目撃は後の伏線なので、小さくても奥に必ず入れる。 音: 台車の車輪の音 → 手が台車に当たる鈍い音 → 花飾りが落ちる音、茎が折れる乾いた音。 負: 悪役が青年を殴らない。花飾りが空中で止まらない。BGMなし。 6-8s【扉の向こうの新婦】カット2（間を置く） 場面: しゃがんだ青年の肩越し、低い位置の固定カメラ。手前に折れた白いバラ。開いた扉の奥の廊下の先に、@画像5 の花のないアーチと @画像4 の新婦。 アーチはアイボリーの金属の骨組みだけ。花も葉も1本もついていない。 動作: 青年が折れたバラを両手で拾い、顔を上げて扉の奥を見る。新婦はアーチの前でうつむき、小さく肩を落としている。 意図: 青年が自分の花ではなく、新婦の式を心配していることを見せる。急がない。 音: 遠い屋内の気配だけ。ほぼ無音。 負: 新婦を泣き崩れさせない。BGMなし。 8-10s【決意】カット3（間を置く） 場面: 青年の顔の近景。固定カメラ。 動作: 眉が下がった悲しい顔 → 視線が画面右、屋外のLUMIOへ動く → 目を少し見開き、眉を上げ、口元をきゅっと結ぶ。やさしい顔のまま小さくうなずき、立ち上がって画面右へ駆け出す。 意図: 悲しみから決意へ、表情だけで切り替える。この動画でいちばん大事な芝居。これは怒りではなく「新婦のために、なんとかする」という前向きな覚悟。悪役への仕返しに見せない。 音: 立ち上がる衣擦れ、駆け出す足音。 負: 眉間にしわを寄せない。にらまない。口をへの字にしない。口を開いて叫ばない。BGMなし。 10-11s【花屋へ】カット4 場面: 式場前の屋外。カメラは車の右斜め後ろ。@画像8 のLUMIOの右側面（右ハンドルの運転席側）が見える。 動作: 青年が車の右前のドア（運転席）を開けて乗り込み、ドアを閉める。左側のドアは使わない。 意図: 走行は見せない。ドアの閉まる音で、次の瞬間には花屋に着いている。 音: ドアが閉まる重い音。次のカットの頭まで響かせる。 負: 走行シーンを入れない。BGMなし。 11-15s【積み込み】カット5 場面: @画像7 の茶色い木造の花屋の前。LUMIOの真後ろ、少し高い目線の固定カメラ。車から少し離れて、車の後ろ半分と、その奥の花屋を同時に画面に入れる。 画面の上半分に、花屋の木の外壁、キャメル色のオーニング、白い花を描いた赤茶色の看板がはっきり見える。式場と違う場所だと、ひと目でわかる。 リアハッチは開き、後席はカットの最初から倒れている。広い荷室の奥に前席2席が見える（@画像8 の後席を倒した荷室）。 動作: 11-12.5s: 青年が画面右から花の入ったケースを両手で抱えて入り、荷室の奥の左へ置く。 12.5-14s: 同じ構図のジャンプカット。荷室にはケースが3個並び、青年が4個目を両手で抱えて荷室の手前の右へ置く。横2個×前後2列、一段の4個がそろう。 14-15s: 青年が一歩下がってリアハッチに手をかけ、閉める。 青年は11sから15sまで、ずっと画面の中にいる。 意図: 荷室の広さが物語を解決する鍵。花が潰れず、ケースの上と左右に余裕があることを見せる。ケースは必ず青年の手で運び、手とケースの接触をはっきり見せる。人がいない荷室にケースだけが増えると、魔法に見えるので避ける。 音: ケースを置く音を2回。最後にリアハッチが閉まる音。 負: 青年がいない画を作らない。ケースが勝手に現れない。後席が画面の中で動かない。ケースを重ねない。ケースが荷室の床や壁を貫通しない。BGMなし。 [締め] 全編で: 午前の柔らかな自然光。式場は白、花屋は茶色。両者を混同しない。 全編で: 表情豊かなスタイライズド3Dアニメーションのルックを保つ。 全編で: 青年・悪役・スタッフ・新婦の顔、髪、服、体格を途中で変えない。悪役の髪は白髪まじりのグレー。 全編で: LUMIOをSUVやバンに変えない。右ハンドル、ドア、リアハッチ、荷室の形を変えない。 全編で: 花とケースのデザインと配色を統一する。手に持ったケースを浮かせない、貫通させない。 全編で: 5カット・15秒で終える。場面を足さない。長いスローモーションを入れない。 全編で: 字幕を出さない。BGMを出さない。セリフ・声・ハミングを出さない。シートの枠やラベルの文字を出さない。

Two middle aged men (early 50’s, one ultra skinny and bald the other dad bod with head of blonde hair). Dressed up in K-Pop clothing (tacky fancy suits) above them the letters: OSNTA make it look like we are posing on stage lots a fans in audience....

Photorealistic cinematic short film at an American high school on a warm autumn afternoon. A classic yellow school bus moves through a tree-lined parking lot. Slow tracking shot behind the bus, warm golden sunlight, shallow depth of field, natural camera movement and subtle film grain. A beautiful blonde teenage girl with fair skin, loose ponytail, white top and delicate necklace stands beside the bus, looking through the window at another girl. Cinematic close-up with realistic skin, emotional expression and 85mm lens. Push into her face as her eyes develop a subtle pink supernatural glow. Show students naturally interacting inside the bus, warm sunlight through windows, then the girl running beside the moving bus with realistic hair movement and motion blur. Finish with multiple yellow buses, the girl standing confused among students, and a low-angle close-up of her black Converse-style sneakers walking. Hollywood photorealism, warm autumn color grade, anamorphic look, shallow DOF, realistic motion blur, dramatic atmosphere, 4K, 24fps. Negative prompt: cartoon, anime, CGI, plastic skin, distorted anatomy, extra limbs, deformed eyes, changing identity, flickering, jitter, frame warping, unnatural motion, low quality, text, watermark, logo.

Overall style: Hollywood blockbuster, ultra cinematic, Three Kingdoms epic realism, hyper-realistic cinematic style, IMAX-level epic battlefield, Ridley Scott–style war scale, Zack Snyder–style slow motion, authentic Three Kingdoms war atmosphere. Cold blue-toned sky, dust and smoke filling the air, cold metallic reflections, sparks flying, ochre-toned battlefield. Hans Zimmer percussion score, volumetric dust, dynamic camera, hyper realistic armor, dramatic sunset battlefield, IMAX scale, 8K, high contrast, motion debris, war atmosphere. [Core aesthetics and environment] Top-tier Hollywood blockbuster action film quality, 60fps high frame rate. A Three Kingdoms battlefield, with soldiers from both sides locked in fierce combat. The camera switches between high-angle overhead shots and low-angle upward shots, emphasizing the epic battlefield imagery and the brutality of war, along with the intensity of a decisive life-or-death battle — like the climactic sequence of a genuine Three Kingdoms war film. Strong visual hook in the first 2 seconds, stable subject, fluid action, cinematic composition, realistic lighting and shadow, epic feel, strong emotion, highly detailed. No subtitles, no dialogue, no narration throughout. 🚫 Negative prompts (avoid cheap-looking results): cartoon, anime, fake armor, floating weapon, bad anatomy, blurry face, cheap CGI, low detail horse, duplicated limbs, weak impact, soft action.

locked-off close-up, camera does not move. The young woman keeps the revolver aimed at the man on the left. she stares at him in silence, breathing shallow. After a few seconds her eyes fill, tears roll down her cheeks, she squints and her mouth opens slightly as she starts to cry, but she never lowers the gun or changes the pose. Subtle hand tremor only. Photorealistic, natural tears, shallow focus.

{ "format": "16:9, 30s, native audio on, cinematic realism, no text overlay, no on-screen subtitles", "style": "1990s Manhattan street cinematography, warm Kodak film-stock emulation, fine grain, soft haze, anamorphic lens flare", "subject_and_action": { "0-6s": "Wide handheld shot drifting forward through a dense Midtown Manhattan sidewalk crowd. Foreground man in a navy suit glances at his wristwatch mid-stride. A woman with curly auburn hair in a beige blazer walks beside him. Steam rises from a hot dog cart with blue-and-yellow striped umbrellas center-frame. Yellow taxis crawl past on the street.", "6-14s": "Camera holds medium-wide as a woman in a bright floral-print top exchanges a glance and smile with a man in a tan-and-white outfit near the food cart. Behind them a man in a gray suit and burgundy tie walks toward camera. Crowd density remains high, all in business attire, natural staggered walking pace.", "14-20s": "Cut to a lower, closer angle at a storefront corner marked 'W 34th St.' Two young men in casual streetwear (backpack, jeans, polo shirts) walk laughing in the opposite direction, foreground, as a yellow taxi speeds through the lower frame in motion blur. Clothing-store mannequins and a neon 'OPEN' sign visible in the window behind them.", "20-30s": "Camera settles at a crosswalk intersection, slightly elevated. A large crowd of office workers crosses on the white-striped crosswalk toward camera, yellow cabs idling in traffic beside them, second hot dog cart with striped umbrellas at right. Camera holds steady as the crowd thins slightly at the end, pulling focus toward the hazy skyline in the deep background." }, "environment": "Dense Midtown Manhattan intersection, tall office towers fading into atmospheric haze, street vendor carts, painted crosswalks, period-accurate signage (kept intentionally generic/non-legible), classic boxy yellow taxi cabs", "camera": "Handheld walking camera, eye-level, slow forward dolly with natural sway; one hard cut at 14s to a secondary angle; deep focus foreground, soft falloff on background towers", "lighting_and_color": "Bright midday sun, warm amber key light, soft shadow edges, slightly desaturated background with punchy yellow/blue saturation on cabs and umbrellas", "audio": "Ambient city traffic hum, overlapping crowd murmur and footsteps, distant car horns, brief bus engine rumble under the 14s cut, no dialogue, no music", "continuity": "Same crowd density, same taxi model/color, same food-cart umbrella design, and same warm color grade held across all four segments", "constraints": "No legible or readable text on any signage, no modern phones or vehicles, no anachronistic clothing, no visible logos, no distorted or duplicated faces" }

Seedance 2.0 Mini｜15 秒仙侠短片提示词 项目目标 生成一段 严格 15 秒、16:9 横屏 的电影级写实中国仙侠短片。 整体风格要求： 电影级写实质感 纯古风中国仙侠美学 史诗级挑战者登场镜头语法 冷面喜剧 默片式反应节奏 港式动作喜剧的利落效率 经典三拍递进结构 Arri Alexa 电影机质感 稳定清晰的面部微细节 细腻胶片颗粒 自然体积光 原生同步普通话对白 不生成字幕 核心喜剧主线 整段只保留一条第一遍就能立即看懂的喜剧主线： 一名年轻敌方剑客气势汹汹前来挑战剑仙师姐，本以为马上会开始一场传奇决斗。 结果通过他自己报出的师承关系，现场突然发现： 按照武林辈分，他居然比剑仙师姐低一辈。 于是，原本严肃的生死挑战，瞬间变成一场极其尴尬的 认亲式武林礼数现场。 笑点只能来自： 身份地位反转 纯古风武林礼法 一本正经地执行辈分规则 绝不能依赖： 随机环境事故 低级出丑 夸张胡闹表演 参考图绑定 人物身份锚点 @图片 1 对应 剑仙师姐 始终保持： 25–30 岁东亚女性 身材高挑纤细 椭圆脸 深色杏眼 黑色长发半挽 白玉簪固定 同一套白色刺绣真丝汉服 银色腰封 玉佩 白色布靴 唯一一柄银色长剑 @图片 2 对应 小师妹 始终保持： 20–25 岁东亚女性 身形娇小 圆润灵动的脸 黑发编辫 同一套青绿色亚麻汉服 深色腰带 木簪 黑色布鞋 唯一一柄深色钢剑 背景与空间 本轮新上传的全部背景与地点参考图，共同决定 同一套环境 DNA。 生成前先无声整合： 真实地形 建筑语言 材质年代感 空间尺度 植被 水体 天气 山雾 主光方向 反光关系 空气纵深 真实可行走路线 重新规划为一个 完整统一、真实可信的新空间。 环境规则 背景中的以下元素持续自然鲜活： 自然风 水体 植被 云层 远处普通弟子 空间环境声 但在叙事上必须 绝对中立，不能主动制造包袱，也不能帮忙推动笑点。 镜头结构 0–5s｜第一镜｜挑战登场 景别 全景或远景 画面 同一个剑仙师姐与同一个小师妹站在根据本轮参考图自然形成的开放区域中。 一名年轻敌方剑客大步进入画面，猛然拔剑，气势十足地宣布： “剑仙！我奉师命来败你！” 同一个白衣剑仙完全没有紧张，只平静问： “你师父是谁？” 敌人极其骄傲地回答： “赵无尘！” 要求 这一镜要先成立真正史诗级挑战感 敌人的登场必须认真，不搞笑 剑仙师姐的平静要形成第一次反差 空间关系清楚，人物站位稳定 5–10s｜第二镜｜辈分反转 景别 中景或牛仔景 画面 保持同样人物、同样服装、同样长剑和完全一致的地理空间。 一直在两人数步后方自然坐着的同一个年长师父，像听见熟人名字一样，随意抬起眼睛，平静说道： “小赵啊，我教过他三年。” 全场安静。 同一个敌人非常缓慢地转头看向师父，脸上的气势第一次开始松动。 同一个小师妹立刻认真推算辈分关系，然后一本正经地说道： “那你得叫师姐…… 师姑。” 敌人整个身体当场僵住，难以置信地重复： “师姑？” 同一个剑仙师姐从头到尾保持绝对端庄严肃。 要求 这一镜的包袱要清楚落地 “师姑”必须成为整个喜剧的第一次真正爆点 师父口气越平常越好 小师妹必须不是取笑，而是认真推算辈分 敌人的气势要真实塌第一层 10–15s｜第三镜｜礼数先行 景别 特写或极近特写 画面 同一个敌人手中的长剑已经不自觉降低一点，却仍试图维持挑战者尊严： “我今日是来挑战的。” 同一个年长师父完全一本正经回答： “挑战归挑战，辈分不能乱。” 同一个小师妹极其认真地点头补一句： “先叫人。” 完整留出一个让敌人极其痛苦的半拍停顿。 敌人几次想开口，最终只能非常小声地挤出一句： “…… 师姑。” 同一个白衣剑仙极其端庄地点一下头，只回答一个字： “乖。” 同一个小师妹瞬间把脸转向另一侧，肩膀极轻微颤动，拼命忍住笑。 敌人脸已经快挂不住，却仍然重新举起自己的剑： “现在能打了吧？” 同一个剑仙师姐平静地将银色长剑从剑鞘中拔出大约半寸，眼神终于进入真正高手状态，却依旧不紧不慢地回答： “可以，师侄。” 敌人的表情再次当场垮掉。 在这个第二次精神受创的表情上精准切黑。 要求 “乖” 是第二个明显笑点 “可以，师侄” 是最后回马枪 师姐必须始终端庄严肃，不能故意耍人 小师妹要强忍笑，但不能抢戏 敌人不能演成蠢，只能演成被礼法困住 表演要求 剑仙师姐 全程冷静 全程端庄 不戏弄人 像真的在遵守武林礼数 最后半拔剑时，真正高手气场要明显成立 小师妹 负责认真推导辈分关系 喜剧感来自过分认真 不是插科打诨 忍笑必须克制 年长师父 一本正经 语气越平常越好 像只是在纠正一件再正常不过的礼数问题 年轻敌方剑客 前半段必须真的是气势汹汹的挑战者 被辈分反转时，气势一点点塌掉 不能演成傻子 笑点来自尊严被礼数架住 摄影与声音要求 3 个连续清晰镜头 总时长严格 15 秒 16:9 横屏 原生同步普通话对白 精准口型 明确喜剧停顿 前景、中景、远景保持真实视差 空间环境声真实存在 真丝衣料和头发物理效果自然 镜头克制稳定，不炫技 声音重点 拔剑声清楚 环境风声、水声、远处空间声自然 关键停顿要让对白落得住 “师姑” “乖” “师侄” 这三个词必须成为明确节拍点 连续性要求 必须全程稳定： 人物身份 发型 面部 服装 长剑 师父位置 地理空间 视线关系 光线方向 背景结构 避免项 blurry bad quality low quality low resolution noisy jpeg artifacts watermark text error deformed mutated bad anatomy poorly drawn hands bad composition out of frame disfigured inconsistent character changing clothes face morphing background shift glitching cuts disappearing props 夸张搞怪表情 低级恶搞 环境事故包袱 随机插科打诨 字幕

SCENE CONTEXT A 30-second realistic AAA third-person stealth-action game sequence set in a Japanese corporate office at exactly 5:00 PM on a bright weekday afternoon. The player character, NAGI, has finished her work and must reach the elevator without being stopped by her boss and given another assignment. ACTIVE REFERENCES [@Image1] = NAGI’s facial identity, if a character reference is supplied. Use only her facial appearance as the identity reference; replace any school clothing and background with the adult office character and environment specified below. NAGI: Japanese woman, 25, long straight black hair with blunt bangs, white short-sleeve office blouse, charcoal tailored trousers, black leather belt, white minimalist sneakers, employee ID clipped to her waistband, small black work tote held close to her body. Voice: light, breathy adult female voice, speaking Japanese in a hushed whisper. Keep her face, hairstyle, outfit, proportions, and accessories identical throughout. CAST SEPARATION Four distinct adult office characters appear, each with a different silhouette, age, and hairstyle so they read as separate people: TEAM LEADER: man in his 40s, 170 cm, average build, full head of short black hair parted at the side, thin metal-framed glasses, white dress shirt with a loosened navy tie. Appears only beside the first desk cluster, checking his watch. PAPERWORK COWORKER: woman in her 20s, 160 cm, slim, brown hair in a high ponytail, beige cardigan over a white blouse, carrying a thick stack of printouts. Appears only in the printer aisle. BOSS: man in his 60s, 160 cm, stout and round-shouldered, completely bald with a shiny scalp and a fringe of white hair above the ears, round gold-rimmed glasses, charcoal three-piece suit with a company lapel badge, carrying a blue assignment folder. Appears at the corridor T-junction and remains in that connected corridor during the whiteboard sequence. OFFICE ASSISTANT: man in his early 30s, 182 cm, lean and broad-shouldered, thick full black hair swept back, short beard, navy shirt with rolled sleeves, dark trousers, no glasses. Pushes the mobile whiteboard from the meeting-room alcove toward the elevator lobby. The BOSS is the only bald character in the entire video. The OFFICE ASSISTANT keeps a full head of thick black hair and a beard, stands more than 20 cm taller than the BOSS, and is clearly a different, much younger man. LOCATION MAP One unbroken spatial route the camera travels with her: Her workstation → low desk partition → printer aisle → corridor T-junction → meeting-room alcove with mobile whiteboard → elevator lobby → elevator interior. Keep the route compact and physically traversable within the 27-second continuous section. Foreground: polished linoleum floor, office desks, steel filing cabinets, rolling chairs, and reflective glass meeting-room partitions. Background: window wall on camera-right overlooking neighboring office buildings, dust suspended in the sunbeams. Light enters from camera-right along the office route. ELEVATOR GEOMETRY The elevator entrance is at the end of the office corridor. The call button is on the wall beside the entrance. The elevator is empty when NAGI enters. Inside the elevator: brushed-metal rear wall, side handrails, softly illuminated ceiling, control panel beside the doorway. No rear exit and no mirror creating a second NAGI. NAGI enters facing the rear wall, then turns to face the open elevator doors. For the final reverse shot, the camera is positioned INSIDE the elevator, immediately beside the doorway, looking inward at NAGI. The brushed-metal rear wall is behind her. The elevator doors close behind the camera, allowing her face to remain visible throughout the final shot. FIRST FRAME / BLOCKING First frame is already in motion: NAGI darts in from lower-left toward camera-right, work tote clutched to her chest, and drops into a crouch-slide behind a low desk partition beside her workstation. Camera behind her right shoulder. Game HUD fully visible from frame one. A small desk clock reads 17:00. FORMAT MODE One continuous unbroken take from 0.0s to 27.0s with no cuts of any kind, then a single HARD CUT at 27.0s to one final locked reverse shot that runs to 30.0s. Exactly one cut exists in the whole video, at 27.0s. The camera does not cut anywhere else. OPTICS One lens for the continuous section: 47° third-person over-the-shoulder framing as the baseline, breathing in to 29° on reaction beats and out to 63° for the boss encounter and moving-whiteboard concealment. All FOV changes in that section happen as smooth continuous zoom breathing, never as a jump. The final shot after the cut is a fixed 29° frontal framing of NAGI, no drift. CAMERA For the continuous section, the camera is a physical object flying with her. Chest-height, 1.5 meters behind NAGI, slightly camera-right of her spine, swinging with a soft spring delay half a beat behind her turns like an analog-stick gameplay camera. It dips to knee height when she crouches, rises when she stands, slides sideways along the filing cabinets with her, swings wide to corridor-left to reveal the boss encounter, drifts behind her for the moving whiteboard, and follows her through the open elevator doorway. The camera travels through open space around desks and partitions. It never clips through furniture, walls, the whiteboard, or elevator doors. After the cut, the camera is repositioned inside the elevator beside the doorway, looking inward at NAGI — locked off, eye level, completely static, no movement. ACTION [Beat 1 — 0.0s to 6.0s] NAGI crouch-slides behind the low desk partition, back flat against it, chest heaving. She leans out 20 cm to peek at the TEAM LEADER checking his watch beside the adjacent desk cluster, then pulls back. She whispers in Japanese: {定時だ…捕まったら終わり。} HUD flashes 【5:00 PM — SHIFT OVER】 and the mission banner 【OBJECTIVE: REACH THE ELEVATOR UNDETECTED】. The TEAM LEADER turns toward a ringing desk phone. NAGI slips behind his back, staying below the desk-partition line, and moves into the printer aisle. The camera follows without stopping. [Beat 2 — 6.0s to 12.0s] The camera stays with her beside the steel filing cabinets. NAGI presses her spine flat against the cabinets and shuffles sideways at 2 km/h, sneakers rolling heel-to-toe in silence. The camera tracks sideways with her at the same speed. The PAPERWORK COWORKER walks past the end of the row carrying a thick stack of printouts, scanning the office for someone available to help. NAGI holds her breath, pupils tracking the coworker without moving her head, and whispers: {来ないで…こっち見ないで。} The minimap vision cone sweeps past NAGI’s marker and turns away. HUD shows 【SNEAKING MODE】. The PAPERWORK COWORKER exits frame-left. NAGI exhales, crouches beneath the edge of the last desk, and slips into the corridor with the camera still on her shoulder. [Beat 3 — 12.0s to 18.0s] The BOSS steps around the T-junction two meters in front of her, blue assignment folder in hand. He catches a brief glimpse of movement. A red exclamation marker snaps above his bald head with a sharp alert sting. The HUD edge pulses red: 【ALERT】. He starts saying in Japanese: {なぎさん、追加の仕事が…} The camera swings wide to corridor-left as NAGI reacts in one motion: hugs her tote tightly against her ribs, drops below his eye line, pivots around the corner of a tall filing cabinet, and slips into the adjacent meeting-room alcove. The cabinet fully blocks his view before he can finish approaching her. She whispers: {今だけは無理…！} HUD prints 【EVASIVE MANEUVER】 and 【BREAK LINE OF SIGHT】. The BOSS takes a step toward the place where he last saw her, looking around the cabinet. NAGI has already moved to the far side of a mobile whiteboard in the alcove. The camera falls in behind her again. [

Create a 30-second ultra-photorealistic Korean countryside lifestyle vlog following a young Korean woman through a spontaneous afternoon in a peaceful village. Begin with her leaving her traditional home to buy groceries, walking along a quiet village road before meeting local children playing with a rubber ball. She briefly joins their game, laughing and playing naturally, then says goodbye and continues to a tiny neighborhood grocery shop. Show authentic Korean rural life with traditional homes, modest modern houses, narrow paved roads, stone walls, vegetable gardens, utility poles, bicycles, trees, distant rice fields and a small local shop. Keep the woman, children, clothing, shopping bag and environment perfectly consistent throughout. Capture realistic human movement, walking biomechanics, ball physics, cloth and hair movement, grocery handling, natural bag weight, door and gate mechanics, sunlight, shadows, wind and environmental details. Use modern 2026 handheld cinematic-vlog cinematography with natural autofocus, subtle camera movement, realistic motion blur, eye-level framing and a brief child-height tracking shot. Use only natural diegetic audio: footsteps, birds, insects, wind, leaves, children's laughter, ball impacts, clothing movement, shopping-bag rustling, shop bell, groceries and authentic Korean dialogue with accurate lip synchronization. No music, narration, subtitles, CGI, artificial movement, impossible physics, changing faces or clothing, logos or watermark. End with the woman walking home in warm golden-hour light, waving back at the children from a distance before entering her home, leaving the viewer with a peaceful, authentic Korean village moment.

Create a high-end cinematic live-action scene inside a modern American high school hallway, with rows of metal lockers, large windows, realistic students in the background, and natural indoor daylight. A young blonde female student wearing a loose off-white shoulder-drop sweater, black skirt, black backpack straps, and delicate layered necklaces walks through the crowded hallway. Keep her facial features, hairstyle, outfit, body proportions, and backpack completely consistent throughout the entire video. Begin with a medium cinematic shot showing the girl surrounded by other students near the lockers. Slowly push the camera toward her as she looks down, creating a tense and emotional atmosphere. Suddenly, a mysterious glowing pink-red energy effect appears and rapidly moves through the hallway, creating a dramatic supernatural moment. The surrounding students react naturally and move away in panic. Use dynamic handheld camera movement during the action, realistic motion blur, subtle lens flare, shallow depth of field, natural skin texture, realistic hair movement, cinematic lighting, detailed school environment, volumetric light, realistic shadows, and premium Hollywood-style visual quality. Transition between wide shots, medium shots, close-ups, and tracking shots smoothly. End with a close cinematic shot of the girl walking directly toward the camera through the hallway, looking shocked and emotionally tense. Photorealistic live-action, cinematic color grading, realistic physics, highly detailed environment, natural facial expressions, smooth character movement, dramatic storytelling, 4K, high dynamic range. No subtitles, no captions, no text, no logos, no watermark, no background music.

Reference: Use @image1 whenever the girl appears. Preserve her exact face, facial structure, eyes, nose, lips, skin tone, hairstyle, body proportions, and identity. Do not copy the reference pose, environment, lighting, or clothing. Format: 30s, 4K, 9:16, 24fps. Ultra-realistic Korean cinematic lifestyle vlog, playful and emotional, natural handheld smartphone camera, realistic physics, authentic skin/hair, subtle film grain, natural dusk color grade. Character: Young Korean woman based on @image1. Shoulder-length slightly messy dark-brown hair, minimal makeup. Outfit: oversized lavender sweatshirt, relaxed dark-blue jeans, white sneakers, small black crossbody bag. Same face, hair, outfit, accessories and proportions throughout. 00–05s — PAPER AIRPLANE: Late-afternoon neighborhood courtyard. She sits on a low concrete wall folding a paper airplane, launches it, and watches it fly a few meters before dropping awkwardly. She laughs and looks at camera. Light breeze moves her hair. 05–10s — PLAYGROUND: She reaches an empty playground, places her bag beside a bench and rides a swing. She gently swings higher, laughing naturally. Side-tracking camera follows her realistic motion. 10–15s — PLAYFUL RACE: She notices a female friend and they suddenly race toward a nearby tree. She reaches it first, raises both hands playfully, and laughs. Natural running and believable movement. 15–20s — ROCK-PAPER-SCISSORS: They sit on the pavement and play rock-paper-scissors. She loses, covers her face dramatically for a moment, then bursts out laughing as her friend taps her shoulder. 20–25s — CHILDHOOD MEMORY: Sitting together on a bench, she opens her phone and shows her friend an old childhood photo. They lean closer. Her playful expression becomes a warm nostalgic smile, then she quietly laughs. 25–30s — WALKING HOME: They walk beneath softly glowing neighborhood lights. She suddenly runs a few steps ahead, turns and walks backward while laughing, almost bumps into her friend, catches herself, and both laugh. Camera follows from behind as they disappear around the corner. Realism: Natural walking, running, swinging, hand gestures, phone interaction, hair and clothing physics, correct foot contact and believable object movement. No face morphing, identity drift, duplicated people, extra fingers, distorted anatomy, floating objects, teleportation, broken swing physics, warped environment, CGI skin, oversaturation, HDR, text, subtitles or watermark. Audio: Paper flutter, swing chains, footsteps, laughter, distant traffic, leaves in the breeze, phone handling and quiet neighborhood ambience. No music, narration or dialogue.

Create a 30-second ultra-realistic cinematic music video featuring three young adult singers performing an emotional modern song in a neon-lit city at night. The video should look like a high-budget professional music video with realistic humans, precise lip-sync, expressive performances, atmospheric lighting, and sophisticated cinematography. CHARACTERS Character 1 — Female Lead: Young adult woman, early 20s, long black hair, expressive eyes, elegant black-and-silver outfit, confident yet emotional personality. Character 2 — Male Lead: Young adult man, early 20s, dark textured hair, stylish black jacket and white shirt, charismatic and emotionally expressive. Character 3 — Female Vocalist: Young adult woman, early 20s, shoulder-length dark hair, fashionable deep-red outfit, energetic but natural stage presence. Keep their faces, clothing, hairstyles, body proportions, and identities perfectly consistent throughout the video. ENVIRONMENT A futuristic downtown street at night after light rain. Wet pavement reflecting colorful neon signs, glowing storefronts, subtle fog, distant traffic, cinematic bokeh, atmospheric city lights and realistic reflections. SHOT-BY-SHOT 0–4 sec — Opening Extreme close-up of Character 1's eyes. Neon reflections visible in her eyes. Camera slowly pulls back as she begins singing. Rain droplets sparkle in the background. 4–8 sec — Lead Performance Character 1 walks slowly down the wet street while singing directly toward the camera. Smooth backward tracking shot. Her hair moves naturally in the night breeze. 8–12 sec — Male Verse Cut to Character 2 leaning against a neon-lit building. He begins singing his section. Slow cinematic camera orbit around him, with colorful city lights blurred behind him. 12–16 sec — Female Vocalist Character 3 appears walking through the neon street. She sings while looking toward the camera. Smooth side-tracking shot transitions into a close-up. 16–22 sec — Trio Performance All three characters meet in a wide city intersection and perform together. Camera slowly circles around them while they sing. Natural interaction, subtle gestures, believable chemistry. 22–27 sec — Emotional Chorus Rapid but elegant sequence of close-ups: Character 1 singing, Character 2 joining, Character 3 harmonizing. Every mouth movement precisely follows the provided audio. 27–30 sec — Final Shot The three singers stand together in the middle of the wet street. Camera rises slowly upward and pulls away, revealing the glowing city around them. They finish the final lyric together exactly on the beat. End on a dramatic cinematic wide shot. CINEMATOGRAPHY High-end music-video cinematography, anamorphic lens look, shallow depth of field, smooth gimbal tracking, slow-motion accents, cinematic close-ups, controlled camera movement, realistic lens flares, natural motion blur, beautiful bokeh and dynamic composition.

Create a ultra-realistic cinematic fashion video using the uploaded images as exact visual references for the woman, crowd, wardrobe, framing, and atmosphere. A young woman with the same short dark bob wears a fitted black turtleneck, black trousers, and black shoes, standing confidently at the center of a large crowd. Start with her walking slowly toward the middle of the crowd, calm and expressionless, with a lit cigarette naturally held between her lips. She reaches the center, stops, and faces directly into the camera. She takes one slow drag from the cigarette, then removes it from her mouth. She slowly exhales a visible stream of smoke toward the camera, with the smoke naturally drifting across her face. She lowers her hand and becomes completely still, staring directly into the lens. The entire crowd behind her remains frozen for a brief moment. Suddenly, everyone behind her begins moving in perfect synchronization — sharp head turns, shoulder jerks, folding forward and snapping upright. The movement should feel rhythmic, strange, powerful, and physically realistic. The woman does not move at all while the entire crowd moves behind her. Slowly push the camera closer to her, keeping her sharply focused while the crowd has subtle depth-of-field blur. Dark, cold, mysterious lighting with deep shadows, realistic skin, hair, clothing, cigarette ember, and physically accurate smoke. Photorealistic live-action quality, cinematic composition, natural human movement; no animation, CGI look, duplicated woman, distorted bodies, excessive smoke, text, subtitles, or logos.

Create a cinematic, realistic lifestyle video following a young Korean university girl through a peaceful and productive day. Start with her commuting to campus by city bus in the morning. Then show her studying in a bright university classroom with a laptop, notebook, and books. Continue with her working on assignments in a cozy library or café while drinking coffee. Next, show her walking through campus in the rain with a transparent umbrella, smiling naturally. Then cut to her enjoying a warm bowl of Korean-style soup at a small local restaurant. At sunset, show her standing on a beautiful rooftop overlooking the city, enjoying the golden-orange sky. Then show her meeting three Korean girlfriends and taking a fun selfie together. End with the main girl riding home on a modern train at night, looking through the window at the glowing city lights, followed by a warm close-up of her smiling peacefully. Style: photorealistic Korean lifestyle, cinematic storytelling, premium commercial quality, natural expressions, realistic skin and hair, soft lighting, smooth camera movements, shallow depth of field, detailed environments, emotional and cozy atmosphere, 4K, no text, no logos, no watermark.

Use the uploaded image as the exact visual reference for the characters, wardrobe, composition, lighting, and overall cinematic look. Create a photorealistic live-action video, A young woman wearing a long, fully closed ivory-white tailored coat, black sunglasses, and black pointed heels walks slowly and confidently straight toward the large crowd. Her posture is elegant and controlled, her arms relaxed naturally at her sides, and her expression remains serious and calm. Start with a medium-wide frontal shot. The woman walks directly toward the camera and toward the center of the crowd. The camera smoothly tracks backward at the same pace, keeping her perfectly centered. The crowd remains completely still, watching forward. She reaches the front-center position of the crowd and comes to a complete stop. Her feet settle naturally, arms remain at her sides, shoulders relaxed. She looks directly into the camera through her black sunglasses. The woman remains 100% completely still. Then, precisely behind her, the entire crowd suddenly begins moving in perfect synchronized rhythm. Their movement should be sharp and unsettling: heads jerk quickly to one side shoulders snap upward upper bodies briefly lean forward they suddenly snap upright again repeat the movement together like a perfectly synchronized group The movement happens across the entire crowd, from the closest people to the deepest background rows. The woman does absolutely nothing. No head movement. No body movement. No hand movement. No walking. No reaction. She simply stands motionless while everyone behind her moves aggressively in synchronization. The camera slowly pushes closer toward the woman while the crowd continues its synchronized movements behind her. Keep her face and white coat sharply focused while the moving crowd has subtle cinematic depth-of-field blur. End with a powerful centered close/medium shot. The woman is completely motionless in the foreground while the crowd performs one final synchronized head-and-shoulder snap behind her. Hold on her still expression for the final moment. Visual Direction Dark, cold, high-end cinematic fashion aesthetic. Raw concrete environment, deep shadows, soft overhead lighting, realistic skin and fabric, natural hair physics, realistic human movement. The central visual contrast is extremely important: ONE perfectly still woman in white + a large crowd in black moving violently in perfect synchronization behind her. No duplicate lead. No additional white outfits. No men. No cartoon or animation. No CGI appearance. No exaggerated camera shake. No text. No subtitles. No logos. No sudden scene changes. No extra characters appearing or disappearing.

Subject A young East Asian woman with long black hair styled in a braid, wearing a white t-shirt with a blue logo, cross earrings, and a necklace, and a young East Asian man wearing a light blue t-shirt with a matching logo, riding and walking together on a vlog adventure. Style Cinematic handheld vlog aesthetic captured through an ultra-wide fisheye lens, featuring natural street lighting, authentic skin tones, and dynamic movement. Camera & Framing Lighting consists of bright outdoor daylight and indoor convenience store illumination. Framing utilizes close-up POV selfie-cam angles, wide tracking shots, and fish-eye booth camera perspectives. Audio Ambient street sounds, laughter, shutter clicks from a photo booth, and casual conversation. Realism Photorealistic 8K rendering with natural fabric textures, organic motion blur, and authentic handheld camera physics. Detailed Scene Breakdown 00:00 - 00:02: Close-up POV selfie shot of the woman smiling outside a doorway, turning around as a young man rides up on a white scooter and waves. 00:03 - 00:04: Medium tracking shot of them walking together down a narrow alleyway lined with green vines, ending with a hand blocking the camera lens playfully. 00:05 - 00:08: Fisheye close-up inside a photo booth where both lean in close, making funny expressions, smiling, and bursting into laughter. 00:09 - 00:11: Medium shot of them standing on a city street at dusk, holding up a strip of printed photo booth pictures and laughing together. 00:12 - 00:14: Medium shot inside a convenience store aisle where the man grabs a bottled drink from a refrigerated cooler while shopping with a red basket.

Create a 30-second ultra-realistic cinematic music video featuring three young adult singers performing an emotional modern song in a neon-lit city at night. The video should look like a high-budget professional music video with realistic humans, precise lip-sync, expressive performances, atmospheric lighting, and sophisticated cinematography. CHARACTERS Character 1 — Female Lead: Young adult woman, early 20s, long black hair, expressive eyes, elegant black-and-silver outfit, confident yet emotional personality. Character 2 — Male Lead: Young adult man, early 20s, dark textured hair, stylish black jacket and white shirt, charismatic and emotionally expressive. Character 3 — Female Vocalist: Young adult woman, early 20s, shoulder-length dark hair, fashionable deep-red outfit, energetic but natural stage presence. Keep their faces, clothing, hairstyles, body proportions, and identities perfectly consistent throughout the video. ENVIRONMENT A futuristic downtown street at night after light rain. Wet pavement reflecting colorful neon signs, glowing storefronts, subtle fog, distant traffic, cinematic bokeh, atmospheric city lights and realistic reflections. SHOT-BY-SHOT 0–4 sec — Opening Extreme close-up of Character 1's eyes. Neon reflections visible in her eyes. Camera slowly pulls back as she begins singing. Rain droplets sparkle in the background. 4–8 sec — Lead Performance Character 1 walks slowly down the wet street while singing directly toward the camera. Smooth backward tracking shot. Her hair moves naturally in the night breeze. 8–12 sec — Male Verse Cut to Character 2 leaning against a neon-lit building. He begins singing his section. Slow cinematic camera orbit around him, with colorful city lights blurred behind him. 12–16 sec — Female Vocalist Character 3 appears walking through the neon street. She sings while looking toward the camera. Smooth side-tracking shot transitions into a close-up. 16–22 sec — Trio Performance All three characters meet in a wide city intersection and perform together. Camera slowly circles around them while they sing. Natural interaction, subtle gestures, believable chemistry. 22–27 sec — Emotional Chorus Rapid but elegant sequence of close-ups: Character 1 singing, Character 2 joining, Character 3 harmonizing. Every mouth movement precisely follows the provided audio. 27–30 sec — Final Shot The three singers stand together in the middle of the wet street. Camera rises slowly upward and pulls away, revealing the glowing city around them. They finish the final lyric together exactly on the beat. End on a dramatic cinematic wide shot. CINEMATOGRAPHY High-end music-video cinematography, anamorphic lens look, shallow depth of field, smooth gimbal tracking, slow-motion accents, cinematic close-ups, controlled camera movement, realistic lens flares, natural motion blur, beautiful bokeh and dynamic composition. AUDIO & PERFORMANCE Use the

Main Subject(s): Three young adult women, close friends, wearing authentic 1990s summer outfits: simple yukata, wooden sandals, small fabric bags, ribbon hair accessories, and natural hairstyles. Location: A small neighborhood summer festival in