Video-prompts til Portrait Selfie

Create an exactly 12 second photorealistic nighttime social video in 16:9. The scene takes place in an outdoor parking lot beside the rear corner of a glossy vivid hot pink customized sports car. A stylish young woman with long straight black hair, dramatic eyelashes, natural warm skin texture, a loose light beige graphic shirt and long decorated manicure stands beside the rear taillight. Use one continuous energetic handheld camera take with an extremely wide perspective similar to a small action camera held very close to the subject. Preserve genuine human camera imperfections, tiny shakes, imperfect reframing, natural motion blur, focus breathing, realistic lens distortion and slight exposure changes. From 0 to 3 seconds begin with a close three quarter view of the woman beside the pink rear body panel. She smiles, turns toward the lens and points at her lower lip and shiny decorative dental jewelry. The camera impulsively moves closer until her face becomes an extreme wide angle close up. Her finger gently points toward the dental detail while she smiles. Maintain anatomically correct hands, teeth, lips, eyelashes and facial proportions even under strong lens distortion. From 3 to 8 seconds pull away from her face and naturally tilt down toward the custom taillight. Reveal a dark smoked taillight housing containing bright violet and pink LED artwork, a cute original cartoon inspired emblem surrounded by tiny decorative sparkles followed by several glowing heart shapes of progressively smaller size. Do not use copyrighted logos or readable text. The LED pattern must remain perfectly consistent in every frame. Her manicured hand enters naturally and glides over the pink painted panel beneath the light. Show authentic reflections from her fingers, the LEDs and nearby lights moving across glossy automotive paint. Keep tiny fingerprints, subtle surface texture and realistic panel seams. From 8 to 12 seconds swing the handheld camera back toward the woman. Her long hair briefly crosses the lens during the movement. She turns toward camera, casually brushes her hair away from her face and gives a confident relaxed expression while standing beside the glowing taillight. Finish on a slightly wider composition showing her, the pink rear corner of the car and several softly out of focus people standing farther back in the parking lot. Lighting is primarily a strong compact camera light positioned near the lens, producing bright frontal illumination, slightly hot highlights on skin and paint, deep nighttime shadows and authentic falloff. Add violet light spill from the taillight. Distant white parking lot lamps create natural star shaped lens flares against a nearly black sky. Background trees and parked vehicles remain dim and indistinct. Avoid cinematic studio lighting. The footage should feel like a genuine spontaneous car meet video captured by a real person. Use realistic 30 frame per second motion, natural skin pores, individual hair strands, physically accurate reflections, consistent clothing, consistent jewelry, correct finger count, stable car geometry and believable interaction between hands and surfaces. No morphing, floating objects, plastic skin, face changes, temporal flicker, impossible reflections or artificial smoothing. Music should be a stylish modern bass driven nightlife instrumental with a playful feminine attitude, deep clean sub bass, crisp percussion, subtle electronic sparkle and a memorable beat. Begin understated during the facial close up, let the beat become stronger when the illuminated taillight is revealed, then finish with a clean confident musical accent during the final wider shot. Blend faint authentic parking lot ambience underneath the music.

[Style] Luxury Car Delivery Vlog, professional camera + handheld selfie POV mix, 4K Photorealistic, natural skin texture with visible pores, no filter plastic look, vertical 9:16. [Duration] 30 seconds. [Scene] Supercar delivery showroom (cement gray floor, black walls, top strip spotlights) → Showroom entrance ramp → Evening city elevated highway. [Characters] Owner @Image 1 (long hair, black with burgundy gradient waves, thin metal frame clear glasses, gray knit camisole dress); two staff members in black suits (background functional characters, no faces shown). [Vehicle] Bright yellow Lamborghini Urus (Super SUV), four-door high-chassis body, hexagonal headlights with Y-shaped DRLs, sharp side lines, wide wheel arches, 23-inch black rims, quad exhaust, rear integrated spoiler. [Global Constraints] Black cloth only appears in Shot 1, piles on the ground after sliding off; flowers/ribbons only exist in showroom layout (Shots 1-7), Shot 8 car body must be clean. [00:00-00:05] Shot 1: Crane Up / Reveal. Low angle, matte black cloth covering the car. Owner walks in, cloth is pulled back to reveal the yellow Urus. [00:05-00:09] Shot 2: Orbit 360. Ground-level 360-degree rotation around the car. Owner stands by the door. [00:13-00:16] Shot 4: Handheld Close-up. Owner clinks a champagne glass against the lens. [00:16-00:19] Shot 5: Slow-mo Confetti Burst. Confetti explodes as owner laughs. [00:19-00:22] Shot 6: Handheld Selfie POV. Owner sits in driver's seat, makes a peace sign. [00:25-00:30] Shot 8: Launch + Drone Pull-back. Car drives out of the showroom onto the highway at sunset. Drone pulls back to show the city skyline.

【Style】Authentic Cycling Vlog, action cam + phone front camera + tracking shots, 4K Photorealistic, overcast soft light, sweaty skin with real pores, no beauty filters, vertical 9:16. 【Duration】30 seconds 【Scene】Winding mountain road after rain, wet asphalt with a shiny sheen, metal guardrails on the side, moving clouds and mist over distant mountains, water droplets on roadside plants. 【Character】Female cyclist, white road helmet, blue mirrored cycling glasses, dark grey short-sleeve cycling jersey (cityscape print on chest, full zipper, black action cam remote clipped below collar), burgundy cycling shorts (two white stitches on side seams), pink sports watch, black carbon fiber road bike, black deep-rim wheels. 【Glasses Rule】Glasses are worn only during full-speed riding shots (Shot 2, Shot 5, Shot 6); for parking and selfie shots (Shot 1, Shot 3, Shot 4, Shot 7, Shot 8), glasses must be perched on the helmet forehead, leaving the face and eyes fully exposed. 【Global Constraints】Same cycling kit and helmet throughout, no outfit changes; sweat volume increases over time, no regression; hands must always be on the handlebars or phone while moving, no 'third hand'; no other cyclists in the frame. [00:00-00:04] Shot 1: Ground-level Low Angle Start Extremely low angle near the ground, wet asphalt at the bottom edge. She is stopped by the roadside with one foot down, glasses on her helmet, face fully visible, looking down at the camera with a smile. Action: She raises both hands to pull the glasses down over her eyes, then hands return to the bars, foot clips into the pedal with a 'click', crank turns, chain engages, front wheel rolls through a small puddle, splashing water to the sides. The camera follows the wheel slightly. SFX: Pedal clipping, chain engaging, tire splashing. [00:04-00:08] Shot 2: Car-to-car Side Tracking Side tracking shot moving at the same speed, full body in frame. She lowers her torso, hands on the drops, back flat, knees pumping, blue mirrored glasses on. Background guardrails and misty mountains blur past. Detail: First layer of sweat on temples, a small dark sweat patch appearing on the back seam of the jersey. [00:08-00:12] Shot 3: Roadside Selfie (Front Camera Selfie POV) Phone front camera perspective, slight wide-angle distortion. She is stopped, one foot down, pushes glasses back to the helmet first, then holds the phone. Action: She grins at the camera, panting, says something, shoulders rising with breath. She turns the phone to show the curve and misty mountains, then back to her face. Detail: Sweat sheen on forehead and nose, eyes clearly visible, hair stuck to face by sweat. Realistic handheld shake and wind noise. [00:12-00:16] Shot 4: 360 Action Cam / Invisible Selfie Stick 360 action cam effect, slight fisheye, selfie stick invisible. She is still stopped, glasses on helmet. Camera orbits her and the bike 360 degrees. Visuals: Face/helmet top -> wet road/guardrail -> bike rear -> misty valley -> back to face. Action: She looks at the camera and makes a 'let's go' gesture. Detail: Fine sweat beads on arms, sweat stain inside the watch strap. [00:16-00:20] Shot 5: Uphill Breathing Close-up (Handheld Close-up / Uphill) Side close-up of face and shoulders. Steep incline, glasses back on, pedaling slow and heavy. Action: She stands up to climb (dancing on pedals), gripping bars tight, torso swaying, mouth open for air, neck veins visible. A drop of sweat slides from temple to jaw and is blown away. Detail: Jersey front and back soaked dark, helmet straps wet, slight fogging on the lower edge of the glasses. [00:20-00:23] Shot 6: Downhill POV (Handlebar POV / First-person) Handlebar-mounted camera. Shows black bars, tape, computer screen, and her hands. Action: Descending fast into a curve, leaning left, guardrails and trees flying by, splashing through a puddle. Fingers pull the brake levers, then release. SFX: Loud wind noise, high-speed vibration. [00:23-00:27] Shot 7: Wiping Sweat at Finish (Static Medium Shot) Static medium shot. She leans the bike on the guardrail, dismounts, takes off the helmet (glasses attached), and wipes her sweaty bangs back. Action: She drinks deeply from a water bottle, water spills from the corner of her mouth, she wipes her chin with the back of her hand and exhales deeply. Detail: Helmet hair, flushed face, pressure marks from glasses around eyes, sweat lines on neck and collarbone. [00:27-00:30] Shot 8: Ending Peace Sign (Low Angle Pull-back) Low angle looking up, helmet back on, glasses on forehead. She stands by the bike, one hand on the saddle, the other giving a peace sign, smiling while still panting. Misty valley behind her. Action: Camera slowly pulls back and down, she and the bike shrink into the lower third of the frame as mist rises behind her. SFX: Chain sounds, heavy breathing, wind noise, no music, ending with just wind and breath.

CAMERA: Handheld DV 16mm daily vlog footage. The video MUST begin with her holding the camera at arm's length in selfie mode while stepping outside her apartment building with her dog. The first 20–30 seconds are entirely handheld. Later she occasionally places the camera on a park bench, low stone wall, picnic table, or the ground for wider shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around sunlight, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. It should feel like authentic footage from someone's everyday life rather than a polished commercial. STYLE: A relaxed morning lifestyle vlog. Quiet, cozy, and spontaneous. She occasionally laughs at her dog, pauses to look around, adjusts the leash, brushes hair away from her face, and speaks naturally in short sentences with comfortable pauses. CHARACTER: EMMA — a beautiful white woman in her mid-20s. Long light brown hair in a messy ponytail, green eyes, minimal makeup, oversized gray hoodie, black biker shorts, white sneakers, and a small crossbody bag. She is walking a happy golden retriever. SETTING: A peaceful suburban neighborhood on a sunny morning. Tree-lined sidewalks, quiet residential streets, birds singing, a small park with benches, green grass, and soft golden morning light. Very few people are around. SCENES: The vlog opens in selfie mode. Emma holds the camera while leaving her apartment building with the golden retriever excitedly pulling on the leash. "Good morning." She smiles. "Someone couldn't wait." The dog eagerly sniffs everything as they walk down the sidewalk. She laughs quietly. "He has to inspect every single tree." Still holding the camera, she walks into a small neighborhood park. The dog suddenly stops and stares at a squirrel. "Oh... there we go." She smiles and gently shakes her head. She places the camera on a nearby bench for a wider angle while throwing a tennis ball. The dog happily chases after it. "Worth waking up early." She picks the camera back up. Walking slowly through the park, she looks up at the trees for a moment. "It's actually really peaceful out here." The dog returns with the ball but drops it halfway. She laughs. "Close enough." She sits on the bench while the dog lies beside her. She scratches behind his ears. "I think he's happier than I am." She stands up and continues walking. The camera stays in selfie mode as they head toward home. "Coffee is definitely next." She smiles into the lens. "See you later." She gives a small wave and ends the recording.

- CAMERA / LOOK: Handheld mini DV camcorder footage filmed by the subject herself. Slight hand shake, occasional focus hunting, imperfect framing, natural zoom adjustments, soft tape-like image quality, subtle grain, realistic auto-exposure shifts from bright kitchen morning light. Natural skin tones, mild motion blur, authentic consumer camcorder aesthetic. STYLE: Cozy coffee-prep vlog with gentle ASMR elements. Relaxed pacing, minimal dialogue, candid moments. Focus on satisfying sounds: bean grinder whirring, portafilter tamping, steam wand hissing, cup clinking, milk frothing. SUBJECT: Young man in his mid-20s, plain t-shirt, hair slightly tousled, minimal accessories. Calm, focused energy while making his morning coffee. SETTING: Small kitchen counter with an espresso machine on a bright morning. Natural daylight, coffee beans and a mug nearby, quiet atmosphere. STORYBOARD: → (3s, propped medium shot) Places camera on the counter, switches on the machine. "Morning coffee, the proper way." → (3s, overhead shot) Grinds fresh coffee beans, fine grounds falling into the portafilter. → (3s, close-up) Tamps the grounds down firmly and evenly. → (3s, handheld shot) Locks the portafilter into the machine. "Here we go." → (3s, detail shot) Espresso streams slowly into a small cup. No dialogue. → (3s, medium shot) Pours cold milk into a small steel pitcher. "Time for the milk." → (3s, macro shot) Steam wand hissing as it froths the milk. → (3s, propped shot) Pours frothed milk carefully over the espresso, forming light layers. → (3s, warm ending shot) Holds the finished cup, takes a small sip, satisfied smile. "That's exactly what I needed." → (3s, final shot) Reaches toward camera, still holding the cup. "See you later." Hand covers lens as recording ends. AUDIO NOTES: Natural kitchen ambience — grinder whirring, tamping, steam hissing, milk pouring should be clearly audible. Dialogue quiet and casual. REALISM NOTES: Authentic body language, natural blinking, genuine focused smiles, occasional careful pauses while pouring, imperfect framing, focus breathing, bright morning light shifts. Should resemble a genuine personal coffee vlog on a consumer camcorder, not a commercial or AI-generated production.

Ultra-realistic cinematic vertical video, 10 seconds. A beautiful young Korean woman spending a peaceful late-night skincare routine in her cozy bedroom. She is wearing the same oversized cream-white T-shirt throughout the entire video. Warm bedside lamp light mixes naturally with soft cool moonlight coming through the window. The room has a cozy Korean bedroom aesthetic with a full-length mirror, soft bedding, subtle fairy lights, and a small bedside table. The entire video is filmed as authentic handheld smartphone selfies, like a personal nighttime vlog. Natural movements, realistic facial expressions, subtle breathing, natural blinking, lifelike hair movement, realistic skin texture, no overly posed movements. Shot 1 (0–2s): Front handheld selfie in front of the full-length mirror. She gently moves her hair behind her shoulders, looks at herself briefly, then turns her eyes toward the phone camera and gives a soft natural smile. The phone has subtle realistic handheld movement. Shot 2 (2–4s): Slightly high-angle selfie while she sits comfortably on the edge of the bed. She picks up a small skincare cream, applies a little to her face naturally with her fingertips, then gives a playful subtle expression toward the camera. Shot 3 (4–6s): Mirror selfie. She stands close to the mirror and gently fixes a few loose strands of hair while looking at her reflection. After a moment, she looks directly at the phone screen and smiles naturally. Shot 4 (6–8s): Side-profile handheld selfie near the bedside table. She reaches for a clear water bottle, takes a small natural sip, lowers it, and looks toward the camera with a soft relaxed smile. Her hair moves naturally as she turns. Shot 5 (8–10s): Front close-up selfie. She comfortably lies back against the pillows under a soft blanket, looks directly into the camera, makes a tiny finger-heart gesture close to the lens, then finishes with a warm genuine smile as the camera gently moves backward. Style: Ultra-photorealistic Korean beauty, authentic smartphone camera quality, natural handheld selfie movement, realistic skin pores and texture, natural blinking and breathing, lifelike hair simulation, realistic hand and finger movements, soft warm bedside lighting mixed with cool moonlight, subtle bedroom shadows, cinematic shallow depth of field, natural lens behavior, premium film color grading, intimate cozy nighttime atmosphere, 24fps, 8K, vertical 9:16. No text, no subtitles, no logos, no unnatural body movements, no excessive beauty filter.

Create a 12 second cinematic portrait video in 16:9, built as one continuous intimate shot. A young adult stands indoors very close to the camera, framed from upper chest to the top of the head. The camera feels like a fixed front facing phone or compact camera with only tiny natural handheld drift. The subject stays near center, occasionally leaning a few centimeters closer or farther, creating subtle changes in face size and perspective. Use an extreme photographic negative look throughout. Skin is rendered nearly black with delicate cyan and pale blue edge detail, while the hair and shirt become luminous icy white. The background is a soft cyan gray wall with faint texture and a dark vertical doorway or shadowed edge on the left. Keep the image intentionally low resolution and slightly compressed, with soft digital grain, minor sensor noise, gentle motion blur, and realistic exposure breathing. The negative effect must feel optical and coherent, never glossy or synthetic. At the opening, loose strands of hair fall across one side of the face. Both hands rise near the cheeks and jaw, fingers relaxed and naturally separated. The subject looks directly toward the lens with a calm, slightly uncanny expression. During seconds 1 to 3, the hands lower out of frame and the head slowly turns a little to one side, then returns toward center. Hair shifts naturally with the movement and briefly obscures one eye. During seconds 3 to 5, hold a centered close portrait. The eyes remain the brightest readable facial detail in the negative palette. Add tiny eye movements, one subtle blink, a small chin lift, and a restrained change in expression. During seconds 5 to 7, the head tilts gently, then rolls back toward center while the shoulders remain mostly still. Preserve believable neck movement and continuous hair physics. During seconds 7 to 9, both hands reenter near the lower edges of frame. Fingers float beside the jaw and neck in a loose expressive pose, then pause. Keep perfect hand anatomy, five fingers per hand, stable nails, no merging, no deformation. During seconds 9 to 10, the subject turns the face slightly to the side, showing a cleaner cheek profile while one long strand crosses the face. During seconds 10 to 12, the subject settles back to a centered pose, shoulders relaxing as the hands leave frame. End on a quiet direct gaze into the lens with minimal movement. Lighting is flat frontal indoor light transformed by the negative treatment, with no hard directional shadows. Maintain consistent face structure, hairstyle, clothing, room geometry, and color inversion for the entire shot. No cuts, no camera zoom, no text, no logos, no subtitles, no visual glitches. Music and sound: dark minimal electronic pulse around 128 BPM, muted kick, soft sub bass, airy reversed textures, faint digital hiss, and a restrained atmospheric swell toward the final second. No vocals. The music should feel hypnotic, eerie, intimate, and synchronized to the small head and hand gestures without overpowering the image.

Scene 1 (0–3 sec) A beautiful young Japanese woman begins a morning adventure in a quiet coastal town. She walks beside the ocean with her smartphone in selfie mode, smiling naturally as gentle waves move behind her. Scene 2 (3–6 sec) She explores a small seaside fishing harbor, watches local fishermen preparing their boats, and casually records the colorful boats and peaceful morning atmosphere. Scene 3 (6–9 sec) She discovers a small local seafood market. She looks around curiously, interacts naturally with a friendly vendor, and receives a freshly prepared local snack. Scene 4 (9–12 sec) She walks through a narrow traditional Japanese street lined with small wooden houses and shops. She stops at a tiny souvenir store and picks up a handmade ceramic item. Scene 5 (12–15 sec) She continues toward a rocky coastline and carefully walks along a scenic ocean path. The camera captures waves crashing against the rocks while she films the view. Scene 6 (15–18 sec) She reaches a quiet hidden beach. She removes her shoes, walks along the wet sand, and lets the ocean water touch her feet while laughing naturally toward the camera. Scene 7 (18–21 sec) She sits at a small outdoor seaside café, enjoys an iced matcha drink and a light dessert, and casually talks to the smartphone camera. Scene 8 (21–24 sec) Golden-hour sunlight begins to cover the coastline. She walks toward a small lighthouse on a hill, filming the glowing ocean and surrounding scenery. Scene 9 (24–27 sec) At sunset, she stands near the lighthouse overlooking the ocean. Her hair moves gently in the sea breeze as she watches the sun disappear below the horizon. Scene 10 (27–30 sec) Final selfie shot. She turns toward the camera, smiles brightly, waves goodbye and says: “What a beautiful day. See you on my next adventure. Bye!” Overall style: Ultra-realistic Japanese smartphone travel vlog, same beautiful Japanese woman and consistent appearance throughout, natural handheld phone footage, realistic human movement, authentic facial expressions, real ocean ambience, waves, wind and distant harbor sounds, cinematic natural lighting, realistic colors, documentary-style travel footage, no artificial movements, no text, no subtitles, no watermark.

Super casual real smartphone home video footage, sunny Los Angeles backyard pool party with palm trees and string lights, natural mobile phone camera with slight authentic handheld shake, normal frame rate with smooth natural motion, rapidfire montage with constant quick jump cuts every 1-2 seconds like scrolling through phone memories, unpolished authentic phone recording of mixed ages swimming, eating and dancing near the pool, pure raw home video feel, no cinematic polish or heavy effects. Use the provided reference photo as the strict ONLY visual reference for the main woman. Maintain her exact appearance with zero deviation. Generate a mixed group of family and friends around her by the pool, palm trees, floats and drinks visible. 0-2.5s: Shaky rapid cuts main woman laughing near the pool edge, sunlight sparkling on water, quick flashes of friends splashing. 2.5-5s: Abrupt jump cuts close-up of her smiling with sunglasses, then friends passing cold drinks poolside. 5-7.5s: Fast shaky she chats animatedly on a lounge chair, pool floats and palm trees visible. 7.5-10s: Quick cut close-up cheerful smile toward camera, then jump to her laughing with family near the water. 10-12.5s: Abrupt edit group gathered around a poolside table, snacks shared, playful splashing in background. 12.5-15s: Fast rapid cuts she dances lightly near the pool, friends clapping and laughing along. 15-17.5s: Shaky jump cuts close-up of her jumping playfully near the water edge, laughter all around. 17.5-20s: Abrupt edit group taking a big splash together, mixed ages cheering happily. 20-22.5s: Fast shaky she relaxes on a float, chatting with a friend nearby, sunlight glowing. 22.5-25s: Quick cut close-up warm smile toward camera, then jump to her toasting drinks with friends. 25-27.5s: Abrupt edit everyone gathered close for a group moment, laughing near the pool. 27.5-30s: Final rapid transition main woman relaxed poolside with the group, soft smile, calm summer memory ending with slight natural phone sway. Natural smartphone video quality, slight real handheld shake, smooth normal frame rate motion with no low fps or choppy artifacts, authentic casual interactions and physics, stable main character consistency, charming unpolished home phone recording, no pro stabilization or effects.

Create a 30 second vertical 9:16 photorealistic lifestyle vlog, filmed entirely as if a young woman is recording her own afternoon using an iPhone Ultra. The video must feel like a genuine social media vlog, not a commercial or traditional cinematic film. CHARACTER CONTINUITY One stylish young woman in her early 20s. Natural expressive face, warm personality, subtle makeup, realistic skin texture, slightly wavy dark-brown hair worn loose. She wears the same outfit throughout the entire video: oversized cream linen shirt over a fitted white top, relaxed blue jeans, small gold hoop earrings, thin necklace, simple shoulder bag. Maintain exactly the same face, hairstyle, outfit, accessories, body proportions and voice throughout every shot. She is confident but casual, speaking naturally to her phone like she is talking directly to her followers. VISUAL STYLE Authentic premium iPhone vlog photography. Natural HDR smartphone exposure, realistic skin tones, subtle computational photography, crisp foreground detail, realistic highlight roll-off, natural depth of field. Slight handheld micro-shake, tiny framing imperfections, natural autofocus shifts and exposure adaptation. Do NOT make the footage look like it was filmed on a cinema camera or stabilized gimbal. Natural late-afternoon golden-hour color palette throughout. Fast but smooth social-media editing. Every cut should happen naturally on a movement, gesture, camera turn or change of location. SHOT 1 — 0:00–0:04 BEDROOM — MIRROR VLOG She stands in front of a full-length bedroom mirror holding the iPhone Ultra in one hand. Medium mirror selfie framing. She quickly fixes one strand of hair, grabs her shoulder bag and smiles at herself through the phone. Slight handheld movement. Warm sunlight enters through the bedroom window. She speaks directly while moving toward the door: GIRL: "Okay, I have thirty minutes to rescue this boring afternoon." Natural playful delivery. CUT as she swings the phone away from the mirror. SHOT 2 — 0:04–0:09 ELEVATOR / HALLWAY — WALKING SELFIE Front-camera handheld selfie. She walks toward the elevator while holding the phone slightly below eye level. The frame gently bounces with her footsteps. Elevator doors open behind her. She looks into the lens and says: GIRL: "First mission: coffee. Because apparently water isn't enough for my personality." She gives a tiny amused smile after saying "personality." Real hallway ambience, footsteps and elevator ding. CUT as she steps inside the elevator. SHOT 3 — 0:09–0:14 CITY STREET — GOLDEN HOUR Jump cut to outdoors. She walks along a stylish city sidewalk. Front-facing wide smartphone camera. Pedestrians and traffic move naturally behind her. Warm golden sunlight hits the side of her face. She briefly turns the phone toward the glowing street, then immediately brings it back toward herself. While walking she says: GIRL: "Look at this light. Why does everything suddenly look expensive at golden hour?" She laughs softly at her own comment. Natural traffic, footsteps and distant city ambience. CUT during the camera turn. SHOT 4 — 0:14–0:19 COFFEE SHOP — ORDER ARRIVES Close handheld rear-camera shot of a beautiful oversized iced coffee being placed on the counter. Camera quickly tilts from the drink back toward her face. She raises her eyebrows when she sees how large the cup is. She says: GIRL: "I said small. They heard emotional-support size." She laughs naturally and takes the cup. Realistic coffee-shop ambience: espresso machine hiss, cups touching, quiet conversations. CUT while she lifts the drink toward the camera. SHOT 5 — 0:19–0:25 CAFÉ WINDOW — PERSONAL MOMENT She sits beside a large café window. The iPhone is now positioned naturally against something on the table, creating a casual static vlog frame. Medium close-up. Warm sunlight falls across her face. She takes a sip, looks outside for half a second, then looks directly back toward the phone. Her energy becomes slightly softer and more sincere. She says: GIRL: "You know what? This might actually be the best part of my day." Small genuine smile. She reaches forward and picks up the phone. CUT naturally as her hand covers part of the lens. SHOT 6 — 0:25–0:30 OUTSIDE CAFÉ — WALKING ENDING Immediate handheld selfie shot outside the café. She walks down the sidewalk holding her coffee. Golden-hour city background. Natural movement and slight lens flare. She looks directly into the camera while walking and says: GIRL: "Tiny plan, good coffee, better mood. I'll take it. See you tomorrow." She smiles, moves the phone slightly closer to her face and casually covers the lens with her hand. END. AUDIO DIRECTION Generate native synchronized dialogue audio. Same female voice throughout all six shots. Voice should sound close to an actual iPhone microphone: clean but not studio-recorded. Perfect natural lip synchronization. Conversational English delivery with small pauses, breaths, tiny laughs and realistic vocal imperfections. Dialogue must never sound like narration or advertising. Every spoken line comes directly from the woman visible in that shot. Maintain realistic spatial ambience for each location: bedroom room tone, footsteps and elevator ding, city traffic, coffee-shop ambience, cups and espresso-machine sounds. No voice-over. No narrator. No background music. Dialogue and environmental sound only. IMPORTANT CONTINUITY RULES Maintain one identical woman throughout the entire 30 seconds. No facial changes between cuts. No hairstyle changes. No outfit changes. No unexplained objects appearing or disappearing. Keep the same late-afternoon time of day and warm visual palette. Preserve spatially realistic body motion and hand anatomy. Keep smartphone-style framing throughout. Use genuine vlog editing rather than cinematic montage editing. All six scenes belong to one continuous afternoon. DO NOT GENERATE No subtitles. No captions. No floating text. No logos or watermarks. No beauty-filter skin. No exaggerated cinematic bokeh. No impossible camera movement. No drone shots. No third-person cinematic shots. No random music. No additional speakers. No duplicated character. No dialogue assigned to the wrong shot. No dialogue continuing across a cut unless naturally motivated. Final result should feel like a real 30-second iPhone Ultra vlog casually filmed and edited by the woman herself, with believable dialogue, imperfect handheld framing, natural reactions, strong character continuity and seamless multi-shot storytelling.

Create a single continuous 15 second live action shot in full 16:9 with no cuts. A young adult woman with platinum blonde hair, wispy straight bangs and two loose low side buns performs directly into an extreme fisheye camera inside a dim intimate bedroom. She wears dramatic black eyeliner, subtle pale makeup, a fitted black sleeveless crop top and several thin layered black necklaces with small pendants. Give her a confident alternative punk aesthetic without making the styling look like a costume. Place the camera completely still at approximately face height using an extremely wide fisheye lens. Preserve strong optical barrel distortion so the room bends naturally around the edges and her facial proportions change realistically whenever she approaches the glass. Fill the entire widescreen frame with real environmental detail rather than black side bars. Behind her are rough aged walls, small grid like architectural openings, muted blue bedding and miscellaneous lived in bedroom details disappearing into darkness. Lighting is very low and imperfect, dominated by cold cyan and green illumination from near the camera with faint ambient light in the room. Her pale face occasionally approaches mild highlight clipping while the background has deep crushed shadows. Maintain authentic high ISO sensor noise, subtle chromatic contamination, soft low resolution texture, slight motion smear, imperfect white balance and gentle exposure breathing. Avoid cinematic beauty lighting and avoid an artificially polished image. At the beginning her face is extremely close to the lens while she mouths a song with relaxed half closed eyes. During the first three seconds she gradually leans backward until her upper torso becomes visible, shoulders subtly moving to the rhythm. Around four seconds she lowers her chin and then leans toward the camera again. Between five and seven seconds she looks upward while continuing to mouth the vocal, slowly lifting her chin and exposing her neck. From seven to nine seconds she rolls her head sideways in one fluid natural movement, allowing her loose hair strands and necklaces to react independently. From nine to twelve seconds she returns toward center, dips her chin, gives a soft pout and briefly lowers her eyes. Keep tiny breathing motion in her chest and shoulders. From twelve to fourteen seconds she straightens and slowly approaches the camera again. During the final second she becomes noticeably more playful, moves extremely close to the fisheye glass and finishes with a wide spontaneous smile and teasing expression directly into the lens. All body motion must obey realistic inertia. Hair, necklaces, clothing and facial muscles move independently and consistently. Maintain stable identity, correct hands, natural teeth, realistic eyes, skin pores and believable blinking. No morphing, floating jewelry, duplicated features, frozen hair, beauty filter skin, artificial depth of field, camera cuts, text, logos or visual effects. Add a moody underground alternative pop soundtrack around 100 BPM with deep restrained bass, dry punchy drums, hazy electronic texture and an intimate female vocal hook. Synchronize her mouth movements and small shoulder pulses naturally to the vocal rhythm while keeping the audio slightly raw and bedroom recorded rather than studio perfect.

Base Setting: Based on the information in this storyboard, generate a professional commercial for pink canned sparkling water with Japanese cinematic aesthetics and narrative. Only generate 0-30 seconds of footage. Style Setting: Visual Tone: Modern Japanese youth cinema aesthetic, simulating 120 medium format film transparency or digital camera with Black Pro-Mist filter. Clean image, very weak grain. Lighting/Tone: High-key backlight and diffuse ambient light. Slight bloom/halation, soft cherry blossom pink and sunny white; shadows retain transparent cyan-blue. Low contrast, low saturation Japanese healing color grading. Do not generate background music, only sound effects. Content: Generate a 30-second, 16:9 vertical, real friend handheld Yunnan travel Vlog. Use the woman in the reference image as the protagonist, maintaining her facial features, hairstyle, features, skin tone, body proportions, and natural expressions throughout the video. Do not change identity, do not swap faces, do not become someone else. The protagonist wears fresh daily outfits suitable for Yunnan travel, such as light-colored short sleeves or thin shirts, casual long skirts or denim shorts, comfortable sneakers, and a small backpack. The overall vibe is natural and relaxed, like a real tourist, not a model pose. Video texture is a real travel Vlog shot by a friend with a phone all day. The footage has natural handheld camera movement, casual composition, slight shaking, occasional imperfect focus, and a real snapshot feel. No commercial quality, no cinematic blockbuster feel, no exaggerated transitions, no artificial special effects. The protagonist behaves naturally, interacting with friends like in a real trip, occasionally looking at the camera, smiling, tidying hair, taking photos with a phone, walking, and stopping to observe the scenery. 0–5 seconds: Departing from a guesthouse in Dali, Yunnan in the early morning. The protagonist carries a small backpack and walks out of a cozy guesthouse with wooden doors, white walls, greenery, and a courtyard feel. She looks down at her phone for the route, then looks up and smiles naturally at the friend's camera, tidies her hair, and walks out of the alley. The camera follows from the back and side-back, with slight shaking from the friend's handheld shooting. The scene includes soft morning sunlight, quiet stone roads, Bai-style architecture, roadside greenery, and small shops just opening. Ambient sounds include birds chirping, distant voices, footsteps, and morning street sounds. 5–11 seconds: Exploring Dali Ancient City streets. The camera follows her slowly through the ancient city streets. Both sides have white walls and gray tiles, wooden signs, flowers, small cafes, Yunnan snack shops, and tourists. She walks into a small cafe or roadside drink shop, buys a drink, and smiles naturally when receiving it. She says a simple sentence in Chinese to the camera: "Going to Erhai first today." Then she continues walking past street shops, stops to take a photo, looks down at the camera preview, and can't help but smile. The camera stays close, capturing casual real moments, no posing. 11–18 seconds: Heading to Erhai. The environment naturally transitions from ancient city streets to the road by Erhai Lake and open lake views. The protagonist sits on the back of an electric scooter or walks to the lakeside, the sea breeze blowing her hair. She becomes visibly excited when she sees Erhai for the first time, looks back at the camera and smiles, then walks quickly toward the lake. The camera follows her on the Erhai ecological corridor, with blue lake water, distant Cangshan mountains, white railings, tree shadows, and people cycling nearby. She stops to look at the lake, takes photos with her phone, leans on the railing, with a natural and relaxed expression. Ambient sounds include wind, lake water, bicycles passing, and distant tourists talking. 18–24 seconds: Xizhou rice fields and Bai village afternoon. The camera cuts to a path in the rice fields under the sun, the protagonist walking along the field with a friend. The background has green rice fields, Bai residences, distant mountains, blue sky, and slowly moving clouds. She squats down to look at roadside flowers, looks back at the camera and smiles when she stands up. She and her friend buy local snacks at a village entrance stall and eat while walking, with a real and relaxed expression. The camera moves naturally among people and alleys, with occasional slight shaking, like a friend casually recording travel clips. No deliberately designed actions, no exaggerated performances. 24–30 seconds: Erhai sunset ending moment. Golden evening, the protagonist sits by Erhai or on a lakeside bench, holding a drink, quietly watching the sunset. The lake surface has fine shimmering light, with the silhouette of Cangshan and sunset clouds in the distance. The friend's camera slowly retreats from her side-back, first capturing her profile and hair blowing in the wind, then bringing in Erhai, the sky, and the peaceful evening scenery. Finally, she looks back at the camera, smiles gently, and says a sentence in Chinese: "Yunnan is really comfortable." The screen stays on the feeling of real travel memories, warm, relaxed, and natural. Visual Style: Real personal travel Vlog material, like shot with a smartphone or small mirrorless camera. Natural daylight, real exposure, slight handheld shake, casual composition, real human reactions, documentary-style realistic style. No cinematic commercial quality, no exquisite advertising blockbuster feel, no deliberate posing, no artificial transition effects, no text overlays, no Logo, no watermark. Maintain the facial identity, hairstyle, features, skin tone, body proportions, and natural expressions of the woman in the reference image throughout. No face swapping, do not become another woman, no excessive beautification, no anime style, no influencer filter feel. No subtitles, no background music throughout, only retain real ambient sounds, footsteps, wind, voices, market sounds, lake water sounds, bird calls, and natural sounds during the friend's filming.

CAMERA: DV 16mm tape camcorder handheld feel. POV of CHASE holding the camera herself throughout each location, occasionally propped briefly for hands-free moments. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen. LOOK: Soft, slightly blurry tape quality, faint tape noise, bloomed highlights, flickering auto-exposure, muted contrast, realistic skin tones — lighting shifts per location (clinical soft light at physio → warm home light for stretching → soft steamy bathroom light → dim cozy bedroom light). STYLE: Slow, gentle montage feel — calmer and more tender than her usual bubbly vlogs. Quiet reflective voiceover narration plays over the visuals instead of synced dialogue. Mood stays soft and caring throughout, centered on rest and self-care. Character CHASE — Korean idol, 20s. Long straight black hair, natural and softly tied back, dewy glass skin, minimal to no makeup, tired but peaceful expression. Wearing a modest robe or oversized loungewear throughout — fully covering arms, torso, and legs at all times, including during the bath/shower segment (framed only from shoulders up or via steam/robe coverage, nothing revealing shown). Setting Progression Physio/massage clinic (afternoon) → her room, stretching mat (early evening) → bathroom, steamy warm light (night) → bedroom (late night). Storyboard (20s, 6 cuts) (~3.5s, physio clinic, propped camera, medium shot) She lies on a treatment table as a therapist's hands (off-camera) work on her shoulder, wincing slightly then relaxing. VOICEOVER (CHASE): "Some days, taking care of myself has to come first." (~3s, physio clinic, close handheld) She sits up slowly afterward, rolling her shoulder, small relieved exhale. VOICEOVER (CHASE): "That already feels so much better." (~3.5s, home, stretching mat, medium propped shot) She stretches gently on a mat in her room, slow and unhurried, soft evening light. VOICEOVER (CHASE): "A little more stretching never hurts." (~3s, bathroom, steamy soft light, framed modestly — shoulders up only, robe visible) She sits wrapped in a robe near a warm bath or shower, steam softly filling the frame, eyes closed peacefully. VOICEOVER (CHASE): "And then... just letting the day melt away." (~3s, bathroom, macro insert) Close-up on water droplets and steam, soft warm light, no exposed skin beyond hands/face. No narration — ambient water sound only. (~4s, bedroom, dim cozy light, closing shot) She climbs into bed early, pulling the blanket up, eyes already heavy, a small content smile before the screen fades. VOICEOVER (CHASE): "Some nights, the earlier the better."

Generate a [Total Duration] second, [Aspect Ratio] [Location/Theme] travel Vlog, with a total of [Number of Shots] shots, featuring the same [Character] throughout. Character Locking: [Face, Hairstyle, Body Type, Skin Tone, Makeup] consistent throughout. Fixed Styling: [Clothing, Shoes, Bags, Accessories]. Conditional Props: [Props] only appear in [Specified Scenes]. Unified Texture: [Lighting, Color, Phone/Camera Texture, Realism]. Editing Rhythm: Fast cuts, each shot completes one main action and one natural reaction. [Shot 01 | Start Time – End Time | Shot Purpose] Scene: [Location and Necessary Environment] Action: [One Main Action → One Natural Reaction] Camera: [Shot Size, Camera Position, Single Camera Movement] End State: [Character Position, Orientation, Props in Hand, and Emotion] [Continue subsequent shots in the same format] Sound: [Ambient Sound, Action Sound, and Music for each scene] Prohibited: [Face-swapping, outfit changes, extra characters, props disappearing without reason, excessive skin smoothing, studio feel, CGI feel] Final Frame: [Character action, expression, props, and background of the last frame]

BRIEF: Create a 30s Japanese-style idol personal vlog following the same young performer through a private day. Keep her face, hairstyle, wardrobe logic and personality consistent. The footage should feel self-shot or casually filmed by a close friend: handheld phone framing, small focus misses, ordinary room light, natural pauses, playful reactions and clean native ambience. STRUCTURE: A personal diary a direct-to-camera morning greeting at home; relaxed breakfast and getting-ready details; a candid moment playing with her fluffy cat; a quick convenience-store or cafe food stop; handheld travel between locations; rehearsal-room preparation and short performance fragments; an unguarded backstage break; and a quiet nighttime sign-off. DIALOGUE: Let her occasionally address the camera in natural Japanese, but avoid subtitles and on-screen text. Preserve believable lip sync, room tone and changes in acoustic space. PROHIBITED: No commercial posing, glamour-ad lighting, face drift, duplicate subject, plastic skin, distorted hands, floating props, logos or captions. A few things worth noticing about why it's built this way: "Wardrobe logic" instead of a fixed outfit. She's supposed to change during the day morning clothes aren't rehearsal clothes. Locking a single outfit would break the premise. Locking the logic keeps her coherent while letting the day progress. "Changes in acoustic space" is the line most people would never write. A bedroom, a convenience store, and a rehearsal room sound completely different, and audio that stays flat across all three is what quietly gives a montage away. The prohibited list bans glamour lighting and commercial posing specifically. For an idol subject, the model's default pull is toward polished promo material that door has to be closed on purpose. And the day has an arc without a plot. Morning greeting to nighttime sign-off gives thirty seconds a shape, so it reads as a diary rather than eight unrelated clips. Everyone tests consistency by keeping the room the same. The real test is walking the same person through a whole day and having nobody notice.

Keep the exact identity from @image1 locked throughout the entire video. Preserve the same face, hairstyle, skin tone, body proportions, clothing style, and natural expressions in every shot. Generate a 15-second ultra-photorealistic smartphone lifestyle vlog that feels like it was casually recorded on a real phone. Use authentic handheld movement, slight natural hand shake, realistic autofocus hunting, minor exposure adjustments, true smartphone stabilization, and natural lighting. No cinematic camera moves, no CGI look, no beauty filters, no slow motion, no text, no subtitles, no logos, and no watermarks. Scene 1 (0:00–0:02) Early morning outside a neighborhood bakery. She walks toward the entrance while holding a paper coffee cup, flips the camera to selfie mode, smiles naturally, and says, "Good morning!" Scene 2 (0:02–0:04) Inside the bakery, she records a display of fresh pastries before picking one, laughing softly as the camera briefly struggles to refocus. Scene 3 (0:04–0:06) She exits the shop and walks through a quiet tree-lined street, taking a sip of coffee while filming the peaceful surroundings. Scene 4 (0:06–0:08) She sits on a park bench, turns the camera toward birds, flowers, and people walking nearby, then smiles back at the lens. Scene 5 (0:08–0:10) At a small weekend street market, she casually browses handmade items, briefly holding one up to the camera before putting it back. Scene 6 (0:10–0:12) She walks beside a calm riverside path, filming the water, passing cyclists, and green scenery while enjoying the fresh air. Scene 7 (0:12–0:15) She stops near a scenic viewpoint, switches to selfie mode, gives a cheerful wave, smiles brightly, says, "See you next time!", then reaches toward the phone to naturally end the recording. Audio: Only authentic environmental sounds: birds, footsteps, light conversations, coffee shop ambience, distant traffic, bicycles passing, breeze through trees, water flowing, and natural city ambience. No background music, voice-over, captions, logos, or watermarks. The final result should look exactly like an authentic smartphone vlog recorded by a real person during a relaxing morning outing.

Handheld MiniDV camcorder aesthetic with a genuine first-person selfie POV. CHASE is always holding the camera herself—there is never a camera operator. Natural handheld movement with slight nervous shake, imperfect framing, autofocus hunting, exposure breathing, realistic motion blur, subtle tape grain, soft highlight bloom, authentic DV colors, and onboard camcorder microphone audio. Create a 30-second ultra-realistic backstage vlog of CHASE, a stunning Korean K-pop idol moments before going on stage. The entire video should feel completely unscripted, as if she casually started recording herself while walking backstage. The video opens with the camera accidentally turning on while she's already walking, only half of her face visible before she notices and laughs softly. She adjusts the camera and naturally says, "Oh... it's recording already? Okay... hi. I have about one minute before I go on stage." She continues walking through a busy backstage hallway while staff members pass naturally in the background. Keeping her voice low so she doesn't disturb anyone, she smiles and says, "You know what's funny? I've performed this song so many times... but this moment always feels new." She stops briefly near a mirror, adjusts one sparkling earring, notices her slightly trembling hand, smiles at herself and quietly laughs, saying, "My hands are always cold before a show... see? Still happening." As she slowly approaches the stage entrance, the hallway becomes quieter. She suddenly pauses, hearing something beyond the curtain. She looks toward the stage, listens for a moment, then whispers, "Wait... can you hear that?" At the exact moment she says those words, realistic muffled audience cheers begin building naturally from behind the curtain. The cheering grows louder while genuine emotion appears on her face through subtle eye movement and a soft smile—no exaggerated acting. She turns the camera toward the bright stage lights spilling through the curtain before bringing it back to herself and quietly says, "That's why I never get tired of this... Thank you for waiting for me." A stage manager calls from off camera, "CHASE, standby!" She immediately takes a slow breath, smiles warmly into the camera, makes a tiny finger heart, gives a small reassuring nod as if sharing the moment with the viewer, softly whispers, "Okay... let's go," then lowers the camera slightly and jogs naturally toward the stage. The camera shakes realistically as she runs, her silhouette disappears into the bright stage lights, the audience erupts into loud cheers, and the recording cuts naturally at the exact moment she steps onto the stage. Performance should rely on micro-expressions, natural blinking, realistic breathing, tiny pauses, genuine smiles, subtle nervousness, authentic eye contact, and understated acting. The voice must sound like a real Korean woman in her 20s with soft, warm, conversational delivery—not an AI narrator, influencer, or announcer. Prioritize perfect character consistency, realistic facial animation, natural lip sync, believable body language, authentic environmental audio, and cinematic realism that makes viewers genuinely question whether this was filmed in real life.