Промпты Видео для Cityscape Street

Generate a 15–20 second, 9:16 vertical, strictly one-shot hyper-realistic cinematic video. A single continuous aerial follow shot throughout, no edits, transitions, jump cuts, teleportation, or lens resets. [Reference Image Roles] Image 1: Action and close-up composition reference when landing on a car roof. Image 2: Action reference for the character parkouring and leaping between moving car roofs. Image 3: Reference for the sunset sky, New York red brick neighborhood, web swinging, and final wide-angle atmosphere. Image 4: Reference for the first frame, character identity, face, hairstyle, clothing, and bedroom environment. [Character Consistency] Always the same young Asian woman from Image 4: same features, black medium-length straight hair with bangs, same off-white short-sleeved knit top, off-white high-waisted shorts, and white sneakers. No face-swapping, no outfit changes, no Spider-Man suit, no mask; body proportions remain natural and stable. [Continuous Shot & Action Timeline] 0–3s: The shot begins inside a cluttered, warm New York bedroom. The girl sits cross-legged on a wide windowsill like in Image 4, surrounded by bedding, books, photos, and daily items. Golden sunset light streams in. She looks calmly at the camera, makes brief eye contact, then naturally turns to look at the city outside. The camera slowly approaches her, then flows past her side out the window, maintaining continuity. 3–5s: She quickly uncrosses her legs, plants her feet firmly on the sill, and stands up with a clear center of gravity. She raises her right hand and shoots a thin but visible white spider web from her wrist toward the upper exterior. The web adheres to a fixed point on the opposite red brick building and tightens instantly. She pushes off the sill and leaps out. The camera follows her through the window without cutting. 5–8s: She swings down toward the street in an arc. Gravity, inertia, and speed changes are realistic: accelerating downward, then swinging forward as the web tightens; hair and clothes flutter in the wind. The camera follows from a side-rear angle, descending with a slight Dutch angle. She releases the web and lands on the roof of a slowly moving black car. Solid contact between soles and metal; the roof dips slightly; she absorbs the impact by bending her knees and swinging her arms—no floating. 8–12s: She immediately sprints across car roofs on the residential street. The camera follows low-altitude side-rear. She completes three clear parkour moves: running on the first car; pushing off the edge to leap a realistic distance to the second; landing with knee cushioning; then leaping to the third. Each step has clear takeoff, push-off, airtime, landing, and impact feedback. Cars move steadily; perspective is stable; no slipping or ragdoll physics. The camera tilts with a controlled Dutch angle. 12–15s: Near the end of the street, she leaps from the last car, shooting another web upward. The web adheres to a high point on a red brick apartment. The line starts slightly slack, then stretches and rebounds naturally under her weight. She swings in a pendulum arc from one building with black fire escapes to another. 15–20s: The camera seamlessly follows the second low-altitude swing, staying between the street and rooftops. The shot smoothly pulls back into an ultra-wide angle, revealing the full New York red brick townhouses, fire escapes, street traffic, and layered roofs. She swings toward the sunset, becoming small in the center of the massive city frame. Ends with a stable Dutch angle. [Physics & Cinematography] Realistic gravity, inertia, centrifugal force, landing impact, and parkour mechanics. Webs connect wrists to fixed anchors; length is stable; natural tension and rebound. No straight-line flying. Camera moves like a high-mobility FPV drone: continuous window passage, diving, street chasing, rising, and retreating. Smooth motion blur, no jitter. [Environment & Style] Low-rise NYC residential area, red brick townhouses, fire escapes, narrow streets, real traffic. Golden hour, warm orange/pink sky, dramatic clouds, volumetric light, rim lighting, glass reflections. Hyper-realistic cinematic texture, real skin/hair/fabric, wide dynamic range, cinematic grading, fine film grain, 8K look. [Strictly Avoid] Edits, transitions, jump cuts, time jumps, scene changes, teleportation; character changes, masks, or superhero suits; extra people; distorted limbs; ragdoll physics, floating, sliding; feet missing car roofs; webs appearing from palms or without anchors; skyscraper flying; cartoon/CG look, flickering.

30 seconds | 16:9 | live-action human drama Fictional dramatization. Documentary-style visual realism. SETTING A busy Indian city during a heavy monsoon evening. [flooded roadside / traffic intersection / narrow market street / rain-soaked urban roads / residential street / apartment entrance]. Time: evening. Heavy rainfall, strong wind, flooded streets, vehicle headlights reflecting across wet asphalt and realistic urban background activity. CHARACTERS An office worker returning home and an experienced auto-rickshaw driver. Maintain consistent clothing, umbrella, backpack, auto-rickshaw and character identities throughout the sequence. Human behaviour remains grounded and restrained. STORY 00–05s — ESTABLISHING Wide observational shot establishing a rain-soaked city during evening rush hour. Office workers hurry beneath umbrellas while motorcycles, buses, auto-rickshaws and cars slowly navigate flooded roads. One office worker stands beneath a small roadside shelter unsuccessfully trying to find transportation. Camera slowly advances from a believable documentary position. Heavy rain naturally strikes roads, rooftops, vehicles and umbrellas while water flows along the roadside. 05–10s — CONNECTION Cut to a closer handheld perspective following the office worker stepping into the rain and attempting to hail passing vehicles. Several occupied auto-rickshaws continue driving past before an older green-and-yellow auto-rickshaw gradually slows and stops. The driver quietly smiles and gestures for the passenger to get inside. Camera operator follows behind with natural footsteps, small framing corrections and realistic motion blur. Rainwater splashes naturally beneath footsteps and passing vehicles. 10–16s — JOURNEY The auto-rickshaw pulls away into slow-moving traffic. Heavy rain continues reducing visibility while windshield wipers, headlights and roadside reflections create realistic monsoon conditions. The driver carefully navigates through flooded intersections as stalled motorcycles, pedestrians beneath shop awnings and traffic congestion remain visible. Keep geography readable so the journey remains spatially consistent. Camera reacts naturally to changing road conditions rather than anticipating them. Avoid exaggerated driving or unrealistic weather effects. 16–21s — BREAKDOWN The auto-rickshaw enters a deeper flooded street where water reaches the lower body panels. The engine begins sputtering before suddenly losing power and coming to a stop in the submerged road. The driver calmly attempts to restart the engine several times while surrounding traffic slowly moves around them. Camera gradually closes the distance from a believable documentary position as rain continues falling across the stalled vehicle and flooded roadway. 21–26s — SHARED EFFORT The driver quietly steps into knee-deep floodwater and begins pushing the auto-rickshaw toward the roadside. Without hesitation, the passenger immediately steps out into the rain and joins the driver. Together they push the vehicle through the flooded street while passing motorists and pedestrians briefly watch before continuing on. After reaching shallower water, the driver makes one final attempt to restart the engine. The engine starts with a rough vibration before settling into a steady idle. 26–30s — AFTERMATH The auto-rickshaw arrives beside the apartment entrance. The passenger quietly pays the fare before discreetly leaving extra money in the driver's hand. The driver notices only after the passenger has already begun walking away through the rain. He briefly calls out but the passenger simply raises one hand without turning back. The driver smiles quietly, places the money safely inside the dashboard compartment and drives back into the rain as another waiting passenger raises a hand beside the roadside. End on quiet humanity rather than sentimentality. CAMERA Grounded observational-documentary cinematography. Mix: wide environmental coverage medium handheld following shots brief close reaction shots Natural handheld instability. Realistic operator movement. Plausible camera positions. No impossible drone transitions. No excessive slow motion. LIGHTING Lighting originates from the actual environment. Natural exposure changes when moving between streetlights, shop lighting, apartment lighting, vehicle headlights and darker flooded roads. Realistic highlight roll-off. Deep but detailed shadows. No artificial rim lighting around characters. PHYSICS Real gravity and momentum. Feet maintain contact with flooded terrain. The auto-rickshaw responds naturally to potholes, standing water and uneven road surfaces. Rainwater splashes realistically beneath moving feet and tires. Clothing responds naturally to wind and rainfall. Water flows naturally through drains and across road surfaces. Characters physically interact with the vehicle, seats, handles, doors and surrounding environment. HUMAN PERFORMANCE Restrained, believable behaviour under difficult weather conditions. Heavy breathing after running through rain and pushing the vehicle. Quick visual checks of surrounding traffic. Small posture adjustments while seated and while pushing. Natural hesitation, patience, kindness and quiet gratitude. No exaggerated emotional reactions. AUDIO Heavy rainfall. Vehicle engines. Auto-rickshaw engine vibration. Repeated engine restart attempts. Water splashing beneath tires and footsteps. Windshield wipers. Passing horns. Traffic ambience. Distant thunder. Quiet conversation between driver and passenger. Engine finally restarting. Rain gradually softening during the final moments. No oversized Hollywood trailer effects. VISUAL CHARACTER Photorealistic live-action footage. Observational documentary character. Natural skin texture. Realistic wet fabric and material response. Subtle sensor noise. Natural motion blur. Imperfect handheld framing. Avoid: video-game aesthetics CGI appearance excessive HDR oversaturated colors impossible flooding floating water perfectly choreographed movement beauty-filter faces CONTINUITY Maintain consistent character identity, clothing, umbrella, backpack, auto-rickshaw, flooded streets, rainfall intensity and lighting throughout the sequence. Preserve geographic orientation and screen direction. Every action begins from the physical state established by the previous shot, creating one continuous uninterrupted 30-second narrative from the office worker searching for transport to the quiet act of generosity before both characters continue their separate journeys.

Create a 15 second cinematic street culture montage in 16:9, filmed at 30 fps with the imperfect immediacy of real handheld nightlife footage. The mood is an early 2000s underground car meet shot on a compact digital camera. Use natural motion blur, slight focus breathing, modest sensor grain, mixed white balance, clipped brake light highlights, realistic skin texture, accurate reflections, and occasional direct flash. Keep faces, clothing, hands, wheels, and vehicle geometry consistent. 0 to 1 second. At blue hour outside a plain commercial building, frame an adult woman with long black hair, a white cropped tank, loose black overshirt, dark trousers, metal chain belt and narrow sunglasses. Start medium close, then snap cut to her leaning against the rear of a dark sports coupe. Red circular taillights glow strongly. Handheld camera with tiny human corrections. 1 to 2 seconds. Rapid details of the glossy trunk, an abstract graphic decal, a polished alloy wheel, then three adult men in loose dark streetwear near the building. Cut to the coupe pulling away at night, filmed from a following car. Let the taillights bloom and streak naturally. 2 to 3 seconds. Return to the woman beside the car and concrete wall. Chest height medium shot, then closer as she lifts one hand into her hair. Dim dusk light mixes with red brake light spill. Calm, detached expression. 3 to 4 seconds. Tight candid shot beside the car. A second adult woman in a white top sits nearby while the first raises a cigarette toward her lips. Direct flash creates hard shadows and flattened highlights. Cut to a high angle over the glowing twin taillights as she looks upward. 4 to 6 seconds. Rear tracking view of the coupe accelerating along a dark multi lane road. Camera shakes slightly inside a moving vehicle. Alternate with the woman leaning beside the taillight, cigarette held loosely, red light washing across black clothing. Add one fast whip pan with smeared lights, ending in a sudden overexposed flash. 6 to 7 seconds. Show a brief inverted photographic flash for only a few frames, then an adult man in oversized black streetwear standing in front of a vivid blue sports car under harsh direct flash. Snap back to the woman beside the dark coupe, framed waist up. 7 to 8 seconds. Push into a profile closeup. Preserve fine hair, eyeliner, skin pores and reflected road lights. A shoulder level camera pass creates real foreground blur, then cut to the coupe driving ahead on the highway. 8 to 9 seconds. Follow the car from behind at night with surrounding traffic and distant lamps. Hard cut to the woman lowering narrow black sunglasses and looking directly into lens. Flash lit face, dark background, silver jewelry, cool restrained attitude. 9 to 10 seconds. Cut to an adult man sitting near the car, face and jacket saturated by red taillight glow, then a close view of the circular taillamp lens with believable LED structure and reflections. Transition into daylight at a curb. 10 to 13 seconds. In soft overcast daylight, three adult men in charcoal and black streetwear walk past the parked coupe along a simple stucco building. One wears dark sunglasses. Track them loosely from the side with imperfect framing, occasional obstruction from the car roof, natural walking weight, fabric movement and realistic shadows. Finish with a brief analog video glitch and hard cut to black. Audio. Original dark bass driven urban instrumental around 92 BPM, deep kick, muted snare, low sub bass, sparse atmospheric synth, subtle tape texture and distant city ambience. Sync major cuts, flash frames and taillight shots to the beat. No vocals, dialogue, captions, readable brand names or logos. Keep everything raw, fashionable, cinematic and convincingly human filmed.

30-Second Cinematic Korean Mystery | "The Forgotten Letter" Style: Ultra-photorealistic live-action Korean drama, Netflix-quality cinematography, ARRI Alexa look, realistic lighting, authentic Seoul locations, smooth Steadicam and dolly shots, consistent protagonist, natural acting, realistic physics, HDR, 4K, no AI artifacts, no flickering, no identity drift. 0:00–0:05 Rainy evening in Seoul. A beautiful young Korean woman in a beige trench coat walks along a quiet street with a transparent umbrella. Warm café lights reflect on wet pavement. She notices a cozy independent bookstore, closes her umbrella, enters naturally, and a small bell rings. 0:05–0:10 Inside the warm bookstore, she slowly browses shelves. She picks up a hardcover book from a display. As she opens it, an elegant orange envelope slips onto the wooden floor. She picks it up and opens it. 0:10–0:16 Inside is a photograph of herself standing in this exact bookstore, wearing the same outfit and holding the same book, dated 10 years in the future. The camera slowly pushes toward her face as she quietly processes what she's seeing. 0:16–0:23 She looks up. Across the bookstore, an older version of herself sits reading by the window. Same face, subtle aging, elegant cream coat. Their eyes meet. The older woman smiles gently while customers continue browsing naturally around them. 0:23–0:30 The older woman closes her book, places another identical orange envelope on a nearby table, and calmly leaves the bookstore. The younger woman follows outside immediately, but the rainy street is completely normal and the older woman has vanished. She looks down at the second envelope as the camera slowly cranes upward over the rain-soaked Seoul street before fading to black. Direction: Maintain perfect facial consistency, realistic background extras, natural transitions, authentic bookstore interior, subtle orange accents only in the envelope and warm lighting. The atmosphere should feel emotional, mysterious, grounded, and completely believable, like the opening scene of a premium Korean mystery film.

[STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over the NYC skyline. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic urban canyon physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush between buildings, near-miss whooshes, soft landing roll, street noise, final bite sounds. [IMAGE REFERENCES] Use the provided image as the single strict visual reference for the male character. Exact face, full dark beard, black North Face cap, black sunglasses, white “JUSTFORBALLERS” t-shirt. He wears a backpack at the start. Body proportions, posture and clothing locked from the reference. [TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Bearded man in white t-shirt, black cap, sunglasses and backpack stands on the edge of a NYC skyscraper rooftop. He looks straight into the camera with calm intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the roof. 3-5s: [Continuous freefall] He completes the somersault and falls head-first. At exactly 1.5 seconds into the fall he deploys his wingsuit with a sharp snap. The wingsuit inflates fully and he levels out. 5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed through the urban canyons of midtown Manhattan. He weaves tightly between skyscrapers, banking hard left and right, glass facades and windows streaking past at extreme velocity. 12-18s: [Low-level chaos] He drops lower, flying just above street level. He almost collides with a yellow taxi that suddenly turns the corner, banks hard to avoid it, then narrowly misses a delivery van. He dips under a traffic light and threads between two buses. 18-23s: [Street-level action] Still flying extremely low, he dodges a startled cat that bolts across the sidewalk, skims past a group of pedestrians who scatter, and banks sharply to avoid an open truck door. The camera stays locked behind him through every near-miss. 23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the sidewalk and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the ground beside him. 26-28s: [Street level] He walks a few steps still wearing the backpack and stops right in front of a classic NYC hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill. 28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a satisfied expression as the shot holds. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit, impact, roll, near-misses), stable character from the reference, realistic urban reflections and wind, no artifacts, movie-level stability, pure single continuous take.