Cinematic Realistic için Video promptları

0–2s: A person stands at the end of a quiet road, waiting. 2–4s: Their dog suddenly runs toward them at full speed. 4–5s: They kneel down and embrace as the dog's tail rapidly wags.

Cinematic photorealistic scene inside an indoor swimming pool. A young woman with short lavender-purple hair, wearing a light gray school-style blazer, white shirt with a blue bow tie, dark pleated skirt, white knee-high socks and black shoes, stands in the middle of a swimming pool surrounded by several young female swimmers wearing dark navy one-piece swimsuits. The scene begins with the lavender-haired girl standing face-to-face with a group of swimmers in a large indoor aquatic center, with tiled walls, industrial ceiling lights and a dramatic cool blue-gray color palette. Suddenly she moves through the shallow swimming pool as a massive wave of water crashes around her. She runs and jumps through the water with energetic, playful movement while the other swimmers react with surprise and excitement. Huge realistic water splashes, powerful waves, water droplets flying through the air, realistic wet surfaces, dynamic motion, cinematic slow-motion moments, natural human movement, detailed facial expressions, realistic skin and wet clothing, atmospheric mist and water spray. Wide-angle cinematic camera, low camera angle close to the water surface, smooth tracking shots, occasional slow motion, dramatic framing, shallow depth of field, realistic reflections on the pool water, volumetric indoor lighting, cool desaturated blue tones, high contrast, subtle film grain, professional movie cinematography, highly detailed, photorealistic, realistic physics, 4K, 24fps cinematic footage.

15-second ultra-realistic cinematic 3D video: A human breaks through Antarctic ice into freezing water and struggles to survive.

Create an ultra-realistic cinematic fashion/music video using the uploaded reference image as the exact visual reference for the woman, crowd, wardrobe, composition, lighting, and atmosphere. A young woman with a short sleek dark bob, realistic facial features, natural skin texture, and subtle makeup wears a fitted black turtleneck, black trousers, black shoes, and minimal jewelry. Keep her face, hairstyle, outfit, and proportions perfectly consistent. She walks slowly and confidently toward a large, tightly packed crowd, maintaining a calm and emotionless expression while the camera smoothly tracks backward and keeps her centered. She reaches the exact center of the crowd and stops completely, standing perfectly still with her arms naturally at her sides and looking directly into the camera. The crowd remains completely frozen for a brief moment. Then, without the woman moving, the people behind her slowly begin turning toward her. The head turns start subtly and spread through the entire crowd until everyone is facing and looking directly at her. The woman remains completely motionless and expressionless, never reacting to the crowd. The camera slowly pushes closer while the crowd stays turned toward her, creating an unsettling synchronized effect. Their final movement is one sharp, simultaneous turn toward her while she continues staring into the lens. Dark, mysterious, photorealistic live-action aesthetic, soft cinematic lighting, deep shadows, realistic skin, hair and clothing physics, shallow depth of field, natural human movement. No animation, anime, cartoon, CGI look, duplicate woman, distorted faces, morphing, random crowd movement, text, subtitles, logos, watermark, excessive camera movement, artificial fog, glow, or exaggerated effects.

俯视镜头对准桌面上的一本白色水彩画册，纸张起初完全空白，侧上方照射着柔和自然光，桌面摆放铅笔、黑色代针笔、细水彩笔与调色盘。画面中仅出现一双女性纤细的手，无人脸出现。 前 2 秒，女性右手拿起铅笔以高节奏缩时画出轮廓：中央是粉红长发的国风少女，右手比出 V 字手势，左手持一把小团扇，身穿白色交领上衣搭配粉红马面裙，发间佩戴花簪，头顶有带缠枝莲纹的圆形彩窗光环；左侧描出中式牌楼轮廓，右侧勾出青瓦水榭与锦鲤池塘，远方浮现云雾缭绕的连绵青山，左右上角同步画出两朵如意形祥云，外围以中式圆拱花窗边框与海棠枝条环绕。 第 3 秒，手持黑色代针笔快速描绘，将所有轮廓收整成如彩色玻璃镶嵌般粗黑利落的分格线条，线条分割出头发、交领上衣、马面裙、团扇、光环、牌楼、水榭、池塘、远山、祥云与外框花朵等独立色块区域。 第 4 至 7 秒进入上色阶段，女性右手握着水彩笔进行跳跃式、不连续、多区域同时推进的分散上色：笔尖先落在中央少女的粉红头发涂抹渐层色块，随即跳至右上角祥云点上淡黄色；接着笔尖跳转到左侧牌楼刷上朱红，再跳至右下角池塘涂上湛蓝水色与橘白锦鲤；随后又跳回腰间系带染上金黄，跳至左上角祥云补色，再分散跳去外框海棠点上粉白，最后随机补上远山的灰蓝与天空的紫粉色洗色。整体上色过程刻意呈现东一块、西一块、无固定顺序的散点推进节奏，色彩在黑色分格线内自然晕染重叠。 最后 1 秒，女性的手在光环与花簪细节处点上金色亮部收尾，水彩笔放下并移出画面，镜头缓慢拉远，完整展示画册上精致完成、色彩斑斓、带有浓烈手绘温度的国风少女花窗玻璃水彩插画。人物位置、景物分布与画面层次参照参考图片，服饰、建筑、山景和装饰均以以上中国元素描述为准。

A continuous 12-second, photorealistic handheld smartphone video shot in raw 4K vertical format along a paved countryside road. Seconds 0–4: Wide tracking shot following a large white domestic goose sprinting along the asphalt. An orange tabby cat is mounted firmly on the goose's back, front paws wrapped tight around the goose's neck, whiskers flattened by the wind. Just behind them, an excited golden retriever bounds into frame at full sprint, barking furiously in loud, breathless bursts as it tries to catch up. Seconds 5–8: The goose suddenly swerves off the tarmac onto a soft grass verge and brakes hard. The ginger cat instantly dismounts, hits the turf, and drops into an absurd, ultra-fast, cartoonish four-legged turbo-gallop—legs moving in a manic, high-speed blur. Instead of fleeing into the bushes, the cat loops in a blazing circle and dashes straight past the confused dog's legs. Seconds 9–12 (The Twist): The golden retriever skid-stops, head swiveling in complete bewilderment as the hyper-speed cat springs straight back onto the waiting goose’s back like a pro stunt rider. The goose immediately accelerates away down the road, leaving the dog sitting on its haunches, panting dumbfoundedly as the duo escapes. Visual & Style Specs: Raw viral phone footage, realistic physics for the animals with high-frame-rate comical leg-blur for the cat's hyper-sprint, sunny natural lighting, true fur/feather textures, dynamic handheld camera sway. Audio Track: Rapid rhythmic footfalls on tarmac, energetic dog barks and panting, abrupt goose honks, set against an off-camera woman wheezing into uncontrollable, hysterical snorting laughter that completely loses it when the cat engages ultra-fast sprint mode.

SCENE CONTEXT A 20-year-old East Asian woman spends an autumn day moving through a big city — leaving her apartment, riding the subway, grabbing coffee from a cart, cutting through a park in falling leaves, browsing a bookstore, catching golden hour on a rooftop, and riding home at night — filmed as a candid, mixed-format day-in-the-city vlog, 30 seconds total. ACTIVE REFERENCES @image1: 20-year-old East Asian woman, soft round face, warm ivory skin, dark brown hair in a loose high bun with face-framing strands, natural dewy makeup, gentle expressive eyes, wearing a wine-burgundy ribbed knit off-shoulder sweater and a small silver flower pendant necklace. 100% matches the reference throughout every shot. FORMAT MODE Timed multishot. HARD CUTs only at the stated seconds; camera does not cut on its own between them. Mixed scene styles — not every shot has dialogue; some are silent candid b-roll. 0.0s–4.0s — HARD CUT 4.0s–8.0s — HARD CUT 8.0s–12.0s — HARD CUT 12.0s–17.0s — HARD CUT 17.0s–21.0s — HARD CUT 21.0s–26.0s — HARD CUT 26.0s–30.0s — end OPTICS Shot 1: 63° wide, POV-adjacent handheld. Shot 2: 47° neutral, static-ish lean. Shot 3: 29° portrait-compression, quick transactional. Shot 4: 18° natural-portrait, slow-mo detail. Shot 5: 29° portrait-compression, candid unaware angle. Shot 6: 47° neutral, two-shot-adjacent solo toast. Shot 7: 18° natural-portrait, close reflective. No drift mid-segment. CAMERA Handheld throughout with natural 1–2cm tremor. Shot 1: phone-height POV-style, walking at 4 km/h. Shot 2: camera rests low against a pole, minimal movement, observational. Shot 3: quick whip from hand to face and back. Shot 4: slowed to half real-time, camera drifts sideways at 1 km/h following falling leaves. Shot 5: camera appears to catch her off-guard, slight delay before she notices it. Shot 6: static-ish, propped, she moves into frame. Shot 7: static through car window glass, reflections passing over her face. ACTION 0.0s–4.0s: She steps out of an apartment building onto a leaf-scattered sidewalk, adjusting her bag strap, glancing at her phone, morning light low and warm through bare branches. She looks up at the camera briefly, half-smiles: "Okay — let's do this." 4.0s–8.0s: Inside a subway car, she leans against a pole, earbuds in, watching the platform lights blur past the window, city sounds muffled and rhythmic. No dialogue — just her quiet, unbothered expression, occasional sway with the train's motion. 8.0s–12.0s: At a small street coffee cart, steam rising from the machine, she hands over cash, receives a paper cup, wraps both hands around it immediately for warmth. Brief exchange, she says only: "Thanks, you're the best." 12.0s–17.0s: Slow-motion through a park path thick with falling amber leaves, she tips her head back mid-step and turns once, leaves catching in her hair and sweater, genuine unguarded laugh, no spoken line — just breath and laughter audible. 17.0s–21.0s: Inside a small bookstore, she runs a finger along a shelf, pulls a book halfway out, flips a few pages, unaware of the camera, soft window light across her face, ambient store quiet. No dialogue. 21.0s–26.0s: On a rooftop at golden hour, city skyline hazy behind her, she raises a takeaway coffee cup slightly toward the lens like a small toast, warm low sun rim-lighting her hair, says only: "To days like this." 26.0s–30.0s: Inside a taxi at night, warm amber streetlights sliding across the window glass and over her face in soft passing bands, she rests her head against the seat, tired contented smile, looks toward the lens and says: "Best day, hands down." PERFORMANCE Restrained, natural reactions — no performed excitement. Shots 2 and 5 specifically read as candid/unaware of the camera. Living eyes with catch-light in every close shot, visible breath in shot 1, natural skin and fabric texture throughout. PHYSICS Leaves fall and scatter with real weight and drift, catching briefly in hair and sweater fibers before falling away. Coffee steam rises and dissipates naturally. Streetlight bands move across her face and the window glass with correct parallax as the car moves. Train sway shifts her weight subtly and believably. LIGHTING Shot 1: low warm morning sun through bare branches, soft shadow lines. Shot 2: cool fluorescent subway light with warm practicals flickering past outside. Shot 3: overcast daylight, soft even key. Shot 4: dappled warm sun through park canopy, backlit leaf edges. Shot 5: soft window-diffused daylight, low contrast. Shot 6: warm low-angle golden hour key, strong rim light, soft haze. Shot 7: warm amber sodium streetlight passing bands only, otherwise dark interior. COLOR GRADE Warm autumn palette — amber, rust, and soft gold tones with muted city grays. Warm amber streetlight at night, never neon or saturated colored signage anywhere in frame. No cool-cyan or magenta tint. WARDROBE Wine-burgundy ribbed knit off-shoulder sweater and silver flower pendant necklace, unchanged and clearly visible in every shot. A loosely draped scarf or open coat may sit over it in the subway and taxi shots without covering it. AUDIO Shot 1: quiet street ambience, rustling leaves. Shot 2: muffled train rumble, distant announcement, no dialogue. Shot 3: espresso machine hiss, brief exchange. Shot 4: crunch of leaves, natural laughter, no line. Shot 5: quiet store ambience, page-turning, no dialogue. Shot 6: distant city hum, wind. Shot 7: engine hum, soft radio murmur under her line. STYLE Authentic day-in-the-life vlog cinematography, dreamy 35mm film aesthetic, fine natural grain, realistic autofocus hunting, mix of talking and silent candid shots for a lived-in, unscripted feel. OUTPUT SETTINGS 4K, 24fps, 35mm grain, real-time except shot 4 (half real-time slow motion), realistic handheld motion, no neon or saturated signage in the color palette anywhere. POSITIVE LOCKS Same woman's face and build in every shot, matching @image1 exactly. Wine-burgundy sweater and silver necklace stay visible in every shot. Hair stays in the same loose high bun throughout. Cuts only at stated seconds, camera does not cut on its own. Shots 2 and 5 stay dialogue-free and candid. Warm amber tones hold throughout — no neon, no cool-cyan tint anywhere.

Create a 30 second premium cinematic 3D animated short film titled The Tiny Tailor. Maintain perfect visual continuity from beginning to end, keeping the tiny tailor's face, body, clothing, proportions, colors and accessories identical in every shot, along with the sewing room, table, jacket, needle and thread staying consistent in size, shape, position and appearance. Use one continuous logical timeline with natural human like movement, physically believable object interaction, correct anatomy, and no artifacts, warping, morphing, or camera jumps. Visual style is high end cinematic 3D animation with realistic materials, detailed fabric, natural textures, physically based lighting, realistic shadows, subtle depth of field and polished feature film quality, avoiding plastic looking characters or cartoon physics. The story begins in an elegant tailor's workshop where a tiny tailor a few inches tall walks across a huge wooden table carrying a measuring tape, approaching a large dark blue jacket. He notices a tear, threads a needle almost as tall as himself with golden thread, and carefully repairs the tear with realistic stitching shown from multiple angles. He steps back to admire his work, then a gigantic human hand enters the frame and picks up the jacket. The final shot reveals a giant person wearing the repaired jacket, with the camera pulling back to show the tiny tailor sitting proudly inside the jacket's pocket holding his needle. Use smooth cinematic camera movements, stable framing and consistent perspective throughout, with no rapid cuts or impossible physics. Duration 30 seconds, aspect ratio 16 by 9, high detail cinematic 3D animation output.

Create a 30-second ultra-photorealistic live-action cinematic adventure video following a young woman crossing a shallow mountain river by carefully jumping between natural stepping stones. Show a realistic outdoor landscape with clear flowing water, moss-covered rocks, wet gravel, grass, trees, distant mountains and small rapids. Keep the woman, clothing, backpack, terrain and environment perfectly consistent throughout. Capture authentic human biomechanics, jumping, balance, momentum, center-of-mass shifts, foot placement, friction and realistic landing mechanics. Include a naturally unstable rock that shifts slightly under her weight, forcing her to regain balance before continuing across the river. Make the river behave with realistic fluid dynamics: continuous downstream flow, water splitting around rocks, small eddies, ripples, turbulence, droplets and proportional splashes. Wet rocks should have reduced traction, while gravel and soil respond naturally to her footsteps. Use modern cinematic adventure-documentary cinematography with handheld trail-following shots, rock-level close-ups, side tracking during jumps, realistic autofocus, natural camera inertia and a wide landscape reveal at the end. Natural diegetic audio only: rushing water, footsteps, gravel, shoe impacts, small splashes, wind, birds, breathing and clothing movement. No music, narration or subtitles. End with the woman safely reaching the opposite bank, adjusting her backpack and looking back across the river as the camera slowly pulls away to reveal the surrounding mountain landscape. No CGI, animation, fantasy, superhero movement, impossible jumps, floating objects, teleportation, exaggerated splashes, distorted anatomy, changing clothing, impossible camera movement, logos or watermark.

4K VISUAL IMPACT — MANDATORY: Photorealistic detail, natural skin pores, individual hair strands, fabric texture, realistic reflections, sunlight, physically accurate shadows, subtle motion blur, and lifelike movement. Keep the footage highly detailed but authentically handheld. LOCATION: Peaceful Korean residential neighborhood on a warm summer morning with narrow concrete lanes, small Korean homes, weathered walls, potted plants, bicycles, utility poles, laundry, gardens, scooters, and small storefronts. STYLE: Photorealistic Seedance 2.5 with a nostalgic early-2000s Korean MiniDV home-video look. Natural handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded warm colors, digital noise, soft highlights, authentic lens behavior and natural depth. No stabilization, beauty filters, cinematic polish, or modern color grading. CHARACTER: Preserve the exact face, identity, skin tone, body proportions, hair, hairstyle, hair color, dress, and overall appearance from @pinflik.com__Beautiful_Hair.jpg in every shot. Korean woman speaking natural English with a noticeable Korean accent. Do not alter her appearance. 00:00–00:04: She slowly walks through the quiet neighborhood while filming herself. Morning sunlight highlights her hair and natural skin texture. She smiles and says, “This morning feels so beautiful.” 00:04–00:08: She notices colorful flowers beside an old wall, crouches, touches the petals, and brings one close to the camera. Capture detailed petals, leaves, sunlight, and shadows. 00:08–00:12: She walks toward a small Korean home with laundry moving in the breeze. She briefly touches the hanging fabric, smiles, and says, “I love these little moments.” 00:12–00:16: She finds an outdoor water tap and naturally turns it on. Water runs over her fingertips with realistic droplets, reflections, splashes, and wet skin. She laughs and says, “Ah, it's so cold!” 00:16–00:20: She shakes the water from her hands and continues walking. A bicycle passes behind her and leaves move in the breeze. Camera briefly loses focus, then naturally refocuses on her face. 00:20–00:24: She passes a small convenience store, looking through the window at colorful products and glass reflections. She gives someone nearby a friendly wave. 00:24–00:27: Under a tree, she looks upward as sunlight filters through the leaves, creating realistic highlights and moving shadows across her hair, face, and dress. 00:27–00:30: She walks backward while smiling, gives a playful wave, and says, “Okay, I'll see you again. Bye!” She turns away naturally while the handheld camera keeps recording briefly before ending. AUDIO: Natural ambience only: birds, footsteps, rustling leaves, distant Korean conversations, bicycle wheels, insects, storefront sounds, laundry, and water if the tap scene occurs. No music, subtitles, logos, or watermarks. FINAL PRIORITY: Ever

【基础设定】 15秒，9:16竖屏，一镜到底，真人纪录片摄影风格。记录一名男子从直升机向火山口投下巨型肥皂，随后大量肥皂泡从火山升起，涌入机舱的完整过程。 以现场观察的方式呈现超现实事件，画面自然、克制，人物反应真实。没有喜剧表演、搞笑动作或刻意设计的包袱。全程同一个连续镜头，无切镜、转场、隐藏剪辑、慢动作或时间跳跃。 【人物与道具】 一名成年男子，穿深色户外夹克、长裤和靴子，腰部安全带连接机舱固定点，位于打开的直升机侧舱门内。 男子双臂抱着一块约80厘米长、45厘米宽、25厘米厚的巨型粉色肥皂。圆角长方体，表面光滑，带少量湿润反光，具有明确厚度与重量。无包装、无文字。 直升机内部可见真实座椅、固定把手、金属门框和地板。驾驶员留在前方驾驶舱。人物、机舱与道具外观全程保持一致。 【环境与摄影】 白天，自然光。深色粗糙岩壁围绕宽阔火山口，底部是缓慢翻滚的橙红色岩浆，空气中存在轻微热扰动。 直升机悬停在火山口边缘上方，侧舱门朝向火山内部。构图清楚交代男子、舱门与下方落点的位置，投掷高度与实际下落时间保持一致。 摄影机始终由机舱内的拍摄者持握，在侧舱门附近完成前倾俯拍、抬镜和回转。广角纪实构图，带有旋翼引起的细小振动与自然手持调整，动作清楚可辨。自然曝光与色彩，保留皮肤、衣料、岩壁和金属的真实纹理。 【连续时间序列｜0:00—0:04｜投下巨型肥皂】 从机舱内部朝侧舱门拍摄。男子和巨型肥皂占据近景，下方火山口透过舱门清楚可见。 男子把肥皂下缘抵在门槛，双手扶稳两侧，屈膝前移重心，将肥皂向外推出。双臂随推送伸直，肥皂重心越过门槛后，双手明确松开。 肥皂脱离机舱，带着轻微翻转向下加速坠落。男子收回双手，扶稳机舱把手，留在原位观察。 摄影机自然前倾，沿肥皂轨迹连续向下俯拍，画面边缘保留一小段门框。肥皂在纵深中逐渐变小，接触下方岩浆，激起局部翻动。完整呈现下落过程，不跳过距离，不突然切成落点特写。 【连续时间序列｜0:04—0:09｜泡沫生成，大量泡泡升起】 摄影机保持俯拍。肥皂接触岩浆的位置出现细密白色气泡，随后泡沫持续膨胀，逐渐覆盖周围岩浆。 透明肥皂泡从翻涌的白色泡沫中连续鼓起、脱离，随上升气流向直升机方向飘来。最初只有零星几颗，随后数量迅速增加，形成具有前后纵深的密集泡泡群。 泡泡大小从葡萄到篮球不等，表面具有薄膜反光和微弱虹彩，可以透过泡膜看见火山与岩壁。上升速度略有差别，彼此碰撞、变形，部分自然破裂，后方继续生成。 摄影机持续观察泡泡接近的过程。远处火山仍能从间隙中看见，近处泡泡逐渐占据更多画面。岩浆上的白色泡沫与升空的透明泡泡具有明确区别。 【连续时间序列｜0:09—0:13.5｜泡泡抵达，涌入机舱】 泡泡升至舱门高度，被旋翼与机身周围的气流卷动。一部分破裂或偏离，更多从侧舱门外持续涌入。 摄影机跟随泡泡连续抬起，平滑转回机舱，重新拍到男子。拍摄位置和门框方向连续一致，不能突然变成机外视角。 男子一只手握住固定把手，身体略微向舱内退让，另一只手自然抬到面前挡开贴近眼睛的泡泡。他主要观察眼前变化，不看镜头、不夸张表演、不说话。 泡泡从舱门向机舱内部不断扩散，挤在座椅、男子肩膀和摄影机之间。近处泡膜轻轻变形、滑动，破裂后在头发、衣袖和座椅上留下湿润白沫。更多泡泡紧接着填入，机舱结构和人物轮廓逐渐被遮挡。 【连续时间序列｜0:13.5—0:15｜机舱被泡泡填满，直接结束】 摄影机保持当前机舱视角，仅随拍摄者身体轻微后退。 大量泡泡已经挤满舱门和人物周围，男子上半身几乎被遮住。泡泡仍在自然拥挤、漂动和破裂，透过局部间隙能看见深色衣袖与握住把手的手。 到此直接结束，不再增加拨开泡泡露脸、看向镜头或再次被覆盖的动作，不定格、不拉远。 【声音】 真实旋翼声与舱门风声贯穿全程，配合肥皂摩擦门槛的声音、远处低沉的火山翻动声，以及泡泡进入机舱后细微密集的破裂声。声音距离随摄影机朝向自然变化。无背景音乐、旁白、台词或喜剧音效。 【关键约束】 9:16竖屏，15秒，全程一镜到底，真人纪录片摄影质感。摄影机始终位于同一架直升机内部的侧舱门附近。 只有一块巨型粉色肥皂，投出后不再出现在男子手中。泡泡先从火山生成，再连续升至舱门并涌入机舱，不能凭空出现。没有单个包裹直升机的巨型泡泡。 透明泡泡具有清楚的薄膜结构，白色泡沫由细密气泡组成，避免表现成烟雾、棉花或雪。末尾仅用1.5秒呈现男子上半身几乎被泡泡遮住的状态，随即结束。无字幕、标志和水印。

Diogenes celebrating from a seated position in the street, in the style of a classical painting

CHARACTER IDENTITY LOCK Use the provided face reference as the ONLY identity reference for the human cook. The cook is a real photorealistic human. Preserve the reference identity consistently throughout the entire video: exact facial identity facial structure and proportions eyes, nose, mouth, jawline hairstyle and hairline skin tone age appearance natural body proportions Do not redesign, beautify, age, de-age, or reinterpret the person's identity. Keep the cook's appearance and clothing visually consistent throughout the shot. CAMERA — THIRD PERSON OBSERVER Strict third-person cinematic perspective. The viewer is watching the cook from outside the character's body. Camera positioned approximately 2–3 meters in front of the cook, slightly to one side, around chest height, with a moderate cinematic lens. Frame the scene as a natural cooking observation shot: cook's face clearly visible upper body visible wok clearly visible in foreground active hand clearly visible Fu Shu clearly visible beside the cook Use a subtle cinematic handheld camera with a very slow push-in and slight lateral movement. The camera should feel like a person naturally observing someone cooking. No first-person POV. No camera attached to the cook. No overhead shot. No rapid camera movement. No cuts. No transitions. Maintain one continuous shot for the entire 10 seconds. ENVIRONMENT Photorealistic home kitchen. White tiled wall, power outlet, cooking oil and soy sauce near the stove, sink in the rear-right, natural daylight entering from a side window. A black wok sits on the stove in front of the cook. Inside the wok is realistic Indonesian-style nasi goreng with fried rice grains, egg, chicken pieces, vegetables and green onion. Visible steam, sizzling oil and believable food movement. HUMAN COOK The cook naturally stands behind the stove and prepares the nasi goreng. The cook's face remains visible throughout the majority of the shot. Natural facial expressions and subtle reactions. The cook should feel like a real person being filmed while casually cooking. FU SHU Fu Shu is a completely flat 2D chibi anime sticker character sitting on a small wooden stool beside the wok. He has an oversized round head, tiny body, prominent belly, bald top with short black hair on the sides, small black dot eyes, bean-shaped nose, pink cheeks, thick handlebar mustache and mischievous grin. White sleeveless undershirt, mustard apron, teal knee shorts and brown slippers. Fu Shu must remain completely flat: 2D paper sticker dark outline white sticker border subtle paper/crayon grain No 3D volume. No realistic skin. No plastic. No clay.

Create a 30-second cinematic, ultra-realistic live-action video set on a rainy city street at night, with wet roads reflecting streetlights and passing car headlights. Show a person walking alone along the sidewalk in the heavy rain, carrying a shoulder bag and wearing a dark rain jacket. Capture the atmosphere with moody cinematic lighting, realistic rain droplets, reflections, mist, and natural nighttime shadows. Gradually introduce another person approaching from behind, creating a sense of tension and uncertainty. Show the main character suddenly reacting and struggling with the approaching person near the storefronts. Continue with both characters running through the rain toward a parked car while the camera follows with dynamic handheld movement. Use realistic human motion, natural body physics, detailed wet clothing, and authentic city ambience. End with the main character standing in the rainy street as headlights illuminate the scene, leaving a dramatic cinematic final moment.

A cinematic photorealistic commercial shot on a golden hour beach A deep sea blue glass perfume bottle covered in micro water droplets rests on a wet rock, backlit by the setting sun glittering over gentle ocean waves Soft lens flare and warm golden reflections glimmer across the water The scene seamlessly cross dissolves to a stunning woman wearing a flowing white deep V dress standing on the sandy shore She sprays the fragrance onto her neck with her eyes closed in bliss surrounded by a fine mist catching the golden sunlight then looks directly into the camera with a gentle confident smile holding the bottle Photorealistic 8K resolution, dynamic lighting, high end luxury aesthetic shallow depth of field.

ワンカットの超小型ドローンショット。 冒頭は人物の全身とソファが見える引きの構図から開始する。 すぐにハエほどの大きさのカメラ視点へ移行し、ソファの表面すれすれを低空飛行しながら、画像に描かれた線と番号をカメラの移動経路として進む。 カメラは添付画像の経由点の順番を省略せず、各経由点の近くまで接近する。経由点ごとに左右へ大きく折り返し、身体の輪郭に沿って滑らかなS字軌道で上昇する。 超小型視点を強調し、ソファや衣服の布の繊維、猫の一本一本の毛などが巨大に見えるマクロなスケール感にする。 人物は巨大な建造物のように見せ、カメラ移動に伴う奥行きと視差を強く表現する。 猫の顔の前では一瞬だけ速度を落とし、その後、胸元を経由して顔へ上昇し、最後は眠る人物の顔の近くで静かにホバリングする。 飛行は滑らかで、自然な加速・減速と小さな浮遊感を付ける。人物や猫には接触しない。 人物と猫の顔、衣装、姿勢、背景、暖かな光は元画像のまま保つ。画像内のガイド線・矢印・番号・文字は完成動画には一切映さない。

The white and red airplane flies smoothly forward through the blue sky, banking slightly, with clouds drifting past and subtle engine trails. Camera tracks the aircraft from below, cinematic and fluid motion.

15-second ultra-realistic hidden-camera style night video A real camping tent at night, filmed like authentic surveillance / wildlife night footage, not comedy, not cinematic. The tent zipper is slightly open. Inside, an attractive adult woman in her 20s is asleep in a sleeping bag the entire time. She has a soft feminine face and long hair, visible in low light, but she never wakes up. CAMERA: static hidden camera / night-vision security camera feel from inside the tent, fixed angle, no operator, no intentional cinematic movement. Slight digital noise, minor compression artifacts, realistic low-light grain, subtle exposure breathing, occasional autofocus hunting, natural imperfect framing. LOOK: monochrome or desaturated infrared-style night vision, dim realistic lighting, soft shadow falloff, slightly eerie but natural wildlife-cam mood. It should feel like a real accidental nighttime capture. SCENE: inside a tent at night. The sleeping woman lies in a sleeping bag on one side of the frame. The tent entrance is slightly unzipped, leaving a narrow dark opening. 00:00–00:04 The woman is already asleep and motionless except for subtle breathing. The tent flap is slightly open. A faint shape appears outside the opening. 00:04–00:07 An owl slowly peeks its head through the opening, then carefully steps inside. Its movements are cautious, natural, and realistic. The woman keeps sleeping. 00:07–00:11 The owl fully enters the tent and quietly walks closer, looking around with alert eyes. It climbs onto the bedding area near her upper body / arm area without touching her face. She remains asleep the whole time. 00:11–00:15 The owl settles comfortably inside the tent near her, calmly perched and watching the surroundings. The woman continues sleeping peacefully, unaware. End on a believable hidden-camera wildlife moment. IMPORTANT: Real owl enters tent; woman sleeps throughout. No comedy/attack/text. Night ambience, breathing.

Use the reference image to preserve the woman’s exact identity, face, hairstyle, skin tone, body proportions, glasses, and natural appearance throughout. She wears a simple casual early-2000s outfit variation: loose cotton blouse with wide-leg trousers or a wrap skirt, flat sandals, no fashion styling. Create an EXTREMELY RAW early-2000s DV camcorder home video in a modest Southeast Asian or Korean residential neighborhood. Heavy handheld movement, natural shakes, imperfect reframing, frequent off-center framing, occasional partial cropping, autofocus hunting, lens breathing, exposure fluctuations, rolling shutter, natural motion blur, low contrast, faded desaturated colors, washed-out highlights, digital noise, mild compression artifacts. Casual friend-recorded documentary feeling only. No stabilization, no polished composition, no cinematic glamour, no modern color grading, no model posing, no added music. 45-second sequence: First, in a small backyard during warm golden hour, she hangs laundry on a clothesline, lightly shooes away a chicken, carries a basket to a wooden bench and folds clothes, then waters a small vegetable patch with a hose before walking toward the house and glancing back naturally at the camera. Include a weathered fence, potted plants, dirt path, faded laundry, modest house facade, trees, and a few chickens. Then transition to a quiet covered porch or carport at dusk. She sits beneath a bare warm bulb, casually adjusts a small portable radio with faint static, relaxes briefly, then stands and slowly wheels a bicycle toward the porch opening. Include stacked plastic chairs, cracked concrete, a bicycle, warm bulb bloom, and cool blue-grey dusk outside. Her expression remains relaxed, unposed, and natural. Audio: natural ambience only—birds, breeze, distant motorcycles, chickens, fabric rustling, water on leaves, footsteps, crickets, bicycle wheel squeak, and quiet radio static as a diegetic prop sound. No dialogue and no soundtrack.

Create a 30-second ultra-photorealistic live-action action-thriller at night during heavy rain. A young woman trapped inside an old industrial building discovers a partially open mechanical loading door and times her escape as two pursuers close in. She slides beneath the heavy door, struggles with realistic friction and backpack movement, rolls onto the rain-soaked pavement, and escapes into a dark service lane. Show realistic human biomechanics, inertia, momentum, gravity, friction, center-of-mass shifts, realistic loading-door mechanics, backpack physics, rain and water dynamics, wet-surface traction, vehicle spray, and physically accurate material interactions. Use handheld chase cinematography, low floor-level shots during the escape, close-ups of the mechanical door, exterior tracking shots, and a final static wide shot. Camera movement should have natural operator inertia and subtle handheld shake. Use only diegetic sound: heavy rain, breathing, footsteps, metal mechanisms, water splashes, distant traffic, echoes, and thunder. Natural nighttime lighting with realistic wet reflections, shadows, depth of field, and motion blur. End with the woman hidden behind a concrete wall as the pursuers run past, followed by an empty rain-soaked street and a cut to black. No CGI, animation, superhero abilities, impossible parkour, teleportation, weightless objects, exaggerated slow motion, unrealistic physics, distorted anatomy, duplicate characters, text, logos, or watermark.

Created a video of a Korean girl enjoying a calm, realistic morning beauty and café routine. A Korean girl with natural fair skin, long straight black hair, delicate facial features, and a soft elegant appearance starts her morning peacefully, applying makeup in warm natural light. She picks up a takeaway coffee, then walks into a cozy Korean-style café with wooden furniture, large windows, warm pendant lights, and a relaxed atmosphere. She sits at a wooden table, gently reads a menu or paper while enjoying her coffee, then eats a light dessert with natural expressions. The video includes close-up beauty shots, realistic hand movements, soft eye contact, subtle smiles, and smooth cinematic camera transitions. The final scene shows her completing her skincare routine at home in a softly lit bedroom, creating a peaceful everyday Korean lifestyle mood. Ultra-realistic cinematic visuals, natural skin texture, realistic lighting, shallow depth of field, soft warm tones, smooth motion, elegant composition, vertical 16:9, 30 seconds, no text, no subtitles, no logos, no watermark.

Create a cute, polished cinematic 3D animated video, exactly 15 seconds long, using the attached character sheet as the strict visual reference. CHARACTER A cute young Black girl with warm medium-brown skin, large expressive brown eyes, soft rounded facial features, and very thick, dense, tightly defined red curls with lots of volume and individual coils. She wears the same white long-sleeve top and light lounge pants from the reference. Keep her face, skin tone, body proportions, outfit, red hair color, and character design identical throughout the entire video. SCENE She sits directly in front of her bedroom vanity mirror in a cozy pastel bedroom. Warm soft lighting, cute feminine decor, polished stylized 3D animation, expressive facial acting, cinematic depth of field. 15-SECOND ACTION 0–3 sec : She looks into the mirror and quickly but carefully brushes her huge curly hair section by section. She gathers the brushed sections toward the back of her head. 3–7 sec : She gathers all her hair upward and twists it into a high bun. She uses the brush to smooth the front hairline and side sections backward, making those areas sleek and neat while the gathered hair remains visibly curly and voluminous. 7–9 sec : Just as the bun looks perfect, one stubborn curly strand springs out from the side. She notices it in the mirror and gives an annoyed little look. She quickly brushes the strand backward, tucks it into the bun, and secures the bun with several small hairpins. 9–11 sec : She checks herself in the mirror and smiles proudly, satisfied that the bun is finally secure. 11–15 sec : POP! POP! POP! The hairpins fly loose and the bun completely unravels. Her entire mass of thick, dense red curls instantly falls back down around her shoulders, returning to the huge curly hairstyle from the beginning. She freezes, stares at herself in the mirror, and gives an exaggerated annoyed, defeated expression. End on her frustrated face for a comedic beat. VISUAL & MOTION Smooth high-quality 3D animation, cute exaggerated expressions, natural hand movements, realistic curly-hair physics, bouncy individual curls, subtle camera movement, soft cinematic lighting, and polished character animation. Use quick but readable cuts between the vanity medium shot, brushing close-up, bun close-up, stray curl, hairpins, and final reaction. IMPORTANT: The loose hair must be extremely curly and dense, not wavy or straight. The front and side hair becomes sleek only while she intentionally brushes it backward for the bun. When the bun breaks, all the hair returns to its original large, tightly curled, voluminous state. No text, subtitles, logos, watermark, extra characters, or changes to her appearance.

雨の中の彼岸花を一輪、夜の暗闇に青く輝かせ、アップで美しく映し、CG風のビジュアルで描く。 花びらが雨の雫が沢山した垂れ落ち、静かに青白く発光し、光が周囲の空気を柔らかく照らす。 カメラは花のクローズアップから始まり、ゆっくりと花びらの先端や水滴の反射を追い、わずかに回りながらその美しさを際立たせる。 夜の静けさの中で、微かな風に揺れる音と、光が水滴を通るときのきらめきを残す。

Create an ultra-realistic cinematic black-and-white fashion video using the uploaded images as exact visual references for the woman, the group of men, wardrobe, location, framing, and atmosphere. Use image 1 as the exact identity, face, hair, body, and outfit of the main woman: long wavy dark hair, white-framed sunglasses, sharp black tailored suit, white tie, black loafers. Use image 2 as the exact reference for the group: 15 different Black men standing on the stone stairs of Sacré-Cœur, all wearing white dress shirts, white trousers, black bartender aprons, and black Ray-Ban style sunglasses. Start with a medium shot of the woman alone on the wet cobblestones at the bottom of the stairs. She walks slowly and confidently toward the camera, calm, expressionless, powerful. Wind moves her hair. The Sacré-Cœur and the group of men are visible in the background but still slightly distant. She stops in the center foreground, faces directly into the camera, and becomes still. She does not smile. She stares into the lens. The entire group of men behind her remains completely frozen for a brief moment. Suddenly, all the men begin moving in perfect synchronization — sharp head turns, a collective bow forward, then snapping upright, followed by one unified step down the stairs. The movement should feel rhythmic, strange, powerful, and physically realistic, like a private crew obeying their leader. The woman does not move at all while the entire group moves behind her. Slowly push the camera closer to her face and upper body, keeping her sharply focused while the men on the stairs have subtle depth-of-field blur. Maintain the wet cobblestone reflections, dramatic stormy sky, and sun rays from the reference images. Black and white only. Dark, cold, mysterious fashion lighting with deep shadows, realistic skin, hair, fabric texture, and physically accurate human movement. Photorealistic live-action quality, cinematic composition; no color, no animation look, no CGI look, no duplicated woman, no distorted bodies, no extra people, no text, no subtitles, no logos.