Video-prompts til Text Logo V

OK, can we have this beautiful cake rotate and then divide and get back together again in like six pieces and then we say chocolate the powerhouse Cocoa

[SUMMARY] 15 seconds, 16:9, 24fps. A Japanese emakimono picture scroll unrolls from right to left, the ukiyo-e woodblock city painted on it comes alive, and the film lands on Mount Fuji with a title on the blank paper. Animated woodblock-print style. One single slow leftward drift carries the entire film. [GLOBAL SETUP] Look and texture: 2D animated Japanese ukiyo-e woodblock print. Flat hand-printed color, visible woodgrain, washi paper fibre showing through every surface, thin sumi-ink outlines, gold-leaf cloud bands, Rinpa-school decorative flatness. Keep the ink lines slightly uneven, the way a hand-cut block prints. Palette: washi ivory, indigo ai-iro, vermilion shu-iro, gold kin-iro, golden-yellow yamabuki-iro, pine-green matsu-midori, sumi black. No other colors. The scroll as an object: the ivory washi paper of the scroll, with its dark wooden roller, stays visible at the top and bottom of the frame from 0 to 2.5s and again from 11.5 to 15.0s. Between 2.5 and 11.5s the camera is inside the painting and the paper edges are out of frame. Camera language: exactly one camera move per time slice, always small amplitude at slow speed. The overall direction of travel is leftward for the whole film. Never combine two camera moves in one slice. No handheld shake. Transitions: use zoom-in transition at 2.5s, ink-wash transition at 5.0s, matching-shape transition at 7.5s, and zoom-out transition at 12.5s. No hard cuts anywhere. Nothing appears out of empty space. Keep the camera's breathing in harmony with the length of each slice and leave enough time for each transition to complete. Forbidden throughout: no subtitles, no background music, no photorealism, no 3D rendering, no CG lighting, no video-game look, no modern buildings, no trains, no cars, no power lines, no neon, no Japanese kanji or kana characters anywhere in the frame, no watermark, no logo, no on-screen text at all before 12.5s, no mosaic, no tiling, no puzzle-piece assembly, no rapid cutting. [TIMELINE] 0-2.5s — The scroll opens Scene: A closed emakimono scroll with a dark wooden roller sits at the right edge of an ivory frame. Action: The scroll unrolls leftward and reveals a painted Nihonbashi Bridge. The painted crowd on the bridge starts to move and walks across it. A painted boat slides out from under the bridge and its flat ink outlines ripple into moving water. Camera: slow leftward drift, small amplitude, following the unrolling paper. Sound: paper rustling, a wooden roller turning, then a low market crowd fading in. Not in this slice: no text, no music, no camera shake. 2.5-5.0s — Into the painting: the food street Transition: zoom-in transition. The camera pushes into the painted surface until the paper edges leave the frame and the painting fills the whole screen. Scene: An open-air Edo food street under fluttering vermilion nobori banners. Action: A chef presses a piece of nigiri sushi between his hands and sets it down on a bare wooden board. Steam lifts from a soba pot as a cook draws noodles out of the water. A customer pulls a noren curtain aside and steps in under it. Camera: slow push in, small amplitude, stopping on the sushi board. Sound: a knife tapping wood, oil sizzling, a pot bubbling, cloth brushing. Not in this slice: no text, no music, no modern kitchen equipment. 5.0-7.5s — The river Transition: ink-wash transition. Sumi ink bleeds across the frame like ink dropped in water, and the river scene emerges out of the bleed. Scene: The Sumida River, an arched wooden bridge, rows of low wooden townhouses on the far bank under gold cloud bands. Action: A boatman pushes his pole and the boat glides forward past the bridge. Cherry blossom petals blow across the water from the right. A woman in a patterned kimono standing on the bridge turns her head and looks toward the camera. Camera: slow leftward tracking shot, small amplitude, keeping pace with the boat. Sound: an oar dipping, wood creaking, water lapping, wind through cherry branches. Not in this slice: no text, no music, no motorboats. 7.5-9.5s — Night, lanterns, kabuki Transition: matching-shape transition. A round pink cherry petal drifting in the previous slice matches into a round red paper lantern in this one. Scene: A night street of two-story wooden machiya townhouses under a deep indigo sky. Action: Red paper lanterns light up one after another down both sides of the street. A kabuki theater curtain sways open at the far end and an actor in bold red kumadori face paint strikes a still mie pose. Camera: slow tilt up, small amplitude, from the lanterns to the sky above the rooftops. Sound: wooden kabuki clappers striking twice, geta sandals on plank streets, a low crowd. Not in this slice: no text, no music, no electric light. 9.5-12.5s — Fireworks and the whole city Continuous from the previous slice, the tilt up carries straight into this one. Scene: Golden fireworks open in the indigo sky above the river. Action: Two fireworks bloom and fall in gold and vermilion. The view widens into one grand bird's-eye folding-screen painting of the whole city of Edo across the full width of the frame: dense wooden rooftops, winding canals, arched bridges, boat traffic, a vermilion torii gate, a temple complex, and the tiered white keep of Edo Castle, with gold-leaf cloud bands drifting between the districts. At 11.5s the ivory washi paper edges of the scroll slide back in at the top and bottom, revealing the whole city to be one continuous painting on one scroll. Camera: slow pull out, large amplitude, one single continuous move. Sound: fireworks booming and crackling far away, the crowd noise widening and thinning into open air. Not in this slice: no text, no music, no shattering or reassembling of the image. 12.5-15.0s — Mount Fuji and the title Transition: zoom-out transition completing into the far end of the scroll. Scene: Snow-capped Mount Fuji stands alone on the right against a gold sky. Wide empty ivory washi paper fills the left half of the frame. Action: Cherry blossom petals drift down across the empty paper. The single large word "EDO" fades in on that empty paper in clean pale sumi-black geometric sans-serif capitals. One beat later the smaller line "NOW CALLED TOKYO" fades in directly beneath it. Both lines are English Latin capitals, spelled exactly as written here, centered on the empty paper, sharp and perfectly legible, with no Japanese characters, no extra words and no misspellings. The two lines are static once they appear and are not re-rendered. Camera: the drift comes to rest and holds perfectly still for the last 1.5 seconds. Sound: a single distant temple bell ringing once, then quiet wind. Not in this slice: no music, no additional text, no camera movement after the title appears. [CLOSING CONSTRAINTS] Throughout the whole film: keep the flat ukiyo-e woodblock look, the washi paper fibre, the seven-color palette and the uneven hand-cut ink lines identical from the first frame to the last. Keep every camera move small in amplitude and slow in speed, and keep the overall direction of travel leftward. Keep all transitions soft, with no hard cuts and nothing appearing out of empty space. Throughout the whole film: no subtitles, no background music, no photorealism, no 3D rendering, no modern objects of any kind, no Japanese kanji or kana characters, no watermark and no logo. On-screen text appears only after 12.5s, only the two English lines specified above.

Style: 2 seconds of realistic life-feeling mobile phone live shooting → Hard cut for position matching → 8 seconds of static beautiful poster (2.5D parallax + player UI), forming a strong contrast between the two textures. Character: Protagonist @ Image 1 —————— [Shot 1 00:00-00:02 | Realistic Home · Spinning Record] Medium shot, fixed camera, no camera movement. Indoor corridor, background is a creamy-white wall and a dark brown wooden door (hinges clearly visible), dim indoor warm lighting, the picture has realistic mobile phone shooting noise and slight exposure fluctuations. The protagonist wears a white top with black floral print, thin-framed glasses, in a natural home state, standing on the right half of the frame facing the camera, expression calm and restrained, eyes looking straight at the camera, body almost motionless. 00:00-00:00.6 She lifts her left hand towards the left side of her body, her left index finger through the center hole of a black record, holding the record to the **middle-left of the frame** (not in the center, but obviously to the left), the record surface completely faces the camera, like a disc suspended on the left side of the frame. 00:00.6-00:02 She extends her right hand, fingertips touch the edge of the record, her wrist flicks hard—the record immediately spins at high speed around her left index finger. The right hand retracts immediately after the flick, the record continues to spin alone, the surface blurred into circular motion, and the edge reflections into a spinning light arc. The record stays at that position on the left, spinning at high speed, size and position unchanged. 00:02 Hard cut (position matching). At the frame where the record spins fastest, the screen cuts directly—the next frame is a completely different scene, and at the position of the spinning record on the left, it perfectly connects to the rotating vinyl record control in the player UI, with position, size, and rotation direction perfectly aligned. Visually, it looks like the same record is spinning, but the world around it has changed. —————— [Shot 2 00:02-00:10 | Record Cover Poster · 2.5D Parallax] Close-up character shot. This section is not a live video, but a refined static poster given 2.5D parallax dynamics—no physical camera movement, only a very slow pseudo-push-in feel: slight relative displacement between the character layer and background layer, with foreground falling leaves moving fastest, the character following, and the background slowest, creating stereoscopic depth. The visual rhythm is extremely slow and soothing. The right half of the frame features the same protagonist, but transformed into a poster image: exquisite makeup (translucent white skin, cream eyeshadow, upturned eyeliner, full hydrated lips), wearing a diamond-studded thin-strap gown, a string of pearls at the collarbone, long hair in a loose high bun with a few stray strands. She has no physical movement, just smiling slightly at the camera, eyes gentle and slightly melancholic, serene and beautiful, like a frozen magazine cover. Background: Autumn golden ginkgo avenue, sunlight through leaves casting light spots, distant blurred silhouettes of pedestrians and benches, shallow depth of field turning the background into a flowing warm golden glow. [Particle Effects] The entire screen is covered with a golden falling leaf effect, leaves slowly spinning down from the top—leaves close to the lens have obvious depth-of-field blur, passing large and blurry in front of the screen; distant leaves are small and clear, strengthening stereoscopic depth. [UI Layer (fixed on screen, doesn't move with parallax)] - Top left: Golden serif large text 'FASHION', small text 'SELF-PORTRAIT' below, next line year '1901'. - **Middle-left of the frame (matching the record position from the previous shot)**: A 3D vinyl record-shaped player control, rotating slowly clockwise, with her own circular avatar embedded in the center. - Bottom left: Minimalist music player progress bar, with play/pause, previous, and next buttons, the bar slowly advancing over time. - Left side also has light yellow and light gray magazine-style color blocks as layout decoration. - No lyrics or sentimental text appears on the screen. [Overall Tone] Shot 1 is realistic dim indoor warm tone; Shot 2 is rich autumn warm golden tone, strong sunlight, translucent skin, commercial poster quality. [Sound Effects] Shot 1 is realistic indoor ambient sound + slight plastic friction and wind from the spinning record; sounds cut at the moment of the hard cut; Shot 2 cuts directly into full sentimental music (warm texture with vinyl noise), background is very light wind and leaf friction.

A massive rocket launches behind X-MAN. As the rocket clears the launch tower, glowing green particles explode across the sky. X-MAN crosses his metallic X gauntlets before extending both arms, releasing streams of glowing TSLA and SPCX reward cards toward thousands of digital holders below. The camera alternates between low-angle hero shots and dramatic aerial views.

Create a high-end cinematic sports commercial set on a professional outdoor tennis court during golden hour. A confident professional female tennis player wearing a premium modern tennis outfit, visor, wristbands, and performance shoes prepares to serve. Begin with a smooth cinematic tracking shot following her from a medium angle as she tosses the ball and starts her service motion. The exact instant the racket strikes the tennis ball, transition seamlessly into a dramatic overhead top-down shot. The tennis ball fills the foreground, appearing extremely close to the camera, while the player remains directly beneath it, perfectly frozen at the peak of her serve. Time completely freezes. As the world remains suspended, the camera moves fluidly around the frozen scene, capturing premium commercial-style macro close-ups of the apparel, fabric texture, stitching, logo, visor, wristbands, racket strings, shoes, and other athletic details. Use luxurious product lighting, shallow depth of field, crisp textures, smooth cinematic camera movement, and polished sports-commercial cinematography. Time resumes naturally. She completes the serve, lowers her racket, and walks forward with quiet confidence. The camera instantly whip-pans across the court, following the tennis ball's trajectory. On the opposite side of the court, dozens of tennis balls rapidly fly into place, precisely arranging themselves to spell **"COMTEX"** in large uppercase letters. End with a clean overhead hero shot showcasing the completed brand name made entirely of tennis balls. Use premium commercial pacing, seamless transitions, realistic ball physics, dynamic camera work, cinematic sound design, HDR lighting, natural motion blur, ultra-realistic textures, and luxury sports-ad production quality throughout.

Keep the exact character from the reference. Photorealistic face only; everything else in premium anime style. She wears a futuristic white astronaut suit with yellow accents. \n\nPlace the provided Nemo logo as a clean embroidered mission patch centered on her chest, integrated naturally into the suit. She stands on the Moon, gazing into her helmet visor as if it were a mirror. She never looks at the camera, never smiles, maintaining a calm expression of quiet awe. \n\nOnly subtle breathing, tiny head movement, gentle hair motion, and at most one slow natural blink near the end. Crystal-clear visor with realistic reflections. Behind her is a cinematic deep-space sky with thousands of bright stars slowly drifting and twinkling, multiple graceful shooting stars leaving glowing trails, and Earth glowing in the distance. \n\nSmooth cinematic dolly-in with a subtle orbit, HDR lighting, ray-traced reflections, shallow depth of field, IMAX, masterpiece, ultra-detailed. \n\nNegative Prompt: Cartoon face, anime face, smiling, talking, looking at camera, exaggerated blinking, exaggerated motion, camera shake, distorted anatomy, extra fingers, warped helmet, blurry face, low quality, static stars, distorted logo, oversized logo, watermark, text, artifacts.

Landing page hero section design for Tesla AI, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, cool cyan and steel blue with soft amber accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, asymmetric composition, generous negative space, ultra-premium futuristic aesthetic, ultra high detail

A photorealistic 10-second culinary commercial for a chocolate lava cake. Shot 1 (0:00–0:01): Close-up 45-degree angle of a fresh egg falling into a mound of cocoa powder and flour in a glass bowl on a wooden countertop. Shot 2 (0:01–0:03): Top-down overhead view of a metal wire whisk actively stirring velvety, glossy chocolate batter into silky concentric swirl patterns. Shot 3 (0:03–0:05): Medium close-up eye-level shot of thick chocolate batter pouring in a smooth ribbon fold into a grey ceramic ramekin dusted with cocoa. Shot 4 (0:05–0:07): Straight-on medium shot inside a modern oven, warm amber interior glow, showing the chocolate lava cake fully risen and domed on the wire rack. Shot 5 (0:07–0:10): Hero macro shot of the baked lava cake on a matte dark plate; a silver spoon breaks into the crust, releasing a flowing cascade of warm molten chocolate lava with delicate rising steam. Style: High-end commercial cinematography, natural studio lighting, ultra-realistic textures, shallow depth of field, 8k resolution, smooth transitions. A professional 5-panel commercial storyboard layout on a clean, light-grey textured background with crisp black frame borders and typography: Top Row (Left to Right): Panel 1: 00:00 - 00:01 | CU, Angle 45-degree angle — Raw egg yolk cracking into cocoa powder and flour in a glass bowl. Text: "Combine your rich ingredients." Panel 2: 00:01 - 00:03 | Angle: High-Angle / Top-Down (CU) — Whisk swirling glossy chocolate batter into concentric rings. Text: "Whisk until perfectly smooth." Panel 3: 00:03 - 00:05 | MCU, Eye-Level — Thick ribbon of chocolate batter pouring vertically into a grey ramekin. Text: "Bake until the edges are set." Bottom Row (Centered): Panel 4: 00:05 - 00:07 | MS, Straight-On Centered — Puffed cake resting on the wire rack inside a warm illuminated oven. Text: "Baking in Oven" Panel 5: 00:07 - 00:10 | Hero Angle — Silver dessert spoon breaking the cake crust, warm molten chocolate oozing outward with steam. Text: "Enjoy your perfect lava cake." Style: Clean storyboard graphic design, photorealistic culinary frame stills, sharp cinematic typography, balanced layout.

Style: Ultra-premium Gen-Z music commercial, hyper-realistic, cinematic 8K, high-end fashion campaign, energetic hip-hop track, fast beat-synced editing, viral social-media aesthetic, realistic skin and fabric textures, natural lighting, polished professional choreography, dynamic handheld + gimbal camera movement, crisp motion blur, bold kinetic typography, premium color grading, no CGI look, no cartoon style, no watermark. Main Character: A confident young female dancer with a stylish Gen-Z fashion look, natural makeup, expressive face, realistic hair movement, fashionable oversized streetwear mixed with luxury accessories. Keep her appearance, outfit, hairstyle, and identity consistent throughout. Scene 1 — 0–3s | Beat Drop Nighttime premium urban location with neon architecture and wet reflective pavement. Extreme close-up of her sneakers hitting the ground exactly on the first beat. Cut rapidly to her eyes, jewelry, hands, and confident expression. She looks directly into the camera. Typography hits the screen: “FEEL THE BEAT.” Letters appear with aggressive kinetic motion, slight zoom, shake, and rhythmic distortion synchronized perfectly to the music. Scene 2 — 3–7s | Dance Explosion Beat drops harder. She launches into a fast, highly polished Gen-Z hip-hop choreography: sharp footwork, body isolations, confident hand movements, quick turns and attitude-driven poses. Camera constantly changes: low-angle tracking → 360° orbit → close-up → wide shot → fast push-in. Use seamless match cuts between movements. Every camera transition lands precisely on the beat. Typography flashes between movements: “MOVE.” “ENERGY.” “NO LIMITS.” Large bold typography briefly fills the frame without hiding the dancer. Scene 3 — 7–11s | Viral Moment Music reaches its fastest section. The dancer performs the signature highlight move directly toward the camera. Camera pushes forward while she moves backward, creating a powerful perspective effect. Quick speed ramp into slow motion for one key movement, then instantly snap back to full speed. Add subtle realistic light streaks, reflections, lens flares, and environmental movement. Typography rapidly assembles around her: “THIS IS YOUR MOMENT.” Each word appears individually on beat with modern kinetic animation. Scene 4 — 11–15s | Hero Finish Final beat. She executes one final sharp move, spins, then stops confidently facing the camera. Music hits a clean final bass impact. Camera performs a dramatic cinematic push-in as the environment briefly falls into shallow depth of field. She gives a confident smile. Final typography appears huge and centered: “OWN THE MOMENT.” Small premium subtitle underneath: “MOVE DIFFERENT.” End on a clean freeze-frame hero shot with subtle camera movement, luxury fashion-commercial finish, realistic lighting, crisp details

X-MAN confidently walks through a futuristic black-and-green headquarters inspired by X. Massive digital screens display trending posts, rockets, electric vehicles, financial charts, Robinhood-green holograms and glowing X logos. Every step emits green energy pulses. The camera tracks backwards in slow motion while sparks and digital particles float around him. Hollywood-level cinematic lighting.

Skateboarding city streets POV, 15s. The video should end with a wall featuring a doodle that says “yes&

添付画像を唯一の参照画像として使用する。常に同一の画像を使用し、アニメーションさせるのは位置・スケール・回転・3D回転・複製のみ。新しいイラストを生成したり描き直したりしない。高品質なモーショングラフィックス。After Effectsで制作したようなCM品質の映像。全体の雰囲気は「成功」「倍増」「お祝い」「歓喜」。背景は明るく華やかで、ゴールドの光、紙吹雪、きらめき、パーティクル、祝福のエフェクトが美しく舞う。映像全体にポジティブで高揚感のある空気を漂わせる。 動画開始と同時に、画面中央に添付画像が現れる。画像は勢いよくスケールアップし、そのままリズミカルに拡大→縮小→拡大を繰り返す。テンポ良く弾むようなアニメーションに合わせて、金色の光やきらめきが周囲へ広がる。 続いて画像は中心を軸に高速で360度回転しながら、滑らかに**Y軸方向への3D回転（カードフリップ）**へ移行する。カメラもわずかに前後へ移動し、奥行きを演出。回転に合わせてゴールドのリボン状の光や粒子が渦を描き、祝祭感を強調する。 3D回転が終わる瞬間、画像は一瞬で1枚から4枚へ分裂する。4枚は四隅へ飛び出し、それぞれが回転・拡大縮小を続けながら、美しい光の軌跡を残す。 その直後、4枚はさらに16枚へ高速分裂し、画面全体へ均等に広がる。16枚は異なるタイミングで回転・3D回転・拡大・縮小を繰り返し、画面いっぱいに増殖していく。背景では紙吹雪、金色のパーティクル、星形の光、祝福のエフェクトが盛大に舞い、「倍増」のイメージを視覚的に強調する。 ラストでは16枚すべてが高速で中央へ集まり、一瞬で1枚へ統合される。統合された画像へ向かってカメラが勢いよくズームインすると同時に、金色の光が大きく弾け、紙吹雪が画面いっぱいに舞う。最後は成功を祝うような圧倒的に華やかなフィニッシュで締めくくる。 映像全体を通して動きが止まる瞬間を作らず、常に明るくエネルギッシュなテンポを維持する。モーションは滑らかでキレがあり、広告・CM・MVレベルのハイクオリティなモーショングラフィックスとする。 タイポグラフィー演出（祝福・倍増バージョン） タイポグラフィーは画像のモーションと完全に同期させる。文字は画像より前面に配置し、極太・モダン・高級感のあるサンセリフ体を使用する。文字にはゴールドの輝き、発光、軽いグロー、モーションブラーを加え、祝祭感と高級感を演出する。 0〜2秒 巨大な**「X」**が勢いよくスケールインし、画像の拡大・縮小と同期して脈打つ。周囲には金色の光ときらめきが広がる。 2〜4秒 画像の3D回転に合わせて、**「収益」**が奥から飛び出し、大胆にスケールアップ。ゴールドの光の軌跡を伴い、成功や利益を象徴するような演出を行う。 4〜6秒 **「倍増」**の文字が画面中央へ力強く飛び込み、大きくスケールアップ。軽くバウンドした後、金色の輝きが画面全体へ広がり、「収益が倍増した」というインパクトを強調する。 6〜8秒 画像が4枚、16枚へ分裂するタイミングで、「X」も複数出現し、画面全体へリズミカルに増殖する。背景には紙吹雪、金色のパーティクル、星形の光が舞い、お祝いムードを最高潮に盛り上げる。 8〜10秒 すべての画像と文字が中央へ集まり、**「X」「収益」「倍増」**が重なって力強いタイトルを形成する。カメラがズームインすると同時に金色の光が大きく弾け、紙吹雪が画面いっぱいに降り注ぐ。最後は「収益倍増！」を祝福するような、豪華で爽快感のあるフィニッシュで締めくくる

Only use my image, to have the white line above it to “close” and the video to be back to this image

NEUROPROSTIR — ENTRANCE → THE WEIGHING → THE CASE → ONE CHORD → THE TWENTIETH → LOGO SHOT STRUCTURE: 11 shots, 30 seconds, 4:3, exactly as listed, no added shots REFS: @[Image 1](image_1) = location reference sheet. Controls the room itself only — architecture, layout, materials, window positions, bar position, fixtures, colour of the space. Every shot is staged inside this room. @[Video 1](video_1) = video reference of Vova's face. Controls facial geometry, features, skin and expression range INSIDE the hairline only: forehead, eyes, nose, mouth, jaw, complexion. It does not control hair, hairline, head shape above the hairline, or anything below the neck. @[Image 2](image_2) = character sheet. Controls Vova's hair length, parting, volume and fall, plus his build, height, wardrobe and silhouette. @[Image 3](image_3) = prop turnaround. Controls the guitar's shape, colour, wear and the logo on the lower bout only. @[Image 4](image_4) = character sheet. Controls El Patrón's face, hair, build and wardrobe. @[Image 5](image_5) = photo reference. Controls Anya's face, hair, glasses, earrings and jacket. @[Image 6](image_6) = brand reference. Controls the logo shape, its orange-to-violet gradient, the wordmark, the subscribe button and the server-room environment, for the final shot only. ACTIVE REFERENCES: @[Image 1](image_1) 95% · @[Video 1](video_1) 90% (face only) · @[Image 2](image_2) 95% (hair, build, wardrobe) · @[Image 3](image_3) 95% · @[Image 4](image_4) 90% · @[Image 5](image_5) 90% · @[Image 6](image_6) 100% (final shot only) LOCATION MAP — fixed for the entire piece, every shot is staged against these anchors: - The room runs roughly 12 metres east to west and 9 metres north to south. Terracotta tile floor, adobe plaster walls, exposed dark timber ceiling. - NORTH WALL: the bar, 6.2 metres long, brass rail, a spotted mirror and a full wall of bottles behind it. A single 2400K bulb hangs over the bar. - SOUTH WALL: the batwing doors, 1.4 metres wide, the only entrance. - WEST WALL: three shuttered windows. This is the only daylight source in the room. - EAST WALL: a jukebox, and one table beside it. - CENTRE: a slow ceiling fan, and scattered tables between the doors and the bar. FIXED POSITIONS — each character occupies exactly one position for the whole piece and never appears in two places: - <Bartender> behind the bar, centre, facing south into the room. - <Vova> enters through the south doors, walks north-west across the floor, and stops at the WEST END of the bar. He stands there from shot 3 onward and does not move again. - <El Patrón> is seated on a stool at the bar, about 2.5 metres EAST of where Vova stops, from the first frame to the last. He never stands and never leaves the stool. - <Anya> is seated alone at the EAST TABLE beside the jukebox, whisky and tablet in front of her, from the first frame to the last. She never moves to another table. - Six men at the scattered centre and south tables, seated, none of them at the bar. BAR AXIS: Vova and El Patrón stand and sit side by side along the bar, both facing north toward the bottles. They speak to each other through the spotted mirror, not face to face. The camera stays SOUTH of the bar for the entire piece and never goes behind it. GLOBAL STYLE NOTES: - look: late afternoon sun through the three west shutters as the single daylight source, hard-edged at 3000K, throwing long slatted bars across the tile and up the north wall, dust and cigarette smoke standing visible in the shafts; the 2400K bulb over the bar adds a small warm pool exactly where Vova stops, while El Patrón's stool sits in the gap between two shutter bars and reads darker without any separate lighting; the room falls to deep amber shadow away from the windows; 35mm film still, Kodak Vision3 500T pushed one stop, heavy grain, halation on the shutter slats, warm ochre grade with the shadows lifted to brown - setting: dry air at 34°C, thick with dust; a mariachi guitar playing low from the jukebox on the east wall, the fan motor, glass on wood, boots on tile, the doors knocking twice as they settle; room tone stays present under every quiet beat, never digital silence; ambience ducks under every spoken line and returns in the gap - characters: <Vova> face from @[Video 1](video_1), hair and everything else from @[Image 2](image_2). 190 cm, dark brown wavy hair falling to the shoulders, centre-parted, thick and slightly unruly, covering the tops of the ears — the hair is taken from @[Image 2](image_2) and is never redrawn from the video reference. Black cropped jacket with silver conchos down both fronts, black shirt open at the throat, silver chain, black jeans with silver buttons down the outer seam, worn black boots. He stands about 7 cm taller than El Patrón. Keep identical in every shot. <El Patrón> corresponds to @[Image 4](image_4). 183 cm, moustache, hair slicked back, white linen shirt with the sleeves rolled, gold chain, dark trousers, brown belt, brown boots, gold watch, rings. Keep identical in every shot. <Anya> corresponds to @[Image 5](image_5). Short blonde-grey hair, round glasses, silver hoop earrings, black blazer with white stitching. Keep identical in every shot. <Bartender> a thin older man, apron, towel over the shoulder. Keep identical in every shot. - acting — Vova: scene direction: keep it ordinary, let the room do the work, never sell anything fuel: he knows exactly what is in the case and quietly enjoys that they do not goal: make them ask instead of making them listen obstacle: the pull to explain himself; one sentence of pitch and the room owns him tactic: says nothing until asked twice, then answers a half-beat late and one word shorter than expected, checking the mirror after each answer to see whether the man is waiting for more, and giving him less each time channel: walking, then setting the case flat on the bar and working the latches without hurry gaze always engaged in the task, natural blink cadence - acting — El Patrón: scene direction: same, keep it ordinary, nothing here is worth standing up for fuel: three men came through those doors this year with a case and he is still the one sitting goal: get him out through the same doors without leaving the stool obstacle: curiosity, which he refuses to show and which leaks through every repeated question tactic: asks, then lets the pause run past comfortable to see whether the man fills it; the man never does, so he has to ask again, and each repeat costs him a little ground channel: turning a glass slowly on the bar top, never lifting it gaze always engaged in the task, natural blink cadence - acting — Anya: listener_task: she is checking whether the number on her tablet is final or still moving, and the bar is not part of that until it is CONTRAST AXIS: risk. Vova courts it, El Patrón holds ground against it. Both speak sparsely, both flat, both dry — the comedy lives in how alike they sound while wanting opposite things. Neither is a villain: two quiet men at a bar trading short sentences, and the older one loses ground only by having to ask twice. EYELINE GEOMETRY, anchored to the room and to each body, never to screen sides: (A) Vova and El Patrón face north at the bar — each looks at the other's REFLECTION in the spotted mirror, and their real heads stay turned toward the bottles; (B) Anya's table sits past El Patrón's OWN RIGHT shoulder — to reach her he rotates his head toward that shoulder and looks back over it; (C) the doors sit directly behind both of them to the south — glancing

{"shot": {"motion_level": "low", "camera_depth": "medium close-up", "camera_view": "eye level", "camera_movement": "static shot"}, "scene": {"location": "abstract setting with a newspaper background", "environment": "The background consists of layered, out-of-focus newspaper pages with various headlines and images. The lighting is focused on the central figure, creating a high-contrast, spotlight effect."}, "cinematography": {"lighting": "artificial, focused lighting", "style": "futuristic, digital art with a retro-futuristic aesthetic", "texture": "glossy, metallic surfaces on the figure, matte and aged paper textures in the background", "depth_of_field": "shallow focus on foreground"}, "visual_details": {"objects": ["Futuristic figure: A figure with a glossy, gold-colored metallic face and head structure, glowing eyes, and a high ponytail with dark, braided or twisted hair. The figure wears a purple garment and has visible mechanical joints and components."], "positioning": ["The Futuristic figure is centered in the foreground of the frame, superimposed over a background of newspaper pages."], "text_elements": ["Headline text: Large, bold text at the top of the frame reads 'PROTOTYPE BREAKS THE MOLD! THE WORLD'S FIRST BLACK WOMAN TECH BILLIONAIRE!' in a vintage newspaper font style."]}, "motion": "The video begins with a Futuristic figure centered in the foreground, its glowing eyes fixed forward. The figure's head initiates a slow, deliberate turn to its right, accompanied by a subtle, mechanical whirring motion in its neck and facial components. As the head turns, the high ponytail of dark, braided hair sways gently from left to right in a smooth, arcing trajectory, following the head's movement. The glowing elements within the figure's eyes and facial structure pulse with a steady, rhythmic intensity, casting shifting reflections on its glossy, gold-colored metallic surfaces. The figure's upper body makes minor, synchronized adjustments, with mechanical joints in the neck and shoulders moving fluidly. (no dialogue)

강 경미 대장 양주시 공주 이기 장료  hey Grok animate my image so it looks well cool and sick make it rad and make it really really excellent and funky add some Japanese and Korean Advertising greatness and make it pop and give it a funky tune cheers salute

A main character performs a rap song while “yes&” appears on the screen. 6-second video.

Extreme close-up of a white spacesuit shoulder inside a dim spacecraft cabin, slowly rotating into frame. A circular embroidered mission patch stitched onto the shoulder reads "HIGGSFIELD" in clear capital letters across its face, the thread texture and raised edge of the badge sharply visible. The camera pulls slowly back and racks focus to the astronaut's helmet visor, where the curved blue edge of a planet slides across the reflective glass. Slow dolly-out with a rack focus from the patch to the visor, close-up opening to medium close-up. Cool blue instrument light from below mixed with hard white sunlight cutting in from a porthole. Photorealistic hard-science-fiction look, ultra-detailed fabric and glass, shallow depth of field. Audio: low hum of life support, soft mechanical switch clicks, amplified breathing inside the helmet, a sparse sustained low string note.

A modern version of the mgm intro with a louder roar extra bass is how I feel inside all the time

1-10s Create the first half of an original medieval political-fantasy television opening-title sequence. The story concerns royal succession, rival noble houses, a frozen northern frontier, mounted knights, ancient dragons, fire, and winter. This is an opening-title sequence, not a trailer. Use slow ceremonial reveals, tactile materials, controlled camera movement, deliberate pauses, and readable title cards. Use completely original characters, original heraldry, original architecture, and an original dragon design. Visual language: pale winter stone, black iron, weathered parchment, cold blue frost, deep pine green, dark crimson pigment, red sealing wax, rough wool, black volcanic glass, dragon scale, smoke, snow, and restrained orange firelight. Do not use any existing franchise names, characters, places, house symbols, logos, official maps, recognizable costumes, title designs, or musical themes. No invented writing, no runes, no extra text. 0–3.0s: Cold dawn light travels slowly across a frost-covered limestone relief. Shallow carved lines form a map of mountain passes, frozen rivers, raised roads, fortress walls, and a walled city. A thin line of dark red mineral pigment fills one route toward the city. The red line glows like banked fire beneath the frost, then becomes completely still. Reveal only: A SERIES BY MARA VANE The letters are carved into pale limestone, monumental serif typography, flat, centered, correctly spelled, and clearly readable. Hold the credit clearly. 3.0–6.0s: Small pieces of forged black iron slide across dark charcoal wool. A broken lance, a plain knight’s visor, a round shield fragment, and a small dragon-scale shard move separately, then lock into an original circular royal war seal. Two miniature armored riders cross paths once behind the seal, suggesting a medieval battle without becoming a full battle scene. The iron stops moving completely before the credit appears. Reveal only: STARRING CAEL DRAKE The letters are burnished silver on a clean black surface. No crest, no recognizable emblem, and no other text. 6.0–10.0s: An oval slab of black volcanic glass reflects the flicker of a brazier. Frost retreats from the surface and reveals the partial silhouette of an armored knight wearing a heavy wool cloak and a plain steel helm. The face remains hidden. Smoke gathers above the reflection. A huge original dragon wing shadow passes once across the smoke, followed by a brief reflection of orange fire and blue-white frost. Reveal only: CREATED BY ELIAS ROWE The text sits inside the clean dark reflection, perfectly readable and motionless. At the final second, hold the exact final state: the same knight silhouette, the same brazier, the same dragon-wing shadow, the same frost line, the same camera position, and the complete credit still visible. Do not begin the next transition. AUDIO — SOUND EFFECTS ONLY: No music, no melody, no choir, no chanting, no drumbeat, no horn, no bass drone, no orchestral score, and no trailer impacts. Use only cold wind, frost cracking, carved stone friction, red wax dripping, iron sliding on wool, chainmail movement, one restrained metal strike, brazier fire, armored breathing, smoke movement, black glass friction, and one heavy dragon wingbeat. All sounds must have visible physical sources. 11-20 Extend the accepted first clip by one further clip. Use the actual final frame of the first clip as the only continuity source. Do not restart the opening, repeat the previous credits, or redesign the materials. The planned handoff state is the black volcanic-glass reflection with the armored knight, brazier fire, blue-white frost line, dragon-wing shadow, and the fully readable credit: CREATED BY ELIAS ROWE If the actual final frame differs, preserve the actual final frame and its real camera position, lighting, object placement, and motion state. 0–1.2s: Continue the accepted final frame exactly. The credit remains visible for a quiet moment. The brazier flickers once, frost glistens, and the knight remains motionless. No new text. 1.2–2.5s: The credit fades away naturally. The camera slowly pulls back from the black glass. The dark reflection becomes the surface beneath a miniature mountain capital. The same frost, iron, stone, smoke, and firelight continue without a visual reset. 2.5–5.5s: No text. A stone model of the mountain capital is gradually covered by the shadow of an approaching eclipse. Snow sweeps across the outer walls. A line of armored knights advances over a narrow causeway, shields raised. Their horses breathe white vapor. A large original dragon circles above the city. Its shadow covers the knights, while controlled orange fire catches along one section of the fortress wall. The battle remains monumental and restrained: no graphic gore, no dismemberment, no explosions, no modern weapons, and no chaotic camera shake. 5.5–6.5s: The dragon passes through smoke. One dark dragon scale breaks loose, glowing faintly with orange heat on one side and blue frost on the other. It falls into the last remaining strip of light and becomes a brilliant white-gold rimefire sun against black volcanic glass. 6.5–10.0s: Pale limestone and black-iron letterforms rise slowly around the glowing sun and reveal exactly: THE RIMEFIRE CROWN A single warm light passes across the title while a thin blue frost edge remains on the letters. Every object then becomes completely still. Hold the final title until the end. No extra credits, subtitles, logos, runes, invented writing, recognizable franchise symbols, or additional characters. AUDIO — SOUND EFFECTS ONLY: Begin with the exact wind, brazier fire, armored breathing, and glass ambience from the accepted first clip. Do not introduce music or a new audio bed. Use only fabric movement, stone friction, snow blowing across walls, synchronized horse hoofbeats, leather reins, chainmail, shield impact, horse breathing, dragon wing displacement, fortress fire, snow hissing against flame, ice cracking, falling scale impact, limestone scraping, black-iron contact, and the final sound of objects settling into silence. No music, no melody, no rhythm section, no chanting, no choir, no horn, no sustained musical tone, no bass drone, and no trailer-style impact.

Create a powerful artistic tribute to E=mc². Use the likeness and face of Albert Einstein from the reference portraits as the main subject, shown thoughtfully observing or writing. Incorporate the handwritten style of the equation E=mc² from the thir...

Hundreds of colossal stone giants emerge from beneath the earth exactly at sunrise. Mountains crumble from their shoulders while forests slide from their backs. Tiny armies gather at their feet. The title 'MORNING' appears carved across the chest of the central giant in enormous ancient cinematic serif typography. Unreal scale, golden sunrise, volumetric lighting, IMAX, photorealistic masterpiece.

High-energy American premium beer commercial in the kinetic visual language of top Spanish beer ads (Águila-style dynamism): extremely fast rhythmic cutting, aggressive camera movement, constant forward energy, product always the absolute hero. Shot on anamorphic cinema lenses with rich contrast, warm golden highlights, deep blacks, subtle film grain, perfect motion blur, and hyper-detailed product beauty. Every frame feels alive, expensive, and addictive. Brand: TALON Logo: bold condensed American industrial sans-serif “TALON” in pure gold, with a sharp geometric falcon talon gripping a single hop cone integrated into the letter “A”. Bottle: tall elegant amber-glass longneck, matte black body label with the gold TALON logo centered, thin gold foil neck collar, embossed talon mark on the shoulder, heavy cold condensation beads, liquid a luminous deep-golden amber with dense creamy white head when poured. 0-2s: [Extreme close-up, rapid whip-pan] Ice explodes as a hand yanks a freezing TALON bottle from a metal cooler. Condensation flies. Instant cut. 2-4s: [Dynamic tracking, low angle] Bottle spins in slow-motion mid-air against a blazing desert sunset highway, gold logo catching the last light. Hard cut. 4-6s: [Handheld kinetic] Young crew in a vintage convertible flying down an empty American desert road at golden hour, wind ripping through hair, laughing. Driver raises a cold TALON without looking away from the road. Cut on the laugh. 6-8s: [Macro beauty, 120fps] Perfect pour: thick golden liquid cascades into a chilled glass, dense foam rising in ultra-slow motion, tiny bubbles racing upward, condensation racing down the glass. Sound of liquid is almost tactile. 8-10s: [Fast montage, 4 cuts in 2 seconds] Rooftop at dusk – city lights ignite. Friends clink bottles hard. Foam overflows. A girl throws her head back laughing. A guy points at the sky. Every cut lands on the bottle or the foam. 10-13s: [Steadicam push through crowd] Night football tailgate, American flags, smoke from grills, pure energy. Someone cracks a TALON, the distinctive sound cuts through the noise. Camera finds the bottle first, then the smiling faces around it. 13-16s: [Ultra-close product sequence] Three rapid macro shots: – condensation drop sliding down the gold logo – thick white head collapsing slowly over the rim – bottle rotating under hard practical light, label flashing gold Hard rhythmic cuts timed like drum hits. 16-19s: [Aerial + ground hybrid] Drone diving over a nighttime desert campfire circle. Friends sit around the flames, bottles in hand. Camera lands on one bottle standing upright in the sand, glowing from the firelight, logo sharp. Instant cut to a hand grabbing it. 19-22s: [Aggressive handheld, pure chaos energy] Bar bathroom mirror selfie energy turns into a full dance-floor explosion. Bottles raised high above the crowd. Liquid flying. Faces pure joy. Camera never stops moving, always finding the TALON label in the chaos. 22-25s: [Slow-motion climax beauty] Single perfect bottle of TALON held against a black background, spinning slowly. Gold logo catches every light. Then the same bottle is slammed down onto a wooden table in real time – foam erupts. Freeze on the eruption for half a second. 25-28s: [Final product hero] Extreme close-up of the open bottle and a full glass side-by-side, both sweating, foam perfect, gold logo glowing. Soft anamorphic flare. The word “TALON” appears in the same gold type over the image. 28-30s: [Hard cut to pure black] Gold TALON logo + talon icon slam on screen with the line: “TALON. Grip the night.” Hold for one beat of pure silence, then cut to black. Cinematic anamorphic look, rich golden color grade, deep contrast, aggressive rhythmic editing, constant kinetic camera energy, hyper-detailed product macro photography, perfect condensation and liquid physics, zero dead frames, pure American freedom energy filtered through European beer-commercial precision, no dialogue, pure visual and emotional momentum.

Create an authentic 15-second analogue home-video recording filmed with a handheld Hi8/VHS-C camcorder. The camcorder is never visible. The viewer only sees the recorded footage, as if watching a digitized family videotape. This is not a vlog, commercial, or cinematic film, just a friend casually filming another friend. Use genuine analogue camcorder aesthetics: soft SD resolution, VHS grain, faint interlacing, analogue colour bleed, mild tracking noise, autofocus breathing, slight exposure fluctuations, imperfect handheld shake, natural motion blur, washed-out colours, and subtle tape hiss. A young Korean woman in her early twenties wears a pastel fitted crop top, mid-rise vintage blue denim shorts, white ankle socks, classic white sneakers, a lightweight windbreaker tied around her waist, and carries a simple canvas shoulder bag. The scene takes place beside the Han River on a warm summer afternoon. She walks naturally toward the riverside railing before stopping to admire a massive floating HIGGSFIELD installation in the river. The word HIGGSFIELD is built from giant three-dimensional block letters, mounted on a realistic floating platform. The camera gently pans between her and the installation, keeping both in frame. She smiles naturally, takes a few steps closer, then notices the unseen camera operator. She laughs softly, gives a warm wave, points excitedly toward the giant HIGGSFIELD sign, gives a subtle thumbs-up, then looks back at the river with a smile before continuing her walk. One continuous 15-second recording with no cuts or transitions. The HIGGSFIELD installation must stay prominent, crystal clear, and naturally integrated into the environment. Include realistic ambient sounds such as wind, birds, distant conversations, bicycles, and water.