พรอมต์วิดีโอสำหรับ Short Film

Cinematic horror-thriller short film set at a mountain ski resort lodge during a snowstorm, opens with an immediate hook, grounded realistic style, maximum dynamic camera work. Setting: a cozy wooden lodge interior with a fireplace, large windows looking out to falling snow, guests relaxing with hot drinks. CHARACTER LOCK: the main character is a lodge staff member, a woman in her late 20s, red ski jacket, consistent in every shot. Muted cold-toned color grading, natural diegetic sound throughout, tension score entering immediately. > > **[0-1s]** Hard cut: the large lodge window frosts over instantly from outside, ice crystals spreading unnaturally fast across the glass. > > **[1-2s]** It shatters inward, a humanoid creature of jagged ice and frost crystal stepping through, breath visible as steam in the sudden cold. > > **[2-3s]** Nearby guests gasp, backing away from their tables near the fireplace. > > **[3-4s]** It moves toward the nearest guest, a thin layer of frost spreading across anything it touches. > > **[4-5s]** He stumbles back, his sleeve frosting over where it brushed him. > > **[5-6s]** Panic spreads through the lodge, guests scrambling toward the far end of the room. > > **[6-7s]** The staff member grabs a fire poker from beside the fireplace, stepping between the creature and the fleeing guests. > > **[7-8s]** It turns toward her, crystalline features catching the firelight. > > **[8-9s]** She swings the poker; it connects, a crack splintering across its icy shoulder. > > **[9-10s]** It recoils, frost receding slightly from the point of impact. > > **[10-11s]** A second staff member grabs a thermos of hot water, flinging it directly at the creature. > > **[11-12s]** Steam erupts where the water hits, the ice visibly weakening at the contact point. > > **[12-13s]** It staggers, momentarily destabilized, frost patterns flickering across its form. > > **[13-14s]** The staff member presses the advantage, striking again with the poker. > > **[14-15s]** Wide shot: guests reach the far hallway, a few glancing back in fear. > > **[15-16s]** The creature lunges toward her, icy claws reaching out. > > **[16-17s]** She ducks low, narrowly avoiding the strike, rolling toward the fireplace. > > **[17-18s]** She grabs a burning log directly from the fire with gloved hands. > > **[18-19s]** SLOW MOTION insert: she swings it in an arc toward the creature's chest. > > **[19-20s]** Contact sends a shockwave of cracking ice through its entire body. > > **[20-21s]** It freezes mid-motion, fractures spreading rapidly across its crystalline form. > > **[21-22s]** SLOW MOTION: it shatters apart into scattering ice fragments and swirling cold mist. > > **[22-24s]** Wide shot: the fragments melt quickly near the fireplace's warmth, leaving only a damp patch on the floor. > > **[24-26s]** She stands breathing hard, log still smoking slightly in her hand, snow drifting in through the broken wi

A cinematic K-drama-style heartbreak scene in a luxurious modern apartment at night during heavy rain: an East Asian woman in a beige trench coat enters happily carrying a gift bag, but her smile disappears when she sees her partner in a white shirt embracing another woman in a black silk dress inside the bedroom. The bag falls as she freezes in shock, followed by emotional close-ups of her tear-filled eyes and trembling face. The man looks guilty and reaches toward her, but she turns and runs out, slamming the door behind her as he desperately follows. Moody blue-and-warm lighting, realistic acting, dramatic atmosphere, 35mm cinematic lens, shallow depth of field, slow-motion emotional moments, photorealistic 4K film quality.

生成一支【30秒、16:9横版、4K、真人实拍、高预算电影摄影质感】的“中国文明时间旅行”短片，深度参考我上传的参考视频真正的镜头结构和时间推进逻辑：这不是多个历史场景的剪辑，而是一台摄影机从第0秒到第30秒始终跟随【同一个中国男性】持续向前运动，从远古一路穿越中国几千年文明，并且像参考视频一样最终继续越过当代进入未来；使用我上传的男性照片作为全片【唯一且绝对的人脸参考】，照片只负责锁定人物本人，必须严格保持他的脸型、五官比例、眉眼、眼距、鼻梁、鼻尖、嘴唇、下颌骨、面部骨相、肤色基础、年轻年龄感和人物辨识度，绝对不要参考照片里的蓝色西装、领带、餐厅、吊灯、玫瑰、首饰、坐姿和背景，全片0—30秒必须始终让观众明确认出就是参考图里的这个男人，禁止每个时代换演员、禁止五官漂移、禁止变成不同的古装帅哥或AI模板脸，时代变化只能改变他的发型、头发长度、束发方式、胡须、衣服材质、鞋履、帽饰、腰带、工具、配饰、身份状态和动作习惯；整支影片视觉上必须是真正的“一镜到底”，禁止硬切、黑场、闪白、淡入淡出、普通溶解、突然换场、人物瞬移、背景刷新，人物也绝不能站在原地让世界自己变化，他必须始终主动向前，奔跑、快步前进、跨越、跳下台阶、侧身避让、抓住车辆、穿过人群、推门、登桥、穿建筑、经过交通工具，摄影机持续与他一起运动，在侧前方跟拍、正面倒退跟拍、侧面平移、背后追拍、低机位脚步、大远景和人物近景之间像参考视频那样自然改变景别；所有时代变化优先利用真实物理运动完成隐藏转场，例如岩石、陶轮、车轮、战车、柱子、旗帜、布料、卷轴、门板、桥柱、马车、蒸汽、列车、公交车、人群、玻璃幕墙、透明屏障等从摄影机极近处擦过并短暂遮挡0.2—0.8秒，在遮挡过程中人物造型、手中物品、脚下地面和周围世界必须同时演化，遮挡结束后人物的步幅、身体重心、运动方向、速度和空间位置完全延续上一瞬间，绝不能出现“背景已经换时代但人物没换”的情况；0—3秒必须极具抓力，清晨日出，中国远古山崖与巨大河谷，低角度晨光穿过空气薄雾，远处是辽阔山川、河流、森林、野生动物和极小的原始聚落，山洞附近残留微弱篝火，风吹荒草与人物粗糙长发，参考图中的男人此时是一名远古中国先民，脸依然必须保持本人，只是披着粗糙兽皮、植物纤维和原始编织物，皮肤有真实毛孔、汗液、尘土与轻微晒痕，手持石制矛头木矛，他突然听见远方声音，快速转身并沿山坡向前奔跑，摄影机迅速由大全景下降并绕到侧前方与他一起高速运动，他跨过一块巨大岩石，镜头压低跟住脚步，落脚瞬间不要切镜，干燥岩石纹理从脚底向前扩散并连续变成湿润泥土、田埂和早期农田，兽皮随着跑动和身体自遮挡逐渐变成麻布、葛布等早期织物，木矛在换手过程中缩短并变成木耒、石镰等农具，散乱长发逐渐简单束起，周围开始自然长出半地穴式或木土房屋、陶罐、谷物、编织篮、磨盘、牲畜、晒粮架以及真正正在生活和劳动的人群，约3—5秒进入新石器农耕文明，人物继续高速穿过村落，侧身绕开抱陶罐的居民和动物，一只巨大的旋转陶轮从摄影机极近处横向经过并占满大半画面，陶轮持续旋转时泥土纹理逐渐变得坚硬、深沉并产生金属光泽，圆形结构自然演化成青铜礼器纹饰和战车车轮，约5—7.5秒遮挡离开后空间已经连续进入夏商周青铜文明，人物跑动动作完全没有中断，但身上的粗麻衣物已经变成真实、朴素、结构更明确的早期华夏服饰，绝不是仙侠、古偶或影楼汉服，周围出现夯土城墙、木构建筑、青铜铸造、炉火、车马、旗帜、礼器和繁忙居民，人物跑上略高道路，一辆战车快速横穿，他侧身避让并顺手抓住战车旁被风吹起的长旗借力继续向前，巨大的旗布猛烈扫过镜头形成完整遮挡，布料覆盖摄影机期间人物发式、衣领、革带、鞋履和道路结构同步向秦汉演化，约7.5—10秒布料离开后人物已经奔跑在真实秦汉城门与驿道之中，同一张参考脸绝不能改变，人物为普通秦汉旅行者或城市男性，真实束发、交领服饰、革带和布履，不是皇帝或将军，摄影机从人物侧面追随他穿过城门、驿站、人群与车马，他短暂抓住一辆向前行驶的马车边缘，被惯性带着向前两步后松手继续跑，巨大木车轮从镜头近处飞速滚过，轮子离开时原本较空的道路沿人物前进方向自然扩张、变宽并迅速增加建筑、商铺、商品、人群和色彩，约10—12.5秒连续进入盛唐大型城市，人物同步变成真实唐代普通城市男性装束，脸完全保持参考男性本人，街道不要影视城空景，而是充满真实木构楼阁、商贩、马匹、驼队、不同地区商旅、货物、食物、布匹、器皿、旗幡和拥挤生活流，人物在人群间高速穿行，低头躲过抬过来的木梁，再侧身从马匹与行人之间穿出，摄影机由侧拍自然运动到正面倒退拍摄，一大片市场彩色布幡从头顶被风吹落并扑向摄影机，布幡靠近镜头后纤维越来越薄并自然转化为展开的大幅宣纸书画卷轴，摄影机贴着卷轴表面向前滑行，纸面墨迹、河道、桥梁和屋宇线条随着透视连续获得真实体积，不要魔法发光，而是让画中的桥梁木线逐渐成为真实桥栏、山水线条成为河面与城市结构，约12.5—15秒摄影机越过纸张边缘后已经进入极其繁华的宋代城市，同一个男人动作不中断，服装与发式同步宋代化，真实河道、拱桥、商铺、茶肆、船只、摊贩、瓷器、书画、印刷、货物和密集市民生活从他身体周围向前延展，他跑上桥面，摄影机降低靠近桥板倒退跟拍，人物一手扶栏侧身避过迎面的大型货箱，货箱贴近镜头制造短暂遮挡，摄影机重新找到他时他已经冲下数级台阶并推开前方巨大木门，厚重门板贴着镜头划过，在门板完全遮挡期间街巷、建筑、衣料和人物头饰同步继续演化，约15—17秒穿门后自然进入明清城市，仍是参考图中的同一个男人，服装符合真实普通城市居民身份，不要清宫戏，不要满街官服和华服，周围有成熟街巷、牌坊、商铺、院落、仓栈、手工业、小贩、居民、货物和车马，人物从其中持续快步向前，一辆木制车辆擦过他身边，摄影机贴近车轮，木质轮缘随着高速旋转逐渐出现铁箍、钢铁、铆钉与机械结构，约17—20秒木车轮自然变成蒸汽机车的巨大铁轮，木构城市也沿运动方向连续变成中国近代的铁路、钢梁、砖石建筑、电线杆、电灯、报摊、自行车、近代火车站、码头和工厂，必须明确仍然是中国近代而不是英国工业革命，人物传统服饰同步过渡为中国近代长衫、短褂和早期西式剪裁混合的城市男性造型，他沿运行中的蒸汽列车快速向前，大量真实白色蒸汽突然喷向摄影机并完全覆盖画面约半秒，人物在蒸汽里仍保持同样步频，约20—22秒蒸汽逐渐散去时火车、道路和城市已经连续演化成二十世纪中国，自行车流、公交、电车、普通居民楼、商店、电线和城市人群不断出现，人物发型变成短发，衣着从近代长衫自然变为中山装、衬衫、夹克和长裤，一辆公交车从前景横向掠过并遮挡人物，公交离开后街道明显更宽，自行车逐渐变成汽车，低层建筑不断向上发展，玻璃、钢筋混凝土和现代公共交通的比例越来越高，人物仍然持续向前，约22—24秒进入真正的当代中国城市，摄影机贴着一整面巨大玻璃幕墙与人物平行前进，玻璃倒影中的旧城市首先开始加速演化，自行车、公交、低层建筑逐渐变成现代道路、地铁、高铁、电动汽车、现代商业街、绿化、公园和玻璃建筑，摄影机绕过玻璃边缘后真实当代中国城市完全展开，视觉气质可以融合上海、深圳、杭州等中国现代都市但不要直接复制著名地标，人物也已经成为现代年轻男性，保持参考图本人脸

CHARACTER LOCK: the main character is a man in his 30s, dark casual jacket, , short dark hair — consistent into Part 2. Muted color grading, natural sound throughout, tension score entering early. [0-1s] A woman leans close to a mannequin to inspect an outfit — its head turns toward her unexpectedly. [1-2s] It steps off its stand and reaches for her, pulling her out of frame. [2-3s] Wide shot: the four other mannequins nearby begin moving too, stepping down from their platforms. [3-4s] They move toward nearby shoppers with quick, unnatural motion. [4-5s] People scatter and call out in alarm through the section. [5-6s] One figure reaches a shopper near a clothing rack, pulling him off balance. [6-7s] Wide shot: concern spreads through the main corridor, people moving quickly away. [7-8s] The main character ducks behind a support pillar, assessing the situation. [8-9s] He spots a storage room nearby and waves urgently for others to follow. [9-10s] A group of shoppers hurries toward him and into the room. [10-11s] He pulls the last few inside and shuts the door firmly. [11-12s] Interior: the room full of worried people, some holding each other close. [12-13s] He leans against the door, then notices a wall mirror reflecting the corridor. [13-14s] Through the mirror he sees one figure standing still over a man on the floor. [14-15s] Close-up: his expression tightens with concern. [15-16s] He spots three more people hiding behind a distant pillar through the mirror. [16-17s] He glances at the room, then carefully opens the door a crack. [17-18s] The sound draws a nearby figure's attention toward the doorway. [18-19s] He grabs a life-size cardboard standee and sets it out in the corridor. [19-20s] The figure moves toward the standee instead, momentarily distracted. [20-21s] He slips out and moves low along the wall, away from it. [21-22s] Tracking shot: he hurries toward the three people behind the pillar. [22-23s] Close-up: their worried faces as he reaches them, signaling quiet. [23-24s] He motions for them to follow, checking the corridor both ways. [24-25s] Wide shot: the four of them move quickly back toward the storage room. [25-26s] Behind them, another figure's attention turns toward the movement. [26-27s] It begins following, picking up speed. [27-28s] He urges the group to move faster, glancing back. [28-29s] They reach the storage room door, hands on the handle. [29-30s]: the door swings open, light spilling out, the figure closing the distance behind them. Cut to black. Natural sound throughout — fabric movement, calls of alarm, footsteps, door sounds, breathing — with a tense instrumental score building steadily. No text overlay, no watermark. Varied camera work — close-ups, wide shots, mirror reflections, tracking shots. Natural retail lighting.

日本の地域イベント。着ぐるみの頭を外す瞬間から始まる、さくらの短い休憩。乱れた前髪、汗を拭く手、水を飲んで抜ける肩の力。スタッフと目を合わせてうなずき、再び頭をかぶって会場へ。 後半は子どもたちとの交流と記念撮影。嬉しくて近づく子どもたち、並ぶまでの小さな慌ただしさ、スマートフォンを構える保護者。着ぐるみの中のさくらは、相手の高さへ手を下げ、その動きを待つ。 撮影は付き添う友人の横向きスマートフォン。軽い手ブレ、追従の遅れ、構図の迷い。演技を強調せず、行動と環境音で見せる。セリフ・字幕・BGMなし。 【着ぐるみの設計指示】 着ぐるみはオリジナルの犬型キャラクターとして設計する。既存のアニメ・ゲーム・商品・企業・自治体のキャラクターや、着ぐるみ制作会社の既存デザインを参照・模倣しない。特定キャラクターの特徴的な輪郭、耳、目・鼻・口の配置、配色、模様、衣装、装飾の組み合わせを再現しない。既存キャラの色替えや部分変更ではなく、独自の造形として構成する。

30-second comedy short. Two realistic house cats, a chunky orange tabby and a skinny black-and-white tuxedo cat, sit side by side on a dim rooftop ledge at night, city lights blurred behind them. Warm orange and blue lighting, shallow depth of field, mockumentary-style camera with sudden zoom-ins for comedic timing. Their mouths move naturally in sync with speech. They whisper in sad-angry, deadpan voices like two exhausted men at a bar, constantly glancing over their shoulders. Burned-in white English subtitles at the bottom of the frame, synced to speech. 0-5s: Close-up of the orange tabby, ears flat, one eye twitching. Long, dramatic sigh. Orange (whisper): "Bro... she woke me up at 5 AM to ask if I love her." Subtitle: "Bro... she woke me up at 5 AM to ask if I love her." Quick zoom-in on his tired face. 5-10s: Cut to the tuxedo, tail whipping, slowly shaking his head. Tuxedo (whisper): "Mine knocked a glass off the table, looked me dead in the eye, and blamed ME." Subtitle: "Mine knocked a glass off the table, looked me dead in the eye, and blamed ME." Orange nods slowly in the background: "Classic." 10-15s: Two-shot, both staring at the skyline. Orange (whisper): "She says I never listen. I'm a CAT. I don't listen to anybody." Subtitle: "She says I never listen. I'm a CAT. I don't listen to anybody." Tuxedo: "Respect the honesty, though." 15-20s: Tuxedo leans in, furious whisper, eyes wide. Tuxedo (whisper): "She told me to 'use my words.' I HAVE four words. All of them are 'feed me' and 'move.'" Subtitle: "She told me to 'use my words.' I HAVE four words. All of them are 'feed me' and 'move.'" Orange wheezes silently, shoulders shaking. 20-25s: Both go quiet. Orange stares into the distance. Orange (whisper): "That's it. I'm done. Tonight I'm leaving her." Tuxedo (whisper): "Finally. Say it again, louder." Orange (louder, voice cracking): "I'M LEAVING HER!" Subtitles match. 25-30s: A distant female voice calls out: "Dinnerrr!" Both cats' ears shoot up instantly. They stare at each other, then bolt off the ledge in opposite directions. Cut to the empty ledge, one tiny "meow" echoes. Orange (off-screen): "Coming, babe!" Tuxedo (off-screen): "Coming, honey!" Subtitles match. Fade to black. Style: photorealistic, 4K, cinematic color grade, subtle city ambience, light comedic sound effects (record scratch on the "four words" line, tiny whoosh on the bolt-off). No cartoon look, no text other than subtitles.

Create a cinematic, ultra-realistic live-action sequence set in a warm, dusty neighborhood at golden hour. Start with an aerial view of a lively residential area → close-up of a child placing a worn football on the dusty ground → kids begin playing an intense street football match → dynamic low-angle shots of quick dribbles, footwork and the ball flying through the air → end with a cinematic slow-motion shot of the kids celebrating after scoring. Warm golden sunlight, realistic dust particles, natural movement, handheld camera feel, shallow depth of field, detailed environments, authentic emotions, smooth cinematic transitions, photorealistic live-action, nostalgic coming-of-age atmosphere. No text, subtitles, logos or watermark.

Create a deeply emotional, photorealistic cinematic short film about a woman grieving the loss of her beloved fluffy ginger tabby cat. On a gloomy rainy evening, inside a dimly lit apartment, the woman wearing a dark beige trench coat kneels beside an empty grey pet bed, gently picks up a red feather toy, holds it tightly against her chest, and begins crying as rain streaks down the window. Transition into warm, golden flashbacks showing her happiest memories with the cat: the cat approaching her on the couch for affection, playfully weaving between her legs in the hallway, happily playing with a feather teaser wand while she laughs, gently nuzzling the cat, and lovingly cradling it beside a sunlit window. Use warm sunlight, soft lens flare, shallow depth of field, and nostalgic golden tones for the memories, contrasting with the cold blue-gray lighting of the present. Suddenly return to reality as she breaks down in uncontrollable tears, then curls up on the wooden floor beside the empty pet bed, tightly hugging a white pillow or blanket while sobbing. Slowly pull the camera back to emphasize her loneliness, then shift focus to a framed photograph of the ginger cat in the foreground, leaving the grieving woman blurred in the background. End with the photograph in sharp focus as rain continues outside, creating a powerful feeling of love, memory, loneliness, and loss, with realistic facial expressions, natural tears, detailed cat fur, cinematic camera movement, subtle film grain, realistic lighting, 4K quality, and no text, subtitles, logos, or watermarks.

KAZEMIRU: THE JADE-WIND BLADE: ONE-TAKE CASTLE ASSAULT Duration: 30 seconds | Aspect Ratio: 16:9 | No music ONE-TAKE LOCK: This is ONE SINGLE UNBROKEN CONTINUOUS SHOT lasting the full 30 seconds. ZERO cuts. ZERO dissolves. ZERO fades. ZERO match-cuts. ZERO time jumps. ZERO scene resets. The camera never leaves the action and every location change happens physically inside the shot: the camera passes through torn doors, over railings and up the roof with Kazemiru. Time runs in real time. STYLE: Ultra-photorealistic live-action Japanese dark-action cinema with restrained subtle VFX. Impossible anime-inspired dual-sword choreography performed by real human bodies. Large-format cinema look, natural daylight, muted earthy color palette, soft realistic shadows, no oversaturated colors. @Image1 is KAZEMIRU. Preserve her exact face, silver-white ponytail, torn ivory kimono, charcoal split hakama, wind-swirl forearm tattoo and gold hoop earrings in every frame. @Image2 shows the five elite guards. @Image3 shows Captain Tetsugan. POSITIVE LOCKS (true for all 30 seconds): - Exactly ONE Kazemiru with exactly TWO real steel katanas, one in each hand, both always visible and independently controlled. - Her face always matches @Image1. - Every enemy comes from @Image2 or @Image3 and stays visually consistent. - Her body physically crosses every distance, with no teleportation. - It is always daytime with bright natural light. PERSONALITY: Cold, calm, battle-hungry. Minimal expression, steady breathing, focused eyes. Her hunger shows through relentless speed and escalating ferocity, never through grinning or shouting. JADE-WIND EFFECT: Every fast movement leaves a thin, soft jade-green wind trace that follows her exact physical path and fades almost instantly: sword arcs leave fine blade trails, spins bend the air, footsteps kick tiny wakes, supersonic bursts add a brief compressed-air ripple. Always thin, subtle and realistic. No aura, no smoke, no glowing body, no effects moving on their own. CAMERA (one continuous handheld-style pursuit): Constant dutch angle of 25–35°. Wide field of view around 75° in the interior and courtyard, tightening to about 50° for the rooftop duel. Kazemiru moves first and the camera follows 0.1–0.3 seconds late: whip-pan, overshoot, correct, reacquire at the moment of contact. The camera flows through rear over-the-shoulder, low-angle pursuit, side tracking, ground-level chase and front three-quarter retreat, always in one connected movement. Never static, never perfectly smooth. ══ 0:00–0:10: THE GRAND AUDIENCE HALL ══ Setting: bright daylight through large shoji panels, gold folding screens, tall dark timber pillars, tatami sections, raised platform, armor displays, low lacquer tables, silk curtains. 0:00–0:03: Rear over-the-shoulder, five guards closing in. Her fingers tighten on both hilts. BURST: a thin jade streak snaps across the hall and the silk curtains whip. The camera loses her, whip-pans, and finds her inside Guard 1's reach. Left blade parries, right blade slashes diagonally, a pivot, a reverse cut. He drops. 0:03–0:06: Guards 2 and 3 converge. She ducks under a swing, plants a foot on a pillar and pushes off, dust bursting from the wood. Mid-air her left sword deflects Guard 2 and her right sword cuts down. She lands on the edge of a lacquer table, which slides back, and rebounds straight toward Guard 3. 0:06–0:10: Aerial right slash, left reverse slash, dual cross-slash with two separate jade trails. She lands low and bursts across the floor. Guard 4's spear thrusts: she runs two steps up a wall, flips off, and cuts him down through a folding screen. Guard 5 charges: she catches his blade with one sword, vaults the railing above him, and finishes with a cross-slash as she lands behind him. ══ 0:10–0:20: THE PALACE COURTYARD ══ Transition inside the same shot: she does not pose. Both swords still in hand, she drives straight through the paper doors in one burst. The torn paper flutters past the lens as the camera follows her through the doorway onto the wooden veranda and out into a stone courtyard with lanterns, a koi pond, a red lacquer arched bridge and pine trees. Eight new guards: swordsmen below and archers on the roofs. 0:10–0:13: A volley of arrows. She cuts two out of the air with a spinning double slash and a third grazes her sleeve. She sprints along the veranda, pivoting off each post, a jade ripple following her feet. 0:13–0:16: She kicks off a stone lantern, which tips over, and leaps onto the bridge railing. Three swordsmen charge. She runs along the rail, slashes the first, flips over the second, and lands in the koi pond with a huge splash. In the water she parries two blades and cuts both guards. Droplets scatter across the lens. 0:16–0:20: She bursts out of the pond and sprints up a pine trunk in three steps. The camera tilts up with her. She launches onto the roof among the archers: left sword disarms, right sword strikes, roof tiles scatter. Two archers fall. ══ 0:20–0:30: THE ROOFTOP DUEL ══ Transition inside the same shot: she keeps climbing over the roof ridge and the camera rises with her, tightening to a 50° field of view. The tiled castle rooftop opens up with wind in her ponytail and the town far below. Captain Tetsugan (@Image3) waits with his naginata, calm and unflinching. 0:20–0:23: Tetsugan sweeps the naginata in a wide arc. Kazemiru ducks, slides down the sloping tiles, and crosses both swords to stop the blade. Sharp metal sound as his strength pushes her back a step. Her expression stays cold. 0:23–0:27: Fast exchange: his thrust, her left parry, her right slash that cuts his armor cord. He spins the pole and sweeps for her feet: she jumps, kicks off the shaft, and flips over him. Mid-air she cuts both swords across his back armor. Tiles crack under their feet and a faint jade wake curves around her path. He staggers, strikes back, and she narrowly dodges as the blade cuts a roof beam. 0:27–0:30: Supersonic burst along the ridge line, the jade streak slightly brighter but still thin. She slides under the naginata, and as she rises both swords slice through the shaft in a clean cross-cut. Tetsugan drops to one knee, defeated but alive. Kazemiru stands, both swords still in hand, and the last jade filaments disappear. She turns her cold eyes toward the courtyard far below, where dozens more guards pour in. The camera slowly pulls back and up to a wide shot of the whole castle. She lowers her body for the next burst. THE FIGHT CONTINUES. AUDIO: Sword resonance, compressed-air whooshes, metal clashes, footsteps on wood and tiles, arrows, water splashes, fluttering silk and paper, enemy shouts, wind over the rooftops. No dialogue, no music. HUMAN-FIRST LOCK: Kazemiru is always a real human: natural skin pores, real eyes, individual hair strands, believable anatomy and cloth physics. Only her choreography is anime-level impossible. NEGATIVE: cuts, edits, dissolves, fades, scene transitions, time jumps, multiple shots, single-sword fighting, missing or duplicate sword, duplicate Kazemiru, clones, teleportation, thick aura, smoke, glowing body, neon or oversaturated colors, detached VFX, random flips, decorative acrobatics, idle pose, static camera, perfectly smooth tracking, slow combat, floating, broken anatomy, CGI or plastic skin, anime rendering, blood, gore, subtitles, logos, watermark.

Create an ultra-realistic Korean zombie-horror sequence inside an old apartment elevator at night. A woman in a long golden light-cream one-piece dress enters alone, carrying a shopping bag. The elevator stops between floors, the lights flicker, and the floor indicator glitches to 13. A dark figure appears only in the mirror, whose reflection slowly becomes infected with pale skin, milky eyes, and dark veins. The mirror cracks as an infected hand reaches through. The doors open to a nonexistent dark floor where infected silhouettes rush toward her. She barely escapes as the doors slam shut. When the elevator reaches the 12th floor, she exits—but her reflection stays behind, smiles, then suddenly lunges toward the camera. Cut to black. Style: Ultra-realistic Korean zombie horror, claustrophobic elevator, cinematic handheld camera, flickering fluorescent lights, photorealistic skin, realistic reflections, tense atmosphere, dark shadows, natural facial expressions. Negative prompt: Cartoon, anime, stylized CGI, exaggerated gore, distorted anatomy, extra limbs, inconsistent face, unrealistic reflections, floating objects, text, subtitles, watermark.

Knight fighting many black bats dragon lands standing over knight blasts black bats with fire

Created a 20 seconds cinematic Japanese-style scene of a young schoolgirl walking alone through a quiet Japanese residential street during warm golden-hour sunlight, shown from behind as she slowly approaches a railway crossing with a train passing in the background, then transitioning to a close-up of her face and flower-decorated hair as she watches the train, followed by a wider shot of her standing near a quiet canal with soft evening light reflecting on the water, then showing her gently touching small white flowers in a golden field, with close-up shots of her hand and the flowers moving naturally in the breeze, gradually transitioning to a wide sunset landscape with the girl standing peacefully in the field, and finally ending with a warm close-up of her face as she softly looks toward the camera, maintaining the same character, hairstyle, school uniform, realistic skin details, natural expressions, smooth cinematic camera movement, soft depth of field, warm sunset lighting, realistic Japanese environment, subtle film grain, peaceful emotional atmosphere, and a dark fade-out at the very end.

Create a high-quality cinematic 3D animated short film featuring adorable, stylized baby otter-like woodland creatures in a beautiful sunny meadow. Scene 1: A cute brown baby otter stands in a lush green meadow, happily holding a large shiny blue berry with both paws. It has soft brown fur, a round chubby body, huge glossy black eyes, rosy cheeks, and a tiny dark scarf around its neck. The character looks innocent and curious. Warm morning sunlight, soft grass, rolling green hills, tall trees, blue sky, cinematic depth of field. Scene 2: The blue berry slips from the otter's paws and rolls quickly down a gentle grassy slope. The little brown otter runs after it, trying desperately to catch it. The camera follows the rolling berry with a smooth dynamic tracking shot while the otter runs behind it. Scene 3: The berry rolls toward a large hollow fallen tree trunk lying in the meadow and stops near its entrance. The brown otter reaches the tree and looks around curiously, wondering where the berry went. Scene 4: The camera moves upward through the surrounding trees toward the bright sunlight shining through the leaves. A magical, peaceful atmosphere fills the scene with glowing sun rays, floating dust particles, and gentle wind moving the leaves. Scene 5: A second adorable baby otter appears — smaller and gray-colored, with soft gray fur, a round chubby body, huge expressive black eyes, rosy cheeks, and an innocent expression. It comes out near the fallen tree and notices the brown otter. Scene 6: The gray otter and brown otter interact playfully near the hollow tree. They look at each other with curiosity and surprise, then move around the tree together. Keep their character designs consistent throughout the entire video. Scene 7: The gray otter climbs onto a nearby tree branch and looks around. The camera follows from behind and slightly below, showing the bright green forest canopy and warm sunlight filtering through the leaves. Scene 8: The gray otter rests against a large moss-covered rock, looking sleepy and exhausted. Its eyes become heavy as it relaxes in the warm sunlight. Scene 9: The gray otter suddenly notices the shiny blue berry again. The camera cuts to a close-up as it happily picks up the berry with both paws. Its huge eyes sparkle with excitement. Scene 10: The gray otter proudly holds the blue berry close to its face and smiles innocently. The brown otter approaches from behind. Final scene: The brown otter gently jumps onto the gray otter in a playful, affectionate hug. They tumble softly onto the grass together beside the blue berry, laughing and cuddling. Tiny glowing sparkles appear around them as they lie peacefully in the meadow. Visual style: premium cinematic 3D animation, adorable family-friendly characters, soft detailed fur, expressive oversized eyes, rounded proportions, vibrant natural environment, warm golden sunlight, volumetric lighting, soft shadows, realistic grass an

15秒、4:3、実写フォトリアル。日本を舞台にしたシネマティックで真剣な高速格闘シーン。コミカルな演技やバラエティ的な演出にはしない。本気の映画アクションとして描く。ただし、戦闘技として突然「高速キッス」が何度も挟まる。この高速キッスだけが異様な要素だが、登場人物自身は一切ふざけず、必殺技の一種のように扱う。 映像は35mm映画フィルムのような質感。自然なフィルムグレイン、わずかなハレーション、柔らかなハイライト、深い黒、落ち着いた自然な色調、微細なレンズフレア、映画用レンズらしい自然なボケ。デジタル的にシャープすぎず、過剰なHDRやCM調にはしない。日本映画の本編から切り出したようなシネマティックなレンズトーン。文字、字幕、ロゴ、HUDなし。 主人公は日本人の腰の曲がった高齢女性。毎回、外見、顔、髪型、体格、服装を自然にランダム化する。花柄ブラウスとベストの近所のババア、割烹着、農作業着、スーパー帰りの服装、上品なカーディガン、派手な柄物、和服、ジャージ、小柄で非常に腰の曲がったタイプ、痩せ型で鋭い目つきのタイプなどから毎回違う人物にする。白髪、灰色髪、短髪、パーマ、お団子などもランダム。ただし共通して、腰が強く曲がった高齢女性であり、普段はゆっくり動きそうに見えるが、戦闘開始後だけ常識外れの超高速格闘能力を発揮する。 対戦相手は成人男性。高齢男性に限定しない。普通のサラリーマン、若い不良風の男、中年の店主、筋肉質なスポーツマン、作業着姿の職人、宅配スタッフ、スーツ姿の会社員、ストリートファッションの若者、観光客風の男性、頑固そうな中年男性などから毎回ランダムに設定する。年齢、体格、服装、髪型も毎回変更する。ババアより大柄でもよい。 ロケーションも毎回ランダムに変更する。昔ながらの商店街、住宅街の細い路地、大型ショッピングモール、スーパーマーケット、コンビニ前、駅前広場、地下街、飲食店や店舗の店内、ホームセンター、観光地の参道など、日本国内の日常的な場所を選ぶ。必要に応じて通行人、買い物客、店員、学生、会社員、観光客などが自然に存在する。背景人物は主役にせず、戦闘が始まると驚いて振り返る、立ち止まる、距離を取る、道を開ける程度の自然な反応にする。 格闘技の内容も毎回ランダムに組み合わせる。高速前蹴り、高速回し蹴り、ローキック、足払い、膝蹴り、掌底、肘打ち、中国拳法風の連続掌打、八極拳風の短距離突進、太極拳風の受け流し、柔道の崩し、体落とし、小外刈り風の足技、腕を取って体勢を崩す動き、高速ステップ、高速フェイントなどを複数組み合わせる。同じ技だけを連打しない。ババアは腰が曲がった姿勢を基本的に維持しながら、人間離れした速度で戦う。 映像全体の最重要構造は固定する。 「高速移動 → 一瞬だけ実体化 → 格闘技 → 即離脱 → 別方向から再接近 → 突然急停止 → 高速キッス → 即離脱 → 再び高速格闘」 この反復を15秒間、高密度で繰り返す。 高速キッスは絶対に省略しない。キッスは最低5回程度入れる。各キッスのたびに顔の超接近アップを0.2〜0.4秒程度だけ短く差し込む。キッスの直前まで激しく高速移動しているのに、唇が接触する瞬間だけ突然時間が止まったように人物が鮮明になり、接触を明確に見せる。直後には即座に高速で離脱し、そのまま格闘へ復帰する。 キッスの前に長く見つめ合わない。恋愛的な間を作らない。キッス後に照れない。笑い合わない。色気を強調しない。キッスそのものも本気の格闘の中に組み込まれた異様な接触技として扱う。男は毎回驚くが、コミカルな顔芸にはしない。驚愕と困惑を短く見せた直後に本気で反撃しようとする。 この戦いは同じ場所に固定しない。対峙した開始地点から、戦いながら少しずつ位置を移動していく。攻防のたびに2人の立ち位置がずれ、前進、後退、横移動、回り込み、押し込み、回避によって、画面内の背景が少しずつ変化していく。商店街なら店先から通路中央へ、通路中央から別の店の前へ、ショッピングモールなら柱やベンチやエスカレーター付近へ、スーパーなら通路沿いに移動しながら、路地なら奥へ流れながら戦う。戦闘全体を通して、2人は周囲の環境の中を移動し続け、ひとつの定位置で格闘し続けない。高速移動するババアだけでなく、男も押し返し、踏み込み、かわし、よろけ、追いながら位置を変える。結果として15秒の間に戦場の重心が少しずつ移動していく。 カメラワークも固定しない。カメラは1か所に置いた固定撮影ではなく、戦いに合わせて常に位置と向きを変える。前進、後退、横移動、斜め移動、回り込み、追従、遅れて追うリフレームを自然に組み合わせる。ワイドで全体を捉えた直後に少し寄り、別の角度へずれ、また追いかける。2人の移動に合わせてカメラも数歩分動いてついていく。時には男の肩越し、時にはババア寄り、時には2人の進行方向に合わせて並走する。カメラ自体を無意味に高速回転させたり、同じ構図を固定し続けたりしない。戦いながらロケーションの別の部分が見えてくる、空間の中を一緒に移動している感覚を出す。 0.0〜1.5秒。ババアと男が至近距離で対峙している。両者とも本気の構え。ババアは腰の曲がった姿勢のまま低く重心を落とし、鋭く男を見据える。男も警戒しながら構える。場所に通行人や客がいる場合、まだ周囲は日常の状態。緊張感のある静かな導入。カメラはミディアム〜ややワイドで2人を捉えつつ、完全固定ではなく、じわりと寄るか、わずかに横へ動いて緊張感を高める。 1.5〜2.1秒。男が先に踏み込む。腕を伸ばす、掴みにいく、蹴りを出す、打撃を仕掛けるなど、毎回違う攻撃を開始する。その瞬間、ババアが突然異常な速度で加速。身体に強いモーションブラーと残像が生じ、男の攻撃線を紙一重で外しながら一瞬で顔面付近へ入り込む。ここで2人の位置は開始地点から少しずれる。カメラも遅れて追い、横へ流れる。 2.1〜2.4秒。第1高速キッス。突然、顔の超接近アップ。高速移動が完全に止まり、ババアが男へ一瞬だけキッスする。唇の接触が明確に見える。男は目を見開く。0.2〜0.4秒だけ鮮明に見せる。 2.4〜3.0秒。キッスを離した瞬間、ババアはすでに高速離脱。男だけが一瞬その場に残され、驚愕したまま次の方向を探す。ババアの残像が別方向へ走る。男はそれに引っ張られるように数歩動き、戦場の位置がさらにずれる。カメラもその移動に合わせてリフレームする。 3.0〜3.3秒。第2高速キッス。別方向からババアが突然真正面へ実体化。顔の超接近アップへ瞬時に切り替わり、再び短いキッス。すぐ離れる。 3.3〜4.5秒。ワイドまたはミディアムへ戻り、高速格闘。ババアが男の周囲を猛烈な速度で移動しながら、高速蹴り、足払い、掌打、中国拳法風の連撃、柔道の崩しなどからランダムな技を連続で差し込む。1つの動作を長く見せず、0.2〜0.4秒程度の短いアクションを連続させる。男も本気で防御し反撃する。2人は攻防しながら少しずつ移動し、開始地点とは違う背景が見えてくる。カメラも並走、斜め追従、回り込みを混ぜて追う。 4.5〜4.8秒。第3高速キッス。激しい高速移動の途中で突然ババアが男の顔の目前へ停止。顔の超接近アップ。短く明確なキッス。直後すぐ高速離脱。 4.8〜5.4秒。高速格闘再開。男が反撃しようとするが、ババアは側面、背後、正面へ高速で位置を変え、攻撃をかわしながら技を差し込む。強い残像、風圧、衣服の揺れ。男もそれに合わせて踏み替え、向きを変え、押し戻され、2人はさらに別の場所へ移る。カメラも止まらず一緒に動く。 5.4〜5.7秒。第4高速キッス。再び超接近アップ。キッスだけ一瞬完全に止まり、すぐ高速離脱。 5.7〜8.4秒。ここは高速格闘の密度を最大化する。ババアが男の周囲を高速で回り込み、0.2〜0.4秒単位で攻撃方向を変える。高速前蹴り、回し蹴り、足払い、掌底、肘、受け流し、崩し、投げへの入り、短距離突進などをランダムに組み合わせる。男も本気で攻撃を返すが、ババアは直前で回避し、別方向へ抜ける。ババアが複数人に増殖したようには見せず、1人の人物が超高速で位置を変えているように描く。この区間では攻防の流れで2人が通路、路地、フロアなどをさらに移動し、背景が段階的に変化する。通行人や客がいる場合は、戦いを避けるように自然に脇へ下がり、進路が開く。カメラも後退しながら受けたり、横へ動いたり、回り込んだりして空間の変化を見せる。 8.4〜8.7秒。第5高速キッス。激しいラッシュの途中で突然真正面へ実体化。顔の超接近アップ。キッス。その瞬間だけ背景と人物の速度感が止まり、唇の接触が鮮明に見える。即離脱。 8.7〜10.5秒。高速格闘へ即復帰。男が大きく反撃し、ババアが紙一重でかわす。さらに中国拳法、柔道、キック系などから別の技を高速で組み合わせる。この区間にテンポを壊さない範囲で第6高速キッスを短く1回追加してもよい。その場合も必ず「顔の超接近アップ → 短い接触 → 即離脱」で処理する。この区間でも2人はその場にとどまらず、押し引きしながら戦いの位置が少しずつ移動し続ける。カメラも追い続ける。 10.5〜12.5秒。一度だけ両者の距離が開く。男は体勢を整え、本気で最後の攻撃に備える。ババアも腰の曲がった姿勢のまま静かに構える。2人とも相手から視線を外さない。ここだけ短い緊張の間を作る。ただし長く止まりすぎない。この時点ですでに開始地点とは違う位置まで戦いが移動していることが背景から分かる。カメラは少し回り込みながら2人の距離感を見せる。 12.5〜13.4秒。ババアが突然真正面から猛烈な速度で突進。強い残像を引きながら一気に距離を詰める。男も迎撃しようとするが、その攻撃をかわしながら顔の目前まで到達。直前で完全急停止。ここでも2人はさらに数歩分位置を移し、カメラも一緒に踏み込む。 13.4〜13.9秒。フィニッシュ高速キッス。顔の超接近アップ。最後のキッスはそれまでよりわずかに長く、最も明確に見せる。直前まで超高速だった映像が、この瞬間だけ完全に静止したように見える。恋愛的な演出は一切入れない。真剣な必殺技として扱う。 13.9〜15.0秒。キッス直後、男が強い衝撃を受けて後方へ大きく吹き飛ぶ、転倒する、床を滑る、壁や什器の方向へ弾かれるなど、ロケーションに合わせた真剣な決着。過剰なギャグ落ちは不要。ババアはその場付近に残り、腰の曲がった姿勢のまま静かに男を見る。笑顔、勝利ポーズ、指差し、コミカルな仕草はしない。カメラは決着の勢いに合わせてわずかに流れ、最後に止まる。 高速移動の表現は「急加速 → モーションブラーと残像 → 一瞬だけ実体化 → 鮮明な技またはキッス → 即再加速」を繰り返す。高速中ずっと人物をぼかし続けず、停止した瞬間だけ身体と顔を鮮明にする。 カメラは実写映画の格闘シーンとして撮影する。基本はミディアム〜ワイドで、2人の位置関係と技の動線を明確にする。高速移動中は短いパン、急なリフレーム、わずかに遅れる追従、自然な手持ち感、前進、後退、横移動、回り込みを使う。カメラそのものを無意味に高速回転させない。 キッスの瞬間だけ必ず顔の超接近アップへ切り替える。「ワイドで高速格闘 → 突然顔の超アップ → 0.2〜0.4秒のキッス → 即ワイドへ戻って高速格闘」という映像テンポを何度も繰り返す。このアップとワイドの高速な切り替えが映像の重要なリズム。さらに各ワイド、ミディアム、アップの撮影位置や背景は少しずつ変化し、同じ場所、同じ画角、同じ背景で繰り返さない。 登場人物は最後まで真剣。ふざけない。笑わない。キッスだけをギャグとして強調しない。全体としては緊迫した本格高速格闘映画であり、その中に説明不能な高速キッス技が何度も自然に組み込まれている状態を維持する。 毎回ランダムに変更するのは、ババアのタイプ、男の人物設定、ロケーション、背景人物、格闘技、技の順番、男の反撃、戦いながら移動する方向と経路、カメラが追従する方向と角度、最後の決着方法。 毎回必ず維持するのは、腰の曲がった日本のババア、35mm映画フィルム調のシネマティックな映像、本気の高速格闘、0.2〜0.4秒単位の高速アクション、最低5回程度の高速キッス、キッスごとの顔の超接近アップ、キッスだけ一瞬完全停止、キッス直後の即高速離脱、即格闘復帰、最後の高速キッスによるフィニッシュ、戦いながら少しずつ空間を移動していくこと

SEEDANCE 2.5 | 30s | 16:9 Photorealistic live-action martial arts action in a ruined Japanese temple courtyard at dusk. Large-format cinema look, drifting mist, wet flagstones, crumbling stone torii, mossy lanterns, broken pillars and collapsed halls. Desaturated moss green, stone grey and cedar brown, warm lantern accents, natural skin texture, subtle film grain. Soft grey light from camera-right, warm lantern light from camera-left. HERO: Use Image1 with EXACT same face, hairstyle, body build and outfit in every shot. Calm, controlled and extremely fast. Natural dust and fabric wear increase during the fight. VILLAIN: Tall broad-shouldered warrior, charcoal-black layered kimono, dark indigo sash, half-face iron mask, long tied-back black hair, worn hardwood bo staff. Outfit remains unchanged. SHOT FLOW: 00:00–02: Hero stands beneath torii, mist drifting; 24mm extreme-wide slow dolly-in. 02–04: Villain emerges dragging staff; 35mm low-angle tracking shot. 04–06: Hero drops into low fighting stance; 85mm quick push-in. 06–08: Villain swings staff; hero ducks and palm-strikes ribs; 28mm handheld action. 08–10: Rapid staff attacks; hero blocks twice and punches mask; 40mm handheld. 10–12: Overhead staff strike; hero sidesteps and lands elbow; 35mm arc. 12–14: Villain lands heavy blow, throwing hero across wet stone; 24mm ground tracking. 14–16: Hero rises, parries staff thrust and lands knee; 50mm push-in. 16–18: Hero jumps low sweep, pushes off pillar and kicks staff away; 35mm crane rise. 18–20: Unarmed villain throws rapid punches; hero slips, blocks and ducks; 40mm handheld. 20–22: Hero traps arm, elbows villain and flips him onto stone; 28mm orbit. 22–24: FINAL COMBO 1 — rising palm strike + low kick. 24–26: FINAL COMBO 2 — powerful rotating back kick to chest. 26–28: FINAL COMBO 3 — two-handed palm strike sends villain crashing onto wet stone. 28–30: Hero calmly walks toward torii as mist closes in; slow 24mm pull-back, fade to black. AUDIO: No dialogue. Wind, footsteps, cloth movement, staff whooshes, impacts, stone cracks and water splashes. Music builds from low drone → cello → fast taiko → orchestral climax at 00:24 → near silence → sustained cello note. Maintain exact identity, costumes, environment, lighting direction and realistic physics throughout. No face changes, outfit changes, extra characters, random weapons or inconsistent backgrounds.

Live-action 1990s sitcom look: bright, even, warm multi-camera lighting, slightly soft focus, saturated colors. 16:9. Fixed camera positions, no tracking, no dolly. One continuous scene, 26 seconds, with two hard cuts. Locations are shown in @Image1 (the house exterior), @Image2 (the renovation room) and @Image3 (the kitchen). The husband is the man from @Image4 : mid 20s, broad-shouldered, short dark brown hair, clean-shaven, composed face, clean white collared shirt with a tie, grey trousers. The wife is the woman from @Image5 : early 20s, slim, expressive face, dark brown hair tied up in a red kerchief, a splotch of paint on her cheek, denim overalls with one strap undone over a white paint-stained T-shirt. Keep both faces and outfits exactly as in their images. 0:00-0:04 (static wide shot) The house from @Image1 at dusk, calm and suburban, porch light on, lit kitchen window at frame-right. A kid on a bicycle rides past in front of the house, left to right across the frame, along the street. Dusk birdsong and the soft tick of bicycle wheels. HARD CUT. 0:04-0:12 (medium-wide shot of the room in @Image2 , then a slow pan to the right from a fixed position) The husband stands at frame-left near the stepladder and slowly looks around at the plastic on the floor, the ladder, the work table, the paint cans and the paint rollers. He nods in satisfaction. He walks toward the plastic-draped doorway at frame-right. At the doorframe he flips the light switch on the wall beside it: a click, and the room goes dark behind him. He pushes through the plastic sheeting and exits. The camera pans right with him. Sound of the switch click and rustling plastic. HARD CUT. 0:12-0:24 (one uncut take, static medium-wide shot of the kitchen in @Image3 , widening to a static long shot feel) The wife stands at the sink at frame-left with her back to the room. The husband pushes through the plastic-draped doorframe on the back-right wall and walks toward the kitchen island at center-right. He says, easy and casual: "It's coming along quickly." He keeps crossing toward the right side of the island. The wife slowly turns around to face him, arms crossed. On the kitchen island sit a paint can, a clean paintbrush, a carpenter's level, a hammer, a box of nails and a cup of coffee. 0:24-0:26 (same camera, super-fast aggressive zoom in on the wife's eyes) Her eyes grow wide and her nostrils flare. She makes a comical, exaggerated sitcom frown, brows knitted, mouth turned sharply down, indignant. Hold on her face. Audio: dusk birdsong and soft tick of bicycle wheels outside, quiet room tone inside, soft rustle of plastic, one switch click. The husband's voice is low, easy and casual. No music, no score, no background music, no singing, no laugh track. No on-screen text, no subtitles.

Three.jsで1分のホラー映像を作って。題材は〇〇。見つかったビデオテープの最後の一分という設定で、手持ちカメラの主観、自動で進む。音も含めて、画像や音声ファイルは使わず全部コードで

Create a hyper-realistic cinematic slapstick comedy in four seamless shots outside a modest two-story Korean villa on a bright afternoon, using natural handheld smartphone cinematography. Use Image Reference 1 as the woman and Image Reference 2 as the man; preserve their identities, faces, hairstyles, clothing, and proportions consistently. Shot 1: The woman stands at an open second-floor window, struggling to straighten a large white bedsheet with an unusually long bamboo laundry pole. The pole suddenly slips from her hands and falls vertically toward the narrow walkway as the camera instinctively tilts down and follows it. Shot 2: The scruffy man casually walks beneath the building, completely unaware, when the bamboo pole crashes onto his head with a loud THUNK, sending him dramatically onto the pavement. He sits up rubbing his head as the woman leans out apologetically; she says, “I’m sorry! I really didn’t mean to!” and he replies flirtatiously, “It’s okay... but you’re really beautiful.” Shot 3: The man grabs the bamboo pole, sprints toward the building, plants it like a pole vaulter, and launches himself upward toward the second-floor window. The bamboo bends dramatically under his weight as the camera cranes upward and tracks his ascent, with the man leaning forward as if attempting to kiss the woman. Shot 4: The woman recoils and shouts, “Eww... you’re so ugly! Go away!” before delivering a perfectly timed front kick into his torso. The bamboo snaps back like a giant slingshot, launching him violently into the sky as the camera whip-pans and continuously tracks his spinning body until he becomes a tiny silhouette disappearing into the clouds. Cut back to the window as the woman calmly dusts off her hands, picks up another bamboo pole, and resumes fixing the bedsheet as if nothing happened.

15-second cinematic photorealistic science-fiction action short, 16:9. A massive human exploration fleet arrives above a completely ocean-covered alien planet. Suddenly the entire ocean begins rising from the planet. Not a wave. The WHOLE OCEAN lifts into space as an enormous spherical mass of water. The fleet scatters violently. Fighter spacecraft race between gigantic columns of water stretching from the planet into orbit. An enormous alien structure begins emerging from beneath the exposed ocean floor. Enemy ships suddenly appear and attack. The human fighters dive through waterfalls hundreds of kilometers long while missiles streak past them. One exploration ship races toward the emerging structure. The ocean continues rising around it. The ship enters the structure just before the entire planet becomes surrounded by a colossal floating sphere of water. Inside the structure, a single enormous artificial eye opens. CUT TO BLACK. Photorealistic, breathtaking planetary scale, extreme motion, spectacular space combat, enormous water physics, dynamic camera angles, cinematic lighting, intense escalation, no text, no logos, no anime, no cartoon.

Create a heartwarming cinematic 20-second 3D animated family scene in a cozy home office during a warm evening. A young father with curly brown hair, expressive eyebrows, and a red-and-blue Spider-Man inspired sweater sits at a wooden desk working on a laptop. Beside him is his adorable little baby girl wearing a beige knitted outfit and a cute bear-ear winter hat. The baby watches her father closely while he works. The father occasionally looks at her with a tired but loving expression, drinks from a white coffee mug, and continues typing on his laptop. The baby sits beside him in a small high chair, curiously observing everything. Show the father becoming distracted when the baby interacts with a small red toy car and a plate of food on the desk. Include natural facial expressions, subtle eye movements, gentle hand gestures, and realistic parent-child interaction. Later, the baby proudly shows her father a handmade drawing of the two of them together with a heart. The father's expression changes from tired and stressed to emotional, surprised, and deeply touched. End with the father smiling warmly, turning toward his daughter, embracing her lovingly, and giving her a gentle hug. Style: high-quality cinematic 3D animation, Pixar-inspired family-film aesthetic, soft warm indoor lighting, detailed expressive faces, realistic fabric and hair textures, cozy atmosphere, shallow depth of field, smooth character animation, natural camera movement, emotional storytelling. Vertical 9:16 composition, cinematic framing, consistent character appearance throughout, smooth transitions, detailed environment, wholesome emotional ending.

The robot kiss the man on the cheek and says “I love you dad” The man kisses the robot on the forehead and says “I love you too Rocket” The horses and dogs circle around them playfully.

SCENE CONTEXT: Empty 24-hour coin laundromat in Osaka, 3am. A woman in an oversized grey coat sits alone. Each dryer window shows a different warm memory of her life instead of clothes. Photorealistic, melancholic, cinematic. ACTIVE REFERENCES: Woman (consistent face, black bob, grey coat). LOCATION MAP: Row of 6 front-load dryers left, folding table center, flickering fluorescent tube overhead, rainy glass door behind camera. FIRST FRAME / SPATIAL BLOCKING: Woman seated center-right on plastic bench, hands in pockets, facing the dryers 2m away. Dryer 3 glowing amber. FORMAT MODE: 9:16, 15 seconds, hard cuts only. OPTICS: 50mm, shallow DOF, soft halation on light sources. CAMERA: Handheld, slow drift, subtle breathing sway. ACTION TIMING: 0.0–2.5s | Wide: fluorescent flicker, she stares at a spinning dryer 2.5–5.0s | Hard cut, macro inside dryer 3: a child's birthday candle scene tumbles like laundry, warm light 5.0–7.0s | Hard cut, tight on her eyes, amber light reflecting, a tear forms 7.0–9.5s | Hard cut, she stands and walks to dryer 4, it glows with a different memory (hands holding at a train station) 9.5–12.0s | Hard cut, palm on the glass, light shifts across her face, her breathing slows 12.0–15.0s | Hard cut, all dryers stop one by one, windows go dark, her reflection smiles slightly

电影级写实质感，纯古风中国仙侠美学。 以成熟的身份冲突、克制的武侠人物表演、依靠潜台词和人物站位完成反转的资深编剧式对白为核心。 采用： Arri Alexa 电影机质感 自然体积光 细腻胶片颗粒 核心反转 这次跳出以下这些已经使用过的结构： 抗命 替罪 认输 营救 忠诚测试 把冲突直接放在 “继承” 本身。 所有人都认为： 对小师妹最大的认可，就是让她接过剑仙师姐的剑、名号和位置。 真正的反转却是—— 师姐恰恰因为真正认可她，才不允许她的人生最终只变成： “第二个自己。” 参考与环境 将 @图片 1 和 @图片 2 严格作为人物身份锚点。 本轮上传的全部背景与地点参考图共同决定同一套环境 DNA。 正式构图前，无声重组彼此兼容的： 真实地形 建筑语言 材质年代 植被 水体 天气 山雾 倒影 主光方向 空气纵深 形成一个全新的统一地点。 背景原则 背景始终持续鲜活，但在叙事上绝对中立。 角色设定 角色 ID A｜剑仙师姐 始终是同一个 @图片 1 剑仙师姐： 25–30 岁东亚女性 椭圆白皙面庞 深色杏眼 黑色长发半挽，以白玉簪固定 身材高挑纤细 穿同一套白色刺绣真丝汉服 半透明宽袖 银色腰封 玉佩 白色布靴 持唯一一柄银色长剑 角色 ID B｜小师妹 始终是同一个 @图片 2 小师妹： 20–25 岁东亚女性 圆润灵动的脸 黑发编辫 身形娇小 穿同一套青绿色亚麻汉服 深色腰带 木簪 黑色布鞋 持唯一一柄已经有使用磨损的深色钢剑 其他次要角色 一名年长师父 两名宗门弟子 一名外宗使者 这些角色只作为次要见证者存在。 分段结构 0–5s｜全景或远景 一名年长师父主持正式传位仪式。 他双手递出一柄象征剑首身份的礼仪银剑，沉声说道： “接剑。从今日起，你继她的位。” 同一个小师妹下意识伸手。 手指还没有碰到剑， 同一个白衣剑仙突然出剑，只用一次极干净、克制的剑身碰撞把礼仪银剑拨向侧面，绝不能攻击任何人。 她只说： “她不接。” 小师妹立即转头看她： “为什么？” 5–10s｜中景或牛仔景 保持： 同样两名女子 同样服装 同样长剑 同一柄礼仪剑 完全一致的地理空间 师父明显不悦： “你不认她？” 师姐真正看向小师妹，回答： “正因为认。” 完整停顿半拍，再落下一句： “我的位置，只够站一个我。” 浅景深后方，同一个外宗使者忍不住轻笑： “那她算什么？” 师姐甚至没有转头回应这个问题，只继续看着小师妹： “问你自己。” 这一刻不要煽情音乐强推情绪，只保留自然空间声与低而克制的配乐底色。 背景中的以下元素继续自然运动，却完全不介入剧情： 风 水体 山雾 衣袖 发丝 倒影 远处人物 10–15s｜特写或极近特写 同一个小师妹先低头看一眼被拨开的礼仪银剑，又看向自己手里那柄陪伴她多年的旧深色钢剑。 她不再问自己能不能继位，而是换了一个问题，低声问： “那我站哪儿？” 同一个师姐没有替她决定身份，只回答： “别站我后面。” 完整停顿半拍。 小师妹真正听懂之后，从原先落后师姐半步的位置走出来，第一次主动与师姐并肩站立，侧头问： “这儿？” 师姐始终看着前方，没有赞美，也没有安慰，只再说三个字： “再往前。” 极近特写跟随小师妹的眼神变化： 她短暂愣住，随后真正向前走出完整一步，第一次站到师姐前方。 师姐没有伸手拉她，也没有叫她回来。 浅景深后方： 同一个年长师父彻底沉默 那个刚才还在轻笑的外宗使者也慢慢收起笑容 最终画面明确停在： “小师妹拿着自己的旧剑站在最前方” 被拨开的传承银剑仍留在后方，没有任何人再去捡它。 这意味着： 不是小师妹继承了师姐的位置， 而是师姐第一次把前面的位置，真正让给她自己去走。 戏剧核心 整段真正完成的不是“拒绝传位”，而是： 拒绝把小师妹定义成“下一个师姐” 拒绝把认可等同于复制 让她不再作为谁的延续存在 让她第一次站到属于自己的位置上 表演原则 剑仙师姐 不能煽情 不能说教 不能像在做牺牲式成全 她的态度必须稳定、克制、坚定 她不是否认小师妹，而是拒绝小师妹被自己的名号吞没 小师妹 前半段必须处于“顺着大家期待去接位”的自然状态 中段听不懂，但开始动摇 后段真正听懂“别站我后面”的含义 情绪不能爆发式外放 必须主要靠眼神变化和站位变化完成成长 年长师父 起初代表制度与传统秩序 最后沉默本身就是态度变化 不需要认错，也不需要解释 外宗使者 起初带一点旁观者的轻慢 最后收起笑容，说明他也意识到这不是简单的拒绝，而是更高层级的认可 硬性要求 严格总时长 15 秒 16:9 横屏 严格 三个连续清晰镜头 原生同步普通话对白 精准口型 精准视线关系 人物身份全程稳定 发型全程稳定 服装全程稳定 两人原有长剑全程稳定 礼仪银剑全程稳定 配角位置全程稳定 地理空间全程稳定 人物动作数量严格克制 以下三个动作必须清楚可读： 剑身拨开 回头 迈步 微表情必须真实克制 真丝衣料、金属长剑和头发物理效果自然 前景、中景、远景保持真实视差和同步空间环境声 不生成字幕 Seedance 2.0 Mini 执行重点 针对 Seedance 2.0 Mini，重点强化： 人物参考一致性 多人物视觉主次 少而精准的动作节点 稳定摄影机连续性 光影连续性 核心道具连续性 对白、金属轻碰声、脚步声、衣料声和环境声的精准音画同步 Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

什么寒川无影客，还是不如王二狗顺耳 prompt： 电影级写实质感，纯古风中国仙侠美学。 把史诗级高手自报家门的庄严镜头语法，逐渐瓦解成一本正经的 “身份掉马” 喜剧。 吸收： 默片式反应节奏 英式身份降格冷幽默 港式喜剧快速铺垫与回收 清楚的“三拍递进” 采用： Arri Alexa 电影机质感 稳定清晰的面部微细节 细腻胶片颗粒 自然体积光 核心喜剧主线 整段只保留一条第一遍就能立即看懂的喜剧主线： 一个气势极强的敌方剑客，想用越来越夸张的江湖名号压住全场；师姐却从头到尾只想知道： “你到底叫什么？” 最后年长师父突然认出他小时候极其普通、甚至有点尴尬的旧名，一句话就把敌人辛苦经营多年的绝世高手人设彻底打回原形。 笑点原则 核心笑点来自： 身份地位反差 熟人社会的精准拆台 绝不能依赖： 人物突然变蠢 环境事故 外力巧合 参考与环境 将 @图片 1 和 @图片 2 严格作为人物身份锚点。 本轮新上传的所有背景与地点参考图，共同决定同一套环境 DNA。 保留能够辨认的： 真实地形 建筑 材质 植被 水体 天气 山雾 主光方向 倒影 空气纵深 同时重新规划成本轮独有、完整统一的新空间。 背景原则 背景中的以下元素持续鲜活存在，但在叙事上绝对中立： 自然风 水体 植被 云层 远处普通弟子 空间环境声 角色设定 角色 ID A｜剑仙师姐 始终是同一个 @图片 1 剑仙师姐： 25–30 岁东亚女性 身材高挑纤细 椭圆脸 深色杏眼 黑色长发半挽，以白玉簪固定 始终穿同一套白色刺绣真丝汉服 银色腰封 玉佩 白色布靴 持唯一一柄银色长剑 角色 ID B｜小师妹 始终是同一个 @图片 2 小师妹： 20–25 岁东亚女性 身形娇小 圆润灵动的脸 黑发编辫 始终穿同一套青绿色亚麻汉服 深色腰带 木簪 黑色布鞋 持唯一一柄深色钢剑 其他角色 敌方剑客 气势极强 出场充满仪式感 极度依赖自己经营多年的江湖名号 强烈维持“绝世高手”人设 年长师父 从头到尾一本正经 并非故意羞辱对方 只是自然认出熟人旧名 最后再补最后一刀 分段结构 0–5s｜全景或远景 一名气势极强的敌方剑客大步进入根据本轮参考图自然形成的开放区域。 他极有仪式感地掀开外层披风，一只手压住剑柄，以真正绝世高手登场的姿态高声宣布： “北岭孤鸿，断江一剑，今日特来领教！” 同一个白衣剑仙完全没有被气势影响，只非常平静地问： “你叫什么？” 敌人明显停顿一下，随后反而更加骄傲地继续： “江湖人称 —— 寒川无影客！” 5–10s｜中景或牛仔景 保持： 同样人物 同样服装 同样长剑 完全一致的地理空间 同一个小师妹慢慢转眼看向师姐。 同一个师姐没有任何嘲笑，仍然非常认真地再次确认： “我是问名字。” 敌人终于出现一点不自然，却依然努力维持高手气质： “名号就是名字。” 浅景深后方，同一个年长师父突然眯起眼睛，非常认真地盯着敌人的脸看了一拍。 随后像终于认出一个多年没见的熟人一样，突然问道： “王二狗？” 全场绝对安静。 敌人整个身体瞬间僵住，原本挺得极直的英雄式姿态，肉眼可见地垮下去一点。 整个背景继续自然鲜活地运行，却完全不参与这个反转。 10–15s｜特写或极近特写 同一个敌人难以置信地转头看向师父： “您…… 认识我？” 师父完全没有意识到自己正在拆台，只非常自然地回答： “你小时候偷我枣，被狗追过三条街。” 同一个小师妹瞬间低下头，肩膀出现极小幅度颤动，拼命憋住笑。 敌人赶紧重新转回师姐，试图挽回最后一点江湖尊严，压低声音认真解释： “江湖已经没人这么叫了。” 同一个白衣剑仙听完之后非常郑重地点一下头，表示完全理解，然后平静回答： “明白，二狗。” 极近特写： 敌人刚刚勉强恢复的一点表情再次彻底垮掉 同一个小师妹终于忍不住迅速转开脸，短促笑出一声 后方同一个年长师父再一本正经补最后一刀： “现在又有人叫了。” 敌人彻底忘记自己原本是来挑战的，只沉默地把披风往脸前拉高一点，仿佛第一次后悔今天为什么要报这么多名号。 在这个表情上精准切黑。 喜剧节奏结构 整段保持清楚的“三拍递进”： 第一拍 敌人以史诗级高手姿态自报家门，气势拉满。 第二拍 师姐完全不接他的名号体系，只追问最普通的“你叫什么”。 第三拍 师父一句“王二狗”直接让整个人设掉马，后续所有挽尊都变成新的笑点。 表演原则 敌方剑客 不能主动搞笑 不能表演成丑角 必须认真维持自己的威严、名号和气场 喜剧效果只能来自他越认真维护身份，越被现实拆穿 剑仙师姐 必须始终平静 不嘲讽 不抢包袱 她的可笑点不在“会玩梗”，而在她真的只在认真确认名字 小师妹 必须自然反应 重点是“努力忍笑” 不能提前夸张崩坏 年长师父 必须绝对一本正经 像是在正常认人、正常回忆往事 补刀不能像故意捧哏，而要像无意识地再补一层事实 硬性要求 严格总时长 15 秒 16:9 横屏 三个连续清晰镜头 针对 Seedance 2.0 Mini 保持简单清楚的场面调度 明确视线关系 严格人物连续性 原生同步普通话对白 精准口型 清楚的喜剧停顿 人物服装全程稳定 长剑全程稳定 配角位置全程稳定 地理空间全程稳定 真丝衣料和头发物理效果真实 前景、中景、远景保持自然视差与真实空间环境声 不生成字幕 Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props