You want an ai action movie you can actually direct—same street, same fighter, one shot at a time. Drop in a chase or fight beat, set your lead's look, and generate the next angle without leaving the project.
Start from a prompt, logline, script, still, storyboard, or reference clip—the next chase or fight generates in the same Canvas project. The street stays the street and the fighter stays the fighter, so a wide, a pursuit, and a reaction close feel like one beat. Plan shots in 3D Shot Composer, keep characters consistent with reference images, and generate in 4K or upscale 720p to 4K.
USE CASES
Bring a script or storyboard and block who stands where before the first punch lands. Generate a wide that shows the space, then mediums and close-ups that match the same beat. Set your lead's look first so the fighter in the wide is the same person in the close.
Map the pursuit path in 3D Shot Composer before a live crew has to shoot the hard chase. Start from a logline or reference clip, plan camera and shots in the same project, then generate frames that fit this chase.
Need a rooftop jump or stair fall for a pitch deck? Drop a still or storyboard cell and generate shots that match the look. Keep every take in the Canvas project so the team shares the same assets while the set piece comes together.
A brand film that needs one high-energy beat starts here. Set wardrobe and face, direct the camera on the set piece, then generate the next shot in the same project. Teammates can open the same Canvas while that beat is still coming together.
BENEFITS
What stays consistent when you generate the next shot.
01
Each new shot joins the same sequence instead of becoming another random clip. A chase wide, a pursuit medium, and a reaction close still play as one beat because they stay in one project.
02
Character references, portrait enhancement, and micro-expression control keep face, wardrobe, and performance consistent across wides, mediums, and closes. The lead stays recognizable when an ai action movie moves from a street wide to a punch close.
03
3D Shot Composer lets you plan framing before you generate. Lens, aperture, shutter, depth, and camera moves sit on the shot you keep—a chase wide and a punch close share one visual language instead of hoping the model guesses the move.
04
Every beat stays in the project, so you can change a camera call or performance note and regenerate that shot. Teams share the Canvas and assets while the sequence is still being built.
05
Built-in 200+ film genre skills let you borrow camera language and pacing from an action reel you trust, then apply that rhythm to your own chase or fight beat without leaving the project.
HOW IT WORKS
Start with a short prompt, logline, script, image, storyboard, or reference video. Keep the first note about the chase or fight you want to generate.
Set character identity, plan your shots, and pick the camera before you generate the next frame. Treat each new take as part of the same ai action movie.
Generate shots that fit this sequence. The next shot continues in the same Canvas project—a close or camera move picks up the same beat. Share the project when a teammate needs the same assets.
Pair your ai action movie with previz, camera settings, and other Film Studio tools.
Set your characters, pick your camera, and generate chase and fight shots that feel like one sequence.