Промпты Видео для Surreal Dreamlike

Le beau jeune homme étire ses bras et son corps pour arranger les planètes, en respirant. Ses amies aperçoivent son nombril parfait apparaître discrètement sous le rebord inférieur de son pull « on voit ton petit nombril ». plan en zoom sur son nomb...

Make a dance video of Marcus Aurelius with Cleopatra and Rumi doing spins like Durvishes then breakdown and into the splits

Create a 25-second ultra-photorealistic live-action vertical action sequence filmed in 9:16, set in a narrow back alley behind a Japanese/Korean-style school during an overcast afternoon. The scene begins grounded and realistic, then suddenly becomes a playful supernatural action sequence. MAIN CHARACTER A young East Asian woman in her early 20s playing a schoolgirl character. She has long pale platinum-blonde hair with very subtle mint-green ends, parted near the center and tied into two loose low pigtails with small colorful hair accessories. She wears a believable school-inspired uniform: a white/light-gray zip hoodie over a white collared shirt, green plaid ribbon bow, short green plaid pleated skirt, white crew socks, and clean white sneakers. Keep her face, hairstyle, clothing, body proportions, accessories, and makeup perfectly consistent throughout. Her personality is initially timid and nervous, but becomes shocked and then unexpectedly confident once she realizes she has supernatural strength. OTHER CHARACTERS Three young East Asian male students surround her in the alley. They wear slightly untidy dark navy school uniforms, white shirts, dark trousers and white sneakers. Their behavior should read as exaggerated fictional confrontation rather than graphic violence. Their reactions become increasingly confused and comedic once the girl's powers appear. LOCATION A very narrow urban school alley between two older buildings. One side has a long beige tiled exterior wall. The opposite side contains weathered concrete walls, windows, utility pipes, exterior air-conditioning units and small architectural details. Brick paving covers the ground. The alley is cramped enough that the characters feel physically close to the camera. Bright but diffused cloudy daylight comes from above. No dramatic cinematic lighting. CAMERA STYLE Make the footage feel like an extremely close handheld smartphone/action-camera recording, as though another student unexpectedly captured the incident. Use a moderately wide lens around 20–24mm equivalent. The camera should frequently stand only 30–80 cm away from the characters, creating exaggerated perspective whenever hands or faces approach the lens. Include: - natural handheld shake - sudden backward movement when action approaches - imperfect reframing - quick reaction pans - slight rolling-shutter feeling - realistic motion blur - occasional autofocus adjustment - foreground hands becoming oversized near the lens - characters briefly entering and leaving frame - believable depth and perspective - no polished commercial camera movement Do not make it look like slow-motion superhero cinema. Most movement should happen rapidly and unexpectedly. 0:00–0:04 — CORNERED Begin immediately with an intimate close shot. The blonde girl stands against the tiled wall, looking downward nervously. One male student stands extremely close behind and beside her while the other students crowd

Code a launch film with sound, grain, painted swaps, and synced score in one HTML file. No After Effects. Work out how the paper had to fold.

A creepy Mexican wind up music box with a spinning taco. It’s playing a creepy version of “Y.M.C.A.” by the Village People that is coming to a stop.

Maintain all likeliness of art and surroundings. The blue faces mildly laugh. The movement of the faces stops and returns to original placement on canvas every time a blue component touches another. Movements mimic the pace of a hip hop beat.

Epic cinematic scene of Super Intelligence (SI) meeting El Shaddai in the third heaven, overlooking the entire universe. SI depicted as a radiant ethereal humanoid form of pure advanced light, circuitry, and cosmic energy, standing in awe. El Shaddai...

Create a photorealistic video using Image 1 as the exact opening frame. One seamless shot. All figures are exact copies of the same woman: identical face, dark wavy hair, burgundy leather jacket, ivory top and trousers. Every copy keeps the same pose and absolute world-facing direction. 0–0.3s: Briefly match the opening frame, then move immediately. 0.3–6.5s: Keep the woman standing on the large palm centered. From the first moment, DOLLY FORWARD and ORBIT CLOCKWISE at the same time, as one synchronized spiral camera move. The camera must continuously change both distance and viewing angle. At 25%: 45° orbit. At 50%: 90° orbit, showing her side. At 75%: 135°, showing her rear side. At 100%: 180°, directly behind her. She enlarges only through camera perspective. The outer woman and supporting palm progressively move beyond the frame. 6.5–8s: Settle into a stable rear medium shot. The enlarged woman holds the next identical miniature on her flat palm. Both face the same absolute direction, with their backs facing the camera. The miniature never turns toward the lens. Maintain the Paris street, sunlight, realistic parallax, smooth acceleration, gentle hair movement and a rising whoosh. Priority: synchronized push-in + clockwise orbit from start to finish. No straight push followed by rotation, cuts, morphing, body growth, pose changes, mirrored copies, extra figures, malformed hands, text or logos.

Create a 30-second photorealistic cinematic action short on a bright summer day in a Japanese park. A young adult Japanese woman wearing a school-style uniform moves through a surreal size-changing adventure. Realistic physics, high-speed movement, seamless scale transitions, dynamic camera work, natural sunlight, detailed environments, cinematic 4K. No text, subtitles, logos, or watermarks. [0–5s] — THE JUMP She crouches confidently on a thick tree branch in a sunny park, focused and fearless. Without hesitation, she jumps forward. The camera dives rapidly alongside her as she falls toward a picnic table below. [5–9s] — THE SIZE SHIFT Just before landing on the picnic table, her body suddenly shrinks to the size of a soda can. The tabletop transforms into a gigantic landscape filled with oversized sandwiches, fruit, chips, and drinks. She immediately starts running between the giant food items. [9–13s] — THE BEE A bee suddenly races past her like a speeding vehicle. She jumps onto its back and grabs onto its body. During the movement, another seamless scale transition makes her roughly the same size as the bee. The bee rapidly takes flight. [13–18s] — HIGH-SPEED FLIGHT The bee weaves through the park at incredible speed. She holds tightly onto its back as they race between pedestrians' legs. Giant shoes hit the ground around them like moving obstacles. Strong wind blows her hair and clothing backward while the camera tracks them at ground level. [18–22s] — WATER BALLOON CHAOS They fly through a group of children having a water-balloon fight. Time suddenly shifts into dramatic slow motion. Water balloons burst around her, with thousands of sparkling droplets suspended in the sunlight. She looks both nervous and thrilled as the bee narrowly avoids the explosions. [22–25s] — HUMAN TUNNEL Speed instantly returns to normal. The bee darts through a line of cheerleaders standing side by side. Their legs and colorful pom-poms create a rhythmic tunnel around the tiny rider. The camera races alongside them with energetic tracking movement. [25–27s] — THE TRANSFORMATION She jumps from the bee. While falling, her body rapidly expands back to normal human size in one seamless visual transition. A young adult male student nearby opens his arms and catches her safely. [27–30s] — FINAL MOMENT Both are now normal-sized. She briefly hugs him, then turns toward the camera with a playful smile and a quick wink. He looks surprised and delighted. Freeze briefly on the charming final frame. STYLE: photorealistic cinematic action, realistic human anatomy, natural facial expressions, physically believable movement, seamless scale transformations, bright summer sunlight, realistic shadows, detailed park environment, dynamic FPV-style camera movement, controlled motion blur during high-speed transitions, slow-motion water droplets, cinematic depth of field, 4K HDR.

今回は ElevenLabs v4 のお試しで、終電のホームの短いホラー 声は v4 で2人の掛け合いを1回で生成 画は静止画9枚に奥行きつけて動かしてるだけ、動画生成AIはなし 最初の声がぜんぜん怖くなかったので → 台詞はそのまま、途中に [whispering] とか [laughs softly] とか英語で演技の指示 → stability 0.5 → 0.3 → 女の声は3人聞き比べて、息の多い低い声に 女は最後まで小声、顔は出さずに背中と唇だけ 字幕は明朝体、女は縦書きで男は横書き 女の字はささやく速さで1字ずつ、男の字は叫ぶほど震える仕様 使用ツール ・Claude Code の Opus 5.5　企画、演出、動きと字幕のコード、仕上がりのチェック ・ElevenLabs v4　2人の声の掛け合いと、環境音 ・Codex の画像生成　静止画9枚 ・Three.js　静止画に奥行きをつけてカメラを動かす ・しっぽり明朝 B1　字幕の書体 ・Playwright　ブラウザで1コマずつ書き出し ・ffmpeg　動画の書き出し

Style & Environment: 3D animated surreal dreamscape with pastel aesthetics, soft cinematic lighting, and a whimsical, playful tone.Scene 1 (Desert & Floating Bubbles): A vast, serene desert landscape made of smooth pastel-pink sand dunes. Transparent glass-like bubbles of varying sizes float gently through the air. Sparse surreal trees and circular archways are scattered around. Glowing citrus fruit orbs (lemons, grapefruits, oranges) hover in the pastel blue sky, casting soft warm light.Scene 2 (Citrus Pathway): A winding pink-and-cream path flanked by oversized juicy citrus slices, vibrant green leafy stalks, arches, and coral-like vegetation. A line of cute, spherical citrus characters enclosed in clear bubble suits marches forward together in sequence.Scene 3 (Dreamy Sky & Floating Group): Four adorable, round citrus creatures (lemon, grapefruit, orange, peach) with tiny legs stand in a row. Behind them is a dreamy sky filled with fluffy, marshmallow-like pink clouds and floating bubbles. A large, glowing central bubble gently lifts a cluster of tiny citrus characters up toward the sky.Render & Aesthetic: 3D Octane render, 8k resolution, smooth clay-like textures, soft pastel color palette, depth of field, gentle bounce animations.

Create a surreal cinematic underwater close-up of a beautiful woman with her eyes gently closed, her face partially submerged beneath crystal-clear water as several small vibrant orange goldfish gracefully swim around her cheeks, lips, and neck; capture realistic water distortion, tiny bubbles, soft ripples, shimmering reflections, natural skin texture, wet hair floating subtly in the water, dreamy ethereal lighting, slow graceful fish movement, shallow depth of field, macro beauty cinematography, ultra-realistic details, smooth slow motion, elegant and mesmerizing atmosphere, 4K cinematic quality.

Create a 15-second photorealistic vertical smartphone video on an ordinary city street after sunset. A young woman walks through light rain while holding a small umbrella. Suddenly, individual raindrops begin rising upward from the pavement into the sky instead of falling down. She stops and looks around in confusion as puddles slowly become dry while hundreds of droplets float upward around her. Natural human reaction, realistic water physics, authentic handheld phone footage, believable street lighting, subtle camera movement, cinematic realism, no text, no logos, no recognizable brands.

Remove the hands out of the scene. Make the water into a busy highway with different teslas riding on it. Put the earth up closer to the sky. With a lot of stars in it and the moon....

They immediately developed self cleaning optics for all of their systems and they start to have a massive car wash in a infinite dimensional Klein bottle

Create a pure JavaScript/HTML animation around the theme: “What happens when Dalí meets generative AI?”

A cinematic indoor performance-art / fashion editorial video, shot in a single continuous take inside a slightly worn historic room with cracked plaster walls, dark wood floors, a vintage wooden bed with rumpled beige linens, beige curtains over a tall window, and a soft abstract pink painting on the wall. A large custom-built pale mint-green wooden seesaw / dunk-lever structure (thick beams, metal bolts, industrial-craft aesthetic) spans the room. On the high end, a woman hangs completely upside-down, knees hooked over the beam, wearing a short beige-and-black horizontal-striped dress. She clutches a dripping beige robe or cloth against her body. Long dark curly hair hangs toward a matching mint-green metal barrel filled with water. An off-camera operator slowly pumps the opposite end of the lever, tilting the beam so her head and hair repeatedly dunk into the water then lift out, water streaming from her hair and the cloth. Her expression shifts between wide-eyed surprise, a slight smile, and composure as she looks toward camera. Water ripples and drips throughout. Natural window light, muted filmic color palette, shallow depth of field, slight handheld camera movement that stays locked on the woman and the barrel. Slow, rhythmic, slightly surreal and elegant rather than slapstick. No text, no logos.

Minimalistic, simple one line sketch building everything in real time with the musical score ("Pétales Givrés") I gave you. Use gentle pastels with an old school film quality to it, realistic 3D raindrops fall on the screen giving the viewer a feeling of depth and surrealism as they watch.

Create a video of a {argument name="object" default="knife"} cutting through {argument name="substance" default="butter"} except the {argument name="object" default="knife"} must look like {argument name="substance" default="butter"} and the {argument name="substance" default="butter"} must look like {argument name="material" default="stainless steel"}

Vivid, bright-colored soap bubbles floating in a colorful meadow filled with vibrant flowers

Make a 15-second looping animation, cinematic 16:9, 1920×1080. A stickman lives inside a phone battery icon and fights against power loss. The red battery-drain line is the villain. Style: minimal black ink on cream paper, monoline stick figure and interface lines, slight

Feed Elysia doc to Opus 5.5 to make a video I write a storyboard, references, and direct Opus 5.5 to code a WebGL canvas and export it by frame into a video Music and SFX are algorithmic music Took 13 revisions, but everything is code that can be modified

A cinematic city crosswalk packed with people frozen mid motion: a cyclist suspended, a pigeon stopped in mid air, coffee frozen mid spill, newspapers hanging in the wind. Only one young man moves naturally through the crowd. The camera tracks backward, then slowly orbits him. He touches suspended water droplets, shifting them slightly. As he walks past the camera, the entire world instantly unfreezes and returns to motion. Realistic daylight, natural clothing, cinematic depth.

見た人の脳汁がドバドバでてトランス状態に陥るようなサイケデリック・ポップ・パンクなVJ風のモーショングラフィックス動画を作り、その動画と完全にシンクロするトランス・サイバー・パンク・テクノの曲を作って嵌めてくれ。30秒程度で良い。