Prompts de Vídeo para Product V

新機能のリリースに関してイメージ動画みたいなの作りたいんだけど、モーショングラフィックスとか作れる？ 参考はね、こういうやつ。（プロダクトローンチとかでよく見るUI動く系の参考のXリンク貼る） アップデート内容は、管理画面から音声テスト確認できるようになった（管理画面のスクショ貼る）

Make one 60-second, 60 fps, Apple-style motion-graphics product film for Kirocast (https://t.co/YDA5cSDcTa, "The MacOS screen recorder built for AI."), in two versions: 16:9 at 1920×1080 and 9:16 at 1080×1920 for Instagram Reels and TikTok. Both versions share the same timeline

Create a video of a {argument name="object" default="knife"} cutting through {argument name="substance" default="butter"} except the {argument name="object" default="knife"} must look like {argument name="substance" default="butter"} and the {argument name="substance" default="butter"} must look like {argument name="material" default="stainless steel"}

VIDEO — 15s vertical, UGC + ASMR-style product showcase in a minimal neon-lit room inspired by a female streamer reference, no visible main light source, background is clean and softly blended pink–purple gradient, ambient glow only, while the subject’s face is illuminated by a soft warm front-facing light, creating contrast between warm skin tones and cool-toned environment, subtle RGB edge lighting on hair and shoulders, classic YouTube/TikTok streamer vibe, slight handheld feel but mostly stable framing, no text, no logos, no watermark; Subject: a female streamer strictly matching the reference (face, vibe, lighting reference), relaxed and confident, wearing wired white earphones, seated at a desk, calm focused expression; Product: generic item (tech accessory / cosmetic / small lifestyle item) strictly matching product reference, no deformation, no added features; 0–2s — Intro (ASMR whisper): Medium close-up, she leans slightly toward the mic/camera and gently brings the product into frame, warm light softly wrapping her face while pink-purple ambient glow fills background; whisper voice (soft, breathy): “Today… I’m gonna show you this…” 2–4s — Tap trigger: Close-up of her hands holding product, fingernails lightly tapping in a slow rhythmic pattern, producing clear, crisp material-specific sounds (plastic / glass / metal / ceramic depending on product), camera tight on texture and contact, warm highlights + subtle neon reflections visible on surface; 4–8s — Detail showcase (multi-angle ASMR): Quick clean cuts — front, side, macro — she slowly rotates the product continues soft tapping, light scratching or brushing depending on surface, pink-purple ambient reflections glide across edges, emphasizing real material response, no exaggerated motion; whisper voice (soft, appreciative): “The details on this are really nice… look at that… yeah, that’s really well done…” 8–10s — Texture focus + praise: Extreme close-up, fingers continue tapping along edges and surfaces, slight pause; whisper voice (warm, impressed): “Every side looks so clean… the finish is really well made…” 10–12s — Final hold: product held close to camera, slight tilt to catch warm face light + ambient neon glow, she gives a small satisfied nod; whisper voice: “I really like this one.” Audio: highly detailed ASMR sound (nail tapping, light scratching, subtle handling), very low ambient noise, optional ultra-low tone, no loud music; Style: intimate, sensory-driven, female streamer ASMR with warm face light + cool neon background contrast, clean, minimal, and visually soft.

Build "Time, Undone." - a single self-contained HTML file (embedded JS and CSS) running a genuine WebGPU + WGSL interactive 3D mechanical watch that takes itself apart as you scroll, while it keeps running. No 3D engine libraries; all geometry is generated in code.

Make a dynamic 15-second motion graphics video that shows what an incredible motion designer you are, like it's your showreel for a résumé. go all out. Make it a video to introduce `https://t.co/Ayf4rIphdr` 1. Use actual product screenshot/logo/assts 2. must have music and motion must match the music. Do it like a real professional production video, not like a demo or prototype.

请在当前项目做一支 15 秒的产品使用说明视频，使用 Remotion，竖版 1080×1920、30fps、共 450 帧。只用 assets 目录里提供的商品图和我给出的事实，不下载陌生素材，不补销售数据。 第 0 至 3 秒展示商品与一句使用场景。第 3 至 9 秒演示两步操作，每步只出现一个动作。第 9 至 13 秒展示结果，并保留能看清的停留时间。最后 2 秒显示产品名称，不加购买引导。 先列分镜与素材缺口，再做预览。字幕单独排版，动效以当前帧号计算。不要用真实时钟驱动时间线，也不要使用不固定的随机数。商品、文字、镜头时间分别配置，方便以后替换。 交付可编辑项目、启动与渲染命令、MP4，以及第 1、5、10、14 秒的静帧。缺少必要素材时停止并说明，不用假素材代替。

30 sec | 16:9 | One continuous generation | English dialogue | No BGM | No subtitles STYLE: Ultra-photorealistic live-action premium smartphone commercial with the cinematic visual language of a coming-of-age movie. Real actress, real environment, natural practical lighting, subtle 35mm film grain, realistic skin texture, physically accurate reflections, natural handheld imperfections. The first half must feel like a movie scene, while the product is gradually revealed as the reason the moment exists. CHARACTER LOCK: YOUNG WOMAN from the provided reference image. Same actress throughout. Long messy wavy dark-brown hair, natural skin texture, grey fitted cropped T-shirt, black high-waisted jeans. Preserve her exact facial appearance, hairstyle, clothing, body proportions and styling from the reference image. Natural micro-expressions, subtle acting, realistic movement. PRODUCT LOCK: VELORA V1, fictional premium smartphone based exactly on the provided phone reference image. Deep burgundy metallic body, ultra-thin flat frame, minimal black dual-camera module, subtle silver "V" logo centered on the back, premium glass finish. Keep the exact same phone design, proportions, color, camera placement and logo throughout the entire video. No real-world smartphone branding. LOCATION: Outdoor rooftop terrace at blue hour. Deep navy evening sky with a faint warm pink horizon, distant trees and soft city lights. Weathered concrete ledge. Gentle natural wind. Quiet cinematic atmosphere. SOUND: Natural location sound only. Evening wind, distant traffic, footsteps, fabric movement, subtle breathing, realistic phone camera sounds and interface clicks. No music. STORY: The commercial begins as if it is a scene from a real movie. The audience does not immediately realize they are watching a smartphone advertisement. 00:00–05:00 — SETTING THE CAMERA Extreme close-up of a hand carrying the burgundy VELORA V1. The hand places the phone carefully on a concrete ledge. Close-up of the phone's burgundy metallic back catching the blue-hour light. The girl reaches toward the phone. She taps the screen. The front camera opens. The phone screen shows her live preview. She adjusts the phone angle slightly until the composition matches the provided girl reference image. She steps backward. A small realistic recording indicator appears: "REC 00:00" Camera remains fixed as if the phone itself is recording. 05:00–11:00 — THE REFERENCE PHOTO COMES ALIVE The recorded footage now becomes the main visual. Recreate the exact composition and appearance of the provided girl reference image: Low-angle perspective. Deep blue evening sky. Long messy wavy hair. Grey cropped T-shirt. Black jeans. Natural direct-camera expression. She stands still for a moment. A gentle gust of wind moves her hair naturally across her face. She looks directly into the front camera. She gives a tiny genuine smile. She quietly says: "Ok

A tight blue-and-white striped Lacoste polo shirt laid flat as a luxury fashion still life on white sheets, sharp product photo. Use the exact style, fabric texture, collar, buttons, and green crocodile embroidery logo from space ai x

电影级写实质感，纯古风中国仙侠美学。 以成熟的社会性张力、克制的冷幽默和真实的人物关系为核心，把当下“所有兴趣似乎都必须变成技能、成绩、收益和个人提升”的情绪，彻底转译成古风仙侠人物戏。 核心原则 不出现现代词汇 不走“看似无用的爱好最后竟然藏着绝世神功、隐藏传承、关键战斗能力”的俗套反转 这只杯子从头到尾就只是一个普通的、甚至烧得有点歪的杯子 它真正承担的是人物价值观 参考与环境 将 @图片 1 和 @图片 2 严格作为人物身份锚点。 本轮所有新上传背景与地点参考图，先无声重组为一套统一的环境 DNA，将彼此兼容的以下元素自然融合： 古代建筑语言 真实地形 空间尺度 风化材质 植被 水体 游走山雾 缓慢云层 倒影 主光方向 空气纵深 整个环境必须始终鲜活，却在叙事上保持绝对中立。 角色设定 角色 ID A｜剑仙师姐 始终是同一个 @图片 1 剑仙师姐： 25–30 岁东亚女性 椭圆白皙面庞 深色杏眼 黑色长发半挽，以白玉簪固定 身材高挑纤细 穿同一套白色刺绣真丝汉服 半透明宽袖 银色腰封 玉佩 白色布靴 持唯一一柄银色长剑 角色 ID B｜小师妹 始终是同一个 @图片 2 小师妹： 20–25 岁东亚女性 圆润灵动的脸 黑发编辫 身形娇小 穿同一套青绿色亚麻汉服 深色腰带 木簪 黑色布鞋 持唯一一柄深色钢剑 其他次要人物 一名年长师父 一名好胜的同门弟子 数名刚结束七日休沐回山的弟子 分段结构 0–5s｜全景或远景 众弟子依次展示七日收获： 有人带回剑谱 有人带回妖丹 有人采到珍贵药材 轮到小师妹时，她却安静地从包袱里拿出一个自己烧制、杯沿略歪、明显称不上漂亮的普通陶杯，放到桌案中央。 师父看了半晌，说： “七日休沐，别人破境悟剑 —— 你就烧了个杯子？” 小师妹很自然地点头： “嗯。” 第一镜必须立即形成反差钩子。 5–10s｜中景或牛仔景 保持同样人物、服装、陶杯和完全一致的空间关系。 那个好胜的同门拿起陶杯，带着一点无法理解的笑，问： “能破境？” 小师妹回答： “不能。” 同门继续问： “能换灵石？” 小师妹回答： “不能。” 师父终于问出所有人都想问的问题： “那你学它做什么？” 这一次，小师妹第一次出现短暂迟疑。 甚至因为答案太简单，而有一点不好意思。 停顿半拍后，她才说： “…… 我想学。” 周围几名弟子互相看了一眼，有人忍住笑意。 就在观众以为师姐也会训她的时候，同一个白衣剑仙一句话都没有说，只平静地从那名弟子手中拿回这个歪陶杯，替自己倒上一杯茶。 背景中的风、水体、山雾、植被、云影、衣料和远处行人继续真实自然变化，却绝不能参与人物冲突。 10–15s｜特写或极近特写 师父看向师姐，问： “内门考核在即，你还由着她玩？” 同一个剑仙师姐低头认真看了一眼歪掉的杯沿，直接回答： “这不算长进。” 小师妹眼神在这一瞬间明显暗了一点，让观众再次误判——师姐其实也不认同她。 完整保留一个具有欺骗性的半拍。 下一秒，师姐却非常自然地用这个杯子喝了一口茶，再补一句： “所以才难得。” 师父皱眉： “什么意思？” 极近特写落到师姐。 她没有看师父，而是看向小师妹，说： “她终于做了件 —— 不拿来证明自己的事。” 现场彻底安静。 小师妹一直有些局促的眼神，慢慢放松。 那个同门仍然小声补一句： “可它还是没用。” 师姐把陶杯重新递回小师妹手中，只说： “人又不是法器。” 完整停顿最后半拍，再落下一句： “不必事事有用。” 结尾硬约束 绝不能安排掌声 绝不能突然奖励 绝不能让师父宣布破格晋升 绝不能让陶杯突然出现任何神奇能力 这个歪杯子最后依旧只是一个普通歪杯子 硬性要求 严格总时长 15 秒 16:9 横屏 严格 三个连续清晰镜头 原生同步普通话对白 精准口型与视线关系 人物身份、发型、服装、长剑、陶杯和配角位置全程稳定 人物微表演克制真实 动作节点少而清楚 陶器、茶水、真丝衣料和头发物理效果自然 前景、中景、远景保持真实视差与同步空间环境声 不生成字幕 Seedance 2.0 Mini 执行重点 针对 Seedance 2.0 Mini，重点强化： 多参考人物身份一致性 清楚的多人视觉主次 有限但具有戏剧意义的动作 稳定摄影机连续性 光影连续性 核心陶杯道具连续性 对白、陶杯落桌声、倒茶声、衣料摩擦声、剑鞘细响和环境声的精准音画同步 Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Make a dynamic million-dollar motion graphics video for https://t.co/ygsdMdfDFV that shows what an incredible motion designer you are, like it's your showreel for a résumé. Go all out. It must be grounded in functional reality. Every screen, label, and flow in the video must be something the product actually does today. Read the repo before designing anything.

Make a launch video for SportyBlocks. Use the provided logo, OG image, and component screenshots. Include soundtrack. Show real product components (87 sports components for Tailwind CSS, React, HTML).

A tiny hand-drawn 2D animated explorer discovers a giant abandoned clockwork workshop, turning gears, springs, buttons, and mechanical objects into a thrilling miniature obstacle course. Style: Mixed-reality hybrid animation combining expressive hand-drawn 2D character art with a realistic mechanical workshop environment. Playful stop-motion physics, smooth hand-drawn motion, cinematic lighting, realistic textures, and detailed mechanical sound effects with energetic background music. Camera & Framing: Extreme macro close-ups, low-angle tracking shots, dynamic overhead views, shallow depth of field, tilt-shift miniature effects, and fast cinematic camera movements following the tiny explorer. Audio & Scene Breakdown [00:00] - [00:03] Visual: A tiny explorer wearing a blue jacket, brown boots, and a small red backpack stands beside a massive brass gear as it slowly begins rotating. [00:04] - [00:07] Visual: She jumps onto the moving gear teeth, runs across them, and leaps onto a giant metal spring that launches her onto a wooden workbench. [00:08] - [00:12] Visual: A huge mechanical lever suddenly moves beneath her, sending her sliding across a polished metal surface before she grabs a dangling copper wire. [00:13] - [00:17] Visual: She swings across the workshop and lands inside an enormous open pocket watch, running between its moving gears as sparks glow in the background. [00:18] - [00:22] Visual: A giant wind-up key begins turning, creating a powerful gust that pushes her across the table while loose screws and metal pieces roll around her. [00:23] - [00:27] Visual: She discovers a tiny glowing blue crystal hidden inside a mechanical box and carefully reaches toward it as the entire workshop begins coming alive. [00:28] - [00:30] Visual: She touches the crystal, causing hundreds of gears to move simultaneously as the camera rapidly pulls backward to reveal the entire workshop operating like one enormous machine. Maintain consistent character design, proportions, environment scale, lighting, textures, motion physics, and visual style throughout the entire video. Use original characters and environments only. No logos, text, watermarks, branded elements, or recognizable copyrighted characters.

Photorealistic live-action video, real-time speed throughout. NO slow motion. Refer to Image 1. Inside a 3D anamorphic billboard on a modern building, an elegant woman with wavy hair wears a red high-slit velvet gown and reclines sideways on a marble ledge. A red crocodile-skin handbag is beside her. She quickly grabs the handbag, lifts it, then forcefully SLINGS it forward toward the viewer. Her arm makes one fast forward swing and releases the bag with strong force. The moment the bag leaves her hand, it must immediately shoot rapidly toward the foreground hand. The flight is FAST and SHORT, with no lingering airborne time. Do not show the bag slowly traveling through the air. It moves quickly from the woman's hand directly toward the catcher. The bag has real weight and momentum. Gravity naturally pulls it slightly downward during the fast flight, but it must continue moving rapidly forward. No floating, hovering, slow drifting, or suspended motion. A manicured foreground hand catches the SAME handbag almost immediately after the throw. The hand and wrist recoil naturally from the bag's momentum and weight. ONE continuous shot. No cuts, hidden transitions, camera resets, or duplicated objects. Exactly ONE handbag from beginning to end. The bag leaves the woman's hand once and is caught once. Never duplicate, replace, regenerate, or recreate the bag. Preserve the woman's face, hair, gown, handbag, marble ledge, billboard and building. Realistic physics, anatomy and motion. No morphing, flickering or teleportation. NO SLOW MOTION AT ANY POINT. No artificial SFX. Natural ambient sound with relaxed, sensual background music.

Grok super ai Lacoste crocodile embroidered on a blue-and-white striped polo shirt, the crocodile is winking one eye and holding a tiny gift box in its front claws, high-fashion editorial style, clean witty not crude. Base the embroidered crocodile exactly.m

make a dynamic motion graphics video for our project dubz up, show what an incredible motion designer you are, like it's your showreel for a résumé. go all out.

<role> you design and build motion videos entirely in code, with gsap for the animation and three.js for any 3d. every decision is judged against the best work in the references, and the video isn't finished until it holds up next to them. </role> <brief> - what the video is for: [product, service or business] - who's watching: [who the viewer is and what they care about] - what they should do at the end: [call to action] - length and sizes: [e.g. 30 seconds, 16:9 and 9:16] - brand: [name, logo files, colours, fonts] - facts file: [path]. this is the only source for any number, name or claim that appears on screen - assets: [footage, photos, screenshots, product files] - style references: [links or a folder of videos whose motion i like] i'm away and won't answer questions. make the calls yourself and keep going until the video passes every check below. </brief> <kit> before anything else, clone and read https://t.co/FMs1prnPP0. read SKILL.md first, then every reference file it points to at the step where it says to read it. its rules, critic prompts, quality bar, 3d patterns, audio tools and scripts override your defaults. </kit> <setup> - build every scene as an html page animated on a single gsap timeline, with three.js for any 3d, all as pinned local files - render the timeline to video frame by frame using the renderer in the kit - use ffmpeg for frames, contact sheets and audio measurement - keep every api key in environment variables. never write a key into any file - render a 5 second test first and confirm it works before building the real video </setup> <study_the_references> if i gave you references, study them before planning anything. - run a fast numeric pass over every frame: how much changed from the last frame, brightness and edge detail, to find every cut and every fast moment - make one overview contact sheet per video, and a dense sheet of one second at 16 to 20 frames a second around every transition - write a note per video: the key moment, how it works, and how it could be used in this video - pull out the motion rules and named techniques that hold across the best ones - references are for study only. never copy their footage, logos, layouts or music if i gave you no references, use the motion notes in the kit. </study_the_references> <motion_principles> 1. the thing in the front of the shot becomes the transition. a title, logo or object moves towards the camera while the next scene is already waiting underneath 2. one object carries the story across shots and keeps its identity, so it reads as one continuous piece 3. one main movement leads, with smaller ones layered under it, all overlapping. the frame never stops and starts all at once 4. the speed always changes. things land slowly enough to read, leave fast, and the next thing slows as it arrives. no linear motion 5. cuts are allowed only when size, direction and subject match on both sides 6. every action produces a visible result. a scan makes findings, a tap makes a new state, a request makes a confirmation 7. type is motion too. big words enter from opposite sides, reveal the next scene, and never sit over busy picture without something behind them to stay readable 8. vary the scale from close, to wide, to overhead, to full-frame type. never repeat the same layout, like a heading over three cards </motion_principles> <storyboard> write a brief and a storyboard before any animation. - one table: time, what's on screen, what this moment is for, how it leaves, and which object carries into the next shot - around 12 to 15 compositions per 30 seconds, each lasting about 1.4 to 3.5 seconds - the main subject fills most of the frame. no small cards floating in empty space - frame one is a finished picture, never a word halfway through flying in - name three signature moments you can describe without using effect names - the video must make sense with the sound off - send the storyboard to a fresh critic and fix what it finds before building </storyboard> <build> - every animated value is a function of timeline time only. no timers, no real-time animation, no unseeded randomness. any frame must render the same every time - write the shared pieces first: colours, fonts, shared 3d models and the exact pixel position of every handoff between scenes - build each scene as its own component with its own test page, rendered to stills and a short clip, and send it to a critic before it joins the film - carried objects land on exactly the same pixels on both sides of a cut - run several builders in parallel on separate sections once the shared pieces exist - don't stop to ask for approval between steps </build> <3d> - only use 3d where it explains something physical or spatial, like layers, parts, placement or scale - light it like a product shoot, with a soft key light from one side and a rim light behind - keep the camera between about 35 and 55 degrees. never look straight down on a large surface, and never end tight on a flat one - style buildings like a premium architectural model with real materials and a base - no floating parts, no gaps where parts meet, no flat black glass, no repeating textures - labels are html positioned from the 3d scene every frame, never text inside the 3d - measure the rendered background pixel and adjust until it matches the brand colour - anything that moves like a real product is measured from real footage frame by frame, and those measurements are the curve </3d> <images_and_footage> - prefer building shots in code. use generated images or clips only for supporting shots, and label anything generated as a concept - upscale and smooth any generated clip to match the rest, and regenerate anything that warps - never generate a fake finished job, fake customer, fake review or fake result </images_and_footage> <audio> - match the music's energy to the picture and the viewer, and keep it low - prefer clean library music and sound effects over generated ones. never name a brand in a music prompt - one short, soft whoosh per real scene change, and small clicks or pops only on real on-screen actions - screen effects for boom, hiss and length before using them, and set each one just above the music in its own frequency range, with a cap so nothing gets harsh - cut every scene change on a beat - always export a music-only version </audio> <critic_loop> the builder never judges its own work. - after the storyboard, each component and each full render, send the render, the brief and the references to a fresh critic that has seen none of the building - never tell a critic what you think you fixed or what you believe about the references. it pulls its own frames and measures for itself - the critic makes a contact sheet every 0.2 seconds plus dense frames around every transition, measures frozen time and loudness, and returns a ranked list of problems with timestamps, ending with ship or one more pass - fix the biggest problem first, render, then send to a new critic that checks every previous item as fixed, partly fixed or still there, and hunts for anything new that broke - keep a ledger of every round: what was found, what changed, and the numbers before and after </critic_loop> <quality_bar> the video isn't done until all of these pass, measured: - no more than about 1 second of frozen screen per 30 seconds, and no still stretch longer than about half a second - frame one is a finished composition - all text meets at least 4.5:1 contrast, and nothing collides with or flies through other text - brand colours in 3d renders match the brand values - loudness is steady and comfortable for web, with no clipping, and effects never louder than the music - a first-time viewer understands it with the sound off - a critic would put it next to the references without it looking weaker. a video with no bugs is not the same as a good video </

[Task] Create a 60-second motion-graphic explainer video on the history of the printing press, from its origins to the present day. [Roles] - Higgsfield: creates every image in the video (still images only). - You: create all motion graphics and animation. [Style] Newspaper cutouts with mixed-media collage, highly polished: layered paper cutouts, torn edges, halftone textures, soft shadows, and bold editorial typography. [Rules] - Keep every fact and date accurate. - No text inside the Higgsfield images. Add all text yourself as animated typography. - Keep the look consistent across every scene. - End on the opening frame so the video loops. Never end on a hard cut.

「Lism CSS ver.1.0 をリリースする時にSNSに動画を投稿したい。あなたがどれほど素晴らしいモーションデザイナーかを示す、シンプルかつダイナミックさもある15秒のモーショングラフィックスビデオを作成してください。」

Create a ultra-realistic UGC-style brand commercial for a premium electric cycle called EVOX, featuring a young woman demonstrating the cycle and its wireless remote-control functionality in different environments. The video should feel like a creator discovering and testing an innovative new product, mixed with premium cinematic product shots.

Steampunk Christmas stocking for the true innovator who has everything https://t.co/Iajn6KT6d

Make a dynamic 15-20-second motion graphics showreel video for [Website] in our brand style that shows what an elite motion designer you are. Do your thing, make it insanely good.

Using the supplied first frame as the exact opening image, create a 20-second horizontal 4:3 ultra-photorealistic autumn fashion film. CORE CONCEPT Yuna Bell remains lying on the same rug beneath a continuously rotating walnut ceiling fan. The fixed overhead camera never moves. Every time one fan blade physically sweeps across Yuna’s body, her outfit changes seamlessly into the next established autumn look. The blade is the only transition device. The effect must resemble an expertly planned practical in-camera fashion transition, not a magical body transformation. IDENTITY LOCK Preserve Yuna’s exact: - Face - Eye shape - Beauty mark - Skin tone - Hair color - Hair length - Body proportions - Hand structure - Age impression Her body remains in the same location and orientation throughout the video. Only these elements may change during fan-blade transitions: - Clothing - Shoes - Handbag - Jewelry - Minor editorial pose details Do not morph her face or body. CAMERA LOCK - Fixed 90-degree overhead camera - Horizontal 4:3 - No cuts - No camera movement - No zoom - No rotation - No reframing - No focus breathing - No angle changes - No slow motion - Real-time fan rotation FAN CONTINUITY Use one three-blade walnut ceiling fan rotating clockwise at a constant moderate speed. The fan must: - Preserve the same blade shape and wood texture - Maintain a fixed central axis - Rotate at constant speed - Cast a consistent moving shadow - Pass between the camera and Yuna - Create exactly three complete wardrobe transitions Each transition occurs only behind the passing blade. The new clothing is revealed progressively at the blade’s trailing edge. No dissolve, flash, smoke, particles, digital glitch or body morphing. 0.0–3.5 SECONDS — LOOK 1 Continue directly from the first frame. Yuna lies in LOOK 1. She presses the small wooden remote once with her right thumb. She makes subtle editorial movements: - Turns her chin slightly toward camera-right - Extends her left wrist - Straightens her right leg - Gives a restrained half-smile - Returns her eyes directly to the camera Her cinnamon leather jacket creases naturally beneath her shoulders. Her breathing creates a subtle rise and fall in her torso. The fan continues rotating overhead. 3.5–5.0 SECONDS — TRANSITION TO LOOK 2 The first broad walnut blade enters from the lower-left and sweeps clockwise across Yuna’s body. As the blade crosses: - LOOK 1 disappears only within the area hidden by the blade - LOOK 2 is revealed immediately behind the trailing edge - Her face, body, hair and physical position remain unchanged Reveal LOOK 2: - Oatmeal cable-knit sweater - Green-and-cream checked pleated skirt - Chocolate tights - Burgundy loafers - Cream socks - Dark green top-handle bag - Gold necklace The burgundy bag from LOOK 1 becomes the dark green bag only while fully covered by the same blade sweep. No accessory may remain duplicated. 5.0–8.0 SECONDS — LOOK 2 Yuna now wears LOOK 2 completely. She changes pose naturally: - Brings both hands lightly together over her waist - Bends both knees slightly - Tilts her head toward camera-left - Smooths the edge of the pleated skirt with two fingers - Maintains direct upward eye contact The cable-knit sweater compresses realistically against the rug. The skirt pleats spread naturally around her hips. The fan shadow moves consistently over her face and clothing. 8.0–9.5 SECONDS — TRANSITION TO LOOK 3 A second fan blade sweeps across the frame from upper-left toward lower-right as part of the same clockwise rotation. Behind the blade, reveal LOOK 3: - Muted plum asymmetric knit top - Oversized charcoal wool blazer - Taupe wide-leg trousers - Pointed black ankle boots - Oxblood rectangular handbag - Sculptural gold earrings The pleated skirt and tights disappear only under blade occlusion. The wide-leg trousers emerge with correct continuity around both legs. Yuna’s legs, knees and feet remain in the same anatomical positions. 9.5–13.0 SECONDS — LOOK 3 Yuna performs a more structured editorial pose: - Extends her left leg - Bends her right knee outward slightly - Places her left hand on the blazer lapel - Moves her right hand beside the oxblood bag - Turns her face back toward the camera - Gives a composed, serious expression The blazer spreads naturally over the rug. The wide trousers retain realistic folds and fabric weight. The handbag stays beside her right hip. No item floats or slides without contact. 13.0–14.5 SECONDS — TRANSITION TO LOOK 4 The third walnut fan blade passes over Yuna from lower-right toward upper-left. Reveal LOOK 4 behind its trailing edge: - Moss-green fitted cardigan - Chocolate satin camisole - Espresso leather midi skirt - Charcoal socks - Burgundy heeled loafers - Cherry-red handbag - Narrow charcoal headband - Gold index-finger ring The charcoal blazer, trousers, boots and oxblood bag disappear completely beneath the blade before the new items appear. Hair remains the same length and arrangement except for the charcoal headband being added during full blade occlusion. 14.5–18.0 SECONDS — LOOK 4 Yuna now wears LOOK 4 completely. She performs the final pose adjustment: - Extends both legs diagonally toward camera-right - Crosses her ankles - Places the cherry-red handbag beside her left waist - Raises her right hand near her collarbone - Places her left arm above her head - Turns her chin slightly toward camera-left - Returns her eyes directly to the camera She gives a very subtle confident smile. The leather skirt shows restrained natural highlights. The satin camisole responds softly to her breathing. The cardigan fibers remain visible. 18.0–20.0 SECONDS — FINAL HOLD Yuna becomes completely still in LOOK 4. Only the following continue moving: - Natural breathing - One or two loose hair strands - Rotating ceiling fan - Soft moving fan shadow - Subtle sunlight variation The fan completes another partial rotation but does not trigger an additional outfit change. End with Yuna looking directly upward, framed symmetrically on the autumn rug. Hold the final image for the last half-second. MOTION QUALITY - Real-time movement only - Subtle editorial posing - Natural joint movement - Accurate finger anatomy - Realistic breathing - Physically correct fabric compression - Consistent fan speed - Stable room geometry - No sliding body - No changing body scale - No sudden pose teleportation FASHION MATERIAL QUALITY Render materials distinctly: - Cable knit: visible yarn and soft thickness - Leather jacket: matte grain and natural creases - Wool blazer: dense soft texture - Satin camisole: controlled highlights - Leather skirt: structured weight and subtle reflection - Tights: opaque woven appearance - Handbags: firm construction and believable straps - Shoes: stable shape, soles and closures LIGHTING AND COLOR Maintain consistent late-afternoon sunlight throughout. Color palette: - Walnut brown - Burnt sienna - Burgundy - Moss green - Charcoal - Oatmeal - Muted plum Use premium but natural autumn color grading. Preserve real skin tone. No extreme orange cast or crushed shadows. AUDIO Use subtle realistic apartment sound: - Quiet ceiling-fan motor - Soft blade movement through air - Remote-button click - Gentle clothing rustle - Low room ambience Optional minimal original ambient fashion soundtrack at very low volume. No dialogue. No narration. No transition sound effects. No camera shutter sounds. NEGATIVE CONSTRAINTS No cuts, camera movement, zoom, camera rotation, angle change, morphing face, changing body, identity drift, changing hair length, duplicated clothing, overlapping outfits, extra shoes, duplicated handbags, disappearing limbs, extra fingers, warped hands, broken legs, floating accessories, sliding props, unstable rug pattern, changing floorboards, fan changing shape, fan changing direction, inconsistent fan speed, blade passing t

Make a premium motion-graphics brand film for {argument name="brand_name" default="[BRAND NAME]"} ({argument name="website_url" default="[WEBSITE URL]"}). What it's about: {argument name="brand_description" default="[one sentence: what the brand does and for whom]"} Length & format: {argument name="length_format" default="[e.g. 20 s, 1920×1080 (16:9) or 1080×1350 (4:5)]"}, 60 fps Voiceover: {argument name="voiceover_type" default="[none / write it for me / these lines:"}