Промпты Seedance 2.5: 1 043+ примеров и руководство

Create a polished 30 second cinematic 3D animated comedy featuring one consistent character: an adorable chubby baby otter with soft dark-brown fur, a cream colored belly, tiny rounded ears, large expressive brown eyes, short legs, and two visible front teeth. High end family animation, detailed wet fur, exaggerated facial expressions, realistic water physics, playful slapstick timing, warm cinematic lighting, smooth camera movement, consistent character design throughout. No dialogue, no subtitles, no watermark. 0–4 seconds: Wide establishing shot of a peaceful pine forest river beneath a cloudy sky. A handmade log dam stretches across rushing water. The baby otter proudly inspects the dam, smiling and pressing one paw against a small leak. Begin with a slow cinematic push-in, then cut to a close-up of his confident expression. 4–7 seconds: The leak suddenly becomes a powerful jet of water. The otter’s cheeks wobble and his eyes widen before the stream launches him backward into the air. Use a fast whip-pan and dramatic slow motion as he tumbles helplessly above the river. 7–11 seconds: The otter lands directly on the long snout of a large gray-green crocodile floating below. A silent awkward pause: the otter nervously smiles while the crocodile slowly opens one angry eye. The crocodile snaps its jaws, and the terrified otter paddles away at incredible speed as water splashes toward the camera. 11–15 seconds: Seamless match cut to a bright tropical ocean. The otter now dangles from a fishing line just above the clear turquoise water while a grumpy gray shark circles underneath. Half-above, half-underwater camera angle; sunlight beams through the water as the otter desperately climbs the line. 15–20 seconds: The otter drops onto the smooth round back of a huge calm blue whale, accidentally standing beside its blowhole. The shark bursts from the water with its mouth wide open. The otter dodges at the final instant, and the shark lands face-first over the whale’s blowhole. 20–23 seconds: The whale releases an enormous explosive breath. The shark instantly inflates like a round balloon, eyes bulging in confusion, then rockets vertically into the sky trailing a twisting column of water. The otter watches with a cheeky satisfied grin. 23–27 seconds: Smash cut back to the sunny forest. The otter cheerfully gnaws through a tree trunk, unaware that several nearby trees are already leaning dangerously. Close-ups of flying wood chips, rapidly moving teeth, and his proud little smile. 27–30 seconds: The trunk cracks loudly. The otter freezes, slowly looks upward, and his confident smile disappears. The enormous tree falls toward him; he runs toward the camera in panic but is flattened safely into a perfect otter-shaped impression in the soft ground. After a comic pause, he sits up dizzy, gives an embarrassed smile, and falls backward. End on a playful musical sting.

Create a 30-second photorealistic Korean countryside lifestyle vlog following a woman through her peaceful morning routine. Show her opening the chicken coop → feeding the chickens → collecting fresh eggs → cleaning the coop → preparing a homemade breakfast → sitting outside and enjoying the quiet farmhouse morning. Authentic 2026 Korean rural life, natural human movement, realistic chicken behavior, fresh farm-to-table details, morning mist, soft sunlight, natural wind and environmental sounds, and documentary-style handheld cinematography. No background music, subtitles, logos or watermark.

Character A, face and outfit matching the reference image. Shot 1 (0.0–1.2s): She wakes suddenly inside a silent Korean university classroom, surrounded by abandoned exam papers and flickering fluorescent lights. Shot 2 (1.2–2.4s): Wide shot of Korean students waking around her, all wearing identical school uniforms, confused whispers spreading through the locked classroom. Shot 3 (2.4–3.6s): A classroom speaker crackles on; an unseen voice announces that only one student will leave before midnight. Shot 4 (3.6–4.8s): Close-up of her calculating, frightened expression as students exchange suspicious glances and check the locked doors. Shot 5 (4.8–6.0s): Students are led into a vast examination hall covered with numbered desks, countdown screens, and strange geometric markings. Shot 6 (6.0–7.2s): A wealthy-looking student secretly approaches another, whispering an offer to exchange answers for protection. Shot 7 (7.2–8.4s): Close-up of hands passing a folded note beneath a desk while nervous students secretly watch them. Shot 8 (8.4–9.6s): A student is accused of stealing answers; angry voices rise as classmates surround him and demand the truth. Shot 9 (9.6–10.8s): She watches silently, noticing hidden alliances, frightened faces, and one student secretly controlling the others. Shot 10 (10.8–12.0s): The speaker announces the first challenge; every student urgently takes a numbered seat as the countdown begins. Shot 11 (12.0–13.2s): Students stare at blank papers under cold overhead lights, fear and desperation visible as the timer rapidly decreases. Shot 12 (13.2–14.4s): One student suddenly switches another student's answer sheet, shocking the entire room and creating immediate chaos. Shot 13 (14.4–15.6s): Close-up of the betrayed student's face as confusion turns into anger and realization. Shot 14 (15.6–16.8s): She quietly signals another student with a subtle nod, forming an alliance without saying a single word. Shot 15 (16.8–18.0s): The challenge begins; students solve impossible questions while the countdown clock races toward zero. Shot 16 (18.0–19.2s): A student panics and presses the wrong button; a violent alarm sounds and everyone instantly freezes. Shot 17 (19.2–20.4s): Close-up of the eliminated student's horrified face as security guards approach and classmates look away in silence. Shot 18 (20.4–21.6s): The remaining students sit motionless, realizing the mysterious examination is far more dangerous than expected. Shot 19 (21.6–22.8s): Her ally suddenly exposes their secret strategy, revealing that the friendship was manipulation from the beginning. Shot 20 (22.8–24.0s): The former allies face each other across the classroom as every remaining student watches and calculates. Shot 21 (24.0–25.2s): She outsmarts the betrayer with one unexpected answer, revealing she understood the hidden pattern all along. Shot 22 (25.2–26.4s): The speaker announces

7秒、縦型9:16、ワンカット。インフルエンサーが普段の投稿で、お気に入りの美容液を紹介する自然なオープニング。 【人物・商品】 参照画像を開始フレームに使用。女性の顔立ち、ブラウンのショートヘア、アイボリーのニットを維持。ピンク色の美容液ボトルを頬の横で持ち、反対の手を底に添える。ラベルはカメラに向けたまま。 【セリフ・演技】 開始直後から話し始め、約7秒かけて次のセリフを話す。 「今日は、私のお気に入りの美容液を紹介します。これ、みんなにも見てほしかったんです！」 友人に話しかけるような、明るく親しみのある声。少し軽快な会話のテンポで、長い間は入れず、短い息継ぎだけで続ける。最後の「です」が映像の終わり近くに自然に収まる。語尾を引き伸ばしたり、最後だけ早口にしたりしない。 前半の「私のお気に入りの美容液」で、両手で支えたボトルを2〜3センチだけ持ち上げる。後半の「これ、みんなにも」で微笑みを少し深める。最後までレンズに視線を向け、自然なまばたきと小さな表情の変化を添える。商品を動かす仕草は1回だけ。話し終わった後の無言のポーズは設けない。 【環境・カメラ】 参照画像と同じ明るい室内。画面左の窓から柔らかな自然光。スマートフォンを目線の高さに固定して撮影したような安定した構図。顔と商品を明瞭に見せ、肌のきめと自然なツヤを残す。 【音声・制約】 日本語のセリフと口の動きを正確に同期。本人の声を明瞭にし、静かな室内音のみ、BGMなし。 人物の顔、髪型、衣装、ボトルの形状・色・ラベルを維持。指と持ち方を自然に保つ。キャップを開けない。大げさな身振り、カット切り替え、ズーム、過剰な美肌加工、字幕、追加ロゴなし。

Create a cinematic archival video of a lively French city street in 1955, filmed as genuine European newspaper newsreel footage. Narrow cobblestone streets, elegant old French buildings, small cafés with striped awnings, bicycles, vintage Citroën cars, street lamps, newspaper kiosks, shop windows, and pedestrians in authentic 1950s clothing. Men in suits, trench coats and flat caps; women in elegant dresses, coats and scarves; children walking with their parents. Show natural unscripted street life: a newspaper boy running through the crowd shouting headlines, a man reading the morning newspaper outside a café, cyclists passing close to the camera, couples leaving cafés, a waiter carrying coffee, pedestrians crossing the street, children playing, cars slowly moving through the frame. Use an observational documentary camera with imperfect handheld movement, spontaneous framing, gentle camera shake, occasional slow zooms, natural motion blur, imperfect focus, and realistic crowd movement. Authentic archival look: black-and-white 35mm nitrate film, organic film grain, visible dust and scratches, tiny frame flicker, film jitter, uneven exposure, slight light leaks, soft contrast, subtle lens imperfections, occasional overexposure, authentic optical softness, and aged film texture. Occasionally cut to close-up newspaper headlines, hands turning newspaper pages, café tables, bicycle wheels, old shop signs, cigarette smoke, passing faces and street details, creating the feeling of a newspaper photographer documenting ordinary life. Everything must feel genuinely period-correct: no modern clothing, cars, architecture, signs, technology, hairstyles, objects, or digital-looking faces. The final result should look like a forgotten French newspaper film reel discovered inside an old archive, not a modern recreation with a vintage filter. Mood: romantic, nostalgic, mysterious, lively, intimate, beautifully imperfect. Style keywords: 1950s French newsreel, European newspaper archive, observational documentary, authentic 35mm nitrate film, archival footage, vintage photojournalism, imperfect handheld camera, spontaneous street photography, historical realism.

subject_definitions: <Subject 1> is the stylized sorceress in <Picture 1>, featuring an asymmetrical silver-white bob cut, violet star-ring eyes, an obsidian moon pendant, a high-collared velvet coat with embroidered gold constellations, and a thin gold rimless monocle over her left eye. Preserve her exact facial identity, celestial wardrobe, hair silhouette, monocle placement, body proportions, and semi-realistic stylized 3D CG aesthetic. summary: [reference generation] This is one complete 15-second, 16:9, 2K CELESTIAL NOIR character PV centered on <Subject 1>. Fourteen uneven visual beats transition from quiet astrological observation into dynamic spell-casting visuals, geometric celestial rings, and a final portrait freeze. The color palette centers on midnight navy and obsidian black, highlighted by bright violet eye emissives, shimmering metallic gold, and moonlit ivory. retention_analysis: <Subject 1> (appears in [Shot 1] through [Shot 14]): fully_preserved - maintain exact face structure, silver-white asymmetrical hair, violet star-patterned eyes, moon pendant, monocle, constellation-embroidered coat, proportions, and stylized 3D lighting in every frame. detailed_description: The target video uses an editorial gothic-astronomy PV style with sharp cell-shaded textures and metallic particle systems. The background consists of abstract, moving star charts and geometric celestial spheres free of real-world brands, copied faces, or source-image text. [Shot 1] A centered bust shot introduces <Subject 1>. She looks down toward a hovering golden astrolabe while the exact title "CELESTIAL TIDE" rises behind her in gold serif typography. [Shot 2] At 00:00.650, a geometric circle aligns with her monocle lens, zooming into an extreme close-up of her left violet eye as star-shaped pupil patterns rotate. [Shot 3] At 00:01.300, she taps the monocle frame with her gloved forefinger. The camera arcs smoothly left while a shimmering gold constellation line connects to the edge of the frame. [Shot 4] At 00:02.100, the constellation line snaps into the graphic label "PHASE_01". The camera tilts down as her obsidian moon pendant releases a soft purple pulse. [Shot 5] At 00:02.900, she spreads her velvet coat sleeves in a wide horizontal gesture. The frame cuts instantly to a dark midnight field while her sweeping motion carries the camera horizontally. [Shot 6] At 00:03.700, a vertical black bar reveals her in profile. She turns her head toward the camera, her asymmetrical hair swaying with natural momentum as a golden moon-phase graphic appears behind her silhouette. [Shot 7] At 00:04.600, a three-panel vertical split breaks her gaze, her pendant, and the astrolabe into distinct close-ups that slide downward in unison. [Shot 8] At 00:05.500, the panels collapse outward as she snaps her fingers. Concentric violet magic rings expand across the frame alongside the exact label "PHASE_02". [Shot 9] At 00:06.400, the camera pushes through the innermost ring directly toward her face, punctuated by a two-frame golden lens flare. [Shot 10] At 00:07.300, the flare clears into a dynamic medium shot at a steep low angle. Golden starlight trails follow her arm as she draws an arc in the air. [Shot 11] At 00:08.300, the drawn arc turns into a full eclipse frame. The camera follows her coat sleeve dragging upward across the frame to wipe the scene. [Shot 12] At 00:09.400, a side-by-side dual panel pairs her focused expression with a close-up of her monocle reflecting golden star charts. [Shot 13] At 00:10.600, the dual panels merge into a tracking shot where she steps directly toward the camera, her hair floating gently in low gravity as "CELESTIAL" drifts behind her. [Shot 14] At 00:12.500, she brings a hand up to rest near her collarbone, looking serenely into the lens as the title locks into "CELESTIAL TIDE" for the final 2.5 seconds. Across all shots, preserve her exact face, eye color, hairstyle, monocle, coat, pendant, skin tone, and proportions. Do not include extra characters, random logos, unreadable text, or altered clothing. Only display "CELESTIAL TIDE", "PHASE_01", and "PHASE_02". Keep her facial features and key hand gestures unobscured. overall_soundscape: Deep cosmic wind resonance remains underneath metallic astrolabe clicks, velvet fabric rustles, a finger snap at 00:05.500, and a low gong impact for the final title lock at 00:12.500. Sound effects are subtle and secondary to the music score; no spoken voice lines are present. non_diegetic_music: A 120 BPM gothic electro-orchestral piece featuring harpsichord arpeggios, heavy cinematic sub-bass, and a haunting violoncello melody in D minor. Drums enter at 00:02.900, soaring strings peak at 00:07.300, and a bell toll resolves beneath the closing title card.

A cinematic 30-second alpine winter vlog montage featuring the same young woman exploring a snow-covered mountain village during a cozy winter getaway. Shot like an authentic luxury travel diary with handheld camera movement, candid moments, soft overcast daylight transitioning to warm firelight, dreamy 35mm film aesthetics, cool-toned color grading with warm amber accents, shallow depth of field, natural skin texture, atmospheric lighting, and cinematic storytelling. Maintain the same woman throughout every scene: dark hair, youthful appearance, natural makeup, relaxed happy expression — identity locked to the reference image. Format: 4K cinematic video, 24fps, 35mm film grain, realistic handheld camera, soft focus, cool-warm contrast palette, travel documentary style. Scene 1 (0-4s) — Arrival at the Chalet Village: A crisp winter morning, light snow falling. She steps out of a wooden chalet doorway wearing a cream cable-knit sweater, faux-fur-trimmed parka, and a knit beanie, breath visible in the cold air. Camera trails her from behind down a snowy cobblestone lane lined with timber cottages, then swings into a close-up as she turns and smiles, saying softly, "Okay, this already feels like a movie." Scene 2 (4-8s) — First Ski Run: She glides down a gentle beginner slope, snow spraying softly at her skis, pine trees blurred past on either side. Low chase shots from behind, then a front-facing GoPro-style angle catching her laughing as she wobbles slightly and steadies herself. Scene 3 (8-12s) — Snow-Covered Pine Forest Walk: A worm's-eye view looking up through frosted pine branches, pale sunlight filtering through with soft lens flares on ice crystals. Cut to a close-up of her walking through untouched snow, mittened hand trailing along a low branch, murmuring, "It's so quiet here it feels unreal." Scene 4 (12-16s) — Cozy Café Break: She sits by a frosted window inside a small timber café, wrapped hands around a steaming mug of hot chocolate topped with whipped cream. Warm interior light contrasts the blue-white world outside. Close-up on the marshmallows melting, her contented half-smile as she watches snow drift past the glass. Scene 5 (16-20s) — Sledding Adventure: She sits on a wooden sled at the top of a gentle hill, pushes off, and speeds down laughing, hair flying loose from under her beanie. Camera tracks alongside at sled height. She tumbles softly into a snowbank at the bottom, laughing, and calls toward the camera, "Don't film this part — okay, keep filming it." Scene 6 (20-24s) — Christmas Market Exploration: A glowing evening market strung with warm fairy lights, snow settling on wooden stalls, the smell of roasted chestnuts implied through steam rising from vendor carts. She weaves through the crowd sampling mulled cider and gingerbread, face lit by string lights and lantern glow. Cinematic close-ups of her eyes widening at the taste, lights blurred into soft bokeh behind her. Scene 7 (24-27s) — Golden Sunset Over the Peaks: A wide silhouette shot of her standing on a snowy overlook as the sun dips behind the mountain range, sky shifting from pale gold to soft violet, her scarf drifting in the wind. She tilts her face toward the fading light, one hand holding her beanie in place. Scene 8 (27-30s) — Fireside Night Reflection: A cabin interior at night, fireplace glowing, snow visible through a frosted window behind her. She sits curled up on a wool blanket, mug in hand, firelight flickering across her face. Final intimate close-up as she looks directly into the lens with a soft, warm smile, saying, "Goodnight from the mountains." Camera Style: Authentic travel vlog cinematography, handheld camera shake, smooth cinematic transitions, slow push-ins, natural drifting movement, occasional POV shots, realistic autofocus hunting, subtle motion blur. Visual Style: Cozy alpine winter film, boutique travel-brand aesthetic, soft diffused daylight with warm firelight interiors, realistic skin texture, cinematic shallow depth of field, nostalgic 35mm film look, cool-warm contrast tones, natural unscripted expressions, emotional storytelling. Avoid: cartoon style, CGI look, plastic skin, unrealistic face, inconsistent character appearance, changing hairstyle, extra fingers, distorted body, artificial lighting, oversaturated colors, blurry face, unnatural movements, duplicate people.

Create a cinematic 25-second dreamy retro-pink fashion commercial set inside a cozy feminine bedroom. Everything has a soft pastel pink color palette, warm morning sunlight, vintage 90s aesthetic, floral wallpaper, pink bed, vanity mirror, cute retro telephone, pink accessories and soft curtains. Scene 1: Wide overhead shot of a beautiful pink bedroom in warm sunlight, soft shadows falling across the bed, dreamy nostalgic atmosphere. Scene 2: A young woman in a cute pastel-pink sleepwear outfit lies comfortably on the bed wearing a pink sleep mask, holding a vintage pink telephone. A pink tumbler sits beside her. Slow cinematic camera movement. Scene 3: Close-up beauty shot of her face as she lifts the sleep mask slightly and talks on the phone, soft glowing skin, natural makeup, gentle expressions, shallow depth of field. Scene 4: She gets out of bed and walks toward the vanity. Smooth tracking shot following her through the sunlit bedroom. Scene 5: At the vintage vanity, she sits in front of a large oval mirror and gets ready, surrounded by perfumes, makeup, hair accessories and jewelry. Show elegant close-ups of her brushing her hair and applying makeup. Scene 6: She looks toward the bedroom door, walks over and slowly peeks outside with a playful expression. Scene 7: Final glamorous mirror shot: she is now fully dressed in a stylish pastel-pink outfit, standing confidently in front of the vanity mirror. Soft sunlight, elegant pose, dreamy romantic-commercial atmosphere. Visual style: ultra-realistic cinematic photography, pastel pink tones, warm natural sunlight, nostalgic 1990s aesthetic, soft film grain, dreamy glow, realistic skin texture, shallow depth of field, smooth camera movements, subtle lens flare, premium fashion commercial, highly detailed, 4K, consistent character and wardrobe throughout, no text, no watermark.

Seedance 2.5 | 30s | 16:9 | Live-action Korean summer countryside, inspired by Little Forest (2018). Two characters only: Lizzy and Lee Han. Use {{mixed 1}} only for Lizzy’s face/hair/body/identity and {{mixed 2}} only for Lee Han’s. Do not copy reference backgrounds, poses, or clothes. Old rural kitchen + wooden veranda beside a lush vegetable garden. Lizzy: white linen blouse, navy-check long skirt, beige sandals. Lee Han: soft pastel sky-blue shirt, beige chinos, dark-brown sandals. 0–5s: Harvest ripe tomatoes in the garden; Lizzy gives the reddest tomato to Lee Han.
5–10s: Wash 3 tomatoes under a faucet; natural water droplets and green stems.
10–16s: Cut 1 tomato into four pieces; mix with chilled thin pasta.
16–21s: Divide pasta into 2 white plates; add fresh basil.
21–25s: Place plates on a low veranda table and sit opposite each other.
25–28s: Lee Han offers Lizzy one bite of tomato pasta; she gently accepts it.
28–30s: Both prepare their next bite as the camera holds a peaceful wide shot of the veranda, garden and rice fields. Natural sounds only: cicadas, leaves, water, chopping, utensils and distant breeze. No dialogue, music, BGM, SFX, subtitles or logos. Maintain exact prop quantities and continuity.

Create a high-quality 3D animated fantasy scene in a colorful, cinematic style. A cute little toddler boy with messy black hair and a simple beige cloth outfit is sitting and playing among a field of beautiful flowers beside a friendly baby dragon. The dragon is large, adorable, pearly white with light blue accents, small horns, expressive bright blue eyes, soft feather-like scales around its head and neck, and a long elegant tail. The scene takes place in a magical tropical valley surrounded by lush green mountains, crystal-clear turquoise water, tropical trees, and a bright blue sky with soft white clouds. Start with a close-up shot of the sleeping baby dragon peacefully resting among vibrant pink-red flowers while the little boy sits nearby. The dragon slowly opens its eyes, looks around curiously, and makes a cute playful expression. Transition to a wider shot where the dragon and child are surrounded by a field of beautiful blue flowers near the water. The dragon playfully rolls backward through the flowers while the child watches and laughs. Show a cinematic aerial wide shot revealing the beautiful island-like landscape, flowering fields, tropical trees, mountains, and turquoise water. Colorful small birds fly and hop around a nearby tree while the child and dragon play together below. Then return to a close-up of the child sitting on the dragon's back. The dragon makes funny, playful facial expressions as the child laughs happily. End with the child and the adorable dragon lying peacefully together in a huge colorful flower meadow, smiling and enjoying the magical moment. Use smooth character animation, expressive facial emotions, natural body movement, cinematic camera transitions, shallow depth of field, soft volumetric lighting, vibrant colors, detailed 3D textures, magical family-friendly atmosphere, polished animated-movie quality, and a warm heartwarming tone. No text, no subtitles, no watermark. Aspect ratio: 16:9. Duration: approximately 15 seconds.

the rolled layers separating into visible flaky strata, the surface turning from pale to gold to deep amber

Create a cinematic 15-second vertical 9:16 surreal urban short film, photorealistic with bold graphic shadows and one coherent visual sequence. 0–2 seconds — VISUAL HOOK: At night, pedestrians wait at a city crosswalk under a bright red traffic signal. The instant the light turns red, every human becomes completely frozen in place—but their shadows continue moving independently across the pavement. One shadow looks upward, then urgently signals the others to follow. 2–7 seconds — ESCALATION: The camera begins at street level and tracks sideways as the living shadows detach from their owners. They pull together black road markings, building shadows and pools of darkness, folding them into a physical staircase made entirely from shadow. The frozen humans remain motionless while only the shadows work rapidly. 7–11 seconds — CAMERA REVEAL: The camera cranes smoothly upward into a high top-down view. The staircase grows vertically along the side of a building, then continues impossibly through the sky toward an enormous full moon. The shadows run upward together, their flat silhouettes stretching across the steps. 11–15 seconds — PAYOFF: The traffic light turns green and the humans resume walking as if nothing happened—but none of them cast shadows anymore. The camera tilts from the shadowless pedestrians toward the moon. Tiny silhouettes of the escaped shadows celebrate and dance across the moon’s surface. Hold the final moon image long enough for the twist to register. High-contrast wet streets, reflections, deep blue night, bright red and green traffic lights, readable silhouette animation, consistent pedestrian positions, controlled camera geography, mysterious yet playful mood. No dialogue, no text, no subtitles, no horror faces, no random transformations, no duplicated pedestrians. Sound design: distant traffic, electrical signal click, soft scraping shadows, rising atmospheric pulse, faint celebratory footsteps from the moon.

Create a 30-second, 1080p, 16:9 ultra-realistic 2000s-style home video recording style video, featuring an ordinary Taiwanese summer evening. Main subject: The entire video is shot from the perspective of a young Taiwanese woman in her early 20s, with natural, realistic skin tone, light makeup, dark brown long hair styled in a low bun, with a few strands of hair. She is wearing a soft black long-sleeved knitted top, wide-leg light gray shorts, white vintage sneakers, carrying a dark black backpack, and wearing a silver bracelet. Please ensure that the face, hairstyle, clothing, proportions, and accessories remain completely consistent. Setting: A quiet old residential alley in Taipei, with small apartments, potted plants, bicycles, old walls, power poles, and a small snack shop, a water dispenser, and potted plants. Full of life, peaceful, and real; no brands, advertisements, tourist attractions, or elaborate commercial activities. Photography: The original consumer DV shooting style from the early 2000s, intense hand-held shaking, imperfect composition, search for autofocus, exposure changes, dynamic blur, faded colors, soft digital details, slight noise, and unexpected zoom. Stabilizer, sky lanterns, drones, cinematic lenses. Timeline: 00:00-00:05: Take out an eco-friendly shopping bag, lock the door, check the keys, tidy up hair, smile at the camera, and walk down the alley. 00:05-00:10: Buy a small bag of green grapes from a small grocery store. Take a bite, react to the sour taste, make a funny face, laugh, and hand the fruit to the camera. 00:10-00:15: Walk and eat the fruit. A little dog notices her and wags its tail, she crouches down to let it smell her hand. The dog follows her for a short distance before leaving. 00:15-00:20: The dry leaves on the tree fall on her shoulders and hair. She looks up, shakes off the leaves, and the camera zooms in and gets close to her face. She says: Here it comes again? 00:20-00:25: Sit briefly on the low wall, finish eating the fruit, and a taxi passes by. The neighbor is watering the flowers. The wind blows her hair and clothes; she wipes her hands and adjusts her bag. 00:25-00:30: Walk to the end of the alley, turn around with a playful smile, say: Let's go. Turn the corner; the camera follows; suddenly switches to black screen. Sound: Only natural ambient sounds, bird songs, insect sounds, footsteps, bicycle bells, distant motorcycle sounds, tree leaves, store sounds, dog movements, neighborhood sounds, and the noise of operating a camera. No music, voiceover, subtitles, titles, logos, watermarks, or special effects. Continuity: Real dogs and environmental actions. No repeated characters, distorted faces, deformed hands, extra fingers, instant movements, or clothing changes. Warm, leisurely, feminine, playful, intimate, with a nostalgic feeling of forgotten summer memories.

Use the uploaded storyboard image as the exact visual reference. Keep the same three characters, same outfits, same forest environment, same horror atmosphere, and same cinematic style throughout the entire video. Make the characters look like real human actors, natural facial expressions, realistic movement, and live-action movie quality. Create a 30-second ultra-realistic cinematic horror short film with continuous story progression. Scene 1 (0–5s): Peaceful Beginning A young adult couple sits near a large tree in a dark abandoned forest area while their male friend explores nearby with a flashlight. The atmosphere feels like an adventure trip. Cold night lighting, light fog, realistic wind moving leaves and hair. The camera slowly pushes in toward the couple while maintaining the exact character appearance from the reference. Scene 2 (5–8s): Blood Drop Warning The girl suddenly feels something falling from above. A small drop of blood falls from a tree branch and lands on her face. She slowly touches her cheek in confusion. The boy notices it, looks upward, and his expression changes from calm to fear. Add a tense horror sound, slow camera movement, realistic reactions. Scene 3 (8–12s): Zombie Horde Reveal The boy slowly turns around and looks behind the girl. The camera moves over his shoulder and reveals a large group of zombies emerging from the dark forest fog. Dozens of zombies slowly approach them. The boy looks shocked and panicked. The girl and the other friend realize the danger. Scene 4 (12–17s): Attack Begins The zombies suddenly start chasing them. The three characters run through the forest in panic. The male friend clears obstacles from their path while running. The girl struggles to keep up, breathing heavily, looking terrified. Use handheld shaky camera style like a real survival horror movie. Scene 5 (17–22s): Hide Inside Old Cabin They reach an abandoned wooden cabin and rush inside. They push a heavy wooden door and try to block it while zombies hit from outside. Show their fear, exhaustion, and struggle. Flashlight lighting, dark interior, realistic shadows. Scene 6 (22–27s): Window Attack Suddenly a zombie crashes through the side window. Glass breaks and falls. The three characters step back in fear. They desperately search for another escape route. Show realistic panic, fast movements, and intense horror atmosphere. Scene 7 (27–30s): Final Escape The three run out of the cabin toward an old dark tunnel in the forest. The zombie horde follows closely behind. The camera follows from behind with cinematic tracking movement. They enter the tunnel as zombies approach. End with a dark suspenseful cliffhanger. Visual Style: Ultra realistic live-action horror movie, natural human faces, realistic body movement, cinematic lighting, dark blue-green color grading, foggy forest, realistic physics, handheld camera

Create a 30-second, 9:16 continuous handheld smartphone video inside a humid reptile enclosure. A wildlife keeper casually talks to the camera before walking toward a murky pool to feed a huge green anaconda. Keep the same keeper, face, clothing, enclosure and snake consistent throughout. He approaches the pool, crouches with feeding tongs and says, “Watch how fast—” before the anaconda suddenly lunges toward the feeding area. A heavy coil catches around his arm and pulls him toward the edge. The cameraman panics and briefly loses framing as another keeper rushes in, grabs him and pulls him backward. After a chaotic struggle, the snake releases and drops back into the pool with a heavy splash. End with the keeper safely away from the enclosure, breathing hard and visibly shaken. The cameraman asks, “You good?” He replies, “Yeah… yeah,” looks back toward the pool and says, “That was way too close.” Make everything look like genuine accidental phone footage: realistic human movement, physically accurate snake anatomy and weight, natural water physics, imperfect handheld framing, autofocus hunting, motion blur, rolling shutter and subtle exposure changes. Voices must sound completely human at normal conversational speed with natural breathing, hesitation, overlapping reactions and accurate lip-sync. No cinematic lighting, music, slow motion, cuts, transitions, dramatic acting, AI-style voices, morphing, impossible physics, text or overlays.

Use the uploaded 15-frame storyboard image as the only visual reference and maintain perfect visual continuity throughout the entire video. Every shot must precisely match the uploaded storyboard in composition, camera angle, McLaren design, assembly sequence, lighting, colors, proportions, materials, textures, branding, reflections, and fine details. The McLaren supercar must remain 100 % identical to the uploaded storyboard reference. Preserve the exact body shape, aerodynamic design, orange paint finish with black accents, carbon fiber front splitter, side skirts, rear diffuser, rear wing, hood vents, headlights, taillights, mirrors, windshield, roof scoop, wheels, brake calipers, brake discs, tires, suspension, engine, exhaust system, interior, seats, dashboard, steering wheel, badges, logos, decals, glass reflections, panel gaps, carbon fiber textures, metallic finishes, and every visible component exactly as shown. Do not redesign, morph, replace, simplify, or hallucinate any part of the vehicle. Follow the storyboard sequence exactly. The premium matte-black collector box featuring the uploaded McLaren branding and model artwork slowly opens. Reveal the precision-cut foam insert containing the complete collectible model kit. Human hands naturally remove each component one by one with realistic weight and motion. Assemble the McLaren step by step in the exact order shown in the storyboard. Install the chassis first, followed by the engine, drivetrain, suspension, steering system, braking components, front and rear wheels, body panels, doors, hood, roof, rear wing, mirrors, headlights, taillights, glass, badges, trim pieces, interior components, and every remaining part exactly as depicted. Every hand movement should feel smooth, deliberate, mechanically accurate, and realistic. Components should align perfectly with satisfying precision while maintaining complete visual consistency throughout the assembly.

Create a cinematic, ultra-realistic 30-second fantasy adventure scene set in a misty mountain forest with a powerful rushing river, tall pine trees, rocky cliffs, and a dramatic overcast sky. Begin with an atmospheric establishing shot of a wooden bridge and a raging river flowing through the forest. A small wooden boat appears on the turbulent water, carrying three adorable fluffy yellow baby chicks. The boat rocks and moves rapidly with the current. A funny, brave rooster suddenly appears, standing on a log in the middle of the rushing river. He spreads his wings and struggles against the strong current, then grabs a thick rope attached to the wooden boat and tries to pull and guide it toward safety. Show dynamic close-ups of the rooster gripping the rope, his feathers moving naturally in the wind and water spray, while the frightened baby chicks huddle together inside the boat. Use dramatic cinematic camera movements, including tracking shots, low-angle shots, close-ups, and wide aerial views. The boat passes beneath a large stone bridge and eventually reaches the riverbank. The rooster leads the chicks safely onto the grassy forest floor. Suddenly, a mysterious rugged man appears in the background near an old red pickup truck, watching them from a distance. In the final moments, the baby chicks run toward a small dark hole in the ground and disappear inside. The rooster and the mysterious man remain in the background, creating a humorous but mysterious cliffhanger. Style: Photorealistic cinematic fantasy, high-end animated movie quality, realistic fur and feathers, physically accurate water and splashes, natural forest atmosphere, volumetric mist, dramatic lighting, detailed environments, expressive character animation, realistic motion, cinematic depth of field, smooth camera movement, immersive storytelling, 4K, film-quality visuals, no text, no subtitles, no watermark.

A wide cinematic shot of a modern electric car driving along a winding asphalt road surrounded by a dramatic landscape of sharp rocky cliffs under an overcast moody sky clean automotive commercial style high detail smooth tracking shot, modern electric sports car navigating a sleek curve on a mountain highway framed by dark jagged rock formations and a cool muted color palette, photorealistic, 8k resolution

Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Berlin street life in 1989. The entire video must look like genuine footage recorded in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter. **MAIN FOCUS:** The video is primarily about ordinary daily life on the streets of West Berlin in 1989. Crowded sidewalks, people walking in different directions, period-correct taxis (Mercedes W123s), Trabants and Wartburgs passing through traffic, buses, storefronts, street vendors, newspaper kiosks, and the constant movement of the city. The camera should feel like someone documenting the everyday routine of Berlin, not showcasing its architecture or politics. **SCENE SEQUENCE:** - **0–5s:** Street-level view from a busy West Berlin sidewalk (e.g. near Kurfürstendamm). A crowd of pedestrians walks past the camera in both directions. Mercedes taxis, Trabants, and older European cars move through the street. Natural handheld camera movement. - **5–10s:** A crowded avenue intersection. People wait at the crosswalk, then begin crossing. Buses, taxis, and traffic move through the frame. The camera slowly pans with the street activity. - **10–15s:** A closer street-level view of everyday pedestrians, storefronts with German signage, newspaper kiosks, and passing cars. People carry shopping bags, talk to each other, and go about their normal routines. Natural, unscripted-looking movement. - **15–20s:** A slightly wider street view showing a busy Berlin avenue filled with pedestrians and traffic. Buildings are visible only as part of the background. A section of the Berlin Wall or period signage may appear naturally in the distance, but the street activity remains the focus. - **20–25s:** Another crowded sidewalk and intersection. Trabants, taxis, buses, pedestrians, and storefronts create a constantly moving urban scene. The camera gently follows the flow of people. - **25–30s:** Final street-level view of a busy avenue, with pedestrians crossing, cars passing, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion. **CAMERA & CINEMATOGRAPHY:** Real 1989 professional video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves. **IMAGE QUALITY:** Surprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s video texture. The footage should look like an unusually good archival camera recording, not degraded VHS. **COLOR & LIGHTING:** Overcast or soft natural daylight typical of Berlin, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic 1989 color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects. **HISTORICAL AUTHENTICITY:** Everything must look correct for West Berlin in 1989: period-correct Mercedes taxis, Trabants, Wartburgs, buses, storefronts, German-language advertisements and signage, period clothing, and architecture of the era. No modern vehicles, smartphones, LED billboards, contemporary advertisements, or post-reunification skyline elements. **REALISM:** Natural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion, including the distinct boxy shape and two-stroke-engine character of Trabants. Buildings must remain stable and geometrically accurate. **EDITING:** Use several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, and busy avenues. Keep building, Wall, and skyline shots to a minimum. Buildings should mainly appear as background elements behind the people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles. **FINAL RESULT:** The viewer should genuinely feel that they are watching real Berlin footage filmed in 1989 with an unusually good HD camera. It should feel like an ordinary day in the city, full of people, cars, traffic, and natural street activity. The realism of the pedestrians, cars, lighting, and camera behavior is more important than cinematic beauty. **NEGATIVE PROMPT:** AI-generated appearance, CGI, modern Berlin, post-reunification skyline, modern cars, smartphones, LED screens, contemporary clothing, non-period signage, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, warped buildings, duplicated pedestrians, distorted cars, flickering architecture, text, subtitles, logos, watermarks.

Create a 30-second photorealistic Japanese winter lifestyle vlog in a traditional mountain village at sunrise. Follow a young Japanese woman as she wakes in a wooden house, opens the shoji door, feeds small winter birds, sweeps fresh snow, makes hot green tea, and walks along a snowy village path. Show realistic snow-covered rooftops, cedar trees, stone paths, birds, footprints, chimney smoke, warm tea steam, and soft golden morning light. Use natural handheld 2026 vlog cinematography with close-ups, POV shots, walking follow shots, realistic autofocus, exposure changes, motion blur, and a gentle final village reveal. Natural environmental audio only: wind, birds, footsteps, snow, broom, tea pouring, wooden doors and distant village sounds. Natural dialogue in English. No music, narration, subtitles, CGI, animation, artificial snow, unrealistic bird behavior, floating camera, logos or watermark.

[STYLE + CAMERA + ATMOSPHERE] Real found-footage vacation memories on an alien planet — looks like genuine phone clips stitched into a soft Instagram-memories video. Handheld phone camera only: slight shake, natural exposure mistakes, occasional soft focus, real lens dirt, wind on mic, authentic summer audio (insect-choir chirps, gel-tide, hovering rental discs, distant throat-music, laughter). Many short shots across one local day — twin-dawn → high binary noon → amber dusk → night — simple hard cuts between clips, no transitions, no flashy effects, no slow-mo tricks, no color-grade gimmicks, no text, no stickers, no sparkles. Aesthetic = warm, calm, lived-in, beautiful because the moments are real. The planet is ordinary to her. The clips are random, unfinished, and slightly pointless, the way a real camera roll is. [SUBJECT] A woman about 27 in alien years, natural off-world vacation look: cool lilac-grey complexion, faint mint freckles that glow when the light hits, a short glassy hair-crest (salty, slightly messy), gold eyes. Minimal makeup. Easy vacation layers that change lightly across the day: a wrinkled linen wrap, a simple travel shirt, a dusk cloak of living moss at night. She stays fully clothed in every clip. She feels present and peaceful — smiling small, not performing for a camera crew. Friends appear only briefly as real people in frame, other travelers of this world, never staged. Her face stays the same woman in every clip. [PLACE] A real inhabited alien island, not a CGI postcard: chalk-white canyons, bougainvillea-like vines that drop cold blue pollen, stone steps down to a cove of slow turquoise gel, a harbor of living-shell boats, café terraces grown out of fossil coral, dry amber hills under two small suns, evening square lamps that are caged fireflies. Believable, specific, lived-in. Gravity is a little light. Shadows fall twice. [TIMELINE — MANY SHOTS, MEMORY MONTAGE] 0-4s: TWIN-DAWN — soft early light, one sun up, one still a pink disc. Phone clip of her walking an empty chalk alley, blue pollen drifting, hair-crest messy from sleep. She stops to watch a door-sized beetle cross the lane, then keeps walking. Calm, slow, slightly pointless. 4-9s: LATE MORNING — cove. She stands on the stone steps and the clear gel beads and rolls along the rock instead of splashing. She laughs once under her breath. Hard cut to her lying on a towel on warm glass pebbles that click when she shifts, eyes closed, linen wrap wrinkled. Cut to a crooked close of one droplet crawling up the stone beside her. Cut to her feeding a square piece of bread to a fish that is mostly a cube with eyes. Real sun, plain holiday light. 9-15s: BINARY NOON — bright, hot, slightly overexposed phone look. She rides a rented six-legged stool-beast through town, then the clip jumps to her buying a fruit that sighs when peeled from a tiny wall-shop. Cut to her eating it on a low coral wall, squinting. Cut to two friends (one tall in a long coat, one short in a moss-green jacket) toasting cups of glowing sap, then the camera drifts back to her quiet smile as a third sun-mote crosses her face. Heat, chirps, tourist murmur in a language the mic does not catch. 15-21s: AFTERNOON — softer heat, double shadows. She “reads” by holding a living moss tablet, then gets bored and sets it on a rock where it crawls away. Cut to her seated at the cove again, the gel holding still in front of her. Cut to her on the rocks, looking at a horizon that bends the wrong way. Cut to a slightly crooked selfie, she lowers the phone, embarrassed-soft laugh. Memory feeling: unfinished, tender, random. 21-26s: AMBER DUSK → EVENING — warm side light on white chalk. She walks the harbor as shell-boats breathe and rock. A vendor hands her a stick of stacked translucent discs; she eats one while walking and puts the rest in a pocket. Cut to a dinner terrace grown from coral: simple stacked plate, a glass of wine that changes color when she talks, caged-firefly lamps starting. Soft talk off-mic. She watches the square, content, not rushed, then the clip cuts mid-chew. 26-30s: NIGHT — real night phone noise/grain. Small plaza / bar terrace. Throat-music far away. She dances two seconds with the tall friend, then the clip jumps to her alone, sitting on steps under warm lamps, looking tired-happy. Last shot: phone pointed at the dark gel-sea from a balcony, lightning moving under the surface, her breathing on the mic, then the recording ends naturally mid-moment — like a real memory file. [REALISM LOCK] Found footage / vacation phone memories only. Many shots, dawn-to-night progression on one alien island. Real summer vibes, calm joy, random tourist nothing. Credible, beautiful, aesthetic Instagram-memories energy made of real clips. Same woman in every cut, fully clothed, same face. The weirdness is ordinary vacation stuff on a planet that is not Earth.

A dog. That is also a fish. That inflates like a pufferfish. And then sprays you in the face.

生成@36c7ae17-4706-44b8-a6bc-cf3fd46b7dd4的后续剧情：【风格】 真人写实电影风格，赛博武侠与新黑色电影融合。低饱和冷铁色雨夜，深红衣料、湿润黑袍与机械义肢形成质感对比。倾盆大雨、贴地体积雾、湿石板倒影，光影具有强烈明暗层次。内力与灵体全部采用无色透明折射，没有彩色能量、发光轮廓、光球或光环。仅环境与动作音效，无带有旋律的背景音乐、对白和旁白。 【时长】 15秒，16:9横屏。 【人物与场景】 红衣女子@ca34fb78-722b-4e56-8e1f-bc4d2e0f5b56，穿着红色短款的布鞋。两米五的巨汉@a92d0332-132f-4b88-864f-00f4dd75d724、发髻、胡须、黑色长袍和双机械臂，体格高大，比女子高出约三个头。。女子在左，巨汉在右，两人相距一臂，巨汉背后留出灵体剥离的空间。全程同一街道、同一雨势，建筑保持稳定。 【00:00—00:03｜镜头01：雨中对峙，沉身备掌】 65mm中景，从红衣女子肩后缓缓横移，显露两人的侧脸和身高差。机械伞面占据上方，雨水沿伞缘成串滴落。巨汉位于右侧，向前压近半步，靴底踩开积水，低头逼视女子，腰侧机械手缓慢攥紧，准备触摸女子的肩膀。 女子往高处把伞垂直扔向空中，雨伞 离开女子的双手，悬浮在高空中不动。左脚在前承重，右脚在后，双膝微屈，重心轻轻下沉；右手在腰侧展开成掌，右肘贴近身体。镜尾巨汉刚开始抬起右机械臂，女子右脚前掌同时蹬地，衔接下一镜。 音效：密集雨声、脚步踩水声、机械关节低沉摩擦声。 【00:03—00:06｜镜头02：一掌命中，肉身与灵体开始错位】 切至侧前方中低机位，40mm中全景，看清女子脚步、腰胯和掌击接触点。女子后脚蹬地，右髋前旋，腰腹带动右肩、右肘，右掌从腰侧沿最短路径猛然推出，掌根准确击中巨汉胸骨中央。 先表现真实受力：黑袍胸口向内压陷，褶皱向肩部和腰侧传开；巨汉胸廓后撤，肩膀打开，头部延迟后仰，机械臂动作中断。双脚没有离地，仅鞋底向后滑动几厘米，推开浅浅水痕。女子前腿稳稳承重，右肘微弯，掌心贴胸短暂停留，红袖与长发继续前摆半拍。 接触点周围的雨线短暂弯曲，水珠向侧面挤开，背景红柱产生局部透明折射，无闪光。命中后时间短暂减速，巨汉肉身眼神失焦，肩颈后方出现几厘米的透明轮廓错位，像身体的另一层仍沿冲击惯性后退。 音效：衣袖破风、一记结实低沉的掌击声，雨声瞬间压低后逐渐恢复。 【00:06—00:09｜镜头03：灵体连续剥离，悬停身后】 50mm侧面中全景，摄影机缓慢侧移并后拉，同时看清肉身和灵体。巨汉肉身保持屈膝后仰、双脚着地，灵体从其内部沿后上方连续滑出：胸腔和肩线先错开，头部与面容随后显露，两条机械臂依次脱离，腰腹、腿部和衣袍下摆最后分开。 灵体完整继承巨汉的脸、胡须、发髻、黑袍与机械臂结构，具有清晰体积和细节，整体无色半透明。透过灵体可以看到轻微折射的客栈与雨线，不是突然出现的复制人，也不是白色烟雾。 两者之间短暂拉出一层无色透明薄膜，随距离增加逐渐变细、收断，折射沿身体轮廓回退消失。灵体退到肉身后方约七十厘米、上升约四十厘米处减速悬停，双脚离地，衣摆与双臂继续摆动半拍。女子收回右掌，雨伞悬浮停留在空中。镜尾恢复正常速度，雨滴撞击肉身，却直接穿过灵体。 音效：低沉空气挤压声、衣料与金属轻响，正常雨声逐渐恢复。 【00:09—00:12｜镜头04：低头看手，发现下方肉身】 切至85mm中近景，巨汉肉身头肩位于左下前景并轻微虚焦，灵体位于后方右上部，焦点锁定灵体眼睛与双手。背景为同一客栈红柱、朦胧灯笼和雨线。 灵体眉头收紧，将两只透明机械手抬到胸前，掌心朝向自己，机械指节缓慢屈伸一次。手掌内部结构完整，但能够透过掌面看见背景。他先盯着双手，随后低头看见自己的肉身，眼睛骤然睁大，嘴唇微张，表情从困惑变成震惊。 灵体身体只有轻微漂移，不上下弹跳。随后他迟疑地伸出右手，向肉身后脑探去，肩部前送，肘部逐渐展开。镜尾透明指尖刚刚触及肉身湿发，接触处出现细微的无色折射。 音效：雨声、檐口滴水声、远处管道蒸汽声，无鬼叫和音乐。 【00:12—00:15｜镜头05：手掌穿过头部，惊觉灵魂出窍】 切至侧前方近景，保持肉身在前下方、灵体在后上方。摄影机轻微侧移，清晰展示灵体的右手从肉身后脑进入，手指、手掌依次无阻力穿过，指尖从肉身前侧脸颊旁显露。 肉身头发与皮肤完整，没有洞口或损伤，也没有疼痛反应。穿透边缘只有紧贴轮廓的无色折射，随手掌移动自然闭合。灵体手臂仍连接后方肩部，不能错位或断开。 灵体盯着穿出的右手，短暂僵住，缓慢合拢机械手指又重新张开，发现无法触碰自己。焦点从透明手掌拉回他惊愕的双眼，他转眼看向女子。镜头轻轻后拉，左缘带入女子的红袖与滴水伞缘，她依然平静。以“肉身失神、灵体悬浮、女子撑伞”的画面结束。 音效：轻微空气扰动声、持续雨声、伞缘滴水声。 【画面约束】 一掌命中后才发生灵体剥离；肉身留在原地附近，只有灵体向后上方移动。全程只有一个巨汉肉身和一个对应灵体。所有内力与灵体效果无色透明、不自发光。保持角色外貌、机械结构、服装、场景与光源一致。无字幕、无可辨认文字、无水印、无彩色特效。

Cinematic video shot of a modern dark blue acoustic-electric guitar standing on a clean wooden stand in a bright, minimalist room. Soft, natural sunlight filters in through a nearby window, creating gentle reflections along the polished blue finish of the guitar's body and fretboard. Soft focus background, warm and peaceful studio atmosphere sleek navy blue guitar mounted on a light wood floor stand, high detail, 4k resolution.