Prompts de Vídeo para Brand Commercial

A cinematic, stylish sequence of a confident young woman with short curly brown hair, bold red lipstick, and a statement necklace. She wears a sharp grey pinstripe oversized blazer and matching trousers with bright red pointed high heels. Starts with a close-up of her red heels stepping out of a black luxury car onto a wet city street at dusk. She walks confidently through revolving glass doors into a modern office building, presses the elevator button, checks her tablet in the mirrored elevator, then enters a boardroom. She presents charts and graphs on a large screen to a group of executives in suits, gestures confidently while speaking, signs a document, shakes hands with a senior executive, checks her elegant wristwatch with a burgundy leather strap, and finally walks across a glass-walled rooftop terrace overlooking the New York City skyline at golden hour, wind lightly moving her hair, powerful and composed expression. Moody cinematic lighting, wet reflections, sharp fashion photography style, high-end commercial aesthetic, 16:9.

OK, can we have this beautiful cake rotate and then divide and get back together again in like six pieces and then we say chocolate the powerhouse Cocoa

Vertical 9:16 video, photorealistic high-end nail salon aesthetic mixed with soft anime-style wide shots. A seamless step-by-step close-up sequence of a professional manicure process on elegant long almond-shaped nails: filing, dusting off white powder with a fluffy brush, wide shot of a cute anime girl sitting in a bright luxury nail salon vanity, applying glossy gel base coat, curing under a UV lamp, buffing iridescent pearl white chrome powder with pearl accents, applying shiny top coat, and placing cuticle oil drops. Ends with the client admiring her glossy metallic pearlescent silver nails under warm glowing lights. Macro-focused shots, ultra-realistic textures, pastel tones, smooth transitions, soft cozy ambiance, cinematic lighting, 4k resolution.

The Grok humanoid robot wearing a blue Carhartt-style jumpsuit with short sleeves featuring the Xai logo, a baseball cap with the same Xai logo, and blue Converse high top sneakers. Keep the overall pose, industrial background.

Cinematic slow-motion food commercial of a gourmet cheeseburger being prepared. Extreme close-up of a hand lighting a gas stove with a match, blue flames igniting. A thick raw beef patty seasoned with black pepper and salt drops onto a hot black cast-iron grill pan, sizzling with sparks and smoke. Flames erupt around the patty as it sears. Melted cheddar cheese slice is placed on the juicy browned patty and starts melting. Fresh green lettuce leaves being pulled apart by hands. Floating red onion rings in the air against black background. Juicy red tomato slices stacked with water droplets flying. Thick red sauce being stirred with a wooden spoon. Sauce being spread on a soft burger bun with fingers. Onion rings placed on the sauced bun. Layers of lettuce, tomato slices, pickle slices, and red onion rings stacked. The cheesy beef patty is placed on top, sauce dripping. Final shot of the complete tall cheeseburger with sesame seed bun, melted cheese, dripping orange sauce, fresh veggies, steam rising dramatically, sesame seeds floating in the air, dark moody background, ultra realistic, high detail, mouthwatering, commercial food photography style, 8k.

[00:00 - 00:03] THE HOOK (The Clean Snap) • Visual & Camera: Starts on the image anchor. Macro tight shot of the dark chocolate bar held by the 28-year-old East Asian woman. • Action / Movement: Hands snap the thick chocolate slab cleanly in half in extreme slow motion. A tiny puff of fine cocoa dust explodes outward at the breaking point. • Audio / Sound Design: Crisp, loud, reverberating "SNAP" sound effect that echoes sharply into silence. • On-Camera / Voice: None. Pure structural precision and acoustic clarity. --- [00:03 - 00:08] THE MELT & DRIP (Rich Texture) • Visual & Camera: Macro close-up tracking shot moving along a square of chocolate as liquid caramel or melted dark chocolate cascades smoothly over the edges. • Action / Movement: Thick, glossy molten chocolate flows slowly over the rigid edges, coating the surface in a seamless, velvet layer. • Audio / Sound Design: Deep, warm, low-frequency atmospheric synth pad swells smoothly. • On-Camera / Voice: None. Focus on fluidity and luxury. --- [00:08 - 00:12] THE PERSONAL EXPERIENCE • Visual & Camera: Medium shot, eye-level. Warm, ambient lighting casting a golden glow. • Action / Movement: The 28-year-old East Asian woman places a small square on her tongue, closes her eyes, and takes a moment to let it melt, exhibiting pure indulgence. • Audio / Sound Design: Music track softens to a gentle hum. • Dialogue (Real-time on-camera): "Pure, unadulterated dark." --- [01:12 - 00:15] THE HERO SIGN-OFF • Visual & Camera: Overhead static hero shot of the broken chocolate bar sitting alongside gold foil on a dark slate block. • Action / Movement: Light sweeps smoothly across the glossy surface of the chocolate. • Audio / Sound Design: Ambient music settles into a deep, elegant final chord. • On-Screen Text / Call to Action: "Indulge the Senses."

Create a product video ad from [image1],[image2], script "9:16, 24fps, 15 seconds. 0-3s: Close-up shot. In a dim room lit by warm ambient lamps, a stylish girl with bangs and freckles calmly puts on her over-ear headphones. 3-5s: Close-up of a finger tapping the "Play" button on a smartphone. As the music starts, the girl closes her eyes and begins swaying rhythmically to a heavy beat, fully immersed. 5-12s: Sophisticated Documentary Montage. The girl remains the absolute visual center within real-world settings: 1. Sitting on a couch at a dim party, she sways in her own world while crowds flow through the foreground and background. 2. At a livehouse venue, she sways in the center with people in the background rendered in artistic motion blur. The camera vibrates slightly with the beat, capturing her internal focus amidst external chaos. 12-15s: The camera snaps back to the girl in her room mid-sway. The background swiftly dissolves and transitions into a solid brand-red color, with a white brand logo “Apple Music”fading into the center. Negative Prompt: Any text, subtitles, watermarks, light effects, black background."

FORMAT:16:9 widescreen, 15 seconds, realistic influencer-style lifestyle video, cinematic 4K, natural lighting, premium fashion aesthetic, fast-paced editing, authentic creator energy. 0:00–0:03 — HOOK Influencer looks into the camera while holding her bag. Dialogue: “Okay, these are the things I’m obsessed with right now.” 0:03–0:05 — BAG Close-up of the bag as she picks it up. Dialogue: “First, this bag. I literally take it everywhere.” 0:05–0:07 — PERFUME Macro shot of perfume as she sprays it on her wrist. Dialogue: “And this perfume? My current favorite.” 0:07–0:09 — SUNGLASSES She puts on her sunglasses and looks confidently at the camera. Dialogue: “These sunglasses make every outfit better.” 0:09–0:11 — SHOES Close-up of her shoes as she starts walking. Dialogue: “And these shoes are way too good.” 0:11–0:13 — PHONE She checks her phone while walking through a stylish café or city street. Dialogue: “Obviously, my phone never leaves my hand.” 0:13–0:15 — FINAL SHOT Quick montage of all five items. She smiles and walks away. Dialogue: “Yeah… I’m obsessed with all of them.” STYLE: Natural influencer delivery, conversational tone, subtle facial expressions, accurate lip-sync, clean dialogue audio, upbeat background music underneath, quick 1–2 second cuts, smooth whip transitions, handheld camera movement, shallow depth of field, realistic product textures, premium but authentic social-media aesthetic.

Create a 15-second photorealistic cinematic office video featuring the same young professional woman with the provided reference face, wearing the same beige blazer and white shirt throughout. Wide office shot. She sits at her desk, reviewing a file while holding a pen. Laptop, papers, and tea are on the desk. Camera slowly moves closer. She flips through the file, reads carefully, and marks an important point with her pen. She puts down the pen, picks up her tea, takes a small sip, and returns the cup to the desk. She turns toward her laptop and starts typing. Side-angle shot focuses on her hands and laptop. Camera slowly pulls back, showing her focused on work in the modern office. Style: Photorealistic, cinematic, warm morning light, natural expressions and movements, realistic hands, smooth camera motion, shallow depth of field, professional corporate atmosphere, 4K, 16:9. Important: Keep the same face, hairstyle, beige blazer, white shirt, character appearance, and office environment consistent in every shot. No text, subtitles, logos, or sudden transitions.

Create a 10-second photorealistic cinematic motorcycle commercial featuring a young 24-year-old male rider with an athletic, muscular physique, riding a Suzuki GS150SE along the Karakoram Highway in northern Pakistan at approximately 100+ km/h. The rider looks confident and energetic, wearing a premium black riding jacket with the sleeves fitted around his muscular arms, dark riding pants, gloves, riding boots, and a full-face helmet. Keep his appearance, clothing, helmet, and body proportions identical throughout the entire clip. The Suzuki GS150SE should remain accurately proportioned and visually consistent, with realistic suspension movement, wheel rotation, chain movement, engine vibration, brake components, exhaust, mirrors, and authentic motorcycle details. The highway winds dramatically through enormous snow-covered Karakoram mountains, with towering icy peaks visible in the distance. Cold mountain atmosphere, patches of snow beside the road, crisp blue sky, thin clouds, distant glaciers, and realistic high-altitude lighting. Cinematic Direction: Begin with a low front three-quarter tracking shot of the GS150SE approaching at speed. Transition into a side tracking shot showing the rider enjoying the mountain scenery while maintaining control of the motorcycle. Briefly show a helmet-level POV looking down the sweeping Karakoram Highway toward massive snow-covered peaks. Use realistic aerodynamic effects: subtle airflow flowing around the rider and motorcycle, jacket fabric reacting naturally to wind, slight suspension compression over road imperfections, realistic tire contact, and controlled motion blur. Finish with a dramatic rear three-quarter tracking shot as the motorcycle disappears along the winding highway, surrounded by enormous icy mountains. Visual style: photorealistic, premium motorcycle commercial, cinematic 4K, natural mountain lighting, realistic physics, detailed motorcycle textures, dynamic tracking camera, shallow depth of field where appropriate, subtle lens flare, realistic motion blur, immersive scale, epic Himalayan/Karakoram atmosphere. Important: No distorted motorcycle parts, no extra limbs or fingers, no changing rider appearance, no duplicated motorcycle components, no unrealistic wheel geometry, no floating motorcycle, no excessive CGI effects, and no text overlays unless specifically requested. Overall feeling: freedom, adventure, power, solitude, mountain exploration, and the thrill of riding through the Karakoram.

Landing page hero section design for SpaceX Starship landing on Mars at dusk, soft warm off-white and pale stone canvas, oversized clean photographic imagery with gentle natural light, elegant muted champagne and soft gray tones with subtle cyan accents, ultra-clean composition, sophisticated high-end typography, subtle floating glass elements, generous negative space, soft diffused lighting, minimal technical details, polished luxury product aesthetic, calm and refined atmosphere, ultra-high detail 12k quality, cinematic depth ready for smooth video motion

A photorealistic 10-second culinary commercial for a chocolate lava cake. Shot 1 (0:00–0:01): Close-up 45-degree angle of a fresh egg falling into a mound of cocoa powder and flour in a glass bowl on a wooden countertop. Shot 2 (0:01–0:03): Top-down overhead view of a metal wire whisk actively stirring velvety, glossy chocolate batter into silky concentric swirl patterns. Shot 3 (0:03–0:05): Medium close-up eye-level shot of thick chocolate batter pouring in a smooth ribbon fold into a grey ceramic ramekin dusted with cocoa. Shot 4 (0:05–0:07): Straight-on medium shot inside a modern oven, warm amber interior glow, showing the chocolate lava cake fully risen and domed on the wire rack. Shot 5 (0:07–0:10): Hero macro shot of the baked lava cake on a matte dark plate; a silver spoon breaks into the crust, releasing a flowing cascade of warm molten chocolate lava with delicate rising steam. Style: High-end commercial cinematography, natural studio lighting, ultra-realistic textures, shallow depth of field, 8k resolution, smooth transitions. A professional 5-panel commercial storyboard layout on a clean, light-grey textured background with crisp black frame borders and typography: Top Row (Left to Right): Panel 1: 00:00 - 00:01 | CU, Angle 45-degree angle — Raw egg yolk cracking into cocoa powder and flour in a glass bowl. Text: "Combine your rich ingredients." Panel 2: 00:01 - 00:03 | Angle: High-Angle / Top-Down (CU) — Whisk swirling glossy chocolate batter into concentric rings. Text: "Whisk until perfectly smooth." Panel 3: 00:03 - 00:05 | MCU, Eye-Level — Thick ribbon of chocolate batter pouring vertically into a grey ramekin. Text: "Bake until the edges are set." Bottom Row (Centered): Panel 4: 00:05 - 00:07 | MS, Straight-On Centered — Puffed cake resting on the wire rack inside a warm illuminated oven. Text: "Baking in Oven" Panel 5: 00:07 - 00:10 | Hero Angle — Silver dessert spoon breaking the cake crust, warm molten chocolate oozing outward with steam. Text: "Enjoy your perfect lava cake." Style: Clean storyboard graphic design, photorealistic culinary frame stills, sharp cinematic typography, balanced layout.

Create a table full of vegetables, healthy fats, and protein. Then you have a chef create delicious plates with them for a healthy free cancer life.

Project: Frozen Shell (15-Second Ice Cream Campaign)\nFormat: Text-to-Video with Image Anchor (Start Frame)\n\n---\n[00:00 - 00:03] THE HOOK (The Shell Crack)\n• Visual & Camera: Starts on the image anchor. Extremely tight macro close-up on the frozen dark chocolate shell of the ice cream bar.\n• Action / Movement: The 26-year-old Latina woman bites into the bar in hyper-slow motion. The hard chocolate shell cracks in intricate spiderweb patterns before a piece breaks off cleanly.\n• Audio / Sound Design: A sharp, wooden \"CRACK-CRUNCH\" sound effect followed by a deep sub-bass pulse.\n• On-Camera / Voice: None. High-contrast texture shift.\n\n---\n[00:03 - 00:08] THE CREAMY DIP & DIP-FLOW\n• Visual & Camera: Macro shot of the interior showing dense, rich vanilla bean ice cream contrasting against the dark chocolate shell fragments.\n• Action / Movement: Slow-motion shot of a fresh ice cream bar being dipped into a vat of liquid chocolate, pulling out as a smooth, glossy coat quickly freezes into a matte finish.\n• Audio / Sound Design: Smooth, airy \"WHOOSH\" sound layering into a bright, summer-themed indie-pop synth line.\n• On-Camera / Voice: None. Focus on temperature contrast and surface transformation.\n\n---\n[00:08 - 00:12] THE REFRESHMENT\n• Visual & Camera: Medium shot, eye-level. Golden hour sunlight highlighting her face.\n• Action / Movement: The 26-year-old Latina woman laughs softly, savoring the bite as sunlight reflects off her face. She looks straight at the camera.\n• Audio / Sound Design: Music track dips under clear vocal audio.\n• Dialogue (Real-time on-camera): \"Worth every single bite.\"\n\n---\n[00:12 - 00:15] THE HERO SIGN-OFF\n• Visual & Camera: Crisp hero shot of the ice cream bar resting on a marble surface next to vanilla beans and crushed dark chocolate pieces.\n• Action / Movement: A single drop of melted chocolate falls from the tip onto the marble in slow motion.\n• Audio / Sound Design: Upbeat final acoustic chime fade-out.\n• On-Screen Text / Call to Action: \"Break the Cold.\"

Create a cinematic, photorealistic lifestyle video of a young East Asian woman in a cozy modern apartment by the sea. The video has a warm, natural morning atmosphere with soft daylight coming through large windows, realistic skin texture, subtle facial expressions, natural body movements, shallow depth of field, and smooth cinematic camera motion. Scene 1 — Bedroom: A young woman with long straight dark hair, wearing a light beige/pink satin pajama set, sits on the edge of her bed looking sleepy. She gently yawns and rubs her eyes. The bedroom is minimal and modern, with a neatly made bed, wooden furniture, soft curtains, and large windows letting in diffused natural light. Scene 2 — Bed: She pulls and adjusts the duvet, then sits and stretches slightly on the bed. Capture her natural sleepy morning routine with realistic movements and a calm atmosphere. Scene 3 — Leaving Bedroom: She stands up and slowly walks toward the bedroom doorway. The camera remains cinematic and slightly distant, showing the warm wooden interior and softly illuminated bedroom in the background. Scene 4 — Cooking: Cut to the kitchen. Close-up of a black electric sandwich/waffle-style press on the kitchen counter. The woman pours smooth light-brown batter into the heated mold. Use detailed macro shots of the batter flowing into the appliance. Scene 5 — Preparing Food: She operates the sandwich maker on the kitchen counter and carefully checks the food while cooking. Show realistic hand movements, steam/heat details, kitchen reflections, and natural daylight coming through the nearby window. Scene 6 — Eating: She opens the appliance and removes a freshly cooked golden-brown waffle/pastry. She holds it with both hands, takes a bite, then smiles naturally with a satisfied expression. Visual style: photorealistic, cinematic lifestyle commercial, natural morning lighting, warm neutral color palette, realistic Asian facial features, authentic skin texture, detailed hair strands, realistic fabric physics, soft shadows, subtle film grain, shallow depth of field, professional cinematography, smooth transitions, realistic handheld camera movement, 4K quality. Camera: combination of medium shots, close-ups, macro food shots, slow push-ins, gentle tracking shots, and shallow-depth-of-field portrait shots. Mood: cozy, peaceful, warm, relaxing morning routine, premium lifestyle advertisement. Aspect ratio: 16:9 Duration: approximately 20 seconds No text, no subtitles, no watermark, no logo, no distorted hands, no extra fingers, no unnatural facial movements, no cartoon/anime appearance.

[REFERENCE LAYER] Uploaded reference images, in upload order: @Image1 — CHARACTER REFERENCE, BUNGEE STATE. The man, wearing his black bungee harness with the shirt collar closed. Identity and wardrobe reference only. @Image2 — CHARACTER REFERENCE, VILLA STATE. The same man with no harness and the shirt collar open. Identity and wardrobe reference only. @Image3 — PRODUCT REFERENCE. The NAGI beer can. Design reference only. Follow @Image1 strictly for his face, hair, stubble, build and clothing in every shot from 0s to 13s, including the black bungee harness on his waist and thighs. Follow @Image2 strictly for the same man from 13s to 18s, with no harness and an open collar. Follow @Image3 strictly for the can in every shot where it appears: the matte pale sea-glass body, the bare silver rim, lid and tab, the thin white horizontal line, the white word "NAGI", the small white "JAPANESE LAGER" beneath it, and the slender white barley ear. The man in @Image1 and the man in @Image2 are the SAME person. Keep one single identity. None of these images is a starting frame. Do not open the film on any of them. Do not inherit their composition, their angle, their crop, their flat grey background or their flat studio lighting. Take only the identity, the wardrobe and the product design from them. [ONE-LINE SUMMARY] 18 seconds | 16:9 | 24fps | 720p. Live-action beer commercial. The man from @Image1 dives head-first off a catwalk on a jungle bridge, falls into a gorge toward a single point of white light, grabs the @Image3 can resting on a crystal at the bottom, rises holding it, and arrives in a luxury villa where he finally relaxes. Cinematic live action, shallow depth of field, natural light. Fast-paced advertising edit. [GLOBAL SETUP] Environment and texture: Remote Southeast Asian jungle at morning, a vast limestone gorge filled with mist. Humid air. Emphasize extremely realistic physical texture. Visual style: Cinematic live action. Shallow depth of field. Natural light and backlight. Film grain. Camera language: Only one camera movement per shot. Never mix movements. Character: exactly as in @Image1 — lean and wiry, long narrow face, warm tanned weathered skin, narrow hooded eyes, straight nose bridge, thin lips, angular jaw, short black hair with grey at the temples, light patchy stubble, faded olive-green jungle shirt with sleeves rolled below the elbow, dark khaki cargo trousers, scuffed brown hiking boots. Preserve real fine pores and authentic skin texture. From 0s to 11s he always wears the black bungee harness from @Image1: the waist belt with its steel buckle and both thigh loops joined by flat webbing. The harness is visible whenever his body in frame. Never remove it early. From 13s onward he matches @Image2 exactly: no harness of any kind, collar button open. Product: exactly as in @Image3. Never change the colour, proportions or printing of the can. Falling posture rule: He always goes over the edge leading with his head and chest, tipping his upper body forward into the drop. His feet leave the catwalk last. He never steps off feet-first, never drops feet-down, and never falls with his legs below him. He is head-down and upper-body-first from the instant he leaves the catwalk until he reaches the bottom. Can orientation rule (important): While it rests on the crystal, the can stands UPSIDE DOWN in world space — its lid resting flat on the crystal surface, its base pointing up toward the sky, and the word "NAGI" reading upside down to the world. This is intentional; do not correct it. Because the man arrives head-down, the can appears upright from his point of view, so he grips it in a completely natural way, thumb toward the lid. When his body then rotates head-up, the can rotates with his hand and ends up correctly oriented, lid up, held naturally. His grip never changes or re-adjusts during this rotation. Core of the performance: Falling = everyday stress. Rising = release. The film opens on a tense face and answers it with the same face released. VOICE-OVER RULE (read carefully): There are exactly two spoken lines in this entire film. Both are voice-over, spoken by an unseen narrator with a calm, low, warm male voice, unhurried and quiet. Nobody on screen speaks these lines. The man's mouth does not move for them and there is no lip sync anywhere in the film. The two lines are: at 8.5s — 「うるさい毎日に、」 at 15.5s — 「静けさを、一本。」 These two short lines are the complete and total amount of speech in the film. Add no other narration, no other dialogue, no improvised words, no extra sentences, and do not repeat these lines. The only other human sound in the film is his scream during 4.5-7.5s, which is not speech. [TRANSITION SETUP] Forbid hard cuts. Forbid objects appearing out of nothing. Maintain the breathing of the camera in harmony with the shot lengths, and leave enough time for each transition. This film has exactly eight shots. Render all eight. Do not merge or drop any of them, including the short opening shots. [TIMESTAMPS] 0-1s [THE FACE — EXTREME CLOSE-UP] Action: The film opens on this shot. Extreme close-up of the @Image1 man's face filling the frame. Sweat beads at his temple and runs down. His pupils are wide. His jaw is tight and a muscle flexes at the hinge. He blinks once, hard. His breathing is shallow and fast through slightly parted lips, and his eyes flick downward and away, unable to hold still. Loose strands of hair move in the wind at the edge of frame. Intent: Put the viewer inside his stress before showing them anything else. This is dread, not adventure. Camera: Extreme close-up, locked off. No camera movement at all. Color: Cold blue-green. Desaturated. Hard side light from a low sun. Audio: A deep slow human heartbeat, low and very close, as if heard from inside his own chest. This is the only prominent sound. Beneath it, only his shallow breathing and the faint sound of wind moving through the gorge. There are no city sounds of any kind: no traffic, no cars, no crowds, no station announcements, no phones, no machinery, no distant voices. No background music. No voice-over in this shot. On-screen text: none. -> Natural cut 1-2.5s [THE VOID — STRAIGHT DOWN] Action: Cut to a camera positioned high above, looking straight down. Directly below, a narrow open steel-grating catwalk juts out from a rusted steel truss bridge into empty air, a thin bright line across an enormous field of drifting mist. The @Image1 man is a small figure standing near its tip, wearing his harness, the bungee rope curling behind him along the grating. Below and around the catwalk there is nothing but the mist-filled void of the gorge. Intent: One pure image of how high and how alone he is. No face, no acting — the thin line of metal and the void do the work. Camera: Directly overhead, looking straight down, locked off. No camera movement at all. Color: Cold blue-green. Heavy mist. Almost abstract. Audio: Only the heartbeat, close and loud. Wind moving through the gorge. The faint creak of steel grating. No city sounds. No background music. No voice-over in this shot. On-screen text: none. -> Natural cut 2.5-4.5s [THE JUMP — FULL BODY, SIDE ON] Action: Cut to a side view of the catwalk from across the open air, at roughly the same height as the man. His full body is clearly visible, matching @Image1 exactly, with the black bungee harness plainly visible on his waist and thighs and the rope running from it back along the grating. So is the structure he st

Landing page hero section design for SpaceX orbital refueling depot, soft warm off-white and pale stone canvas, oversized clean photographic imagery with gentle natural light, elegant muted champagne and soft gray tones with subtle cyan accents, ultra-clean composition, sophisticated high-end typography, subtle floating glass elements, generous negative space, soft diffused lighting, minimal technical details, polished luxury product aesthetic, calm and refined atmosphere, ultra high detail 12k quality, cinematic depth ready for smooth video motion. Slow cinematic camera push-in, subtle floating particles and soft light movement, gentle atmospheric haze drifting, smooth elegant motion, premium cinematic feel, ultra-high detail, calm and refined atmosphere

NEUROPROSTIR — ENTRANCE → THE WEIGHING → THE CASE → ONE CHORD → THE TWENTIETH → LOGO SHOT STRUCTURE: 11 shots, 30 seconds, 4:3, exactly as listed, no added shots REFS: @[Image 1](image_1) = location reference sheet. Controls the room itself only — architecture, layout, materials, window positions, bar position, fixtures, colour of the space. Every shot is staged inside this room. @[Video 1](video_1) = video reference of Vova's face. Controls facial geometry, features, skin and expression range INSIDE the hairline only: forehead, eyes, nose, mouth, jaw, complexion. It does not control hair, hairline, head shape above the hairline, or anything below the neck. @[Image 2](image_2) = character sheet. Controls Vova's hair length, parting, volume and fall, plus his build, height, wardrobe and silhouette. @[Image 3](image_3) = prop turnaround. Controls the guitar's shape, colour, wear and the logo on the lower bout only. @[Image 4](image_4) = character sheet. Controls El Patrón's face, hair, build and wardrobe. @[Image 5](image_5) = photo reference. Controls Anya's face, hair, glasses, earrings and jacket. @[Image 6](image_6) = brand reference. Controls the logo shape, its orange-to-violet gradient, the wordmark, the subscribe button and the server-room environment, for the final shot only. ACTIVE REFERENCES: @[Image 1](image_1) 95% · @[Video 1](video_1) 90% (face only) · @[Image 2](image_2) 95% (hair, build, wardrobe) · @[Image 3](image_3) 95% · @[Image 4](image_4) 90% · @[Image 5](image_5) 90% · @[Image 6](image_6) 100% (final shot only) LOCATION MAP — fixed for the entire piece, every shot is staged against these anchors: - The room runs roughly 12 metres east to west and 9 metres north to south. Terracotta tile floor, adobe plaster walls, exposed dark timber ceiling. - NORTH WALL: the bar, 6.2 metres long, brass rail, a spotted mirror and a full wall of bottles behind it. A single 2400K bulb hangs over the bar. - SOUTH WALL: the batwing doors, 1.4 metres wide, the only entrance. - WEST WALL: three shuttered windows. This is the only daylight source in the room. - EAST WALL: a jukebox, and one table beside it. - CENTRE: a slow ceiling fan, and scattered tables between the doors and the bar. FIXED POSITIONS — each character occupies exactly one position for the whole piece and never appears in two places: - <Bartender> behind the bar, centre, facing south into the room. - <Vova> enters through the south doors, walks north-west across the floor, and stops at the WEST END of the bar. He stands there from shot 3 onward and does not move again. - <El Patrón> is seated on a stool at the bar, about 2.5 metres EAST of where Vova stops, from the first frame to the last. He never stands and never leaves the stool. - <Anya> is seated alone at the EAST TABLE beside the jukebox, whisky and tablet in front of her, from the first frame to the last. She never moves to another table. - Six men at the scattered centre and south tables, seated, none of them at the bar. BAR AXIS: Vova and El Patrón stand and sit side by side along the bar, both facing north toward the bottles. They speak to each other through the spotted mirror, not face to face. The camera stays SOUTH of the bar for the entire piece and never goes behind it. GLOBAL STYLE NOTES: - look: late afternoon sun through the three west shutters as the single daylight source, hard-edged at 3000K, throwing long slatted bars across the tile and up the north wall, dust and cigarette smoke standing visible in the shafts; the 2400K bulb over the bar adds a small warm pool exactly where Vova stops, while El Patrón's stool sits in the gap between two shutter bars and reads darker without any separate lighting; the room falls to deep amber shadow away from the windows; 35mm film still, Kodak Vision3 500T pushed one stop, heavy grain, halation on the shutter slats, warm ochre grade with the shadows lifted to brown - setting: dry air at 34°C, thick with dust; a mariachi guitar playing low from the jukebox on the east wall, the fan motor, glass on wood, boots on tile, the doors knocking twice as they settle; room tone stays present under every quiet beat, never digital silence; ambience ducks under every spoken line and returns in the gap - characters: <Vova> face from @[Video 1](video_1), hair and everything else from @[Image 2](image_2). 190 cm, dark brown wavy hair falling to the shoulders, centre-parted, thick and slightly unruly, covering the tops of the ears — the hair is taken from @[Image 2](image_2) and is never redrawn from the video reference. Black cropped jacket with silver conchos down both fronts, black shirt open at the throat, silver chain, black jeans with silver buttons down the outer seam, worn black boots. He stands about 7 cm taller than El Patrón. Keep identical in every shot. <El Patrón> corresponds to @[Image 4](image_4). 183 cm, moustache, hair slicked back, white linen shirt with the sleeves rolled, gold chain, dark trousers, brown belt, brown boots, gold watch, rings. Keep identical in every shot. <Anya> corresponds to @[Image 5](image_5). Short blonde-grey hair, round glasses, silver hoop earrings, black blazer with white stitching. Keep identical in every shot. <Bartender> a thin older man, apron, towel over the shoulder. Keep identical in every shot. - acting — Vova: scene direction: keep it ordinary, let the room do the work, never sell anything fuel: he knows exactly what is in the case and quietly enjoys that they do not goal: make them ask instead of making them listen obstacle: the pull to explain himself; one sentence of pitch and the room owns him tactic: says nothing until asked twice, then answers a half-beat late and one word shorter than expected, checking the mirror after each answer to see whether the man is waiting for more, and giving him less each time channel: walking, then setting the case flat on the bar and working the latches without hurry gaze always engaged in the task, natural blink cadence - acting — El Patrón: scene direction: same, keep it ordinary, nothing here is worth standing up for fuel: three men came through those doors this year with a case and he is still the one sitting goal: get him out through the same doors without leaving the stool obstacle: curiosity, which he refuses to show and which leaks through every repeated question tactic: asks, then lets the pause run past comfortable to see whether the man fills it; the man never does, so he has to ask again, and each repeat costs him a little ground channel: turning a glass slowly on the bar top, never lifting it gaze always engaged in the task, natural blink cadence - acting — Anya: listener_task: she is checking whether the number on her tablet is final or still moving, and the bar is not part of that until it is CONTRAST AXIS: risk. Vova courts it, El Patrón holds ground against it. Both speak sparsely, both flat, both dry — the comedy lives in how alike they sound while wanting opposite things. Neither is a villain: two quiet men at a bar trading short sentences, and the older one loses ground only by having to ask twice. EYELINE GEOMETRY, anchored to the room and to each body, never to screen sides: (A) Vova and El Patrón face north at the bar — each looks at the other's REFLECTION in the spotted mirror, and their real heads stay turned toward the bottles; (B) Anya's table sits past El Patrón's OWN RIGHT shoulder — to reach her he rotates his head toward that shoulder and looks back over it; (C) the doors sit directly behind both of them to the south — glancing

WOMAN LOCK- One woman about 30 warm olive skin oval face large dark brown almond eyes full lips long near black hair slim build real pores Her face age and skin tone never change in any shot Only hair makeup wardrobe light and world change 0 to 2 sec Extreme close up on a bed at night camera a hand span above her face loose hair taupe silk top under a grey blanket warm bedside glow Her eyes open into the lens Off screen woman asks "Which version is the real you" Blink cut with a soft cloth whip 2 to 4 sec Medium close up in a glass office above a city charcoal double breasted suit sleek low ponytail cool window light slow push in She says "The one who leads" Camera wipes past her shoulder 4 to 6 sec Backward glide in a smoked mirror elevator silver sequin gown glossy waves smoky eyes practicals sliding on sequins She says "The one who owns midnight" and passes the lens 6 to 8 sec Crimson silk match cut deep red sari with thin gold border low bun tiny bindi warm sandstone doorway late sun She says "The one who remembers" then turns sharply into the cut 8 to 10 sec Low angle handheld rain wet alley black leather jacket textured hair hard streetlamp rim light wet reflections camera retreats as she walks in She says "The one who fights back" with a half smile Foreground object blacks the lens 10 to 12 sec Slow rotation from her cheek to the lens cream cashmere sweater bare face warm mug in both hands grey rain window She says "The one who goes quiet" then closes her eyes 12 to 15 sec Back to the opening bedroom crisp white shirt natural skin tiny push in She says "They are all real" Half beat and a private smile She says "They are all me" Hold and cut to black 50 mm for faces 28 mm for rooms natural perspective Avoid morph transitions melting clothes duplicate faces warped hands plastic skin lip sync drift readable signs

FORMAT 15 seconds | 16:9 | live-action fashion dress shoot footage Real outdoor fashion shoot in Taj Mahal, Agra. Raw professional camera footage, observational realism. No commercial-style fantasy treatment. REFERENCE CONTROL @Image1 = exact dress reference. The model wears the exact dress shown in the reference. Preserve the dress construction precisely: dusty rose-pink traditional outfit, intricate lace and embroidery, detailed floral embellishment, matching embroidered lower garment, sheer matching dupatta with detailed embroidered border, rich traditional textile detailing. Do not simplify or redesign the dress. Maintain the exact dress throughout every shot. SETTING Beautiful open-air fashion shoot at the Taj Mahal during sunset. Historic Mughal architecture, white marble façades, gardens, trees and symmetrical pathways surrounding the model. Soft warm sunset daylight. Real Taj Mahal atmosphere. MODEL Adult high-fashion model. Tall, slender proportions. Minimal makeup, understated hair. Natural relaxed expression. Controlled graceful movements. 00–02.5s — ENTRANCE Wide shot from the Taj Mahal. The camera holds on the Taj Mahal and surrounding garden. The model suddenly enters the frame from the left side wearing the exact referenced dress and smiling naturally. The dress begins moving naturally with her steps. The dupatta responds gently to the light breeze. 02.5–05s — WALK Medium rear three-quarter tracking shot. Camera moves behind her as she walks into the garden. Show the back of her body while revealing the details of the dress. The dress sways with realistic weight and delayed momentum. The embroidery catches subtle sunset daylight. 05–07s — DETAIL Extreme close-up of the dress. Show the dimensional lace, embroidery and layered construction. Camera moves naturally across the fabric. The intricate details catch subtle sunset daylight. 07–09s — FACE Close-up shot of her face. Show her eyes, lips and natural facial expression. She looks naturally toward camera before shifting her gaze toward the sunset. Natural skin texture and realistic facial detail. 09–12s — SUNSET Medium-wide shot. She sits gracefully in the garden and adjusts her clothes naturally. The fabric gathers and settles realistically around her. She looks toward the setting sun. Warm sunset light falls naturally across her face and dress. 12–15s — DRONE Distant drone shot. The camera rises and pulls backward away from her. Reveal the model seated in the garden with the Taj Mahal behind her. The frame expands to reveal the scale of the Taj Mahal and surrounding gardens. CAMERA Real professional fashion-shoot camera coverage. Wide, tracking, close-up and drone professional camera footage. Natural operator micro-movement. Minor reframing. Real autofocus adjustments. Natural motion blur and depth of field. No floating camera.

Landing page hero section design for Tesla AI, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, cool cyan and steel blue with soft amber accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, asymmetric composition, generous negative space, ultra-premium futuristic aesthetic, ultra high detail

Create a 13-second ultra-realistic cinematic luxury home video. Start with a wide exterior view of a grand luxury mansion, then smoothly move through the main entrance and showcase the luxurious foyer, living room, kitchen, dining area, and bedroom with seamless cinematic gimbal movement. Continue naturally toward the backyard and reveal a beautifully landscaped lawn with the luxury house in the background. End with the same girl sitting comfortably on the lawn, calmly drinking tea beside an elegant tea set. Premium architecture, warm evening lighting, realistic textures and reflections, cinematic depth of field, smooth camera movement, photorealistic 4K quality, natural atmosphere, no text, no watermark.

Landing page hero section design for SpaceX Starship landing on Mars at dusk, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, warm copper and amber highlights with cool cyan and steel blue accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, delicate technical annotations, asymmetric composition, generous negative space, soft bloom, tactile film grain, ultra-premium futuristic aesthetic, ultra high detail 12k quality, cinematic depth ready for smooth video motion. Slow cinematic camera push-in, subtle floating particles and soft light movement, gentle atmospheric haze drifting, smooth elegant motion, premium cinematic feel, ultra high detail, calm and refined atmosphere

Define the character setting data in I1 as <A>. Even if I1 contains multiple perspectives, expressions, or clothing details of the same person, understand them all as design data for the same character. <A>'s face, hairstyle, body type, clothing structure, color scheme, and identity refer only to I1. Define the character setting data in I2 as <B>. (Same character consistency rule as above) <B>'s features refer only to I2. Define the character setting data in I3 as <C>. (Same character consistency rule as above) <C>'s features refer only to I3. <A>, <B>, and <C> must be three different people from start to finish. No face-swapping, no clothing changes, no mutual copying, and background crowds must not become copies of the three protagonists. The entire 30 seconds takes place in the central atrium of a large modern shopping mall; do not switch to a stage, street, studio, or other buildings. [Generation Goal] Generate a 30-second high-density shopping mall brand image commercial. The first 27 seconds play out as a high-spec Dance MV and public Flash Mob. At 27 seconds, the dance officially ends, and from 27-30 seconds, it abruptly transitions into a formal, bright, and overtly clean commercial outro. The core is not three isolated solos, but three protagonists completing a group choreography with clear roles that respond to each other, though rarely in unison. A: Flow / Orbit: Capoeira. Responsible for flow, circling, evasion, circular movement, and spatial connection. B: Center / Hook: Light modern Idol Dance as the base, adding Waacking arm lines and minimal Popping accents. Responsible for the readable hook, leading the crowd, and center guidance. C: Power / Punctuation: Breaking. Responsible for floor work, rotations, power moves, and punctuating musical phrases. The three collaborate via call and response, canon timing, and layered choreography. The audience must see they are dancing together, but not in a synchronized idol group style. Timeline: 0-9s: Establish character differences. 9s: First wave of Flash Mob starts. 15s+: Crowd size expands. 18s+: Escalators and 2nd-floor crowds join in. 24-27s: Peak climax. 27s+: All dancing stops; enter mall CM ending. [Space and Composition] Use wide horizontal space and architectural depth; don't crowd the three in the center for long. Initial Layout: A: Front-left area. B: Center-rear area. C: Front-right area. A uses left/mid-left zones with diagonal and circular paths. B stays as the visual anchor with full arm span space. C uses the right/mid-right floor area, ensuring enough radius for windmills, flares, and power moves. Background: Modern mall atrium with glass skylights, open galleries, escalators, stone floors, cafe areas, and plants. Bright, transparent, and realistic scale with natural reflections. Populate with shoppers, couples, families, and bystanders. [Detailed Movement Styles] - A (Capoeira): Movements must be based on a visible 'ginga' step. Not just acrobatic tricks, but a continuous rhythmic sway. Uses feints and circular kicks to create a 'dialogue' with the environment. - B (Idol/Waacking): Soft, approachable Idol dance for easy crowd imitation. Waacking expands the visual silhouette. Popping is used sparingly for beat hits. B provides the 'hook motif' that the flash mob eventually copies. - C (Breaking): Rotation-focused. Toprock and footwork serve as transitions into power moves (windmill, flare, backspin). Ends phrases with clear freezes. [Music and Sound] Style: Idol-friendly Brazilian breakbeat funk / dance-pop hybrid. Features bright dance-pop frame, funk bass, and Japanese female vocals. From 9s onwards, add human rhythmic layers like beatboxing, clapping, and a cappella harmonies as if generated by the crowd. [Camera Principles] Active but stable. Prioritize readability over flashy camera tricks. Show A's full leg arcs, B's arm gestures, and C's floor rotations clearly. Use cranes and orbits to capture the expanding crowd scale in the second half. [Shot Breakdown (1-10)] (Detailed descriptions of 10 shots covering the progression from intro to the 27-second climax, including specific dance moves for each character and the synchronized final accent at 27 seconds where the music stops for the commercial outro.)