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A young traveler hikes through a lush mountain forest, crosses a wooden bridge over a flowing stream, and reaches a stunning waterfall hidden among moss-covered rocks. Ultra-realistic travel documentary, authentic hiking movement, realistic environmental physics, natural English lip-sync, bright daytime lighting, immersive forest ambience, and seamless story continuity throughout.

[Speech rule — read first] The woman speaks JAPANESE ONLY. She never speaks Chinese, English, or any other language. She speaks almost continuously for the whole clip. She says exactly this one sentence, broken into four phrases, in this order and nothing else: 「Seedance 2.5なら」 「黒板に日本語の文字を」 「書くことができます。」 「とても便利ですね」 She delivers it at the unhurried pace of a teacher writing on a board: her voice slows to the speed of her own chalk, so each phrase is spoken while her hand is forming that same phrase. Voice and chalk advance together. Only a short natural breath separates one phrase from the next — no long pause anywhere. Total speech fills roughly 13 of the 15 seconds. The only silence is the final 0.8 seconds, where she has finished writing and simply smiles and nods. Forbidden at all times: ad-libbed dialogue, filler words, repeating a phrase, reading the sentence twice, humming, laughing, sighing, and every wordless vocalisation such as "んっ" "うん" "ふふ" "ah" "mm" "hm". She says the four phrases once each and nothing more. Pronounce "Seedance 2.5" as English "seedance two point five". [Reference] @Image1 = the keyframe: a woman in a white coat standing beside a completely empty green chalkboard, holding a slim wooden pointer at her side. Strictly preserve @Image1's face, hair, glasses, white coat, the chalkboard's position and size, the easel, the background shelves, and the framing. Nothing moves in the frame except her arm, her upper body, her face, and the chalk marks she draws. [One-line summary] 15 seconds. A cheerful presenter gives a short lecture, writing four lines of Japanese on a green chalkboard with the tip of a wooden pointer while speaking the same words aloud. Pixar-style 3D animation. Locked-off static camera. [Global setup] Environment: warm indoor study room, soft warm ceiling light, shallow depth of field, background shelves stay blurred. Highly realistic physical texture on the chalk dust and the wood of the easel. Visual style: Pixar-style 3D animation, warm color grade, soft shadows. Camera language: medium shot, eye level, straight-on. The camera is completely locked off — no pan, no tilt, no zoom, no push-in, no handheld shake. One camera behavior only: none. Character: as in @Image1. Keep the glasses, the hair silhouette, and the coat identical. Keep believable skin shading and fine surface detail — do not make her look plastic. Acting core: a warm, confident teacher who enjoys showing something off. *** WRITING RULE — SHE IS THE ONE WRITING, AND SHE WRITES AS SHE SPEAKS. *** Every chalk mark is produced by her own hand movement, in time with her voice. For each phrase: 1. Her shoulder and elbow carry the pointer tip to the start of the line. Her torso turns slightly toward the board and her eyes go to that point first. 2. The tip presses lightly to the board and travels along the path of each stroke. The chalk line appears directly behind the moving tip, following it exactly, never running ahead of it, never appearing anywhere the tip has not touched. 3. Characters are formed one stroke at a time, in correct Japanese stroke order, left to right. Faint chalk dust puffs at the tip and a soft scraping sound follows it. 4. Between strokes the tip lifts a few centimetres, then sets down at the start of the next. 5. The syllables she speaks land together with the characters she is forming — when her voice reaches a word, her hand is writing that word. Voice and chalk stay in step. 6. At the end of each line she lowers the pointer slightly, takes one small breath, glances at the camera, then moves to the line below. Her arm leads and the mark follows — the timing of the arm and the timing of the mark must match frame for frame. Marks NEVER fade in as a whole word. Marks NEVER appear while her arm is at rest or while the tip is away from the board. No invisible hand. No magic writing. The arm motion is fluid and human: the wrist flexes, the elbow opens and closes, the shoulder carries the reach across the board, her body weight shifts slightly as she reaches. Once a line is finished it stays on the board unchanged for the rest of the shot. Japanese script rule (important): Render every kanji with its correct stroke structure and correct number of strokes — 黒 板 日 本 語 文 字 書 便 利. They must be legible as real Japanese characters, not invented or Chinese-simplified lookalikes. Write them at a generous size so the strokes stay separated. "Seedance 2.5" is written in Latin letters and digits exactly as spelled: S-e-e-d-a-n-c-e, space, 2, period, 5. Chalk colors — only two, never any other: YELLOW chalk for "Seedance 2.5" only. WHITE chalk for everything else. Layout rule (important): Four lines, left-aligned to a common left margin, stacked evenly down the board from top to bottom, filling the board by the end. Large, cheerful hand-lettered chalk style with slightly uneven strokes. Exact content, top to bottom: Seedance 2.5なら 黒板に日本語の文字を 書くことができます。 とても便利ですね Never centre a line. Never write small. Each line is written as large as it can be while still fitting: a completed line spans almost the full writable width of the board, from the left margin nearly to the right edge of the board, and the four lines together fill the board from top to bottom. Characters are wide and generously spaced so that dense kanji such as 黒 板 語 書 便 利 keep their strokes separated and legible. If a line would not fit, make the characters narrower rather than shorter in height — never shrink a line so that it occupies only part of the board's width. Do not add any other word, symbol, arrow, underline or drawing. Forbidden: no subtitles, no captions, no on-screen UI, no watermark, no background music, no camera movement, no cutting to another shot, no extra people, no second hand entering the frame, no stick of chalk held in her free hand, no distortion of lines already written. [Timestamp storyboard] 0.0-3.6s LINE 1 Action: she raises the pointer to the upper-left of the empty board and writes "Seedance 2.5なら" in YELLOW chalk — first the Latin letters and digits, then the kana なら — the marks trailing the moving tip. Speech (in step with the writing): 「Seedance 2.5なら」 Intent: a small proud lift in her eyebrows on the brand name. This is the thing she is showing off. Camera: locked. No subtitles. No BGM. Japanese only. 3.6-7.2s LINE 2 Action: she drops to the next line and writes "黒板に日本語の文字を" in WHITE chalk, stroke by stroke. Her eyes follow her own tip. Speech (in step with the writing): 「黒板に日本語の文字を」 Intent: matter-of-fact, the setup half of the sentence. Keep the arm steady and even. Camera: locked. No subtitles. No BGM. Japanese only. 7.2-11.0s LINE 3 Action: she drops to the third line and writes "書くことができます。" in WHITE chalk, stroke by stroke, ending with a firm dot for the 。 Speech (in step with the writing): 「書くことができます。」 Intent: this is the payoff of the sentence — her voice firms up slightly on ます, and the final dot is pressed with a small decisive tap. Camera: locked. No subtitles. No BGM. Japanese only. 11.0-15.0s LINE 4 — the close Action: she writes "とても便利ですね" in WHITE chalk on the bottom line, then lowers the pointer to her side, turns her face fully to the camera, breaks into an open warm smile and gives one clear nod. She holds that pose for the final 0.8 seconds in silence. Speech (in step with the writing, finishing by 14.2s): 「とても便利ですね」 Intent: the nod is the close. Warm, a little playful, as if sharing a good discovery. Camera: locked. No subtitles. No BGM. Japanese only. [Closing constraints — restated for the whole clip]

Video game of macrophages seeking out and ingesting needle-like fibers, then breaking them down to harmless components. Level 2 -GI tract

This is a technical showcase of 15 lighting techniques. A cute girl sits in a studio with a black background facing the camera. She remains still while different lighting styles cycle through in rapid cuts. Stationary camera. One continuous shot. [1s] Key Light from left. The text "Key Light" appears at the bottom center of the frame. [1s] Fill Light is added from right. The text "Fill Light" appears at the bottom center of the frame. [1s] Both lights shuts off and back light turn on. The text "Back Light" appears at the bottom center of the frame. [1s] Key light and fill light both turn on again while the backlight remains on. The text "Three Point Light" appears at the bottom center of the frame. [1s] Change to High Key Light from the front. The text "High Key Light" appears at the bottom center of the frame. [1s] Dim to Low key lighting from the front. The text "Low Key Light" appears at the bottom center of the frame. [1s] Change to Rembrandt lighting from the right. The text "Rembrandt Lighting" appears at the bottom center of the frame. [1s] Chagne to Butterfly lighting. The text "Butterfly Lighting" appears at the bottom center of the frame. [1s] Chagne to Silhouette with strong light from behind. The text "Silhouette" appears at the bottom center of the frame. [1s] Change to Chiaroscuro Lighting. Extremely high contrast between light and dark areas. The text "Chiaroscuro" appears at the bottom center of the frame. [1s] Change to Left side lighting. The text "Side Lighting" appears at the bottom center of the frame. [1s] Change to rim lighting. The text "Rim Lighting" appears at the bottom center of the frame. [1s] Change to top lighting. The text "Top Lighting" appears at the bottom center of the frame. [1s] Change to bottom lighting. The text "Bottom Lighting" appears at the bottom center of the frame. [1s] All lights turn off, the backdrop falls to reveal a window with bright sunlight shining in from the outside. Camera tracks the girl turning to look outside and smile. The text "Natural Light" appears at the bottom center of the frame. Must show all lighting techniques precisely as noted. The character is a professional model.

Live-action + flat 2D sticker composite, POV cooking vlog, vertical 9:16, 10 seconds, 8K, light handheld micro-shake. Realistic kitchen + funny flat sticker character. Scene: Home kitchen from first-person perspective. Beef and greens are frying in a black pan, oil sizzles, steam rises. White tiles, sauce bottles, sink on the right, side daylight. Character: Little chibi raccoon Solka as a flat 2D sticker: gray-blue fur, dark mask around eyes, striped tail, big red bow, round black glasses, yellow dress, red shoes. Thick outline, paper texture, colored pencil style. Sitting on a small stool by the stove. 00:00–00:03 — Salty Avalanche Real hand stirs meat with a spatula. Solka smiles cunningly and pours a whole jar of salt into the pan. Salt falls like a waterfall, forming a white mound. SFX: sizzling, salt pouring. 00:03–00:05 — Oops Hand takes the jar away, next to her head the spatula makes a comical "BONK!". Glasses slide down, tail stands on end, Solka jumps. SFX: bonk, cartoon spring. 00:05–00:08 — Salty Payback Solka tastes the oversalted food. Cheeks puff up, eyes become spirals, cartoon tears spray from eyes. SFX: crunch, pause, exaggerated crying. 00:08–00:10 — Salty K.O. She swallows, eyes turn into Xs, falls off the stool like a paper sticker. Stars around head, final freeze-frame. SFX: croak, soft thud, funny spirit sound. Negative prompt: 3D raccoon, realistic fur, redesign, extra limbs, deformed hands, morphing, flicker, blur, fake salt physics, gore, subtitles, watermark, UI.

15秒の日本製2D手描きアニメ料理動画、12シーン、テキストのみで生成（参照画像・絵コンテ画像なし）。 画風：クリーンなフルカラーの日本製2D手描きアニメ料理アニメーション。柔らかい鉛筆風の線、優しいセル塗り、温かい手描き背景、コンロの炎の温かい光を感じる居心地のよい家庭のキッチン、料理が読み取りやすい温かい光、道具と食材の下に見える影、豊かな湯気のアニメーション、赤いラー油ととろみのついたソースのツヤのあるハイライト、自然な手の動きのタイミング、安定した手と器具。 主役：中華鍋で作る麻婆豆腐の調理工程。色の物語は一方向のみ——白い豆腐から、ツヤのある赤褐色の煮えるソースへ。映るのは手・食材・道具のみ。顔、食事シーン、人物のリアクションは出さない。 シーン構成（各シーンの主アクションは1つ。豆腐の角は最後まで鋭いまま、崩れたり元に戻ったりしない）： 1（0.00–1.25）クローズアップ：開いた手のひらに絹豆腐をのせ、包丁が慎重に均等なさいの目に切っていく。刃はゆっくり、手は安定して安全に。静かで精密な工程カット。 2（1.25–2.50）俯瞰：手のひらから豆腐がそっとまな板へ滑り、白いきれいな列に整う。 3（2.50–3.75）横からのミディアム：熱した中華鍋で豚ひき肉がジュウジュウと炒められ、お玉でほぐされてパラパラになり、脂が透明になる。 4（3.75–5.00）クローズアップの見せ場：豆板醤と豆鼓がひき肉に触れた瞬間、深い赤の辣油が鍋全体に花開くように広がる。一方向の鮮烈な色の爆発。 5（5.00–6.25）斜め45度：みじん切りのにんにく・生姜・刻みねぎを混ぜ込む。すべてが赤い油の中で光る。 6（6.25–7.50）横から：ボウルからスープを注ぐと赤褐色の液面が上がり、小さな泡を立てて煮え始める。 7（7.50–8.75）俯瞰：白い豆腐がまな板から煮える赤いソースへそっと滑り込む。角は無傷のまま、柔らかく浮かぶ。 8（8.75–10.00）クローズアップ：お玉の背が豆腐をゆっくり丁寧に押し、ひとつも崩さずにソースを絡めていく。 9（10.00–11.25）クローズアップの見せ場：水溶き片栗粉を回し入れると、ソースが目に見えてとろみを増し、ツヤを帯びて豆腐一つ一つを包む。質感が変わる気持ちいい瞬間。 10（11.25–12.50）横からのクローズアップの見せ場：とろみのついたツヤのある表面で、大きくゆったりした泡がふくらんではゆっくり弾け、湯気が揺らめきながら立ちのぼる。無音でも「グツグツ」が聞こえる画。 11（12.50–13.75）斜め45度：仕上げにラー油を輪を描くように回しかけ、挽いた花椒をひとつまみ散らす。粒がツヤのあるソースの上に落ち着く。 12（13.75–15.00）俯瞰：完成した麻婆豆腐が中華鍋の中で静かに煮えている——ツヤのある赤褐色のソースの中に白い角の立った豆腐が透け、湯気が立ち、刻みねぎの緑が映える。劇的なスローモーションや過剰なズームはなしの、短く美しく温かい自然なテンポの最終カット。 カメラ：人がコンロの周りを動くように、シーンごとに距離・角度・高さを変える——豆腐カットは寄り、鍋仕事は横から、仕上げは俯瞰。1シーン内ではカメラは落ち着いたまま。完成品はシーン12まで見せない。 物理的連続性：中華鍋・お玉・まな板・豆腐の大きさをシーン間で一貫させる。食材の連続性を保つ。豆腐は煮ても崩れず、増えず、元に戻らない。ソースの色は濃くなる一方向のみで薄く戻らない。湯気は常に上へ。重力と液体の流れを現実的に。レシピとして自然な順序。突然の状態変化なし。 禁止事項：冒頭の完成品、完成皿の繰り返し、タイトル文字、キャプション、字幕、ロゴ、透かし、読めるラベル、実写、フォトリアル、3DCG、クレイアニメ、プラスチック玩具風、ゲームレンダー、超リアル料理写真、AIモーフィング、ちらつき、歪んだ手、余分な指、浮いた器具、浮いた食材、崩れた豆腐の復元、不可能な包丁の動き、逆方向の切断、消える中華鍋、形の変わる鍋、脈絡のない食材、加熱後に現れる生の食材、逆行する調理順、薄く戻るソースの色、最終シーン前の完成品公開、散らかった背景、顔、食べるキャラクター、人物のリアクション、ひと口食べる人物、会話、ナレーション、BGM。

Create a table full of vegetables, healthy fats, and protein. Then you have a chef create delicious plates with them for a healthy free cancer life.

Use the female character in the reference image as the sole character reference, maintaining high consistency in facial features, hairstyle, skin tone, clothing, and overall temperament. 9:16 vertical screen, 10 seconds, ultra-realistic live-action knowledge science broadcast. The character is sitting in a real home study, medium-close up from the chest up, fixed camera, essentially no movement. Natural window light shines from the side front, background bookshelves are slightly blurred, looking like a real knowledge blogger filmed with a camera. Character naturally broadcasts to the camera: 'Many people think that AI answering questions is finding answers in a database. Actually it's not; it's more like continuously predicting the most likely next word based on the previous content.' Performance requirements: 0-2s: Naturally look directly at the camera to start, conversational tone, slight blinking. 2-5s: When saying 'Actually it's not,' gently shake head once, eyebrows have natural changes. 5-8s: When explaining 'based on previous content,' one hand naturally enters the frame to make a very small explanatory gesture. 8-10s: After saying 'most likely next word,' finish with a slight nod. The whole process should not feel like reading a script or have a host's broadcasting tone. Mouth movements strictly match Chinese speech. Retain natural blinking, breathing, micro-expressions, slight head movements, and real skin texture. Eyes can occasionally briefly deviate from the camera and then naturally look back. Restrained gestures, do not wave hands frequently. Real mobile phone/mirrorless camera shooting texture, slight sensor noise, real skin quality, no airbrushing, no internet celebrity filters, no plastic skin, no exaggerated movie lighting, no camera movement, no subtitles, no watermarks, no screen text.

Create a 10-second cinematic 3D animated food video titled “MAKING MANGO JUICE”. Use the uploaded storyboard as the STRICT visual and shot-sequence reference. IMPORTANT: Follow all 8 storyboard shots in the exact order. Do not add, remove, merge, or rearrange shots. Each shot lasts exactly 1.25 seconds. Total video duration: exactly 10 seconds. Maintain EXACT character consistency throughout the entire video: The same young woman appears in every character shot. She has dark brown hair in a casual ponytail, expressive brown eyes, a friendly youthful face, a yellow short-sleeve T-shirt, and a dark olive-green apron. Do not change her face, hairstyle, clothing, body proportions, or character design between shots. Maintain the same warm, cozy kitchen, lighting direction, color palette, props, counter, cutting board, mangoes, blender, and glass throughout the sequence. VISUAL STYLE: High-quality cinematic 3D animated film, polished stylized realism, detailed food textures, realistic mango pulp, natural liquid physics, expressive character animation, warm natural kitchen lighting, soft shadows, cinematic composition, smooth camera movement, realistic materials, vibrant but natural colors. SHOT 1 — 0.00–1.25s WIDE ESTABLISHING SHOT. The woman stands behind the kitchen counter surrounded by fresh ripe mangoes. She looks toward the camera, smiles warmly, and gives a small friendly wave. A clean empty drinking glass is visible on the counter. Camera makes a very subtle cinematic push-in. Natural character movement and realistic hand motion. SHOT 2 — 1.25–2.50s MEDIUM SHOT. Cut smoothly to the same woman. She confidently raises one ripe mango beside her face and looks toward the camera with a cheerful expression. Mango slices and pieces are arranged on the cutting board in front of her. Her other hand rests naturally near the cutting board. Keep her face and outfit identical to Shot 1. SHOT 3 — 2.50–3.75s CLOSE-UP. Cut to her hands preparing the mango. She holds the mango firmly on the wooden cutting board and makes a clean controlled knife cut. Show the knife moving naturally through the mango flesh. Capture detailed golden mango texture and small natural juice movement. No exaggerated or dangerous knife motion. SHOT 4 — 3.75–5.00s EXTREME CLOSE-UP. Fresh golden mango cubes fall naturally into a transparent blender jar. Several mango pieces drop from above and bounce naturally inside the blender. Use realistic gravity and food physics. Camera follows the falling mango pieces with a subtle downward movement. SHOT 5 — 5.00–6.25s MEDIUM CLOSE-UP. The same woman pours water or milk from a transparent measuring jug into the blender containing the mango pieces. Show a continuous realistic liquid stream. The woman looks focused and cheerful. Keep the blender, mango pieces, kitchen and lighting consistent. SHOT 6 — 6.25–7.50s PERFECT OVERHEAD TOP-DOWN SHOT. Camera looks directly down

Behind-the-scenes phone footage from inside a large practical-effects soundstage, shot vertically on a handheld modern smartphone. >> Scene context: a film crew is shooting the sinking of a miniature RMS Titanic. A gigantic practical ocean tank set, dressed as the North Atlantic, contains a 1:24 scale Titanic complete with illuminated portholes, four funnels, lifeboats, deck railings, rigging, cargo cranes, and miniature passengers. Above the tank, a scaffold gantry carries a row of huge dump tanks loaded with practical seawater; two techs stand on the gantry at the release levers. >> First frame: already loaded and ready — the ship and ocean tank fill mid-ground screen-right, dump tanks looming above the set; in the foreground screen-left, within 1 meter of the phone, three crew in black EFFECTS CREW t-shirts stand behind a low containment wall, one on a cinema camera on rails, another on a headset with a hand raised. A huge blue chroma-key wall with orange cross markers rises behind the horizon. A technocrane hangs above the set. >> Action and physics: a shout of “Action!” — the dump tank gates bang open in sequence and a massive surge of real water crashes across the ocean set with real weight and turbulence, the first wave breaking over the bow before racing along the decks, tearing away lifeboats, snapping miniature railings flat, then slamming into the ship: lower decks disappear beneath the waterline, the bow plunging under the surface, the stern rising higher under the hydraulic gimbal, funnels collapsing one after another as the rigging whips, the hull splitting apart at midships before the stern slides beneath the churn; the water bursts over the containment lip and a fine spray cloud rolls across the stage floor, whiting out the frame as the crew shield their faces and stumble back. >> Camera: operator standing then backing away, phone in one hand at chest height, fast handheld pan following the action from bow to stern, framing loose and reactive, hard jolt as the spray cloud hits, autofocus hunting through the whiteout, water droplets clinging to the lens in the final beat, 84° wide diagonal FOV, camera about 2 meters from the containment wall. >> Lighting: overhead LED soft panel grid as primary source, top-front on the camera side, bright daylight-balanced, exposure locked for the reflective water so foreground crew read darker; the spray cloud glows backlit under the panels. >> Audio: on-set ambient — a loud “Action!”, the metallic clang of dump tank gates, the dense roar of cascading water, snapping miniature steel, the groan of the hull breaking apart, crew shouting off-camera: “Hold your marks! Keep rolling! Camera two, stay on the stern!” >> Realistic amateur smartphone capture, natural handheld shake and rolling shutter, real practical effects, documentary behind-the-scenes footage, no cinematic composition, no film grain, no artificial mot

Live-Action + 2D Anime Sticker Composite, First-Person Cooking POV, Realistic Kitchen Texture vs Flat Cartoon Style, HD, Static Camera, 【Duration】 15 seconds 【Scene】 Real Home Kitchen First-Person View: Black skillet on a gas stove cooking sliced mushrooms and butter. Background features white subway tiles, hanging copper pans, ceramic jars, a wooden cutting board, and bright natural light from a window. 【Character】 Q-Version Anime Sticker Character: Flat 2D sticker style, thick outlines. Small girl with light blue hair, a green leaf hat, brown cape, and white apron. Simple dot eyes and rosy cheeks. Pure 2D flat quality, unaffected by real lighting, portraying a cheerful but accident-prone helper. Shot 1: Cooperative Stirring. First-person POV: Real hands use a wooden spoon to stir mushrooms in the pan. The 2D girl stands on the stove, cheerfully holding the spoon handle to help stir. Sound Effects: Sizzling butter. Shot 2: Pepper Seasoning. Real Real hands bring in a tall wooden pepper grinder. The girl hugs the grinder to assist as pepper dust falls over the food. The real hands then exit the frame, leaving her on the stovetop. Sound Effects: Grinding clicks, sizzling. Shot 3: Pepper Sneeze Launch. Floating pepper dust surrounds the girl. She inhales it, her face scrunches up, and she unleashes a massive cartoon sneeze. The sheer force, accompanied by flying cartoon leaves, launches her backward through the air. Sound Effects: Large "Ah-choo," wind whoosh. Shot 4: Dizzy Bowl Landing. The girl flies off-screen and lands in a beige ceramic mixing bowl on the counter. Her leaf hat flies off. She pops her head up with swirling spiral eyes, her tongue hanging out, and cartoon dizzy rings circling her head. Sound Effects: Clatter, cartoon dizzy twinkling.

参考图作为唯一画面基础，生成 5 秒、9:16、无声图生视频。动画要求：保持 paper cutout / scrapbook / stop-motion 拼贴风 所有元素（人物、地图、字卡、铜钱、车轨、箭头等）作为独立剪贴块运动 动作要有：抽帧感、纸片轻微抖动、分段位移、贴纸弹跳

Ultra-photorealistic full 3D cinematic wildlife sequence, 15 seconds, single continuous take with natural camera moves, absolute real-looking African animals, hyper-detailed fur, muscle, dust and light physics, zero CGI look, documentary quality. [0-4s]: Wide establishing shot of the African savanna at golden hour. A fully adult African lioness stands alert in the center foreground, dense golden-tan coat with every individual hair, subtle breathing and ear twitches visible. In the distance a massive horde of over 40 real black-backed and side-striped jackals begins charging toward her across cracked red earth, kicking up thick volumetric red dust clouds. Slow cinematic push-in begins. [4-9s]: Medium tracking shot following the charging jackal horde. The pack surges forward in chaotic realistic running gaits, lean bodies, open jaws with saliva flecks, pointed ears, frantic snarls. Dust particles catch the low sunlight. The lioness remains steady, watching them approach. Camera continues smooth push-in while slightly orbiting right for depth. [9-13s]: The lioness’s massive partner, a dominant African lion with thick dark wind-ruffled mane, emerges powerfully from directly behind her. He strides into the foreground, plants his huge paws in the dust, lowers his head and delivers a deep chest-vibrating roar that freezes the entire jackal pack mid-charge. Extreme detail on mane strands, wet nose, amber eye reflections, muscle ripples under skin. [13-15s]: Close-up reaction shot of the jackals skidding to a halt, some scattering slightly in fear while the lion holds his protective stance in front of the lioness. Camera settles on a powerful heroic medium shot of the lion and lioness together against the dusty savanna. Camera language: smooth cinematic push-in + subtle orbit, shallow depth of field, natural handheld micro-shake, anamorphic lens feel, volumetric god-rays and heat haze. Style: ultra-realistic 3D photorealism, ARRI Alexa 65 look, real animal fur physics, authentic African savanna lighting and atmosphere, 8K detail, original quality. Audio (native full stereo sound): (soft distant wind and savanna ambient bed) <jackal pack running feet on dry earth, growing louder snarls and yips, heavy dust whooshes> <deep powerful African lion roar that echoes across the plains, low chest rumble> <jackals skidding and whimpering in fear, sudden silence after the roar>

First & Last Frame (FLF2V) using [StartFrame] and [EndFrame]. [CAMERA]: Fixed locked tripod shot, 24mm wide lens facing the cliff edge. Zero camera drift. [TIMELINE & MOTION]: - 00:00 - 00:12 (Timelapse Build Phase 1): 100x speed timelapse. Two craftsmen work synchronously. Builder 1 chisels bedrock and excavates the pool basin; Builder 2 mixes mortar and lays stone blocks around the pool rim. Flying stone dust, rapid mallet impacts, and sweeping sun shadows. - 00:12 - 00:18 (Mid-Build ASMR Relaxation Pause): Speed drops to 24fps normal motion. The two builders sit at the edge of the finished pool frame, sharing coconut water, talking softly, and watching eagles soar over the canyon mist. - 00:18 - 00:26 (Timelapse Build Phase 2): 100x speed timelapse resumes. Builders install bamboo decking, smooth waterproof pool lining, route natural stream water into the basin, and place rattan loungers and lanterns. - 00:26 - 00:30 (Sunset Cinematic Reveal): Normal speed. Builders step out of frame. Pool fills to the brim, overflowing smoothly into the canyon as dusk settles and warm pool lights turn on. [ASMR AUDIO]: Crisp stone chiseling, mallet thuds, water filling pool (gush-trickle), coconut cracking sound, wind over canyon, serene evening atmosphere.

A cinematic product demo of a luxury smartwatch. Open with macro shots highlighting the display, premium materials, smooth camera movement, dramatic lighting, and product features before showing the final use case. Ultra-realistic commercial style, 4K. A cinematic product demo of a luxury smartwatch. Open with the finished commercial showing the smartwatch in use during a workout. After revealing the outcome, transition into the workflow and close-up feature shots with premium lighting, smooth cinematic movement, ultra-realistic commercial style, 4K.

Reality TV bladesmith competition testing segment, multi-camera documentary production, bright industrial workshop lighting, sharp HD broadcast look, practical forge practicals, natural handheld shake on action cams, clean documentary texture, no cinematic film look. 0-4s: [Medium Two-Shot] Martial arts master of clear Asian ancestry in black tactical shirt stands facing the young female bladesmith in her early 20s (work apron, focused). He holds her forged machete, turns the blade once under the lights. Looks her in the eye: “Are you ready?” She answers firmly “Yes.” Quick cut to her determined face, then to three classic ceramic garden gnomes lined up on sturdy stands behind them. 4-7s: [Low-Angle Tracking + Rapid Cuts] Master steps in, raises the machete. Hard cut to side angle as he delivers a powerful overhead chop into the first gnome. Impact explodes in slow motion: ceramic shatters into sharp fragments, paint chips and dust fly outward. Time locks at peak penetration. Camera orbits the frozen blade buried in the broken gnome for one second. Quick insert ECU of the edge biting through the ceramic body. 7-11s: [Dynamic Side Tracking] Action resumes. Master yanks the machete free, immediately follows with a heavy diagonal slash across the second gnome. Slow-motion again: the figure tears apart sideways, large colored pieces and shards scatter. Freeze at maximum destruction. Two rapid cuts: one over-shoulder from behind the master, one low angle under the flying fragments. Orbit holds for half a second on the locked impact. 11-15s: [Handheld Close Action] Third strike — short, vicious downward chop into the third gnome. Slow-mo impact, the ceramic erupts into dozens of pieces, hat and beard flying. Full freeze. Camera pushes in and circles the frozen chaos for one beat. Quick insert of the master’s focused face mid-swing, then back to the locked blade. 15-19s: [Series of Fast Cuts] Time resumes. Master pulls the machete out, turns it under the light. Tight ECU tracks along the edge: a few small nicks and rolled spots visible. Cut to his fingers testing the edge. Cut to the ruined garden gnomes still shedding fragments. Cut to the young woman’s tense expression as she watches. 19-24s: [Medium Close-Up] Master lowers the blade, looks straight at her. Calm, professional delivery: “There are a couple of nicks on the edge… but your weapon, ma’am… it kills.” Hard cut to her face — a small, controlled smile of pride breaks through. 24-28s: [Final ECU Montage] Extreme close-up of the nicked but still lethal edge catching the light. Cut to the shattered remains of the garden gnomes. Final frame holds on the young bladesmith’s quiet satisfaction as the master nods once. Realistic TV broadcast quality, detailed ceramic shatter physics, sharp edge detail, natural motion blur only on moving elements, stable characters, coherent impact timing, no artifacts, high rewatch value.

Create a 15-second seamless architectural space renovation animation. The camera remains completely fixed in the exact same position, angle, focal length, perspective, and composition throughout the entire video. No camera push-in, pull-out, panning, rotation, zoom, handheld shake, or reframing. Room dimensions, walls, windows, doors, ceiling height, and structural layout remain completely unchanged throughout the transformation. 0–3 seconds: The scene begins as a rough, unfinished interior with exposed cement walls, raw concrete flooring, exposed ceiling, visible construction materials, and an empty space. Dust settles naturally while the environment remains static. The floor installation begins, gradually spreading from left to right until the entire concrete floor transforms into premium microcement or elegant large-format light grey tiles. 3–6 seconds: Walls and ceiling begin transforming simultaneously. Rough cement walls smoothly become perfectly finished creamy-white walls. Wood veneer panels, decorative wall mouldings, built-in storage cabinets, TV feature walls, suspended ceiling structures, recessed lighting channels, and hidden LED strip lighting appear naturally in their correct architectural positions as though installed by invisible craftsmen. 6–9 seconds: Electrical fixtures, doors, window frames, skirting boards, switches, sockets, and architectural details complete themselves with realistic construction logic. Ambient lighting gradually powers on, filling the room with soft, warm illumination while maintaining a natural daylight balance. 9–12 seconds: Furniture and soft furnishings assemble sequentially. Luxury sofas, coffee tables, dining furniture, rugs, curtains, indoor plants, decorative artwork, lighting fixtures, books, cushions, and decorative accessories naturally move into place piece by piece, resembling a real construction and interior installation time-lapse. 12–15 seconds: The renovation reaches its final premium interior design. Every object settles perfectly into position while the lighting subtly adjusts to create a luxurious atmosphere. The completed room remains perfectly still for the final second, allowing viewers to appreciate the finished transformation. Overall style: Ultra-realistic architectural visualization, photorealistic materials, premium luxury interior design portfolio quality, realistic construction time-lapse, physically accurate lighting, smooth seamless transitions, natural installation logic, cinematic realism, highly detailed textures, clean modern luxury aesthetic, 8K quality.

# FOOD ANIME COOKING VIDEO Use the provided 12-panel anime cooking storyboard @Image1 as direct sequential visual keyframe reference for the entire 15s animation. Follow the exact panel progression and cooking flow while smoothly interpolating all motion between poses. ## CONSISTENCY Maintain the SAME kitchen environment, cookware, dishware, and hand appearance throughout every scene — full visual continuity across the sequence. Exactly five pork-wrapped asparagus rolls appear through the cooking scenes; after cutting, the same 5 cm bite-sized pieces stay identical in shape and glaze through the bento scenes. ## STYLE beautiful food anime realism, lush painterly food rendering, warm kitchen lighting, realistic cooking physics, accurate culinary movement, stylized but natural steam, soft cinematic depth of field, subtle film grain, smooth editorial transitions. ## REALISM RULES no flying vegetables, no explosive effects, no dramatic splashes, no floating ingredients, no exaggerated anime action, no faces, no full bodies — hands and food only, all motion follows real physics, the knife is always gripped by a hand, blade vertical when cutting, never floating. ## FOCUS food texture realism, elegant hand movement, appetizing sizzle moments, physically correct steam and liquid behavior, satisfying cooking progression. ## SCENE SEQUENCE Scene 1 (0s–1.25s): Slender green asparagus spears, a tray of thin pork belly slices, and small glass bowls of soy sauce, mirin, and sugar rest on a wooden cutting board. Camera: slow push-in. Motion: gentle steam of ambient kitchen air, a hand enters and lightly touches the asparagus bundle. Scene 2 (1.25s–2.5s): Hands trim the woody bottom ends off the asparagus spears with a knife on the cutting board. Camera: fixed. Motion: the knife presses down cleanly through the stem ends, cut pieces settle naturally on the board. Scene 3 (2.5s–3.75s): Hands wrap one thin pork belly slice in a tight spiral around a single slender asparagus spear from bottom to top. Camera: slow push-in. Motion: fingers rotate the spear steadily as the pork ribbon coils around it. Scene 4 (3.75s–5s): A row of five finished rolls on a metal tray is dusted lightly with flour from a small sieve. Camera: fixed. Motion: fine flour drifts down softly and settles on the rolls, the sieve taps gently. Scene 5 (5s–6.25s): The five pale rolls are placed seam-side down into a hot oiled frying pan. Camera: slow push-in. Motion: a gentle sizzle begins, tiny oil bubbles form along the edges of each roll. Scene 6 (6.25s–7.5s): Chopsticks slowly turn the five rolls in the pan, the pork surface an even golden brown. Camera: fixed. Motion: each roll rotates naturally under the chopsticks, faint steam rising. Scene 7 (7.5s–8.5s): A small glass bowl pours the mixed soy-mirin-sugar sauce into the pan around the five browned rolls. Camera: fixed. Motion: the dark sauce streams down, spreads across the hot pan and starts to bubble. Scene 8 (8.5s–10.5s): ★ HIGHLIGHT — the sweet soy glaze bubbles and thickens, coating each of the five rolls in a glossy caramelized sheen: glistening tare sauce, rich amber reflections, fine bubbles clinging to the pork, soft steam curling upward. Camera: slow push-in. Motion: the pan tilts slightly and the rolls roll gently through the reducing glaze, light glinting across the glossy surface. Scene 9 (10.5s–11.75s): On the cutting board, one hand grips a kitchen knife with the blade held straight and vertical, edge down, while the other hand steadies a glazed roll; the knife slices crosswise into 5 cm bite-sized pieces, cut faces showing the bright-green asparagus core. Camera: fixed. Motion: a clean, natural downward knife stroke; the cut piece tips softly onto the board. Scene 10 (11.75s–13s): Hands pack the 5 cm pieces upright with chopsticks into one compartment of an open wooden bento box, beside white rice with a pickled plum, rolled egg omelet, and a cherry tomato — green cross-sections facing up. Camera: slow push-in. Motion: each piece is placed one by one, settling snugly into the compartment. Scene 11 (13s–14s): A spoon lightly drizzles the remaining thick glaze over the pieces in the bento box, followed by a sprinkle of white sesame seeds. Camera: fixed. Motion: the glaze flows slowly off the spoon, sesame seeds fall and scatter naturally over the glossy surface. Scene 12 (14s–15s): The finished bento box, the glossy pork-wrapped asparagus pieces packed neatly beside white rice, gentle steam rising in warm light. Camera: slow pull-out. Motion: soft steam drifts upward, warm light catches the shiny glaze. ## AUDIO Warm homemade-bento mood BGM: cozy lo-fi jazz, 85–90 BPM, brushed drums, mellow electric piano, soft upright bass — gentle and comforting, like a weekday morning kitchen. ASMR cooking sounds synced to action: knife trimming taps on the wooden board, the soft wrap of pork slices, fine flour sifting, oil sizzling as rolls hit the pan, chopsticks turning rolls, sauce pouring and bubbling as the glaze reduces, clean knife cuts through the glazed rolls, pieces nestling into the bento box, thick glaze drizzling, sesame seeds lightly scattering. ## NEGATIVE NO SUBTITLES. NO TEXT ON SCREEN. NO CAPTIONS. NO OPENING TITLES. NO END TITLES. NO WATERMARKS. NO UI ELEMENTS. NO SPEECH BUBBLES.

A aesthetic, warm, first-person POV cooking scene featuring a young woman preparing Japanese Omurice: Prep: Close-up of raw eggs cracked into a white bowl, followed by a cube of butter melting in a hot cast-iron skillet.
 Whisking & Interaction: A young woman with blonde hair and a light blue oversized hoodie whisking eggs with chopsticks in a modern white-tiled kitchen. A hand gently tucks a strand of hair behind her ear as she looks up and smiles.
 Cooking: She pours the eggs into the pan, swirling to form a smooth, soft omelet, then carefully places it over a molded bed of fried rice.
 The Reveal: A knife slice opens the omelet down the middle, revealing a runny, soft-scrambled interior drizzled with ketchup as she smiles next to the finished plate.

Concept: A creative mixed-media video blending live-action culinary footage with dynamic 2D line-art animations using a stylus interaction. Scene Breakdown 00:00 - 00:01 | The Prep Visual: A hand taps a light-blue stylus onto a slice of bread soaking in egg mixture. Effect: The real-life scene instantly transforms into a stylized black-and-yellow 2D cartoon sketch. 00:01 - 00:04 | The Cook Visual: Top-down view of the cartoon bread cooking in a cast-iron skillet with melting butter. Effect: A stylus tap converts the animated toast into golden-brown, real-life French toast sizzling in the pan. 00:04 - 00:08 | The Plating Visual: Cartoon-drawn French toast on a dark plate, accented with animated steam and powdered sugar sifted overhead. Effect: A final stylus touch morphs the animated plate into a gourmet dish complete with powdered sugar, fresh berries, mint leaves, and maple syrup pouring from a boat.

Create a 15-second animated educational video that teaches young children one letter: A is for Apple Target audience: children ages 3 to 6. Core learning sequence: LETTER → LETTER SOUND → WORD → WORD TRANSFORMS INTO OBJECT → PLAYFUL ACTION → RECAP The most important visual moment is the transition from the written word “APPLE” into a recognizable apple. Make this transformation slow, clear, elegant, and easy for a young child to understand. Visual style: Use adorable rounded 3D animation, soft pastel colors, gentle facial expressions, and simple recognizable shapes. Combine a playful preschool aesthetic with a premium minimalist design style: • Clean off-white background • Soft red and peach glow behind the letter • Rounded geometry • Crisp, highly readable typography • Soft studio lighting • Subtle shadows and reflections • Smooth gradients • Calm, uncluttered composition • Polished cinematic transitions Keep the camera mostly still so the child can focus on the letter, word, and object. 0:00–0:02 | Friendly introduction A small smiling star mascot gently bounces into the center of the screen. Display the text: “Let’s learn one letter!” The mascot taps the screen, creating a soft circular ripple. The ripple reveals a large uppercase “A” with a smaller lowercase “a” beside it. Use thick, rounded, highly readable letterforms. 0:02–0:05 | Letter and sound Keep the uppercase “A” and lowercase “a” completely visible and stable. Do not transform them yet. The narrator says slowly and clearly: “A. A says ah.” The uppercase A gently pulses once when “A” is spoken. A soft glow appears inside the letter when the “ah” sound is spoken. Add a subtle musical pop synchronized with the pulse. 0:05–0:08 | Introduce the word The letter A smoothly slides to the left side of the screen. The complete word appears beside it: “APPLE” Highlight the first letter A in bright red. Keep the remaining letters in a soft dark-gray color. The narrator says: “A is for Apple.” Briefly hold the full word on screen so every letter is clearly readable. The mascot points first to the highlighted A and then moves its hand slowly across the complete word. Do not remove, distort, or rearrange any letters during this reading moment. 0:08–0:12 | Emphasized word-to-object transformation Make this the main visual transformation of the video. The full word “APPLE” gently enlarges and moves to the center of the screen. Hold it clearly for a short moment. Then transform the written word into a shiny red apple through a smooth, understandable sequence: 1. The highlighted first letter “A” expands and becomes the main rounded body of the apple. 2. The remaining letters “PPLE” turn into soft glowing shapes that flow into the apple body, adding volume, color, and shine. 3. The top point of the letter A curves inward and becomes the apple’s small brown stem. 4. A green leaf unfolds gently from the side of the stem. 5. The final apple shape becomes fully solid, clean, and instantly recognizable. Keep traces of the word visible during the early part of the transformation so children can clearly see that the written word is becoming the object. Do not use a sudden cut, flash, or instant replacement. Use a slow, continuous shape morph lasting approximately two seconds. The transformation must clearly communicate: “This written word means this object.” As the transformation finishes, the narrator repeats: “Apple.” Add a soft magical whoosh followed by a gentle pop. 0:12–0:14 | Playful object action The apple gains a cute smiling face with small friendly eyes. It performs one soft bounce using gentle squash-and-stretch animation. A tiny green sparkle appears near the leaf. Add a quiet, playful crunchy sound. Display the word “APPLE” beneath the object again. Highlight the first letter A in red. Keep both the object and its written name visible together. 0:14–0:15 | Recap The uppercase “A,” lowercase “a,” word “APPLE,” and smiling apple appear together in a clean final composition. Arrange them visually as: A a APPLE [Smiling apple object] The star mascot points toward them. The narrator says: “A says ah. A is for Apple. Great job!” Finish with a small sparkle animation and a warm musical chime. Animation requirements: Keep the uppercase and lowercase letters fully visible before any transition begins. Make the letterforms stable, correctly shaped, and easy to read. Keep the complete word “APPLE” visible long enough to be recognized. Give the word-to-object transformation the most screen time and visual emphasis. Make the apple instantly recognizable before adding facial features. Use smooth, continuous shape morphing rather than cuts or object replacement. Maintain accurate spelling throughout the entire video. Ensure the highlighted first letter remains visually connected to both the standalone letter and the object name. Use gentle motion, soft motion blur, subtle shadows, polished lighting, and precisely synchronized narration and sound effects. Keep all important elements large and centered within the safe viewing area. Avoid: • Fast camera movement • Sudden cuts • Cluttered backgrounds • Tiny typography • Warped or misspelled words • Letters disappearing too quickly • Random symbols • Harsh colors • Overly complex transformations • Unrecognizable intermediate shapes • Duplicate objects • Scary expressions • Loud or distracting sound effects • Transforming the letter directly into the object without first showing the complete word The final video should feel cute, educational, memorable, calming, visually clear, and exceptionally polished.

Create a cinematic 3D architectural visualization of a traditional Korean Hanok house on a technical blueprint background. Show a curved dark Giwa tiled roof, exposed wooden beams, raised stone foundation, Hanji sliding doors, and a wooden balcony. Add blue architectural schematics, measurements, floor plans, and cross-section overlays. Use a smooth camera rotation from side view to front view, with a colorful rainbow scanning light effect highlighting the roof and wooden joints. Warm interior lighting creates a peaceful, elegant atmosphere while showcasing the structure and design details.

the character performs a 40-degree rotation in place: pausing precisely for 0.5 second, holding the pause with a natural, composed posture. then keep rotating 40-degree in the same direction, pause 0.5 seconds. then rotate back toward the camera and...

ASMR anime scene of hands creating a pressed-flower bookmark on a warm wooden desk delicate petals are arranged, laminated, trimmed, and finished with a gold ribbon the translucent bookmark glows in sunlight beside a vintage book ghibli-inspired, dreamy, nostalgic, detailed hand-drawn style