Video-prompts til Vehicle V

Use exactly 2 uploaded image assets: @ image1 female lead identity reference, @ image2 male lead identity reference; preserve their faces, hairstyles, body proportions, skin tones, clothing, school uniforms, and accessories exactly. Create a 30-second, 16:9, 4K, 24fps ultra-realistic Korean romantic comedy on a modern city bus in warm afternoon light, with realistic skin, natural motion blur, authentic bus physics, suspension, braking, and cinematic handheld camera movement. All characters are clearly adults aged 20+. At 0–4s, the petite female lead stands holding a bus strap while the tall male lead sits beside her; the bus suddenly brakes hard with a realistic “끼이이익——!”, causing the entire bus, passengers, hanging straps, her bag, hair, and camera to jolt forward simultaneously. She immediately loses balance and falls toward him while the bus is still moving and shaking; at 8–12s, he quickly rises from his seat and catches her naturally around the waist and back, both staggering slightly from the remaining inertia before stabilizing. At 12–17s, they remain close, exchange shy eye contact, blush, and nearby adult passengers react naturally with “뭐야, 뭐야?”, “헐, 봤어?”, “대박…”. At 17–19s, she shyly tries to step away but he gently stops her by holding her hand. From 19–24s, he gently pulls her closer, they share a soft romantic Korean-drama-style kiss lasting about 3–4 seconds with a stable close two-shot and slow push-in, no exaggerated movement. At 24–26s, they separate shyly while passengers react “헐…”, “진짜 했어?”, “미쳤다…”. At 26–28s, the bus stops, doors open with a realistic “칙—”, and they naturally exit one after another with no teleporting. At 28–30s, she waits outside, looks up at him, stands on tiptoe and gives him a brief playful cheek kiss; the camera naturally pushes in without cutting, then she smiles and walks away while he follows, and they eventually hold hands as the bus leaves in the background. Keep all action physically believable and cinematic. No underage appearance, identity drift, altered uniforms, forced contact, deep kissing, lip kiss at the ending, teleportation, excessive slow motion, extreme camera shake, AI skin, CGI/anime style, extra characters, subtitles, logos, or watermarks.

Imagine the parting of the Red Sea and the Israelites passing and the Egyptians chariots sinking

Create a 15-second, 16:9 photorealistic cinematic film titled “A Last Train Home.” Keep the same young South Asian woman, face, hair, outfit and proportions throughout. 0–3s: Alone at a deserted rainy station, she waits as train headlights approach. Wet reflections, warm lights, blue moonlight and mist. Mood: loneliness. 3–6s: The train arrives through heavy rain. She turns toward it with quiet hope. 6–9s: Inside the warm train, she finds an old photograph, holds it, and gives an emotional smile. Rainy window behind her. 9–12s: The train moves through the rainy city, with blue night tones, warm lights and reflections. She holds the photograph. 12–15s: Sunrise fills the train as she looks at green fields and distant hills, holding the photograph close with a peaceful smile. Use natural expressions, realistic rain, reflections, cinematic lighting, shallow depth of field, filmic color grading, smooth camera movement and realistic motion. End with the train moving toward sunrise and fade to black.

Landing page hero section design for SpaceX orbital refueling depot, soft warm off-white and pale stone canvas, oversized clean photographic imagery with gentle natural light, elegant muted champagne and soft gray tones with subtle cyan accents, ultra-clean composition, sophisticated high-end typography, subtle floating glass elements, generous negative space, soft diffused lighting, minimal technical details, polished luxury product aesthetic, calm and refined atmosphere, ultra high detail 12k quality, cinematic depth ready for smooth video motion. Slow cinematic camera push-in, subtle floating particles and soft light movement, gentle atmospheric haze drifting, smooth elegant motion, premium cinematic feel, ultra-high detail, calm and refined atmosphere

[CINEMATIC SETUP] Early-2000s consumer DV camcorder aesthetic / gritty Y2K underground skater video style / aggressive handheld camera / distinct hard cuts. Faded colors, harsh fluorescent parking garage lighting, thick white tire smoke, shattered glass on concrete. Natural ambient sound only (spatial sound design, heavy metallic impacts, glass shattering, echoing footsteps, no narration). [IMAGE REFERENCES / LEGEND] @ image1 = [main character: 30-year-old man, 1.93m tall. CRITICAL OVERRIDE 1: completely clean-shaven face with absolutely no beard or stubble. CRITICAL OVERRIDE 2: 100% bare hands, exposed natural skin only. Movie-level realistic facial features, stable throughout] @ image2 = [cap reference. NO logos on sides or visor. Back features a bare cutout revealing hair/skin, and a plain plastic snapback strap] @ image3 = [hooded sweatshirt reference, actively worn by the main character. CRITICAL DETAIL 1: small "JFB" embroidery strictly confined to the LEFT wrist cuff only. CRITICAL DETAIL 2: back of the hoodie features a specific typographical design and letters] @ image4 = [pants reference. CRITICAL OVERRIDE: oversized fit. The pant hem NEVER drops below the high-top collar of the sneakers] @ image5 = [high-top sneakers reference. CRITICAL OVERRIDE: 100% exposed from the sole to the top of the ankle collar, completely unobstructed by the pants] @ image6 = [car reference, functioning as the vehicle being destroyed] [TIMELINE SECOND BY SECOND] 0-2s: [Low-angle trunk shot] The camera is positioned inside the dark trunk of the vehicle (@ image6). The trunk lid violently rips open upward, flooding the lens with harsh garage light. @ image1 reaches in with his bare hands (strictly no rings) and grabs a heavy wooden baseball bat. [Sudden upward motion] + [Trunk opening and heavy wood grab SFX] 2-3s: [HARD CUT TO: Extreme close-up] A violent downward swing. The wooden bat obliterates the front headlight. Glass explodes outward. The LEFT wrist cuff (@ image3) with the "JFB" embroidery flashes through the frame. [Violent whip pan] + [Loud glass shattering SFX] 3-4s: [HARD CUT TO: Medium shot] @ image1 repeatedly slams the bat into the metal hood of the vehicle (@ image6), leaving massive dents. [Aggressive camera recoil] + [Heavy metallic crunch SFX] 4-5s: [HARD CUT TO: High-angle Dutch shot] The bat crashes directly into the windshield, instantly creating dense spiderweb cracks across the glass. [Violent downward shake] + [Loud glass cracking SFX] 5-6s: [HARD CUT TO: Close-up] A fast lateral swing completely snaps the side mirror off the vehicle (@ image6), sending it flying off-screen. [Fast lateral pan] + [Plastic snapping SFX] 6-7s: [HARD CUT TO: Over-the-shoulder] @ image1 smashes the driver's side window. The glass shatters instantly. The oversized pants (@ image4) drape naturally above the exposed sneakers (@ image5). [Handheld shake] + [Glass breaking SFX] 7-8s: [HARD CUT TO: Macro shot] The bat obliterates the rear taillight, scattering red plastic shards across the wet concrete. [Fast zoom out] + [Crisp plastic shatter SFX] 8-9s: [HARD CUT TO: Wide profile] @ image1 delivers one final, massive overhead strike to the vehicle's roof, severely caving the metal inward. [Aggressive vertical shake] + [Deep metallic boom SFX] 9-10s: [HARD CUT TO: Low-angle tracking] @ image1 drops the bat on the concrete and walks away into the thick garage smoke. The camera focuses on the typography on the back of his hoodie (@ image3) and the fully exposed high-top sneakers (@ image5). The recording cuts abruptly to black. [Smooth drift back] + [Wood dropping and echoing footsteps SFX] [STYLE & QUALITY BOOSTERS] Heavy 2000s digital camcorder texture, gritty lo-fi urban aesthetic, raw Y2K underground video vibe. Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur. Ultra-realistic documentary realism, accurate real-world physics, high-quality embroidery and typography textures, natural body language, realistic metal denting physics, realistic glass fracturing. Exact character and clothing consistency with the reference images. [NEGATIVES] melting metal, morphing objects, continuous morphing, rubber weapons, bending bat, floating glass, embroidery on right sleeve, logo on right wrist, symmetrical logos, text on right arm, rings, jewelry, watches, bands on fingers, metallic accessories on hands, wedding band, ring on finger, deformed faces, blurry motion, low resolution, text artifacts, inconsistent lighting, watermark, extra limbs, clean pristine resolution, cinematic color grading, mannequin, stiff posture, frozen face, pants covering shoes, pants overlapping sneakers, hidden footwear, hidden sneakers, dragging pant hem, covered ankles, beard, mustache, stubble, facial hair, body hair, professional lighting, slow motion.

[CINEMATIC SETUP] Early-2000s consumer DV camcorder aesthetic / gritty Y2K underground skater video style / distinct hard cuts. Faded colors, harsh fluorescent parking garage lighting transitioning to intense crimson neon, thick white tire smoke, small wet concrete

The camera is already flying through a sky filled with living mountains slowly migrating across the atmosphere of an alien world. Entire ecosystems exist on their backs while roots of stone and crystal trail behind them through the clouds. Two flight craft weave between these moving giants, diving through valleys and tunnels carved into the mountains themselves. The camera tracks tightly as colossal peaks drift past the lens. A transparent station attached to one of the mountains overlooks the migration. The craft climb above the herd to reveal thousands of living mountains stretching across the horizon like a moving continent.

Cinematic anime short film clip, 15 seconds. Muddy motocross track, dark overcast cloudy sky, wet churned up dirt everywhere, deep ruts in the track, no crowd just raw open terrain. CHARACTER: Use uploaded character sheet as strict visual reference.

Hyper-realistic cinematic action sequence, 15 seconds, 16:9. A futuristic interceptor races through a canyon carved into the surface of Saturn's moon Titan. Towering orange ice cliffs rise thousands of meters overhead while dense atmospheric haze creates dramatic shafts of light. The route naturally narrows into twisting rock corridors, giant natural arches, frozen rivers, and immense caverns illuminated by glowing methane ice. The aircraft skims the canyon walls at incredible speed, passes beneath collapsing ice bridges, and exits through an enormous vertical opening into Titan's endless orange sky. The camera alternates between cockpit POV, ultra-low tracking, FPV chase, wide aerial reveals, and breathtaking flybys emphasizing the scale of the alien landscape. Style: IMAX realism, believable alien geology, cinematic atmosphere, crystal-clear action, uninterrupted forward momentum.

Landing page hero section design for SpaceX Starship landing on Mars at dusk, deep charcoal to near-black background, oversized immersive photographic imagery, rich atmospheric depth, warm copper and amber highlights with cool cyan and steel blue accents, soft volumetric haze, pronounced cinematic contrast, subtle translucent glass UI elements, elegant refined typography, delicate technical annotations, asymmetric composition, generous negative space, soft bloom, tactile film grain, ultra-premium futuristic aesthetic, ultra high detail 12k quality, cinematic depth ready for smooth video motion. Slow cinematic camera push-in, subtle floating particles and soft light movement, gentle atmospheric haze drifting, smooth elegant motion, premium cinematic feel, ultra high detail, calm and refined atmosphere

A confident white female rapper @[Image 1](image_1). Double bun braided hair styled high. Wearing a pink Zipp Republic jersey, layered gold chains and cross necklace, gold star-shaped drop earrings, and a small cross tattoo under the left eye. Standing firmly beside the rear quarter panel of a car, swaying weight from heel to toe to the beat. Expressing rhythm with both hands, using cutting motions, pointing, and gesturing as if stacking bars in the air. Vocal Profile: A white woman speaking in a London accent with a Nigerian lilt. Low chest-voice range, crisp consonants, and vocal delivery that strongly punches the end of each bar. Dropping volume to a low murmur between bars. Signature Tic: The moment the hook line starts, thrusting both hands forward to make a double point. However, the moment a bar lands perfectly, dropping shoulders back and raising the chin slightly half a beat before the next line begins. Eye Contact: Staring straight into the lens, blinking slowly and intentionally. In transitions, momentarily dropping the gaze to the man sitting on the car before returning to the lens. The character's appearance must match the reference image 100%. Do not change anything other than the character's appearance. @[Image 2](image_2) - Already image-referenced. White male, early to mid-30s. Short tight black hair, full black beard connected to a trimmed mustache, wide nose, thick lips, solid wide-shouldered build, and prominent tattoos on both forearms. Wearing a red Zipp Republic 2.0 jersey with white outlined graphics and '2.0' numbering on the chest. Layered gold Cuban link chains, black jeans, black low-cut trainers, and a gold watch on the wrist. Sitting on the trunk lid of a red car, placing both feet firmly on the rear bumper for balance. The upper body sways loosely in a relaxed state to the beat, nodding the head low with every snare hit before lifting it slightly. Tapping a thigh lightly with one hand to keep rhythm. Psychological Engine: Possessing a calm sense of intimidation and composure, not flaunting the performance but surrendering to the groove itself. Signature Tic: The chains catching the light with every shoulder roll, while the chin remains stable during nodding. The moment the rapper hits a punchline, turning the face toward her, holding that gaze for one beat before returning to his own rhythm. Eye Contact: Calm, half-closed eyes with a slow, relaxed gaze. Moving sight naturally between the rapper and the lens. The character's appearance must match the reference image 100%. Do not change any other elements. The characters appearing are Western/white only. Both perform singing/rapping with a Nigerian accent.

A mysterious girl with ocean eyes rises from the mist… and looks up at a floating sky citadel of golden domes, waterfalls, and airships.

# Seedance 2.5 — 30-second Korean Bus Romantic Comedy / Sudden Brake Catch / Romantic Long Kiss / Bus Exit Cheek Kiss Use exactly 2 uploaded image assets. image1 = The sole and highest priority reference for the adult female lead's identity, face, hairstyle, body type, school uniform, and accessories. Strictly maintain the recognizable face, skin tone, light blue short hair, white cloud hair clip, blue fish hair clip, petite proportions, and the exquisite deep blue school uniform, white shirt, bow, plaid skirt, socks, and shoes from the reference image. image2 = The sole and highest priority reference for the adult male lead's identity, face, hairstyle, body type, school uniform, and accessories. Strictly maintain the recognizable face, black hairstyle, tall and slender proportions, and the Korean-style male school uniform from the reference image. All main characters and recognizable background passengers are clearly depicted as adult actors over 20 years old, using only school-style uniforms and school bus themes. Generate a 30-second, 16:9 widescreen, 4K, 24fps, hyper-realistic live-action Korean romantic short film. Warm afternoon natural light, realistic skin, realistic human inertia, realistic bus suspension and braking physics, delicate eye contact and breathing, natural motion blur, slight film grain. The overall look must be like a real Korean romantic film, not a music video, animation, game CG, or plastic AI skin feel. [Characters and Scene] The female lead is about 156cm, distinctly petite; the male lead is about 180cm, with a natural and obvious height difference when standing together. At the start, the female lead stands in the bus aisle holding a hand strap; the male lead is clearly seated in the aisle seat next to her. The bus is moderately crowded with adult student actors of different faces, hairstyles, and poses. Warm afternoon sunlight shines outside the window. [0–4s | Peaceful After-School Atmosphere] A 35mm aisle wide shot establishes the bus interior, with the camera slowly pushing toward the two leads. The female lead holds a strap with one hand and a school bag with the other; the male lead sits quietly beside her. Outside objects move naturally, and the bus has subtle road vibrations. People around are looking at phones or chatting, overall relaxed and natural. [4–8s | Sudden Brake and Loss of Balance Must Occur Simultaneously] The driver suddenly slams on the brakes. First, clearly hear the sharp, realistic sound of brake friction: “Kkiii-ik——!” At the same instant the braking starts, the entire bus immediately generates strong forward inertia, the front dips, and the vehicle vibrates significantly. All physical reactions must happen at once: Hand straps swing violently forward; Bags, clothing edges, and hair all sway forward; Seated passengers' upper bodies jerk forward instantly; Someone instinctively grabs a handrail; The camera is also jolted forward by inertia with a slight recoil, creating a realistic handheld jolt. The female lead must also immediately lose her balance at the same instant the braking starts. The arm holding the strap is suddenly pulled straight, her center of gravity instantly shoots out of her foot support range, and her feet are forced to take several frantic, messy corrective steps forward. The action must be a continuous physical chain: Braking starts → Body simultaneously leans forward violently → Feet take quick corrective steps → Upper body is still carried by inertia → Fingers slip from the strap → The person naturally falls toward the male lead. Do not show the female lead suddenly losing balance after the bus has already stopped, and do not let her regain her footing midway. [8–12s | Male Lead Catches Her While Vehicle is Still Shaking] Use a 3/4 medium shot from the female lead's front-right, clearly showing the male lead's seat and the female lead's path of falling. The female lead is already in the process of falling, and the bus still has obvious braking inertia, not yet fully stabilized. The male lead is clearly seated at the very beginning. Upon seeing her fall toward him, he reacts immediately: Hips leave the seat → Legs quickly straighten → Takes a half-step into the aisle → Reaches out both hands to her waist and back. Just as the female lead is actually about to fall, the male lead catches her in time. The female lead actually crashes into his arms due to forward inertia, rather than being in a pre-arranged embrace pose. The two are carried by the remaining vehicle inertia, wobbling for a half-step; the male lead must also adjust his feet and center of gravity before finally steadying them both. The female lead instinctively grabs the front of the male lead's uniform or shoulders. The correct causality must be clear: Braking → Female lead simultaneously loses balance → Falling → Male lead rises → Catch → Both continue to wobble together → Finally stabilize gradually. [12–15s | First Heartbeat] The bus and camera gradually recover from shaking to stability. A medium two-shot slowly pushes in to a close two-shot. The male lead still supports the female lead's waist and back, and she still grips his clothes. The two realize their faces are only a few centimeters apart. The female lead is startled first, then her breathing becomes slightly erratic, her gaze shifts away then can't help but return, her cheeks gradually flushing. The male lead first checks if she is hurt, then his gaze slowly turns tender. The female lead tilts her head up slightly, and the male lead naturally tilts his head down. Maintain realistic eye contact, do not kiss immediately. [15–17s | Surrounding Students Become Excited] Nearby students notice their pose; some cover their mouths, nudge friends, peek, or open their eyes wide. The speech must sound like someone truly seeing a heart-fluttering scene and unable to hold back excitement, not like reading a script: Slightly fast speech, lowered voice, natural rising intonation at the end of sentences, with laughter and breathy tones; multiple voices can slightly overlap. “What's this, what's this?” (in Korean) The second one is higher-pitched. “Heol, did you see that?” (in Korean) “Heol” is short like a gasp, “Did you see that?” rises excitedly. “Daebak…” (in Korean) Whispered giggling, in disbelief. No announcer-style delivery, no mechanical one-word-at-a-time. [17–19s | Female Lead Shyly Tries to Back Away] The female lead realizes everyone is watching and tries to back out of the male lead's arms shyly, hugging her bag tightly and not daring to look around. The male lead does not sit back down. Just as she tries to turn and hide, the male lead gently grabs her hand or forearm, making her stop. The female lead turns back in surprise. [19–24s | Embrace + Romantic Kiss] The male lead takes the opportunity to gently bring her a half-step closer, one hand naturally encircling her lower back. The female lead freezes for a second, then does not continue to back away, her hands lightly grabbing the male lead's lapels. The camera very slowly pushes in from a 30° side-angle close two-shot. The two first maintain about 0.5 seconds of eye confirmation. The male lead naturally tilts his head down, and the female lead slightly tilts hers up. Then complete a clear, gentle Korean drama-style kiss lasting about 3–4 seconds. Do not just touch and separate. A gentle initial touch, then both bodies naturally relax into an embrace. The female lead gradually relaxes from initial tension, and the male lead's movements remain restrained and gentle. No exaggerated deep kissing, no intense movements. Try to maintain a stable continuous shot, only allowing a very slight arc movement. Warm light by the window naturally outlines their faces, hair strands, and uniform silhouettes. [24–26s | After the Kiss / Arrival at Stop] The two naturally separate but remain very close. The female lead lowers her head shyly, realizes she's still holding the male lead's clothes, lets go slightly, but can't help but reveal a small smile. The male lead also smiles tenderly. Nearby students lower their voices even more excitedly: “Heol…” “Did they really do it?” “Crazy…” (in Korean) Must be excited, laughing, incredulous youth slang tone. “Crazy…” is not anger, but an exclamation after seeing a heart-fluttering scene. Simultaneously, the bus begins to decelerate normally and gently toward the stop. [26–28s | Natural Exit] The bus door opens with a realistic “chick—” air pressure sound, and warm afternoon light enters the cabin. The female lead walks toward the door first, with the male lead following closely behind. The camera tracks from a 3/4 rear-side angle following them. Must clearly see sequentially: Bus stops steady → Door opens → Female lead steps down → Male lead follows off the bus. Do not teleport directly from inside the bus to the street. [28–30s | Female Lead's Active Cheek Kiss / Ending] After getting off the bus, the female lead doesn't leave immediately but turns at the door to wait for the male lead. Just as the male lead steps off the last step, the female lead looks up at him. Her expression changes from shy to a bit playful and brave. Due to the obvious height difference, the female lead naturally stands on her tiptoes, leans in gently, and gives a short, clear kiss on the male lead's cheek. This is clearly a light kiss on the cheek, not mouth-to-mouth. Do not suddenly cut to a close-up. The camera originally maintains a medium two-shot, naturally and softly pushing in as the female lead stands on tiptoes and leans in, clearly showing: Standing on tiptoes → Active approach → Cheek kiss → Male lead's surprised expression → Female lead's shy yet happy smile. The female lead drops back to her heels, face slightly flushed, smiles, and turns to walk forward. The male lead is stunned for a beat before truly smiling and immediately catches up to her. Finally, the camera does a slight 3/4 tracking from behind: The two walk naturally side-by-side on the warm afternoon street, shoulders getting closer, the male lead reaches out, and the female lead naturally takes his hand. The bus slowly departs in the background. The two walk and laugh together. CUT TO BLACK. [Cinematography Core] 0–4s: Stable wide

0:00-0:02 Extreme low-angle tracking inches from the spinning front tire. Dolly chase synchronized with wheel rotation. The motorcycle bursts through dense dust, suspension compresses aggressively, front fork oscillates, tire throws gravel toward lens, sparks scrape asphalt, exhaust pulses, scarf whips violently, jacket flutters, armor vibrates, goggles shimmer from reflected sunlight, subtle breathing visible through chest movement. 0:02-0:04 High-speed lateral tracking beside the motorcycle. Rider drifts between burned vehicles with controlled counter-steer. Rear tire flexes under load, sand rooster-tail curls outward, handlebars receive tiny steering corrections, left boot briefly skims asphalt, fingers tighten on throttle, elbows absorb vibration, cloth layers ripple independently, spent sand particles strike lens. 0:04-0:07 Rear pursuit camera. Convoy trucks emerge from dust. Mounted gunners fire in disciplined bursts. Bright muzzle flashes illuminate drifting smoke. Bullet strikes erupt around the rear tire. Rider performs a fast shoulder check, head rotates naturally, torso twists independently from hips, one hand keeps the motorcycle stable while the other smoothly draws and fires the worn shotgun then revolver. Visible recoil, shell ejection, smoke trails, realistic weapon cycling, motorcycle remains balanced through suspension correction. 0:07-0:10 Dynamic crane-to-follow transition into jump. Motorcycle launches across broken guardrails and twisted debris. Dramatic speed ramp at apex. Wheels continue rotating naturally, suspension fully extends, scarf and straps float with believable inertia, tiny debris spins through air, exhaust emits glowing sparks, rider adjusts body posture mid-flight with subtle ankle and knee corrections before landing. 0:10-0:12 Heavy landing compresses suspension. Rider accelerates beside the nearest armored truck, smoothly retrieves the satchel charge, throws it onto exposed armor while maintaining one-handed steering. Fingers release naturally, satchel tumbles with realistic weight, truck body rolls from uneven terrain, dust envelopes both vehicles. 0:12-0:15 Massive practical explosion erupts behind the rider. Expanding fireball, dense black smoke, flying steel panels, burning debris, shockwave pushes dust outward across the highway. Convoy vehicles brake, collide, scatter and lose formation. Camera pulls into a wide aerial tracking shot as the Rider accelerates toward the blazing sunset, dust trail glowing gold beneath long shadows. CINEMATOGRAPHY Ultra-photorealistic practical action filmmaking, Panavision anamorphic, 35mm and 50mm lenses, alternating Ru

Landing page hero section design for SpaceX Starship landing on Mars at dusk, soft warm off-white and pale stone canvas, oversized clean photographic imagery with gentle natural light, elegant muted champagne and soft gray tones with subtle cyan accents, ultra-clean composition, sophisticated high-end typography, subtle floating glass elements, generous negative space, soft diffused lighting, minimal technical details, polished luxury product aesthetic, calm and refined atmosphere, ultra-high detail 12k quality, cinematic depth ready for smooth video motion

30-second ultra-cinematic immersive first-person battlefield flight through a fictional WWII-era battlefield. The viewer experiences the movement directly through an invisible camera viewpoint. The camera itself is completely unseen and physically nonexistent in the image: only the environment and action are visible. Photorealistic, extreme velocity, realistic inertia, wide-angle perspective, seamless continuous movement. 0–4s: Begin high inside smoke above the battlefield. Instantly plunge into a steep vertical dive, rotating 180° as the ground rapidly approaches. Trenches, armored vehicles and ruined buildings rush toward the viewer. 4–8s: Pull out just above muddy terrain at extreme speed. A WWII-era fighter aircraft tears across the sky overhead. Immediately bank hard around wreckage, perform a complete 360° aerial roll, then dive into a narrow trench. 8–12s: Race through the trench at incredible speed, weaving between wooden supports, sandbags and moving soldiers. Burst upward, skim directly over an armored vehicle, then dive underneath its raised chassis and emerge at full speed. 12–17s: Accelerate across cratered terrain. Hard left around wreckage, hard right around a military truck, then climb rapidly toward ruined buildings as another aircraft crosses overhead. 17–22s: Target a shattered second-floor window. Rapidly climb and pass directly through it at full speed, thread through ruined rooms, rotate 90° through a doorway, descend through a stairwell opening and burst through another window into daylight. 22–26s: Dive toward a massive crater, spiral tightly around its interior wall, recover at the last moment and race between two armored vehicles while dust, smoke and debris rush past. 26–30s: Maximum acceleration toward a ruined church tower. Spiral vertically around the tower, complete a fast 360° roll through dense smoke, then burst above the smoke into a gigantic aerial battlefield reveal and continue toward the horizon. The entire sequence is seen exclusively from an invisible first-person cinematic viewpoint. No physical camera equipment is ever visible. No object occupies the foreground as a filming device. The viewer simply experiences impossible aerial movement. Continuous momentum, realistic motion blur, strong environmental parallax, volumetric smoke, dust turbulence, mud particles, sparks, rapid exposure changes and physically coherent transitions. No conventional cuts.

A cinematic 15-second sci-fi adventure following a lone explorer aboard a small hovercraft gliding across an endless black ocean beneath a sky filled with eclipsed moons. In the distance, a colossal floating fortress slowly emerges from swirling storm clouds, suspended by glowing energy pillars. As the explorer approaches, massive mechanical gates unlock with thunderous precision, awakening ancient celestial guardians whose eyes ignite with brilliant blue light. The fortress begins to transform, revealing hidden towers, cascading waterfalls of liquid light, and floating islands orbiting its core. Thousands of luminous drones rise into the air like stars as giant space whales glide silently through the clouds overhead. The explorer steps onto a glowing crystal pathway leading toward the heart of the fortress while beams of celestial light pierce the storm. Epic cinematic camera movements, IMAX-scale visuals, breathtaking world-building, volumetric lighting, ultra-realistic weather simulation, premium VFX, emotional orchestral atmosphere, ARRI Alexa 35 aesthetic, anamorphic lenses, photorealistic textures, seamless continuity, 4K HDR, blockbuster movie quality, no text, no logos.

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A frustrated young male creator sits alone in a dark creative studio, staring at a completely blank computer monitor. He rests his hand on his forehead, looking stuck and out of ideas. The room is moody and cinematic, with soft monitor glow and deep shadows. The blank screen suddenly begins transforming into a vivid cinematic world. The camera smoothly pushes toward the monitor and transitions seamlessly inside it, revealing an enchanting fantasy forest filled with enormous ancient trees, glowing purple-pink foliage, exotic plants, soft mist, and a crystal-clear stream reflecting warm rays of sunlight. Magical particles float gently through the air as the camera slowly travels forward through the forest. The scene then dramatically transitions into a sleek futuristic black supercar speeding through a winding mountain road at dusk. The car accelerates aggressively around the curves, tires producing subtle smoke and sparks, glowing red taillights reflecting across the wet asphalt. Massive mountains surround the road with a bright full moon in the background. Ultra-cinematic commercial look, photorealistic details, dynamic camera movement, smooth transitions, volumetric lighting, atmospheric fog, realistic reflections, shallow depth of field, dramatic contrast, premium VFX, realistic motion blur, 4K quality. End with a powerful tracking shot behind the supercar as it disappears into the mountain road. Duration: 15 seconds. Aspect ratio: 16:9. No text, no logos, no watermark.

Create a 10-second photorealistic cinematic motorcycle commercial featuring a young 24-year-old male rider with an athletic, muscular physique, riding a Suzuki GS150SE along the Karakoram Highway in northern Pakistan at approximately 100+ km/h. The rider looks confident and energetic, wearing a premium black riding jacket with the sleeves fitted around his muscular arms, dark riding pants, gloves, riding boots, and a full-face helmet. Keep his appearance, clothing, helmet, and body proportions identical throughout the entire clip. The Suzuki GS150SE should remain accurately proportioned and visually consistent, with realistic suspension movement, wheel rotation, chain movement, engine vibration, brake components, exhaust, mirrors, and authentic motorcycle details. The highway winds dramatically through enormous snow-covered Karakoram mountains, with towering icy peaks visible in the distance. Cold mountain atmosphere, patches of snow beside the road, crisp blue sky, thin clouds, distant glaciers, and realistic high-altitude lighting. Cinematic Direction: Begin with a low front three-quarter tracking shot of the GS150SE approaching at speed. Transition into a side tracking shot showing the rider enjoying the mountain scenery while maintaining control of the motorcycle. Briefly show a helmet-level POV looking down the sweeping Karakoram Highway toward massive snow-covered peaks. Use realistic aerodynamic effects: subtle airflow flowing around the rider and motorcycle, jacket fabric reacting naturally to wind, slight suspension compression over road imperfections, realistic tire contact, and controlled motion blur. Finish with a dramatic rear three-quarter tracking shot as the motorcycle disappears along the winding highway, surrounded by enormous icy mountains. Visual style: photorealistic, premium motorcycle commercial, cinematic 4K, natural mountain lighting, realistic physics, detailed motorcycle textures, dynamic tracking camera, shallow depth of field where appropriate, subtle lens flare, realistic motion blur, immersive scale, epic Himalayan/Karakoram atmosphere. Important: No distorted motorcycle parts, no extra limbs or fingers, no changing rider appearance, no duplicated motorcycle components, no unrealistic wheel geometry, no floating motorcycle, no excessive CGI effects, and no text overlays unless specifically requested. Overall feeling: freedom, adventure, power, solitude, mountain exploration, and the thrill of riding through the Karakoram.

Using the claw arms load the Starship slowly onto an empty transport trailer truck then driven away from launch site

CAMERA: Handheld action-camera vlog aesthetic, first-person/selfie POV. The young driver holds the camera inside his vehicle. Natural hand shake, imperfect framing, sudden movements, realistic autofocus, occasional motion blur. The camera itself is never visible. LOOK: Photorealistic cinematic footage, realistic metal reflections, natural lighting, detailed mechanical surfaces, subtle motion blur, believable physics, realistic urban environment. STYLE: Raw, spontaneous action vlog with original sci-fi technology. The scene feels like an unexpected real-life event captured on camera. Mechanical transformation is detailed and believable, with pistons, rotating joints, hydraulic systems, sliding panels and mechanical sounds. Completely original vehicle and machine design; no resemblance to existing movie, game, comic, or franchise characters. CHARACTER: A young man in his 20s wearing casual modern streetwear. He is the owner and driver of the vehicle. Natural appearance and realistic expressions. VEHICLE: An original futuristic black-and-silver performance car with a unique body design, custom headlights, aerodynamic panels and no logos or recognizable branding. The vehicle contains a hidden autonomous mechanical guardian system. SETTING: A busy modern city road with traffic, buildings, pedestrians, streetlights and parked vehicles. Natural daylight and realistic city ambience. SEQUENCE: 1. 0–2 sec: Selfie POV inside the moving car. The young man casually drives through the city while talking to the camera. “Everything was completely normal…” 2. 3–4 sec: Suddenly, a mysterious impact occurs nearby. Vehicles stop and people react naturally. He quickly turns the camera toward the disturbance. 3. 5–6 sec: Another impact hits near his car. The vehicle shakes violently. Warning lights appear on the dashboard while the driver looks confused and frightened. 4. 7–8 sec: The car's hidden mechanical system activates. Interior panels move, the dashboard changes, and powerful mechanical sounds begin. The exterior body starts separating into multiple original mechanical sections. 5. 9–10 sec: The vehicle transforms into a completely original towering humanoid guardian machine. Wheels rotate into articulated legs, body panels reposition into armor, and two powerful mechanical arms unfold. Realistic hydraulics, gears and pistons. 6. 11–12 sec: The driver's seat automatically launches him away from the vehicle as an emergency safety mechanism. He lands safely on the road while looking back in disbelief. 7. 13–14 sec: The guardian machine rapidly reaches down and catches him safely before he falls. It places him behind its armored body, protecting its owner. 8. 15 sec: Final dramatic shot from the driver's POV: the enormous original guardian machine stands between him and the threat. It turns toward the danger while the c

A high-octane cinematic sci-fi action sequence set on a destroyed, smoke-filled highway under an overcast, moody sky. An athletic woman with curly dark hair wearing an olive green tank top and dark tactical pants rides a matte-black futuristic motorcycle with dual front heavy tires and glowing white LED headlights through chaotic traffic, avoiding burning car wrecks and fiery explosions. Dual heavy plasma gatling guns deploy from the motorcycle chassis with mechanical precision, firing upward at a massive hovering triangular alien mothership until it explodes in a brilliant fireball above the road. The motorcycle launches off a concrete barrier ramp into a dramatic mid-air slow-motion leap against light rays, exploding upon impact as the rider alights and lands gracefully in a three-point superhero landing on the asphalt surrounded by flames. She stands up and sprints at superhuman speed her futuristic cybernetic leg armor featuring glowing blue LED line accents towards a blonde female opponent in a black leather jacket. She engages in fast-paced martial arts hand-to-hand combat, delivering a powerful kinetic kick that sends the opponent flying into an overturned truck that detonates in a massive fire explosion. Hyper-realistic live-action movie aesthetic, 8k resolution, cinematic lighting, volumetric light shafts, explosive FX, low-angle tracking shot, fast action pacing, dynamic motion blur, shot on 35mm lens.

A futuristic 8-wheeled armored transport vehicle with off-white heavy plating, blue accent lights, and rugged tires transforms into a stationary siege artillery fortress on a cracked concrete floor. Massive hydraulic pistons lift the rear hull, revealing hidden machinery as a huge main cannon rises, side autocannons and dual missile pods unfold, and heavy outriggers anchor to the ground. The vehicle fully deploys into siege mode, with the cannon, vents, and missile batteries charging with intense glowing blue energy, cinematic sci-fi mechanical detail, realistic animation, and powerful industrial design.