Cinematic Realistic용 동영상 프롬프트

Quiet luxury in the Blue Ridge mountains. A sprawling Tudor-modern estate designed to bring the autumn forest indoors.

Create a 30-second ultra-realistic cinematic educational video set inside a modern university physics laboratory and lecture classroom, featuring a confident male physics professor entering the room with a coffee cup and teaching materials while students prepare for class. Show the professor explaining physics concepts on a large digital board, with mathematical formulas and a clear inclined-plane diagram visible behind him as students watch attentively. Transition to a detailed close-up of a small metal ball positioned on a transparent inclined track, emphasizing the experiment and the principles of motion and gravity. Show the professor and students gathering closely around the apparatus as he demonstrates how the ball moves along the track, using natural hand gestures and realistic physical interactions. Capture students reacting with curiosity and discussing the experiment while the professor carefully guides them through the observation. Include cinematic close-ups of the rolling ball, the transparent track, the professor’s hands, and the students’ focused expressions. Maintain realistic gravity, friction, momentum, object weight, contact, and natural movement throughout the experiment, with no physically impossible motion. Use smooth camera movements, shallow depth of field, realistic classroom lighting, detailed facial expressions, and authentic university laboratory surroundings. End with the professor standing beside the completed experiment as the students observe the result, creating a professional, inspiring, photorealistic educational-science atmosphere.

Sleek blonde female in robe enters scene from the right side and lays on couch to look out the window and take a nap....

Character A, face and outfit matching the reference image. Shot 1 (0.0–1.2s): She wakes suddenly inside a silent Korean university classroom, surrounded by abandoned exam papers and flickering fluorescent lights. Shot 2 (1.2–2.4s): Wide shot of Korean students waking around her, all wearing identical school uniforms, confused whispers spreading through the locked classroom. Shot 3 (2.4–3.6s): A classroom speaker crackles on; an unseen voice announces that only one student will leave before midnight. Shot 4 (3.6–4.8s): Close-up of her calculating, frightened expression as students exchange suspicious glances and check the locked doors. Shot 5 (4.8–6.0s): Students are led into a vast examination hall covered with numbered desks, countdown screens, and strange geometric markings. Shot 6 (6.0–7.2s): A wealthy-looking student secretly approaches another, whispering an offer to exchange answers for protection. Shot 7 (7.2–8.4s): Close-up of hands passing a folded note beneath a desk while nervous students secretly watch them. Shot 8 (8.4–9.6s): A student is accused of stealing answers; angry voices rise as classmates surround him and demand the truth. Shot 9 (9.6–10.8s): She watches silently, noticing hidden alliances, frightened faces, and one student secretly controlling the others. Shot 10 (10.8–12.0s): The speaker announces the first challenge; every student urgently takes a numbered seat as the countdown begins. Shot 11 (12.0–13.2s): Students stare at blank papers under cold overhead lights, fear and desperation visible as the timer rapidly decreases. Shot 12 (13.2–14.4s): One student suddenly switches another student's answer sheet, shocking the entire room and creating immediate chaos. Shot 13 (14.4–15.6s): Close-up of the betrayed student's face as confusion turns into anger and realization. Shot 14 (15.6–16.8s): She quietly signals another student with a subtle nod, forming an alliance without saying a single word. Shot 15 (16.8–18.0s): The challenge begins; students solve impossible questions while the countdown clock races toward zero. Shot 16 (18.0–19.2s): A student panics and presses the wrong button; a violent alarm sounds and everyone instantly freezes. Shot 17 (19.2–20.4s): Close-up of the eliminated student's horrified face as security guards approach and classmates look away in silence. Shot 18 (20.4–21.6s): The remaining students sit motionless, realizing the mysterious examination is far more dangerous than expected. Shot 19 (21.6–22.8s): Her ally suddenly exposes their secret strategy, revealing that the friendship was manipulation from the beginning. Shot 20 (22.8–24.0s): The former allies face each other across the classroom as every remaining student watches and calculates. Shot 21 (24.0–25.2s): She outsmarts the betrayer with one unexpected answer, revealing she understood the hidden pattern all along. Shot 22 (25.2–26.4s): The speaker announces

Margaret holding her baby girl with a beautiful bow in her hair. Singing a lullaby. Kiss on her forehead. You are my sunshine you make me happy when skies are grey. I love you baby girl.

Use the uploaded 15-frame storyboard image as the only visual reference and maintain perfect visual continuity throughout the entire video. Every shot must precisely match the uploaded storyboard in composition, camera angle, McLaren design, assembly sequence, lighting, colors, proportions, materials, textures, branding, reflections, and fine details. The McLaren supercar must remain 100 % identical to the uploaded storyboard reference. Preserve the exact body shape, aerodynamic design, orange paint finish with black accents, carbon fiber front splitter, side skirts, rear diffuser, rear wing, hood vents, headlights, taillights, mirrors, windshield, roof scoop, wheels, brake calipers, brake discs, tires, suspension, engine, exhaust system, interior, seats, dashboard, steering wheel, badges, logos, decals, glass reflections, panel gaps, carbon fiber textures, metallic finishes, and every visible component exactly as shown. Do not redesign, morph, replace, simplify, or hallucinate any part of the vehicle. Follow the storyboard sequence exactly. The premium matte-black collector box featuring the uploaded McLaren branding and model artwork slowly opens. Reveal the precision-cut foam insert containing the complete collectible model kit. Human hands naturally remove each component one by one with realistic weight and motion. Assemble the McLaren step by step in the exact order shown in the storyboard. Install the chassis first, followed by the engine, drivetrain, suspension, steering system, braking components, front and rear wheels, body panels, doors, hood, roof, rear wing, mirrors, headlights, taillights, glass, badges, trim pieces, interior components, and every remaining part exactly as depicted. Every hand movement should feel smooth, deliberate, mechanically accurate, and realistic. Components should align perfectly with satisfying precision while maintaining complete visual consistency throughout the assembly.

Photoreal woman in a black raincoat standing in heavy rain in a forest. She opens her eyes, turns toward a faint warm light between the trees. Handheld, mist, wet fabric, no horror, no face morph.

Create a 30-second photorealistic Korean countryside lifestyle vlog following a woman through her peaceful morning routine. Show her opening the chicken coop → feeding the chickens → collecting fresh eggs → cleaning the coop → preparing a homemade breakfast → sitting outside and enjoying the quiet farmhouse morning. Authentic 2026 Korean rural life, natural human movement, realistic chicken behavior, fresh farm-to-table details, morning mist, soft sunlight, natural wind and environmental sounds, and documentary-style handheld cinematography. No background music, subtitles, logos or watermark.

Create a cinematic 25-second dreamy retro-pink fashion commercial set inside a cozy feminine bedroom. Everything has a soft pastel pink color palette, warm morning sunlight, vintage 90s aesthetic, floral wallpaper, pink bed, vanity mirror, cute retro telephone, pink accessories and soft curtains. Scene 1: Wide overhead shot of a beautiful pink bedroom in warm sunlight, soft shadows falling across the bed, dreamy nostalgic atmosphere. Scene 2: A young woman in a cute pastel-pink sleepwear outfit lies comfortably on the bed wearing a pink sleep mask, holding a vintage pink telephone. A pink tumbler sits beside her. Slow cinematic camera movement. Scene 3: Close-up beauty shot of her face as she lifts the sleep mask slightly and talks on the phone, soft glowing skin, natural makeup, gentle expressions, shallow depth of field. Scene 4: She gets out of bed and walks toward the vanity. Smooth tracking shot following her through the sunlit bedroom. Scene 5: At the vintage vanity, she sits in front of a large oval mirror and gets ready, surrounded by perfumes, makeup, hair accessories and jewelry. Show elegant close-ups of her brushing her hair and applying makeup. Scene 6: She looks toward the bedroom door, walks over and slowly peeks outside with a playful expression. Scene 7: Final glamorous mirror shot: she is now fully dressed in a stylish pastel-pink outfit, standing confidently in front of the vanity mirror. Soft sunlight, elegant pose, dreamy romantic-commercial atmosphere. Visual style: ultra-realistic cinematic photography, pastel pink tones, warm natural sunlight, nostalgic 1990s aesthetic, soft film grain, dreamy glow, realistic skin texture, shallow depth of field, smooth camera movements, subtle lens flare, premium fashion commercial, highly detailed, 4K, consistent character and wardrobe throughout, no text, no watermark.

30-sec cinematic Korean folk-horror ritual. Keep the Word character’s face and outfit consistent throughout. 1. 0–4s: Word character kneels pale and weak in a dim traditional Korean house; worried family, candles, incense, shaman preparing the ritual. 2. 4–8s: Salt circle and talismans surround her; candlelight flickers as her eyes twitch and fingers convulse. 3. 8–12s: Her head snaps unnaturally; guttural inhuman voice, dark veins spreading, body twisting as the ritual intensifies. 4. 12–16s: Eyes turn black; shaman chants frantically and throws rice/salt; her body convulses violently. 5. 16–20s: She rises unnaturally; shaman presses a burning talisman to her forehead as wind tears through the closed room. 6. 20–24s: Talisman burns, flames surge, she collapses and becomes completely still. 7. 24–27s: Her eyes reopen human; family rushes to her in relief while the exhausted shaman watches. 8. 27–30s: Wide aftermath: scattered salt, burnt talismans, melted candles. One intact talisman emits faint dark smoke, leaving an unsettling unresolved ending. Style: cinematic Korean folk horror, dark wooden interior, warm candlelight, deep shadows, tense atmosphere, realistic, unsettling, dramatic camera movement.

[STYLE + CAMERA + ATMOSPHERE] Real found-footage vacation memories on an alien planet — looks like genuine phone clips stitched into a soft Instagram-memories video. Handheld phone camera only: slight shake, natural exposure mistakes, occasional soft focus, real lens dirt, wind on mic, authentic summer audio (insect-choir chirps, gel-tide, hovering rental discs, distant throat-music, laughter). Many short shots across one local day — twin-dawn → high binary noon → amber dusk → night — simple hard cuts between clips, no transitions, no flashy effects, no slow-mo tricks, no color-grade gimmicks, no text, no stickers, no sparkles. Aesthetic = warm, calm, lived-in, beautiful because the moments are real. The planet is ordinary to her. The clips are random, unfinished, and slightly pointless, the way a real camera roll is. [SUBJECT] A woman about 27 in alien years, natural off-world vacation look: cool lilac-grey complexion, faint mint freckles that glow when the light hits, a short glassy hair-crest (salty, slightly messy), gold eyes. Minimal makeup. Easy vacation layers that change lightly across the day: a wrinkled linen wrap, a simple travel shirt, a dusk cloak of living moss at night. She stays fully clothed in every clip. She feels present and peaceful — smiling small, not performing for a camera crew. Friends appear only briefly as real people in frame, other travelers of this world, never staged. Her face stays the same woman in every clip. [PLACE] A real inhabited alien island, not a CGI postcard: chalk-white canyons, bougainvillea-like vines that drop cold blue pollen, stone steps down to a cove of slow turquoise gel, a harbor of living-shell boats, café terraces grown out of fossil coral, dry amber hills under two small suns, evening square lamps that are caged fireflies. Believable, specific, lived-in. Gravity is a little light. Shadows fall twice. [TIMELINE — MANY SHOTS, MEMORY MONTAGE] 0-4s: TWIN-DAWN — soft early light, one sun up, one still a pink disc. Phone clip of her walking an empty chalk alley, blue pollen drifting, hair-crest messy from sleep. She stops to watch a door-sized beetle cross the lane, then keeps walking. Calm, slow, slightly pointless. 4-9s: LATE MORNING — cove. She stands on the stone steps and the clear gel beads and rolls along the rock instead of splashing. She laughs once under her breath. Hard cut to her lying on a towel on warm glass pebbles that click when she shifts, eyes closed, linen wrap wrinkled. Cut to a crooked close of one droplet crawling up the stone beside her. Cut to her feeding a square piece of bread to a fish that is mostly a cube with eyes. Real sun, plain holiday light. 9-15s: BINARY NOON — bright, hot, slightly overexposed phone look. She rides a rented six-legged stool-beast through town, then the clip jumps to her buying a fruit that sighs when peeled from a tiny wall-shop. Cut to her eating it on a low coral wall, squinting. Cut to two friends (one tall in a long coat, one short in a moss-green jacket) toasting cups of glowing sap, then the camera drifts back to her quiet smile as a third sun-mote crosses her face. Heat, chirps, tourist murmur in a language the mic does not catch. 15-21s: AFTERNOON — softer heat, double shadows. She “reads” by holding a living moss tablet, then gets bored and sets it on a rock where it crawls away. Cut to her seated at the cove again, the gel holding still in front of her. Cut to her on the rocks, looking at a horizon that bends the wrong way. Cut to a slightly crooked selfie, she lowers the phone, embarrassed-soft laugh. Memory feeling: unfinished, tender, random. 21-26s: AMBER DUSK → EVENING — warm side light on white chalk. She walks the harbor as shell-boats breathe and rock. A vendor hands her a stick of stacked translucent discs; she eats one while walking and puts the rest in a pocket. Cut to a dinner terrace grown from coral: simple stacked plate, a glass of wine that changes color when she talks, caged-firefly lamps starting. Soft talk off-mic. She watches the square, content, not rushed, then the clip cuts mid-chew. 26-30s: NIGHT — real night phone noise/grain. Small plaza / bar terrace. Throat-music far away. She dances two seconds with the tall friend, then the clip jumps to her alone, sitting on steps under warm lamps, looking tired-happy. Last shot: phone pointed at the dark gel-sea from a balcony, lightning moving under the surface, her breathing on the mic, then the recording ends naturally mid-moment — like a real memory file. [REALISM LOCK] Found footage / vacation phone memories only. Many shots, dawn-to-night progression on one alien island. Real summer vibes, calm joy, random tourist nothing. Credible, beautiful, aesthetic Instagram-memories energy made of real clips. Same woman in every cut, fully clothed, same face. The weirdness is ordinary vacation stuff on a planet that is not Earth.

The man says hey Julianne, do you know what the time is and the girl says sorry I don’t. I don’t have a watch. Oh yes you do. You just didn’t bring it.

A sleek black Tesla electric car drives smoothly along a modern city road at dusk, gliding past glass buildings and streetlights with subtle reflections on its body panels. The visuals present a clean, futuristic cinematic style with cool blue-hour t...

Ultra-realistic cinematic scene of a young woman standing inside a crowded subway train, quietly looking at her smartphone while passengers sit and stand around her. She wears a dark green and burgundy hoodie over a white shirt, with a backpack over one shoulder. Warm fluorescent train lighting, realistic urban atmosphere, shallow depth of field, cinematic composition, natural skin texture, soft background bokeh, subtle film grain, documentary-style photography, 35mm lens, f/1.8, high detail, photorealistic, vertical.

Use the uploaded storyboard image as the exact visual reference. Keep the same three characters, same outfits, same forest environment, same horror atmosphere, and same cinematic style throughout the entire video. Make the characters look like real human actors, natural facial expressions, realistic movement, and live-action movie quality. Create a 30-second ultra-realistic cinematic horror short film with continuous story progression. Scene 1 (0–5s): Peaceful Beginning A young adult couple sits near a large tree in a dark abandoned forest area while their male friend explores nearby with a flashlight. The atmosphere feels like an adventure trip. Cold night lighting, light fog, realistic wind moving leaves and hair. The camera slowly pushes in toward the couple while maintaining the exact character appearance from the reference. Scene 2 (5–8s): Blood Drop Warning The girl suddenly feels something falling from above. A small drop of blood falls from a tree branch and lands on her face. She slowly touches her cheek in confusion. The boy notices it, looks upward, and his expression changes from calm to fear. Add a tense horror sound, slow camera movement, realistic reactions. Scene 3 (8–12s): Zombie Horde Reveal The boy slowly turns around and looks behind the girl. The camera moves over his shoulder and reveals a large group of zombies emerging from the dark forest fog. Dozens of zombies slowly approach them. The boy looks shocked and panicked. The girl and the other friend realize the danger. Scene 4 (12–17s): Attack Begins The zombies suddenly start chasing them. The three characters run through the forest in panic. The male friend clears obstacles from their path while running. The girl struggles to keep up, breathing heavily, looking terrified. Use handheld shaky camera style like a real survival horror movie. Scene 5 (17–22s): Hide Inside Old Cabin They reach an abandoned wooden cabin and rush inside. They push a heavy wooden door and try to block it while zombies hit from outside. Show their fear, exhaustion, and struggle. Flashlight lighting, dark interior, realistic shadows. Scene 6 (22–27s): Window Attack Suddenly a zombie crashes through the side window. Glass breaks and falls. The three characters step back in fear. They desperately search for another escape route. Show realistic panic, fast movements, and intense horror atmosphere. Scene 7 (27–30s): Final Escape The three run out of the cabin toward an old dark tunnel in the forest. The zombie horde follows closely behind. The camera follows from behind with cinematic tracking movement. They enter the tunnel as zombies approach. End with a dark suspenseful cliffhanger. Visual Style: Ultra realistic live-action horror movie, natural human faces, realistic body movement, cinematic lighting, dark blue-green color grading, foggy forest, realistic physics, handheld camera

Seedance 2.5 | 30s | 16:9 | Live-action Korean summer countryside, inspired by Little Forest (2018). Two characters only: Lizzy and Lee Han. Use {{mixed 1}} only for Lizzy’s face/hair/body/identity and {{mixed 2}} only for Lee Han’s. Do not copy reference backgrounds, poses, or clothes. Old rural kitchen + wooden veranda beside a lush vegetable garden. Lizzy: white linen blouse, navy-check long skirt, beige sandals. Lee Han: soft pastel sky-blue shirt, beige chinos, dark-brown sandals. 0–5s: Harvest ripe tomatoes in the garden; Lizzy gives the reddest tomato to Lee Han.
5–10s: Wash 3 tomatoes under a faucet; natural water droplets and green stems.
10–16s: Cut 1 tomato into four pieces; mix with chilled thin pasta.
16–21s: Divide pasta into 2 white plates; add fresh basil.
21–25s: Place plates on a low veranda table and sit opposite each other.
25–28s: Lee Han offers Lizzy one bite of tomato pasta; she gently accepts it.
28–30s: Both prepare their next bite as the camera holds a peaceful wide shot of the veranda, garden and rice fields. Natural sounds only: cicadas, leaves, water, chopping, utensils and distant breeze. No dialogue, music, BGM, SFX, subtitles or logos. Maintain exact prop quantities and continuity.

They roll up the scrolls and they look at each other and he says you're safe the woman says yes we are....

30秒｜16:9｜8镜｜多镜头序列｜Hard Cuts 多镜头序列，镜头之间使用明确硬切。全片保持同一个知夏、同一只三花猫@a2b2a146-e6b3-4238-9a2b-f7130db0c416“花生”、同一颗五彩毛茸茸球、统一环境逻辑与视觉风格。无音乐、无配乐，仅真实自然同期声。

A cinematic 30-second alpine winter vlog montage featuring the same young woman exploring a snow-covered mountain village during a cozy winter getaway. Shot like an authentic luxury travel diary with handheld camera movement, candid moments, soft overcast daylight transitioning to warm firelight, dreamy 35mm film aesthetics, cool-toned color grading with warm amber accents, shallow depth of field, natural skin texture, atmospheric lighting, and cinematic storytelling. Maintain the same woman throughout every scene: dark hair, youthful appearance, natural makeup, relaxed happy expression — identity locked to the reference image. Format: 4K cinematic video, 24fps, 35mm film grain, realistic handheld camera, soft focus, cool-warm contrast palette, travel documentary style. Scene 1 (0-4s) — Arrival at the Chalet Village: A crisp winter morning, light snow falling. She steps out of a wooden chalet doorway wearing a cream cable-knit sweater, faux-fur-trimmed parka, and a knit beanie, breath visible in the cold air. Camera trails her from behind down a snowy cobblestone lane lined with timber cottages, then swings into a close-up as she turns and smiles, saying softly, "Okay, this already feels like a movie." Scene 2 (4-8s) — First Ski Run: She glides down a gentle beginner slope, snow spraying softly at her skis, pine trees blurred past on either side. Low chase shots from behind, then a front-facing GoPro-style angle catching her laughing as she wobbles slightly and steadies herself. Scene 3 (8-12s) — Snow-Covered Pine Forest Walk: A worm's-eye view looking up through frosted pine branches, pale sunlight filtering through with soft lens flares on ice crystals. Cut to a close-up of her walking through untouched snow, mittened hand trailing along a low branch, murmuring, "It's so quiet here it feels unreal." Scene 4 (12-16s) — Cozy Café Break: She sits by a frosted window inside a small timber café, wrapped hands around a steaming mug of hot chocolate topped with whipped cream. Warm interior light contrasts the blue-white world outside. Close-up on the marshmallows melting, her contented half-smile as she watches snow drift past the glass. Scene 5 (16-20s) — Sledding Adventure: She sits on a wooden sled at the top of a gentle hill, pushes off, and speeds down laughing, hair flying loose from under her beanie. Camera tracks alongside at sled height. She tumbles softly into a snowbank at the bottom, laughing, and calls toward the camera, "Don't film this part — okay, keep filming it." Scene 6 (20-24s) — Christmas Market Exploration: A glowing evening market strung with warm fairy lights, snow settling on wooden stalls, the smell of roasted chestnuts implied through steam rising from vendor carts. She weaves through the crowd sampling mulled cider and gingerbread, face lit by string lights and lantern glow. Cinematic close-ups of her eyes widening at the taste, lights blurred into soft bokeh behind her. Scene 7 (24-27s) — Golden Sunset Over the Peaks: A wide silhouette shot of her standing on a snowy overlook as the sun dips behind the mountain range, sky shifting from pale gold to soft violet, her scarf drifting in the wind. She tilts her face toward the fading light, one hand holding her beanie in place. Scene 8 (27-30s) — Fireside Night Reflection: A cabin interior at night, fireplace glowing, snow visible through a frosted window behind her. She sits curled up on a wool blanket, mug in hand, firelight flickering across her face. Final intimate close-up as she looks directly into the lens with a soft, warm smile, saying, "Goodnight from the mountains." Camera Style: Authentic travel vlog cinematography, handheld camera shake, smooth cinematic transitions, slow push-ins, natural drifting movement, occasional POV shots, realistic autofocus hunting, subtle motion blur. Visual Style: Cozy alpine winter film, boutique travel-brand aesthetic, soft diffused daylight with warm firelight interiors, realistic skin texture, cinematic shallow depth of field, nostalgic 35mm film look, cool-warm contrast tones, natural unscripted expressions, emotional storytelling. Avoid: cartoon style, CGI look, plastic skin, unrealistic face, inconsistent character appearance, changing hairstyle, extra fingers, distorted body, artificial lighting, oversaturated colors, blurry face, unnatural movements, duplicate people.

一、任务目标 生成一段完整连续的 15 秒中国仙侠电影短片。 核心喜剧主线只有一条，并且要让观众 第一遍就立刻看懂： 一名敌方剑客故意挑拨师姐与小师妹，篡改师姐原本说过的话，让小师妹误以为师姐认为她“三招必败”。 真正反转是： 她们从来没有讨论“小师妹能不能打赢”，而是在讨论这个敌人究竟能撑几招。 二、整体风格 整体必须同时具备以下气质： 电影级写实质感 纯古风中国仙侠美学 真正史诗级高手对峙的镜头语法 一本正经的冷面喜剧 默片式反应节奏 港式动作喜剧的利落效率 清楚的“三拍递进” 明确的铺垫与回收 Arri Alexa 电影机质感 稳定清晰的面部微细节 细腻胶片颗粒 自然体积光 喜剧必须克制，不夸张，不胡闹，不靠人物变蠢。 三、人物身份锁定 角色 ID A｜@图片 1｜剑仙师姐 始终保持同一个人物： 25–30 岁东亚女性 身材高挑纤细 椭圆脸 深色杏眼 黑色长发半挽 白玉簪固定 同一套白色刺绣真丝汉服 银色腰封 玉佩 白色布靴 唯一一柄银色长剑 角色 ID B｜@图片 2｜小师妹 始终保持同一个人物： 20–25 岁东亚女性 身形娇小 圆润灵动的脸 黑发编辫 同一套青绿色亚麻汉服 深色腰带 木簪 黑色布鞋 唯一一柄深色钢剑 其他角色 敌方剑客 一名敌方剑客 负责挑拨、误导和最终出手 不可抢走喜剧情绪中心 年长师父 同一个年长师父 只在关键时刻补最后一刀 必须保持安静、克制、一本正经 四、环境 DNA 与空间原则 本轮新上传的全部背景与地点参考图，共同决定同一套环境 DNA。 正式构图前，先无声整合并统一以下内容： 真实地形 建筑语言 材质 植被 水体 天气 山雾 主光方向 倒影 空气纵深 在此基础上，重新规划出一个： 本轮独有、完整统一、可信的新空间。 环境规则 背景中的以下元素始终自然鲜活： 风 水体 植被 云层 远处普通弟子 空间环境声 但必须满足： 背景绝对中立 不制造包袱 不制造反转 不主动推动剧情 不替人物表达情绪 五、三镜头结构 镜头 1｜0–5s 景别 全景或远景 画面内容 同一个剑仙师姐 同一个小师妹 一名敌方剑客 一名年长师父 四人位于统一空间中，地理关系清楚稳定。 敌方剑客站在两人正前方，年长师父只在数步之外安静存在。 剧情与对白 敌人故意看着小师妹挑拨道： “你师姐亲口说，你与我交手，三招必败。” 同一个小师妹非常缓慢地转头看向师姐，问： “三招？” 同一个白衣剑仙没有任何紧张，只平静纠正： “我说的是他。” 镜头重点 第一拍要先让观众以为矛盾是“师姐看不起小师妹” 小师妹转头这一瞬必须清楚 师姐的纠正必须平静、确定、不带解释欲 这一句要直接翻第一层误会 镜头 2｜5–10s 景别 中景或牛仔景 连续性要求 保持以下内容全程稳定： 同样两名女子 同一个敌人 同一个师父 同样服装 同样长剑 完全一致的地理空间 剧情与对白 小师妹立刻重新看向敌人。 这一次她不是生气，而是真的有些惊讶，说： “三招？师姐，你也太给面子了。” 敌人刚才得意的表情当场僵住。 浅景深后方，同一个师父从头到尾没有插话，只安静地抬起一根手指。 敌人发现后，恼火问： “你什么意思？” 镜头焦点转移到师父。 师父保持绝对认真，只回答： “一招。” 完整停顿半拍。 敌人终于彻底破防，大喊： “欺人太甚！” 随后主动拔剑，向师姐正面冲去。 镜头重点 第二拍完成喜剧递进 “三招”升级成“一招” 师父这一刀必须极干 停顿要留足，让观众和敌人同时意识到自己成了被预测的对象 敌人破防后立刻进入动作段 镜头 3｜10–15s 景别 特写或极近特写 连续性要求 保持以下内容稳定： 同一个师姐 同一个小师妹 同一个敌人 同一个师父 服装、长剑、站位、空间关系全程一致 动作设计 同一个师姐始终保持放松，甚至不把自己的银色长剑完全拔出。 她只完成一个： 非常清楚 物理合理 极短促 极精准 的动作组合： 侧身闪避敌人正面冲击 用仍然带鞘的同一柄银色长剑 短促敲击敌人持剑手腕 顺势借敌人的前冲力量改变其重心 结果： 敌人的长剑旋转飞脱 安全插入旁边地面 敌人自己单膝落地 全程不得出现血腥伤害 动作后的对白 全场安静。 同一个小师妹慢慢举起一根手指，认真说道： “师父猜得真准。” 同一个剑仙师姐低头观察败下阵来的敌人，平静回答： “其实半招。” 镜头焦点再次转向师父。 师父一本正经说道： “我已经给他留面子了。” 结尾画面 极近特写中： 敌人依次看看师父、师姐、小师妹 发现自己一句都反驳不了 小师妹用力咬住嘴唇憋笑 师姐仍然非常正式地朝他行一个武者承让礼 精准切在： 敌人彻底无语的表情上。 六、表演原则 师姐 始终平静 不炫耀 不解释过度 强者松弛感要稳定 喜剧成立依靠认真，而不是玩笑腔 小师妹 反应要快 情绪不夸张 从“误会”到“听懂”再到“补刀”，节奏要清楚 憋笑感要真实克制 敌人 前半段必须真心自信 中段逐渐僵住 后段破防但不能演成小丑 笑点来自后知后觉，不来自愚蠢 师父 台词极少 每句都像盖棺定论 必须一本正经 越认真越好笑 七、动作与镜头要求 动作身体力学清晰自然 敌人冲击要真有气势 师姐应对要极省、极准、极短 最终胜负必须一眼看懂 不要复杂炫技连招 不要拖泥带水 不要光污染特效 不要随机剑气 摄影要求 16:9 横屏 严格三个连续清晰镜头 运镜干净克制 前景、中景、远景保持自然视差 镜头服务人物关系与包袱回收 不做花哨炫技运动 八、声音与同步要求 原生同步普通话对白 口型精准 喜剧停顿明确 视线关系准确 拔剑、碰撞、长剑落地、归位等声音清楚可辨 环境声持续自然存在 不生成字幕 重点利用 Seedance 2.0 的能力： 多模态参考连续性 多人物复杂运动稳定性 导演级运镜控制 15 秒多镜头同步音视频输出能力 九、严格避免 blurry bad quality low quality low resolution noisy jpeg artifacts watermark text error deformed mutated bad anatomy poorly drawn hands bad composition out of frame disfigured inconsistent character changing clothes face morphing background shift glitching cuts disappearing props 额外避免： 字幕 过度夸张表演 无意义搞笑表情 复杂难懂的反转 动作软绵绵 花哨慢镜 随机法术 环境制造笑点 配角抢戏 敌人突然降智 十、最终效果目标 整段短片的观感应该是： 先制造“师姐似乎看低小师妹”的表面误解 很快翻转成“原来被评价的是敌人” 最后再用动作和师父补刀，把包袱彻底坐实 最终关键词： 仙侠、冷面喜剧、高手对峙、三拍

Create a 30-second photorealistic Japanese winter lifestyle vlog in a traditional mountain village at sunrise. Follow a young Japanese woman as she wakes in a wooden house, opens the shoji door, feeds small winter birds, sweeps fresh snow, makes hot green tea, and walks along a snowy village path. Show realistic snow-covered rooftops, cedar trees, stone paths, birds, footprints, chimney smoke, warm tea steam, and soft golden morning light. Use natural handheld 2026 vlog cinematography with close-ups, POV shots, walking follow shots, realistic autofocus, exposure changes, motion blur, and a gentle final village reveal. Natural environmental audio only: wind, birds, footsteps, snow, broom, tea pouring, wooden doors and distant village sounds. Natural dialogue in English. No music, narration, subtitles, CGI, animation, artificial snow, unrealistic bird behavior, floating camera, logos or watermark.

Create a 30-second, 9:16 continuous handheld smartphone video inside a humid reptile enclosure. A wildlife keeper casually talks to the camera before walking toward a murky pool to feed a huge green anaconda. Keep the same keeper, face, clothing, enclosure and snake consistent throughout. He approaches the pool, crouches with feeding tongs and says, “Watch how fast—” before the anaconda suddenly lunges toward the feeding area. A heavy coil catches around his arm and pulls him toward the edge. The cameraman panics and briefly loses framing as another keeper rushes in, grabs him and pulls him backward. After a chaotic struggle, the snake releases and drops back into the pool with a heavy splash. End with the keeper safely away from the enclosure, breathing hard and visibly shaken. The cameraman asks, “You good?” He replies, “Yeah… yeah,” looks back toward the pool and says, “That was way too close.” Make everything look like genuine accidental phone footage: realistic human movement, physically accurate snake anatomy and weight, natural water physics, imperfect handheld framing, autofocus hunting, motion blur, rolling shutter and subtle exposure changes. Voices must sound completely human at normal conversational speed with natural breathing, hesitation, overlapping reactions and accurate lip-sync. No cinematic lighting, music, slow motion, cuts, transitions, dramatic acting, AI-style voices, morphing, impossible physics, text or overlays.

7秒、縦型9:16、ワンカット。インフルエンサーが普段の投稿で、お気に入りの美容液を紹介する自然なオープニング。 【人物・商品】 参照画像を開始フレームに使用。女性の顔立ち、ブラウンのショートヘア、アイボリーのニットを維持。ピンク色の美容液ボトルを頬の横で持ち、反対の手を底に添える。ラベルはカメラに向けたまま。 【セリフ・演技】 開始直後から話し始め、約7秒かけて次のセリフを話す。 「今日は、私のお気に入りの美容液を紹介します。これ、みんなにも見てほしかったんです！」 友人に話しかけるような、明るく親しみのある声。少し軽快な会話のテンポで、長い間は入れず、短い息継ぎだけで続ける。最後の「です」が映像の終わり近くに自然に収まる。語尾を引き伸ばしたり、最後だけ早口にしたりしない。 前半の「私のお気に入りの美容液」で、両手で支えたボトルを2〜3センチだけ持ち上げる。後半の「これ、みんなにも」で微笑みを少し深める。最後までレンズに視線を向け、自然なまばたきと小さな表情の変化を添える。商品を動かす仕草は1回だけ。話し終わった後の無言のポーズは設けない。 【環境・カメラ】 参照画像と同じ明るい室内。画面左の窓から柔らかな自然光。スマートフォンを目線の高さに固定して撮影したような安定した構図。顔と商品を明瞭に見せ、肌のきめと自然なツヤを残す。 【音声・制約】 日本語のセリフと口の動きを正確に同期。本人の声を明瞭にし、静かな室内音のみ、BGMなし。 人物の顔、髪型、衣装、ボトルの形状・色・ラベルを維持。指と持ち方を自然に保つ。キャップを開けない。大げさな身振り、カット切り替え、ズーム、過剰な美肌加工、字幕、追加ロゴなし。

【概要】1986年、団地に住む8歳の女の子の1日。母が父のビデオカメラを借りて、声をかけずに離れた場所から記録している。480p、16:9、15秒。7ショット（各約2秒）のハードカットで、7か所すべて別の場所。トランジションやフェードは使わない。被写体はカメラに向かって何もしない：目線を送らない、物を見せない、手を振らない、ポーズを取らない。遊びや用事に没頭している。演技ではなく、日常の途中を切り取った断片。会話・セリフ・ナレーションは一切なし。 【被写体】美貌の定義：クラスで一番かわいいと言われる、子役級の日本人の女の子。真剣な顔と、できたときに自分でにこっとする顔が一番かわいい。顔：まっすぐ切りそろえたおかっぱ（前髪も一直線）、丸い顔、黒目がちの大きな目、上を向いた小さな鼻、赤い頬（現実的な肌の質感）、前歯が1本抜けている。服（普段着）：白い丸襟のブラウス（襟が少しよれている）、赤いジャンパースカート、白いハイソックス（片方がずり落ちる）、白いズック靴、髪の左側に赤いピン。仕草の癖：できたものを自分の目の前で眺める、ソックスを引き上げる。全ショットで顔・髪・服装が完全に同一。 【登場人物】友達2人：ポニーテールで黄色いTシャツの子（そばかす）、三つ編みで水色のワンピースの子（眼鏡）。誰もカメラを見ない。 【時代・場所・光】1986年夏の団地。①ベランダ（洗濯物の間、朝の光）②団地の中庭のゴム跳び（2人が長い平たいゴムひもを足首の高さで両側から張り、その間で跳ぶ遊び。午前の光）③給水塔の下の日陰④集会所前の縁石（あやとり：輪にした1本のひもを両手の指にかけて形を作る遊び。木漏れ日）⑤公園の砂場（泥だんご：泥を丸めて乾いた砂をまぶし、手で磨いてつやつやにした球。白い光）⑥団地の郵便受けの前（夕方の橙）⑦団地の階段（夕方）。看板・文字は画面に入れない。手紙の宛名面は映さない。 【カメラ】1986年の家庭用ビデオカメラの質感：色がにじみ、解像度が低く、明るい空が白飛びし、輪郭が甘い。日付表示は出さない。手持ち、自然な揺れ、不完全な構図、ズームの迷い、露出のゆらぎ。被写体から2〜5mの距離。被写体はカメラを気にしない。スタビライズ、ジンバル、ドローン、スローモーション、映画的照明、商業カラーグレーディングはなし。カメラは常に撮影者が手に持っている位置（立つ・座る・しゃがむ・歩きながら・隣の席から）から撮る。人がいられない場所（空中・水中・天井・真上・車の外から走る車内・被写体の目の前数センチ等）からのアングルは使わない。撮影者は同じ空間に確かにいる一人の人として、被写体が動けば少し遅れて追い、ときどき構図が甘くなる。 【ショット】（各約2秒。各行＝場所・光／没頭していること／内側の感情と、それが漏れる小さなしぐさ／カメラ位置） 1. ベランダ・朝。干した洗濯物の間を縫って歩きながら、赤いピンを付け直している。感情：はりきっている。口を結んでピンを押し込む。カメラ：室内側から、逆光でシーツが白く光る。 2. 中庭・ゴム跳び。張られたゴムひもを跳び、足を引っかけて転びかけ、自分でおかしくて笑う。感情：夢中で楽しい。カメラ：正面、腰の高さ、少し離れて。 3. 給水塔の日陰。3人で並んで座り、水筒のコップの麦茶を飲む。コップの縁に口をつけたまま遠くの空を見て、それから次の子に渡す。感情：暑くてほっとする。カメラ：横から。 4. 集会所前の縁石・木漏れ日。あやとりで「はしご」ができて、自分の手を目の前で眺め、にこっとする。感情：できた満足。カメラ：斜め前から、手にピント。 5. 砂場。磨いた泥だんごを両手で包んで、光にかざして角度を変えている。感情：誇らしい。目がきらきらしている。カメラ：しゃがんで泥だんごに寄る。 6. 郵便受けの前・夕方。背伸びして郵便受けを覗き、封筒（無地、宛名面は映さない）を取り出して胸に抱く。感情：わくわく。カメラ：横から。 7. 団地の階段・夕方。封筒を抱えて駆け上がる後ろ姿。踊り場を曲がって見えなくなる。感情：早く伝えたい。カメラ：階段の下から見上げたまま。その途中、およそ00:14で録画は突然ブラックアウトに切り替わる。フェードアウトなし。 【小物・道具のディテール】ゴムひもは白くて平たい幅広のゴム。水筒は赤いプラスチックでふたがコップになる。泥だんごはつやつやの黒褐色。あやとりのひもは赤い毛糸の輪。封筒は白い無地。赤いピンは丸い頭のプラスチック。 【文字の禁止】画面内に読める文字・ロゴ・看板・ラベル・数字を一切出さない。封筒は無地。 【物理・一貫性】現実世界の物理。余分な指、融合した手、歪んだ解剖学、浮遊物、消える物体、突然の変形はなし。足は地面に接地。赤いピン、ジャンパースカート、友達の服装は全ショットで同じ。 【音】自然な環境音のみ（ショットごとに切り替わる）：洗濯物のはためき、ゴム跳びの足音と笑い声、水筒の音、木漏れ日の鳥、砂の音、郵便受けの金属音、階段の足音。言葉は一切なし。撮影者のときどきの小さな笑い声・息づかいと、被写体の笑い声・息づかいのみ可。音楽なし。ナレーションなし。人工的な音響効果なし。 【雰囲気】大人が見て「私もやった」と思う、昭和の団地の女の子のなんでもない1日の記録。演技ではなく、遊びと用事の途中の断片。懐かしく、いとおしく、深く人間的。カメラがたまたまそこにあったような感じを優先。